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1967 APBA PRO FOOTBALL SET ROSTER the Following Players Comprise the 1967 Season APBA Pro Football Player Card Set
1967 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1967 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. ATLANTA ATLANTA BALTIMORE BALTIMORE OFFENSE DEFENSE OFFENSE DEFENSE EB: Tommy McDonald End: Sam Williams EB: Willie Richardson End: Ordell Braase Jerry Simmons TC OC Jim Norton Raymond Berry Roy Hilton Gary Barnes Bo Wood OC Ray Perkins Lou Michaels KA KOA PB Ron Smith TA TB OA Bobby Richards Jimmy Orr Bubba Smith Tackle: Errol Linden OC Bob Hughes Alex Hawkins Andy Stynchula Don Talbert OC Tackle: Karl Rubke Don Alley Tackle: Fred Miller Guard: Jim Simon Chuck Sieminski Tackle: Sam Ball Billy Ray Smith Lou Kirouac -
Grizzly Big Sky
Grizzly Big Sky PLAYER YEAR PLAYER YEAR Jerry Luchau, OG..............................1963 Pat Curry, D E......................................1 9 8 1 Chris Pomajevich, WR...................... 1963 Jim Rooney, OT ..................... 19 8 1 Pete Gotay, FB................................... 1963 Mickey Sutton, C B /PR..................... 19 8 1 Paul Connelly, T B..............................1964 Tony Fudge, SS.................................. 1 9 8 2 Wayne Harrington, OC.................... 1964 Ben Kiefer, O LB ................................ 1 9 8 2 Terry Bergren, TB.............................1965 Brian Salonen, TE.............................1 9 8 3 Willie Jones, TB/Rets........................1965 Mike Rice, W R /P ..................... 1985, 86 Warren Hill, TB .................................. 1966 Larry Clarkson, OT.................. 1986, 87 Bob Graham, O C ............................... 1967 Tony Breland, SS.........................•......1 9 8 7 Lon Howard, OT................................ 1967 Scott Camper, DT..............................1 9 8 7 Larry Huggins, D E.............................1967 Pat Foster, DE.....................................1 9 8 7 Bryan Magnuson, FB........................ 1967 Mike Rankin, ILB 1987, 88, 89 Mick O’Neill, DB ................................ 1967 Bill Venard, OG .................................. 1 9 8 7 Bob Beers, ILB......................... 1967, 68 $Tim Hauck, F S 1988, 89 Herb White, DE ........................ 1967, 68 Kirk Scrafford, OG ................... 1988, 89 Tuufuli -
Sheet Music Collection
McLean County Museum of History Sheet Music Collection Inventoried by Sharon Tallon, Museum Library volunteer German translation by Eleanor Mede April 2012 Collection Information VOLUME OF COLLECTION: Three Boxes COLLECTION DATES: 1870 – 1968 PROVENANCE: None RESTRICTIONS: Collection has several brittle documents. Before making photocopies of items please obtain permission from librarian or archivist. REPRODUCTION RIGHTS: Permission to reproduce or publish material in this collection must be obtained in writing from the McLean County Museum of History. ALTERNATIVE FORMATS: None OTHER FINDING AIDS: None LOCATION: Archives Scope Note This collection includes approximately 750 individual pieces of sheet music, booklets and books copyrighted from 1870 through 1968. A few are encapsulated and may appear in displays in the People or Politics room on the Museum’s first floor. Sheet music also is sometimes featured in temporary, but long-running, displays. People who lived in (or once lived in) McLean County donated most, if not all, of the individual sheets, booklets and books of music that represent the 90 years of music listed in this collection. The first section (Box 1, Folders 1 through 6) is devoted to music that has a direct connection to McLean County. Other sections in Box 1 include music with Chicago connections as well as other places in Illinois, a few other states and Canada, as well as cultural and subject-related music. Dance and instrumental music (with or without vocal) make up the bulk of Box 2 along with a listing and some sheet music by Irving Berlin and Walt Disney. Five folders (10, 11, 15, 16, and 17) are devoted to German instrumental music. -
Internationale Evergreens
Internationale Evergreens: A Banda Amapola (First Love) [Lacalle, Joseph M.] Bad Bad Leroy Brown A Child Is Born Amazing Grace Ballade Pour Adeline A Day In The Life Of A Fool (Manha De Carnaval) American Patrol Basin Street Blues A Felicidade Amor (Amor, Amor, Amor) Beautiful Dreamer A Fine Romance (Swing Time) [Kern, Jerome] Amorada Beautiful in My Eyes A Foggy Day And I Love Her Bei mir bist du schön A Groovy Kind Of Love Anema E Core (with All My Heart) Bésame Mucho (Kiss Me Much) A Guy Is A Guy Angel Eyes Bewitched [Joey, Pal] A Man And A Woman (Un Homme Et Une Femme) Anna Beyond The Sea (Beyond The Sea) [Trenet, Charles] [Lai, Francis] Another Time, Another place Big Spender A Nightingale Sang In Berkeley Square Answer Me My Love Bill Bailey Won't You Please Come Home A Pretty Girl Is Like A Melody Are You Lonesome Tonight Black Orpheus A Room With A View Around The World Blame It On My Youth A String Of Pearls Arrivederci Roma (goodbye To Rome) Blowin' In The Wind A Sunday Kind Of Love Arthurs Theme (Best That You Can Do) Blue And Sentimental A Swinging Safari As Long As He Needs Me Blue Moon A Taste Of Honey As Tears Go By Blue Velvet A Time For Us (Romeo And Juliet) [Rota, Nino] As Time Goes By (Casablanca) [Hupfield, Herman] Blueberry Hill A Whiter Shade Of Pale [Procol Harum] At Sundown Bluesette Adiós Muchachos! At The Jazzband Ball Body And Soul After You've Gone Auld Lang Syne Brazil Again Aura Lee Breaking Up is Hard To Do Água De Beber (water To Drink) Autumn In New York Bridge Over Troubled Water Ain't Misbehavin' AUTUMN -
Sheet Music (Unclassified)
SHEET MUSIC (UNCLASSIFIED) A Beautiful Friendship A Touch of the Blues A Certain Smile 'A' Train A Christmas Song A Walkin Miracle A Day in the Life of a Fool A Whistlin' Kettle & a Dancing Cat A Dream is a Wish your Heart Makes A White Sports Coat & a Pink Carnation A Fine Romance A Windmill in Old Amsterdam A Foggy Day A Woman in Love A Garden in the Rain A Wonderful Day like Today A Good Idea Son A Wonderful Guy A Gordon for Me A World of ou Own A Hard Day's Night A You're Adorable A Horse with no Name Abide with Me A Hunting We Will Go Abie my Boy A Kiss in the Dark About a Quarter to Nine A Little bit More AC/DC A Little Bitty Tear Accentuate the Positive A Little Co-operation from you Accordionist A Little Girl from Little Rock Ace of Hearts A Little in Love Across the Alley from the Alamo A Little Kiss Each Morning Across the Alley from the Alamo A Little Love A Little Kiss Across the Great Divide A Little on the Lonely Side Across the Universe A Long & Lasting Love Act Naturally A Loser with nothing to loose Adagio from Sonata Pathetique A Lot of Livin' to Do Addicted to Love A Lovely Way to Spend an Evening Adios A Man & A Woman Adios Amor A Man Chases a Girl Adios Muchachos A Man without Love African Waltz A Marshmallow World After the Ball A Million Miles from Nowhere After the Love has Gone A Night in Tunisia After the Rain A Nightingale Sang in Berkely Square After You've Gone A Paradise for Two Agadoo A Pretty Girl is Like a Melody Again A Rockin' Good Way Agatha Christies Poirot A Root'n Toot'n Santa Claus Ah So Pure A -
The Following Players Comprise the 1975 Season APBA Pro Football Player Card Set
1975 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1975 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. ATLANTA 4-10 BALTIMORE 10-4 BUFFALO 8-6 CHICAGO 4-10 OFFENSE OFFENSE OFFENSE OFFENSE WR: Ken Burrow WR: Roger Carr WR: Bob Chandler WR: Bob Grim Alfred Jenkins TC OC Glenn Doughty J.D. Hill Bo Rather OC Wallace Francis OA Freddie Scott John Holland TC OC Steve Schubert TC OC Tackle: Len Gotshalk Tackle: George Kunz Tackle: Donnie Green Tackle: Jeff Sevy Brent Adams Dave Taylor Dave Foley Lionel Antoine Nick Bebout Ed George Halvor Hagen Bob Asher Guard: Dennis Havig Guard: Elmer Collett Jeff Winans Guard: Mark Nordquist Larron Jackson Robert Pratt OC Guard: Joe DeLamielleure Noah Jackson Royce Smith Bob Van Duyne Reggie McKenzie OC Revie Sorey Center: Jeff Van Note Ken Huff Jeff Yeates Bob Newton Paul Ryczek Center: Ken Mendenhall Bill Adams Center: Dan Peiffer TE: Jim Mitchell Forrest Blue Center: Mike Montler Dan Neal Greg McCrary OC TE: Raymond Chester Willie Parker TE: Bob Parsons (2) PA KB KOB QB: Steve Bartkowski Jimmie Kennedy OC TE: Paul Seymour Greg Latta Kim McQuilken QB: Bert Jones Reuben Gant Gary Butler Pat Sullivan Marty Domres QB: Joe Ferguson QB: Gary Huff HB: Haskel Stanback Bill Troup Gary Marangi Bob Avellini Mack Herron (2) TA OB HB: Lydell Mitchell HB: O.J. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life. -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September. -
INFORM the Official Magazine of U3A Perth
INFORM The Official Magazine of U3A Perth. Issue 141, March—April 2021 Registered as U3A (UWA) Inc PATRON: Emeritus Professor Alan Robson AO, CitWA Annual General Meeting In This Issue he Annual General Meeting will President’s Report 2 be held on Sunday 11 April 2021 Morning Tea 2 Valete 3 in the State Library Theatre. T U3A Perth Lecture 3 Detailed documentation for the AGM is Denise Visits North Coast 3 contained on pages 9-12. Please bring Ill Met by Moonlight 4 along that information on the day. Refer Perth Lecture Report 4 to our upcoming flyer for booking details. Meet the Film Crew 5 Puzzle Answers 5 You can contact Christine on 0468 781 Regional Programs 6-8 857 for enquiries. AGM Material 9-12 political and organisational change have Following the presentation of certificates Programs Continued 13-15 given Sue a very individual perspective on North Coast 15 and delegates Sue Boyd will present a the world. Mysterious Muddy Footprints 16 lecture entitled “A Life not so Music a la Piaf 16 Diplomatic”, or “The Conversation that As the first female president of the UWA Exploring the Great Southern 17 Changed my Life” in which Sue Boyd Student Union (with Kim Beazley as her Politics Sure Has Changed 17 recounts a comment made by a fellow deputy), a list of postings that could be U3A Choir in Tune with Community 18 AGM 2020 Speaker 18 student at UWA in 1969 which changed used as an advertisement for a Bond Fun and Games 19 her life. 35 Years with the Department of movie, Stasi spies and standoffs with Sea Breeze 19 Foreign Affairs & Trade in a time of global, Ministers, Sue has a tale to tell. -
Country Music in the Modern Era: 1940S-1970S New World NW 207
Country Music in the Modern Era: 1940s-1970s New World NW 207 Country music is a commercial art. The music's artistic development is intertwined with the growth of those institutions that helped or hindered the performance of the music. Radio shows, record companies, and television networks have all had a place in the story. Great artists have left their mark on country music's sound, and great executives have had an equal influence on the music by affecting its packaging and availability. The term "country music" came into use only gradually in the years following World War II. "Hillbilly music" had been the term used to characterize the music of the white rural South, but after the war the style came under the influence of popular music and an urban audience, and as the music changed "hillbilly" became less and less accurate. The period between World War II and the middle seventies has generally been one of growth in the audience for this most native of American music traditions. In the twenties and thirties country material was essentially folk music placed on disc. By the end of the thirties the music had diversified to a considerable degree, but much hillbilly music continued to reflect British and American folk song. It was most frequently recorded on location in the South and Southwest. Powerful radio stations like Chicago's WLS and Nashville's WSM broadcast live country music to a growing audience. Bob Wills and his jazz influenced western swing thrilled thousands of country fans in the Southwest. Yet, despite these signs of musical growth and diversity, hillbilly music remained unfocused in the thirties. -
Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music........................................................................................................................................... -
Revival/Neo Rockabilly Revival
REVIVAL/NEO ROCKABILLY 85 REVIVAL/NEO ROCKABILLY 4 GATOS BLUE MOON ROCKERS RUMBLE CD SK 6930 € 14.90 THE BLUE MOON ROCKERS 45 RPM VOLUME 2 CD C 192591 € 16.90 FORTY FIVE RPM CD RBR 5613 € 15.34 BR5-49 C’mon Little Baby- Tennes see Zip- Yeah Baby- I Love You Honey- Two TEMPO RARILY DISCON NECTED CD BR 549 € 9.90 Hearts- Perfect- Move It On Over- He Will Come Back- Here Comes & (2003/BR549) 5 tracks!! Limited edition and not available in That Feel ing Again- My Little Baby- Devil’s Poem- Why Don’t You stores!Three Nashville studio tracks plus two live tracks from Haul Off (And Love Me One...)- This Little Girl’s Gone Rockin’- Stop, Georgia! A REAL raity!!/Streng limitiert!Nicht im Handel Look And Listen- My Boy Elvis- Stop Whistlin Wolf erhältlich!Drei Studioeinspielungen plus zwei Livetracks aus Georgia! & (2005/RHYTHM BOMB) 16 tracks A-BONES HANK C. BURNETTE € DADDY WANTS A COLD BEER... A TOUCH OF MEMPHIS CD 2001-6 15.50 2-CD CD CED 310 € 19.90 LOU CIFER & HELLIONS & ...And Other Million Sellers (2004/NORTON) Specially priced THE ROCKVILLE INCIDENTS - Twentieth Anniversary double CD with 46 tracks including all ULTI MATE COLLEC TION CD 66602 € 14.90 A-Bones non-LP singles and compilation tracks! Ten unissued Dance Of The Teddy Boy- Glad To Be A Ted- Join A (Teddy Boy) cuts!/Brand new recording with the 5.6.7.8’s!/Includes A-Bones Streetgang Today- It’s Gotta Be A Ted- Bad Ted Boogie- Gone Are backing the Great Gaylord, Rudy Grayzell, Roy Loney and The Days- You Don’t Know Nothin’- You’ll Never Be A Ted- Devil’s Johnny Powers!/28 page