DOCSLIB.ORG

MK Citizen GO 9 April 2015

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MK Citizen GO 9 April 2015 Thursday, April 9, 2015 www.miltonkeynes.co.uk MILTON KEYNES GO 7 Theatre Steps in time with Flavia & Vincent show is inspired by the likes of As Tony and Sadie’s burgeon- MK THEATRE Fred Astaire and Ginger Rog- ing romance develops, a plot ers, and Gene Kelly and Cyd to frame Tony for Bobby’s mur- By Georgina Butler Charisse. der comes to light. [email protected] Glamorous costumes, iconic Can the lovers use their flaw- musical numbers and breath- less footwork and spellbind- Prepare to be swept off your taking dancing will effortless- ing choreography to Tango feet when sensational dance ly transport you back to Los and Quickstep their way out Angeles in the 1940s for this of trouble and into each oth- duo Vincent Simone and Flavia classic love story and vintage er’s arms? Cacace return to Milton Key- whodunit rolled into one. The show is packed full of nes Theatre with their smash- The narrative sees some cun- witty wise-guy one-liners, hit show Dance ‘Til Dawn. ningly clichéd characters playful comedy moments, caught up in a murder inves- some splendid signing and, of After stealing hearts on the tigation. course, lots of dancing. BBC’s Strictly Come Danc- Behind the scenes of a Hol- Vincent and Flavia may be ing, Vincent and Flavia daz- lywood movie company, best known for their intense- zled dance fans nationwide in matinee idol Bobby Burns is ly passionate Argentine Tango FLAVIA AND VINCENT: Captivating 2010 when they sashayed away murdered. routines but Dance ‘Til Dawn from the confines of the ball- Admittedly, he had been ask- promises a smorgasbord of room and into theatres with ing for trouble by cheating on exciting ballroom and Latin their first stage show, Mid- beautiful starlet Sadie Strauss styles – this captivating couple night Tango. (Flavia) with a shady gang- are set to dance the night away. The former world champions ster’s girlfriend. have been dancing together Meanwhile, handsome rising Dance ‘Til Dawn returns to Oi! Oi! The Blocks are back for 20 years. star Tony DeLuca (Vincent) MK Theatre from Monday Unsurprisingly, their irresist- has had his eye on Sadie for a until Saturday April 18. the same evening. Tickets to see The Shires, the ible partnership and sizzling while and is coming to realise Call the Box Office on 0844 THE STABLES There are Jazz Matters afoot record breaking duo from signature Argentine Tango that she is the girl for him. 871 7652. on Sunday morning, and Beds and Herts who went proved to be a recipe for on- Fiery, emotionally charged leading British double bass- Top 10 last month with their stage success. compositions are a given ist Arnie Somogyi will be debut album release, are all A triumphant tour of region- with fret-feeler Aynsley introducing his favourite re- sold-out. al theatres and a spectacular Lister, who returns to The cordings by bassist Charlie We know there are an awful stint in the West End got the Stables this evening. Mingus. lot of ticketless people who pair hooked on the buzz of Blues-based rock with plenty There’s a connection be- wanted in for this show, so theatre. of bite tickle your interest? tween Mingus and Arnie’s we’ll move swiftly on and try They further thrilled audienc- Then this is the gig for you, father, too. not to cause any more upset. es last year with slickly-chore- so go on – cut loose and enjoy. If you want to know what it is, OnTuesday night, prog rock ographed production number After all, it’s nearly the week- pop along at 11.30am when all pioneers Renaissance show two – Dance Til Dawn. end. will be revealed. up, and while they do their It’s an affectionate spoof of Feast of Fiddles are up to- Now, here’s a real reason to thing in the JimMarshall the girl-meets-boy roman- morrow night, but that’s all be cheerful – The Blockheads Auditorium, Stage 2 will be tic comedies which typified sold-out. are back on Sunday night. owned by Malinky vocalist the golden age of Hollywood. Still, there is still a treat wait- The Blocks are one of the few and cellist, Fiona Hunter, Combining musical theatre, ing for some of you – Megan bands that we could watch who steps out with bandmate a plethora of dance genres, Henwood is live on Stage 2. every night of the week and Mike Vass. romance and comedy, the She will treat listeners to ma- never be bored by. Get strung along on Wednes- terial from her debut album, Ian Dury’s cohorts in sound day with 4 Parts Guitar – in- 2011’s Making Waves, and the – now fronted by the late cluding Giltrap, Etheridge, newbie Head Heart Hand. Dury’s pal Derek ‘The Draw’ Carroll and Burley. Megan’s folk meets a dark Hussey – are as engaging A little of what you fancy is but youthful slant puts her today as they were back in a good thing, so go get some. Kramer vs. Solid Sixties Show nicely in the ‘nu-folk revival’ 1997 when the seminal New Call the box office on 01908 bracket. Boots and Panties album first 280800 or visit www.stables. IN CONCERT leased a new CD, his first new making!” he said. Jimmy Webb arrives on Sat- caused a stir. org studio album to hit the shelves Billy shared management urday, a fella responsible for The Solid Silver Sixties Show in three decades, it is called I with the man responsible for writing one of the greatest tour bus pulls up at MK Thea- Won the Fight. taking The Beatles to global tracks of all time, and you tre on Sunday. “I’d say it’s been 50 years in the success, the late Brian Ep- don’t need to take our word Billy J Kramer, the man be- stein, and it was John Lennon for that – Wichita Lineman is hind chart hits including Do who suggested Billy add the ‘J’ renowned as a classic. You Want to Know a Secret, to his name. His influence has extended to Bad to Me and Little Chil- He still keeps in touch with many an A-lister – from Billy dren, will be joined on the bill pals from the era: “I sent Paul Joel and John Mayer to Keith by Chris Farlowe, The Mer- McCartney one of the new Urban and Rumer. seybeats, original Searchers tracks, To Liverpool with Love, Half a century since enjoying vocalist Mike Pender and the and he said it really captured his first hit, and he remains a new Amen Corner. the period. trailblazer among songwrit- “I’m delighted to be coming “To be headlining the 30th ers. back to the UK with my band year of the Solid Silver 60s, A night of songs and stories The Rising,” Billy said. which is also my 50th year in to thrill and amuse. “Having been touring in the the business is a real privi- Stand-up comedian Andrew US for quite a while, we have lege,” he added. Lawrence has sold out his become like family,” he said. Billy J Kramer To booktickets visit www.at- show Reasons to Kill Your- INFLUENTIAL: Jimmy Webb In recent times Billy has re- gtickets.com/miltonkeynes self, happening on Stage 2 .
Load more

Recommended publications
  • 'Judas Priest-On Tour' Violators Attacked
    MARCH 18, 1978 VOL. 1, NO. 1 Benefiting FREE San Antonio For Your Austin• Houston Entertainment ~ 'Judas Priest-On Tour' JC 35296 The high priest of heavy rock 'n' roll with their inimitable style grace our shores once again. To change or not to change. That is what a rock and roll band must deal with. A group may develop a success­ ful formula for its music, which leads to personal and/ or commercial contentment. Musicians, upon reach­ ing this point, find their music evolving in a new direction or continuing their successful format. Judas Priest has choosen the security of proven success. Their first two ViolatorsAttacked domestic albums were well See story on page 10 received in this area. With the release of a new album "Stained Class" and • Elvis Costello an upcoming concert March INSIDETHIS • Radio Survey 24 their claim to fame is • Trivia Quiz sound. ISSUE! .-HELLO IT'SUS- / Welcome to It's Onlu Rock and , Muhammad Ali, chicken fried steak, Roll. What are you being welcomed cars with dead batteries, Rocky Hor­ to anyway? ror Picture Show and working over­ It's Only Rock and Roll is a time to afford concert tickets and newspaper/magazine of sorts put out vinyl habits. by a few people who know and love Sound comp'iicated, si1ly, insane, music and believe it's time for a unclear? It is all that and more. semi-intelligent, semi-informed rag Best of all it's fun and we' 11 attanpt about music on the local scene. to write about it: show pictures of Because no one is adequately it and make a meager living from it filling the music news and informa­ as long as it stays complicated, tion void in San Antonio, we decided silly, insane, unclear and fun.
    [Show full text]
  • Immediate Records
    Immediate Records In mid-1965, Andrew Loog Oldham was best known as the Rolling Stones’ producer, but his ideas always extended beyond production. In July, he and Tony Calder came up with a brilliant idea to cut the bureaucracy out of the music business. That idea resulted in the creation of a new label, Immediate, which he announced to the world in the August 6th issues of the British trade magazines. New Musical Express had reported that the Rolling Stones might be leaving the London label in the United States. When Billboard reported that for American audiences in the August 21st issue, they added a bit of information about Immediate. Although Immediate did fairly well promoting domestic product and importing singles from small American labels, by the middle of 1966 they had still failed to make it into the American market. However, in June Allen Klein helped to negotiate an agreement with MGM where the American label would release at least two Immediate singles. This was not a satisfactory arrangement for either company and, prior to the release of the label’s first album in the USA, Immediate was in a distribution deal with CBS (Columbia Records). The CBS-distributed singles have the prefix ZS7-, where the 7 indicates a seven-inch record. Their LPs have the prefix of Z12 and, oddly, employ even numbers only. Where they existed, reel-to-reel tapes used the ZQ- prefix, four-track cartridges used the Z14- prefix, and eight-tracks used the Z18- prefix. Immediate Long-Playing Albums Small Faces There Are But Four Small Faces Label 68 Immediate Z12-52002 Pink label.
    [Show full text]
  • Songs by Artist
    73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co.
    [Show full text]
  • Downbeat.Com July 2015 U.K. £4.00
    JULY 2015 2015 JULY U.K. £4.00 DOWNBEAT.COM DOWNBEAT ANTONIO SANCHEZ • KIRK WHALUM • JOHN PATITUCCI • HAROLD MABERN JULY 2015 JULY 2015 VOLUME 82 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Atomic Roosteratomic Rooster Are an English Progressive Rock Band, Originally Formed by Members of the Crazy World of Arthur
    Atomic Rooster Atomic Rooster are an English progressive rock band, originally formed by members of The Crazy World of Arthur Brown, organist Vincent Crane and drummer Carl Palmer, in 1969; original lineup of Vincent Crane (organ), Nick Graham (bass), and Carl Palmer (drums). Their debut album, Atomic Rooster, hit number 49 in the U.K. in June 1970, after which Graham and Palmer left the group. Crane maintained the name and recruited guitarist/singer John Du Cann and drummer Paul Hammond for the second album, Death Walks Behind You, which hit number 12 in the U.K., where it featured the number 11 single "Tomorrow Night," and number 90 in the U.S. Pete French of Cactus assisted on the third album, In Hearing Of, which featured the number-four U.K. single "The Devil's Answer" and reached number 18 in England and number 167 in America. Then the group split up again, and again Crane assembled a new Atomic Rooster, this time featuring singer Chris Farlowe, guitarist Steve Bolton, bassist Bill Smith, and drummer Rick Parnell. Made in England reached number 149 in the U.S. in 1972, but the group had split again by 1974. Throughout their history, keyboardist Vincent Crane was the only constant member, and wrote the majority of their material. Their history is defined by two periods: the early-mid-1970s and the early 1980s. The band went through radical style changes, but they are best known for the hard, progressive rock sound of their hit singles, "Tomorrow Night" (UK No. 11) and "The Devil's Answer" (UK No.
    [Show full text]
  • Mick Jagger © Felix Aeppli 04-2020 / 09-2021
    Memo From Turner Mick Jagger © Felix Aeppli 04-2020 / 09-2021 1001 July 26, 1943 Born in Dartford, Kent: Michael Philip Jagger. 1001A Late 1961 Bob Beckwith’s home, Bexleyheath, near Dartford, and/or Dick Taylor’s home, Dartford, Kent: LITTLE BOY BLUE AND THE BLUE BOYS, SOME OLD SONGS (Download EP, Promotone / iTunes, May 27, 2013: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES FILES 1961-1964 (BT CD: cuts 1-6, 8 [1, 4, 5 plus repeats of 2, 3 all incomplete]); THE ROLLING STONES, REELIN’ & ROCKIN’ (BT CD: cuts 1-5 [all incomplete]); DOWN THE ROAD APIECE (STONES TOURING HISTORY VOL. 1) (BT CD: cuts 1, 9 [1 longer, but still incomplete]); HOW BRITAIN GOT THE BLUES (BT CD: cuts 2, 3, 6, 8), BILL WYMAN’S BLACK BOX (BT CD [VGP]: cuts 2, 3, 6, 8); GENUINE BLACK BOX (BT CD box set [Disc 1]: cuts 5, 11-13); REEL TIME TRIP (BT CD: cut 7): 1. Around And Around, 2. Little Queenie, 3. Beautiful Delilah (all Berry), 4. La Bamba (Trad. arr. Valens), 5. Go On To School (Reed) [not Wee Baby Blues (Turner, John- son)], 6. I Ain’t Got You (Carter), 7. I’m Left, You’re Right, She’s Gone (Kesler, Taylor), 8. Down The Road Apiece (Raye), 9. Don’t Stay Out All Night (Arnold), 10. I Ain’t Got You (Carter), 11. Johnny B. Goode, 12. Little Queenie, 13. Beautiful Delilah (all Berry) MJ: vocals; Keith Richards: guitar, Bob Beckwith: guitar, and maybe harmonica (13); Dick Taylor: bass, guitar, drums (probably 13); Alan Etherington: maracas, drums, back-up vocals; – NOTES: Cuts 1-13: 30 minutes reel-to-reel tape of which the original was bought by Mick Jagger at Christie’s auction house, London, May 25, 1995, for £ 50,250; Cut 10: Existence unconfirmed; Cuts 11-13: Might come from a January, 1962, session at Dick Taylor’s home; – In spite of respective rumours, LITTLE BOY BLUE AND THE BLUE BOYS just rehearsed in their parents homes and never had a public appearance.
    [Show full text]
  • Atomic Rooster – Live at Paris Theatre 1970
    Atomic Rooster – Live at Paris Theatre 1970 (28:56, 10″ EP, Sireena/Broken Silence, 2017) Was für ein Trio, welch ein schönes Zeitzeichen! Nach ihrem Weggang von The Crazy World Of Arthur Brown hatten Drummer Carl Palmer (u.a. ELP) und Keyboard- Wizard Vincent Crane gemeinsam mit dem nach dem Debütalbum bereits wieder aussteigenden Bassisten Nick Graham Atomic Rooster gegründet. In der wechselvollen Geschichte dieser britischen Formation stand später sogar zeitweilig der großartige Chris Farlowe (u.a. Colosseum) am Mikrofon. 1970 oblagen die Gesangsparts dem Gitarristen John Du Cann, in dessen Nachlass sich diese ursprünglich für die BBC in Paris entstandenen, roh und direkt wirkenden Mitschnitte fanden. Der Gesangspflichten entledigt sich John ordentlich bis enthusiastisch, sein Gitarrenspiel ist sogar dem seiner megavirtuosen Spielgefährten bisweilen ebenbürtig – besonders auf Track A-1. Denn nach der schnöseligen TheBeep-Ansage – A.R. darf für Taste (mit Rory Gallagher) eröffnen – steigt das Power-Trio mit seiner aktuellen Hitsingle ‚Friday The 13th‘ ein, die vergleichsweise gesanglich, straff und Gitarren-dominiert wirkt. Beim knapp neunminütigen Instrumental ‚Gershatser‘ hingegen liegen die Dinge anders: die klassisch-barock inspiriert wirkende Komposition wird von Cranes flirrendem Hammondspiel eingeleitet, das so rhythmisch stark wie fanfarenhaft heavy sein kann, wie sein alsbald folgendes großes Solo beweist. Wilde Glissandi leiten zum Tutti über, woraufhin uns der knapp zwanzigjährige Palmer zeigt, wo Hammer und Gong hängen – atemberaubend, damals wie heute. Die B-Seite hebt mit dem zunächst sanft einziehenden, alsbald aber heftig und rhythmisch besonders interessant losrockenden ‚Winter‘ an – sieben Minuten fesselnder Seventies-ProgRock britischer Provenienz! Die EP endet mit einem kleinen Mysterium: Laut Ansage handelt es sich eindeutig um ‚Before Tomorrow‘ (Crane) vom Debüt-Album „Atomic Ro-o-oster“ (1970), dem Backcover und Plattenlabel zufolge jedoch um die Du Cann- Co-Komposition ‚Shabaloo‘.
    [Show full text]
  • Eetihaelks " God Onlyshows Where They're At
    19 RECORD MIRROR, June 24, 1972 Mirrorpick/lis A Rooster in ATOMIC ROOSTER: Made in England (Dawn DNLS 3038). Though the denim sleeve in various colours was a nice concept, the actual finish product with ragged edges doesn't seem so appealing. None the less the inner record will doubtless appeal to many. The single 'Stand By Me' is included in which Chris leans Farlowe manages to bend some intriguing notes.basic sound is like aknock -out version of The opener 'Time Take My Life' is a surpriser withmore soulful version of"Swanee River" which big orchestral arrangement by Vincent Crane.the background musicwould have Stephen Chris Farlowe's voice may irritate or intrigue, butin Hollywood thrillerFoster turning in his this album is worth a listen to see the reaction. series.Nice sax. andgrave. A patchy se- 'Never to Lose' is a moody number on openingflute solos. R. M. quence here and there. leading into Steve Bolton's competent guitar solo. A Sort of samey. strange intro to side two - that will have manyCLEO LAINE listeners rushing for 10p for the light meter, or Feel The Warm (Co- checking if the stereo has blown! This doesn't blowlumbia SCX 6497). TheDAVID BROMBERG my mind, though, but they're popular and in view ofwarmth is in that rich, David Bromberg the amount of changes that have happened recently,velvety, expressive(CBS 64906). Hard to there is obviously room for tightening up. 'Peoplevoice. Pop singers, fe-describe the exact stat- You Can't Trust' has support vocals and Crane'smale division, come andus of this writing, gui- piano and organ work featured more strongly.
    [Show full text]
  • Polydor Records Discography 3000 Series
    Polydor Records Discography 3000 series 25-3001 - Emergency! - The TONY WILLIAMS LIFETIME [1969] (2xLPs) Emergency/Beyond Games//Where/Vashkar//Via The Spectrum Road/Spectrum//Sangria For Three/Something Special 25-3002 - Back To The Roots - JOHN MAYALL [1971] (2xLPs) Prisons On The Road/My Children/Accidental Suicide/Groupie Girl/Blue Fox//Home Again/Television Eye/Marriage Madness/Looking At Tomorrow//Dream With Me/Full Speed Ahead/Mr. Censor Man/Force Of Nature/Boogie Albert//Goodbye December/Unanswered Questions/Devil’s Tricks/Travelling PD 2-3003 - Revolution Of The Mind-Live At The Apollo Volume III - JAMES BROWN [1971] (2xLPs) Bewildered/Escape-Ism/Get Up, Get Into It, Get Involved/Get Up I Feel Like Being A Sex Machine/Give It Up Or Turnit A Loose/Hot Pants (She Got To Use What She Got To Need What She Wants)/I Can’t Stand It/I Got The Feelin’/It’s A New Day So Let A Man Come In And Do The Popcorn/Make It Funky/Mother Popcorn (You Got To Have A Mother For Me)/Soul Power/Super Bad/Try Me [*] PD 2-3004 - Get On The Good Foot - JAMES BROWN [1972] (2xLPs) Get On The Good Foot (Parts 1 & 2)/The Whole World Needs Liberation/Your Love Was Good For Me/Cold Sweat//Recitation (Hank Ballard)/I Got A Bag Of My Own/Nothing Beats A Try But A Fail/Lost Someone//Funky Side Of Town/Please, Please//Ain’t It A Groove/My Part-Make It Funky (Parts 3 & 4)/ Dirty Harri PD 2-3005 - Ten Years Are Gone - JOHN MAYALL [1973] (2xLPs) Ten Years Are Gone/Driving Till The Break Of Dawn/Drifting/Better Pass You By//California Campground/Undecided/Good Looking
    [Show full text]
  • Pop / Rock Misto
    CATALOGO LP prezzo POP / ROCK MISTO 2967 BRITISH EUROPEAN LP 3LP 100-TH WINDOW - MASSIVE ATTACK EUR 120,00 209 CASTLE BRITISH EUROPEAN 2LPLP ACKER BILK:THE COLLECTION EUR 23,30 35 BRITISH EUROPEAN LP AGNES BERNELLE - FATHER'S LYING DEAD ON THE IRONINGEUR BOARD 15,50 8283 ARISTA AIR SUPPLY - JUST AS I AM EUR 19,50 9564 ARISTA (Audiophile LP) ALLMAN BROTHERS BAND - BROTHERS ON THE ROAD EUR 19,50 505 FLYING FISH USA AZTEC TWO-STEP/SEE IT WAS LIKE THIS...AN ACOUSTIC RETROSPEC.EUR 14,50 163 CASTLE BRITISH EUROPEAN 2LPLP BARBARA DICKSON EUR 23,30 8620 ART BILL HALEY - GREATEST HITS EUR 15,50 15 BRITISH EUROPEAN LP - Heavy VinylBILL WELLS TRIO - ALSO IN WHITE EUR 22,50 4 AUDIOPHARM 3 LP BRAZILECTRO 3 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 5 AUDIOPHARM 3 LP BRAZILECTRO 4 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 18 CASTLE BRITISH EUROPEAN LP CHICAGO: CHICAGO 8 \ STREET PLAYER EUR 23,30 8619 ART CLIFF RICHARD - GREATEST HITS EUR 15,50 71302 GOLD CASTLE COLLINS JUDY /TRUST YOUR HEART EUR 13,90 166 CASTLE BRITISH EUROPEAN 2LPLP ELKIE BROOKS EUR 23,30 74213 BRITISH EUROPEAN LP 2 LP FRANK ZAPPA - SAMPLER - YOU CAN'T DO THAT ON STAGE ANYMOREEUR 18,50 229 CASTLE BRITISH EUROPEAN 2LPLP GARY NUMAN - THE COLLECTION EUR 23,30 129 CASTLE BRITISH EUROPEAN 2LPLP JUDY GARLAND - THE COLLECTION - LIVE! EUR 23,30 130 CASTLE BRITISH EUROPEAN 2LPLP MANTOVANI AND HIS ORCHESTRA - THE COLLECTION EUR 23,30 4402 CARTHAGE REC.
    [Show full text]
  • D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp
    DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.
    [Show full text]
  • FAME Review: Chris Farlowe - Hotel Eingang
    FAME Review: Chris Farlowe - Hotel Eingang http://www.acousticmusic.com/fame/p05204.htm Hotel Eingang Chris Farlowe Availabel from Amazon.com . A review written for the Folk & Acoustic Music Exchange by Mark S. Tucker ([email protected] ). Chris Farlowe may very well be the most under-appreciated vocalist in rock and roll. His eccentric style is striking for its extreme suppleness, as agile as a sax or guitar. Though his foundation years, back when he was vying with Long John Baldry and such, never much caught my ear, he later joined Atomic Rooster and then Colosseum, fusion outfits with out-of-the-box thinking, and I quickly took notice. All I had to do was hear the pyrotechnics on Skelington and Lost Angeles ( Colosseum Live , 1971) and that was it, I was a hard-core Farlovian. Up to that point, I had never imagined I'd be able to hear a singer in rock and roll who could pull up alongside Leon Thomas (a killer jazz vocalist), but here he was. From that point on, whenever Farlowe showed up on an LP, I got it. Miller Anderson, however, has always ranked very low on my regard for stringpullers. His solo work (Bright City ), groups (Dog Soldier, Broken Glass, etc.) and sessions haven't ever been inspiring, barely even noticeable. For decades, the guy was a Bernie Marsden, but something's happened, probably this alliance with the fiery singer. On the opening cut, Crazy About My Baby , he's hotter than hell, ripping out incandescent blues riffs, and Hard to Get Along With has him pulling up tasty slide ornamentation, with the esteemed Chanter Sisters singing the background.
    [Show full text]