IV.—-Metal Bowls of the Late-Celtic and Anglo-Saxon Periods

Total Page:16

File Type:pdf, Size:1020Kb

IV.—-Metal Bowls of the Late-Celtic and Anglo-Saxon Periods IV.—-Metal Bowls of the Late-Celtic and Anglo-Saxon Periods. By J. ROMILLY ALLEN, Esq., F.8.A. Read 20th January, 1898. THE object of the following paper is to call attention to the highly decorative character of certain metal bowls belonging to the Iron Age, which have been found in Great Britain and in Norway, chiefly with the view of showing that they supply a connecting link between the flamboyant ornament of the Pagan Celtic metal work and the spiral ornament of the Christian Celtic MSS. and sculptured stones. From time to time discoveries have been made in different localities in this country of small circular enamelled discs, the use of which seems to have been a puzzle to antiquaries, who have generally looked upon them as personal orna- ments of some kind. At any rate, they are described in Archaeologia, the Archeeological Journal, and elsewhere as pendants; and the specimens I have seen in museums have been labelled in such a way as to indicate that the curators were unwilling to commit themselves to any definite theory with regard to the use of the discs in question. It has been reserved for a foreign archaeologist, Dr. Ingvald Undset, in a paper entitled " Petites Etudes sur le Dernier Age de Per en Norvege," in the Memoires de la Societe Boyale des Antiquaires du Norda for 1890,b to demonstrate conclusively that such enamelled discs are nothing more nor less than the mount- ings of metal bowls. I propose now to examine as briefly as possible the circumstances under which bowls, or portions of bowls, of this description have been found, with the view of determining their age and place of manufacture. Before going further, how- a Translated by E. Beauvois from a fuller memoir on the subject in the Aarboger, 2nd ser. iv. (1889), 291-316. *> pp. 33-44 Downloaded from https://www.cambridge.org/core. INSEAD, on 05 Feb 2018 at 23:33:49, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0261340900003842 40 Metal Bowls of the Late-Celtic and Anglo-Saxon Periods. ever, it may be as well to explain that the leading peculiarities by which these bowls may be distinguished from any other kind of vessels are as follows : (1) A concave fluted moulding just below the rim. (2) Hooks for suspension by means of rings, with zoomorphic terminations projecting over the rim; the lower portions of the hooks, which are fixed to the convex sides of the bowl, being in the form of circular discs, or of an oval with the lower end pointed, or of the body of a bird. (3) Champleve enamel decorations, either on the lower part of the hooks or on separate pieces of metal of various shapes attached as mountings to the bowl. (4) A ring on a disc fixed to the bottom of the bowl, which is corrugated to give it additional rigidity, with in some cases strengthening ribs round the sides of the bowl in addition. Kg. 1. Bronze Bowl found at Wilton, Wilts. Now preserved at Wilton House, (i linear.) Wilton, Wiltshire.*—This example is taken first because it illustrates very clearly the hooks with zoomorphic terminations and the rings passed through them for suspension. It was dug up about the year 1860, in the course of drainage works, between the Abbey and Kingsbury Square, and is now preserved at Wilton House. It is here exhibited by the kindness of the Earl of Pembroke. The bowl is of a bright yellow alloy, and is lOf inches in diameter and 4j inches high (fig. 1). It appears to have had a circular mounting, 2 inches in diameter, " The Wilton bowl has been figured and described in Messrs. Nightingale and Goddard's Church Plate of Wilts, 27. Downloaded from https://www.cambridge.org/core. INSEAD, on 05 Feb 2018 at 23:33:49, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0261340900003842 Metal Bowls of the Late-Celtic and Anglo-Saxon Periods. 41 soldered to the centre inside on a convexity 4 inches in diameter in the bottom of the bowl. There are four hooks and rings for suspension. The upper parts of the hooks, which project over the brim, terminate in beasts' heads, and the lower parts are circular with a pierced ornament in the shape of a cross. There was a Benedictine nunnery at Wiltona in pre-Conquest times, where St. Edith lived and died, and it has been suggested that the bowl was an Anglo-Saxon gabata for suspending a lamp in church. Kg. 2. Bronze Bowl found at Lullingstone, Kent. (J linear.) Lulling stone, Kent.h—The next example, now in the possession of Sir William Hart Dyke, bart., Lullingstone Park, near Darenth, in Kent, is chosen because it exhibits the enamelled metal mountings in great perfection, though unfortu- nately the hooks with zoomorphic terminations have been broken off (fig. 2). This interesting relic was found in 1860 by labourers whilst digging for brick earth at a spot to the north of Lullingstone, near the railway. It is of reddish a Tounded first as an oratory by Wulstan, Earl of the Wilsaetas, in 800, and afterwards as a priory of Benedictine sisters by King Alfred in 830. Etheltmrga, the widow of Earl Wulstan, was the first prioress. The so-called see of Wilton was really that of Ramsbury, and was founded in 909, Ethelstan being the first bishop. The lands of Wilton were given to the Herbert family by Henry VIIT. at the dissolution of the monasteries. b The Lullingstone bowl has been described and figured in Archceologia Cantiana, iii. 44, and pi. 1, and some of the ornaments are given in the late Professor J. O. Westwood's Miniatures of Irish and Anglo-Saxon MS8. pi. 53. VOL. LV1. 6 Downloaded from https://www.cambridge.org/core. INSEAD, on 05 Feb 2018 at 23:33:49, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0261340900003842 42 Metal Bowls of the Late-Celtic and Anglo-Saxon Periods. yellow bronze, 10 inches in diameter and 4f inches deep, with applied ornaments consisting of thin plates of bronze, tinned or silvered, in the forms of stags and birds. The attachments of the hooks (four in number) are circular, with wings on each side like the arms of a cross with expanded ends, and narrow bands going under the bottom of the bowl, which is strengthened by a circular _.„„...„„ , ,, T ... ring and a hollow 3 inches in diameter under- Pig. 3. Detail of Ornament on the Lullingstone & Bowl, (i linear.) neath the bottom of the bowl. In the middle of this hollow is a cross with expanded ends, of early Christian Saxon type like that found at Lakenheath, Suffolk, and now in the British Museum, which has a gold coin of Heraclius (A.D. 610-641) in the centre. In each of the four quadrants of the exterior of the bowl, between the ribs and discs, the same designs are repeated, consisting of a pair of birds, a bird holding a fish in its claws (as in the Book of Armagh and on the "Drosten" stone at St. Vigean's, Forfarshire), and a pair of stags. The cross-arms, if we may call them so, on each side of the circular disc attachments of the handles are ornamented with interlaced work, and the ring at the bottom of the bowl on the outside with a four-cord plait. This bowl, both as regards its form and decoration, exhibits a curious admixture of the Saxon and Celtic styles of art, although the design is on the whole more Saxon than Celtic. The ornament appears to be Christian, and probably belongs to the first half of the seventh century. Three of the circular discs are ornamented with spiral work, and the fourth with a pattern composed of three beasts arranged symmetrically swastika fashion. Unfortunately in the majority of cases the bowls have gone to decay, or been destroyed, overlooked, or lost by careless explorers, and the enamelled mountings only have been preserved. The method of constructing the bowls of very thin sheet metal with stiffening plates and ribs attached to the exterior is, as we shall show presently, the principal reason why the less destructible parts have survived whilst the rest has disappeared. The following instances of the discovery of enamelled bowl mountings have been recorded in the proceedings of archaeological societies or have otherwise been made known. Middleton Moor, Derbyshire.—In Archaeologia," the Rev. Mr. Pegge describes the opening of a tumulus on a part of Middleton Moor, called Garret Piece, 1^ miles south of Arbor Low, in which he found an uncremated body lying east and west on the surface of the ground. Near the point of the shoulder of the skeleton was a ix. 189. Downloaded from https://www.cambridge.org/core. INSEAD, on 05 Feb 2018 at 23:33:49, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0261340900003842 Metal Bowls of the Late-Celtic and Anglo-Saxon Periods. 43 an enamelled disc 2J inches in diameter, with spiral ornament upon it. The " piece of bronze with a fillet round it," mentioned by Mr. Pegge, was in all probability a fragment of the bowl, and what he calls a " portion of a buckle," which has spiral ornament upon it, was no doubt another of the mountings.
Recommended publications
  • 2018 Journal
    1 BAKEWELL & DISTRICT HISTORICAL SOCIETY JOURNAL 2018 NO 45 CONTENTS page The Mediaeval & Victorian Misericords of All Saints’ Church, Bakewell Susan Hillam 3 Chatsworth from the East A painting by Jan Siberechts (1621-1703) Trevor Brighton 18 Stained Glass Windows in All Saints’ Church, Bakewell Michael Hillam 23 Bakewell’s Packhorse Saltway Jan Stetka and From Cheshire to Chesterfield David G Wilbur 39 The Inhabited Medieval Village Of Smerrill Lyn Burnet 68 Opposition in Bakewell to Poor Law George Challenger 75 Some notes on the Baewell VAD Hospital at Newholme, 1914-19 Pat Marjoram 85 A Royal Bastard’s Arms in Bakewell Trevor Brighton 89 Cunningham Place (now call the Old House) On the 1851 map; another room? George Challenger 94 A Bakewell Scout group identified 98 2 The Mediaeval and Victorian Misericords of All Saints' Church, Bakewell Susan Hillam Misericords are the ledges found underneath the seats of choir stalls in British and European cathedrals and churches. In mediaeval times, the clergy, monks and canons sang the eight daily offices standing in their stalls. By the tenth century the stalls were partly enclosed with wooden sides and backs to protect the occupants from the cold and draughts of an unheated building. The word "stall" means a place to stand. We still use the term in "cattle stalls". Although fold-up seats were introduced in the eleventh century, these could be used only for the Epistle and Gradual at Mass and the Responses at Vespers. By the twelfth century, small ledges on the undersides of seats were referred to as indulgences, or in Latin misericordia, meaning acts of mercy.
    [Show full text]
  • The Milwaukee Public Museum's Leopardi Collection
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2017 Melita in Milwaukee: the Milwaukee Public Museum’s Leopardi Collection Stephan Noureddine Hassam University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, and the Library and Information Science Commons Recommended Citation Hassam, Stephan Noureddine, "Melita in Milwaukee: the Milwaukee Public Museum’s Leopardi Collection" (2017). Theses and Dissertations. 1483. https://dc.uwm.edu/etd/1483 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MELITA IN MILWAUKEE: THE MILWAUKEE PUBLIC MUSEUM’S LEOPARDI COLLECTION by Stephan Noureddine Hassam A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee May 2017 ABSTRACT MELITA IN MILWAUKEE: THE MILWAUKEE PUBLIC MUSEUM’S LEOPARDI COLLECTION by Stephan Noureddine Hassam The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Bettina Arnold The Phoenician/Punic occupation of Malta is an important period in the nation’s history. The Phoenicians first settled the Maltese islands sometime in the early to late seventh century B.C., and their material culture left a lasting influence on the island for nearly a millennium. Beginning in the early 1600s, Phoenician material culture began to be recognized as such. Following wider trends in the Enlightenment era in Europe, Maltese nobility and clergy began collecting antiquities.
    [Show full text]
  • Artist's Proposal
    Gabbert Artist’s Proposal 14th Street Roundabout Page 434 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor Ladies and Gentlemen, Thank you for this opportunity. For your consideration I propose a work tentatively titled “Flame”. I believe it to be simple-yet- compelling, symbolic, and appropriate to this setting. Dimensions will be 20 feet high by 14.5 feet wide by 14.5 feet deep. It sits on a 3.5 feet high by 9 feet in diameter base. (not accurately dimensioned in the 3D graphics) The composition. The design has substance, and yet, there is practically no impediment to drivers’ visibility. After review of the design by a structural engineer the flame flicks may need to be pierced with openings to meet the 150 mph wind velocity requirement. I see no problem in adjusting the design to accommodate any change like this. Fire can represent our passions, zeal, creativity, and motivation. The “flame” can suggest the light held by the Statue of Liberty, the fire from Prometheus, the spirit of the city, and the hearth-fire of 612.207.8895 | jgsculpture.webs.com | [email protected] 14th Street Roundabout Page 435 of 1673 Gabbert Sarasota Roundabout 41&14th James Gabbert Sculptor home. It would be lit at night with a soft glow from within. A flame creates a sense of place because everyone is drawn to a fire. A flame sheds light and warmth. Reference my “Hopes and Dreams” in my work example to get a sense of what this would look like. The four circles suggest unity and wholeness, or, the circle of life, or, the earth/universe.
    [Show full text]
  • Annual Report
    2018 ANNUAL REPORT TABLE OF CONTENTS 4 BOARD OF DIRECTORS 4 HEADQUARTERS STAFF 5 VOLUNTEERS 6 LETTER FROM THE PRESIDENT 8 LETTER FROM THE CEO 10 14 20 62 68 72 About usa Membership Competition Program Marketing Financial ultimate growth & COmmuni- Review 16 LEAGUE 24 YOUTH cations 11 MISSION AFFILIATES 32 COLLEGE 66 COACHING 11 VISION 18 GROWTH 36 CLUB 67 OBSERVER 11 CORE VALUES 19 MEMBER 46 MASTERS PROGRAM 13 STRATEGIC PLAN BENEFITS 50 BEACH 13 GOALS 54 INTERNATIONAL 2018 Annual Report 3 BOARD OF DIRECTORS HEADQUARTERS STAFF ROBYN FENNIG DR. TOM CRAWFORD COMPETITION & NATIONAL MEMBER SERVICES & President Chief Executive Officer Elite Athlete Representative [email protected] TEAM PROGRAMS COMMUNITY DEVELOPMENT WILL DEAVER JOSH MURPHY TYLER KINLEY Managing Director, Competition Director, Member Services Vice President FINANCE & National Team Programs & Community Development At-Large Representative & DEVELOPMENT [email protected] [email protected] HEATHER ANN BRAUER JULIA LEE JOY FERENBAUGH TEAL DABNEY Secretary Director, Finance & Development Manager, Competition & National Manager, Event Sanctioning Elite Athlete Representative [email protected] Team Programs (Youth) [email protected] [email protected] JOSH SEAMON KAYLEIGH HUDSON LEAH DOLAN-KELLEY Treasurer Manager, Finance CAROLINA GONZALEZ-LLANOS Manager, Community Development & HR At-Large Representative & Administration Manager, Competition & National [email protected] [email protected] Team Programs (Club) DEANNA BALL [email protected]
    [Show full text]
  • A Preliminary Museological Analysis of the Milwaukee Public Museum's
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2015 A Preliminary Museological Analysis of the Milwaukee Public Museum's Euphrates Valley Expedition Metal Collection Jamie Patrick Henry University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, Islamic World and Near East History Commons, and the Library and Information Science Commons Recommended Citation Henry, Jamie Patrick, "A Preliminary Museological Analysis of the Milwaukee Public Museum's Euphrates Valley Expedition Metal Collection" (2015). Theses and Dissertations. 1054. https://dc.uwm.edu/etd/1054 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. A PRELIMINARY MUSEOLOGICAL ANALYSIS OF THE MILWAUKEE PUBLIC MUSEUM’S EUPHRATES VALLEY EXPEDITION METAL COLLECTION by Jamie Patrick Henry A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2015 ABSTRACT A PRELIMINARY MUSEOLOGICAL ANALYSIS OF THE MILWAUKEE PUBLIC MUSEUM’S EUPHRATES VALLEY EXPEDITION METAL COLLECTION by Jamie Patrick Henry The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Bettina Arnold Destruction of ancient sites along the Euphrates River in northern Syria due to the construction of the Tabqa Dam and the formation of Lake Assad led to many international salvage expeditions, including those conducted between 1974 and 1978 by the Milwaukee Public Museum (MPM) at the site of Tell Hadidi, Syria under the direction of Dr.
    [Show full text]
  • Regional Arts Council Grants FY 2014
    Regional Arts Council grants page 1 FY 2014 - 2015 Individual | Organization FY Funding Grant program ACHF grant City Plan summary source dollars Ada Chamber of Commerce 2014 RAC 01 Arts Legacy Grant $1,000 Ada Fun in the Flatlands artists for 2014 Ada Chamber of Commerce 2015 RAC 01 Arts Legacy Grant $1,300 Ada Fun in the Flatlands Entertainment Argyle American Legion Post 353 2014 RAC 01 Arts Legacy Grant $9,900 Argyle Design and commission two outdoor bronze veterans memorial sculptures Badger Public Schools 2015 RAC 01 Arts Legacy Grant $1,700 Badger Badger Art Club Encampment at North House Folk School City of Kennedy 2014 RAC 01 Arts Legacy Grant $4,200 Kennedy Public art mural painting by Beau Bakken City of Kennedy 2014 RAC 01 Arts Legacy Grant $930 Kennedy Frame and display artistically captured photography throughout time taken in Kennedy, Minnesota City of Kennedy 2015 RAC 01 Arts Legacy Grant $4,100 Kennedy Kennedy Trompe L'Oeil City of Newfolden 2014 RAC 01 Arts Legacy Grant $10,000 Newfolden Commission a bronze sculpture City of Red Lake Falls 2015 RAC 01 Arts Legacy Grant $10,000 Red Lake Falls Red Lake Falls Public Art Awareness Project 2015 City of Roseau 2014 RAC 01 Arts Legacy Grant $2,250 Roseau Artists for Scandinavian Festival East Grand Forks Campbell Library 2014 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Arts presenters in 2014 East Grand Forks Campbell Library 2015 RAC 01 Arts Legacy Grant $10,000 East Grand Forks Engage East Grand Forks 2015 Fosston Community Library and Arts 2014 RAC 01 Arts Legacy Grant $3,000 Fosston Production of The Money in Uncle George's Suitcase Association Fosston Community Library and Arts 2015 RAC 01 Arts Legacy Grant $3,000 Fosston Summer Musical-Swingtime Canteen Association Fosston High School 2015 RAC 01 Arts Legacy Grant $10,000 Fosston Residency with The Copper Street Brass Quintet Friends of Godel Memorial Library 2015 RAC 01 Arts Legacy Grant $9,450 Warren Donor Tree.
    [Show full text]
  • Art in Europe 1945 — 1968 the Continent That the EU Does Not Know
    Art in Europe 1945 Art in — 1968 The Continent EU Does that the Not Know 1968 The The Continent that the EU Does Not Know Art in Europe 1945 — 1968 Supplement to the exhibition catalogue Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Phase 1: Phase 2: Phase 3: Trauma and Remembrance Abstraction The Crisis of Easel Painting Trauma and Remembrance Art Informel and Tachism – Material Painting – 33 Gestures of Abstraction The Painting as an Object 43 49 The Cold War 39 Arte Povera as an Artistic Guerilla Tactic 53 Phase 6: Phase 7: Phase 8: New Visions and Tendencies New Forms of Interactivity Action Art Kinetic, Optical, and Light Art – The Audience as Performer The Artist as Performer The Reality of Movement, 101 105 the Viewer, and Light 73 New Visions 81 Neo-Constructivism 85 New Tendencies 89 Cybernetics and Computer Art – From Design to Programming 94 Visionary Architecture 97 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know Introduction Praga Magica PETER WEIBEL MICHAEL BIELICKY 5 29 Phase 4: Phase 5: The Destruction of the From Representation Means of Representation to Reality The Destruction of the Means Nouveau Réalisme – of Representation A Dialog with the Real Things 57 61 Pop Art in the East and West 68 Phase 9: Phase 10: Conceptual Art Media Art The Concept of Image as From Space-based Concept Script to Time-based Imagery 115 121 Art in Europe 1945 – 1968. The Continent that the EU Does Not Know ZKM_Atria 1+2 October 22, 2016 – January 29, 2017 4 At the initiative of the State Museum Exhibition Introduction Center ROSIZO and the Pushkin State Museum of Fine Arts in Moscow, the institutions of the Center for Fine Arts Brussels (BOZAR), the Pushkin Museum, and ROSIZIO planned and organized the major exhibition Art in Europe 1945–1968 in collaboration with the ZKM | Center for Art and Media Karlsruhe.
    [Show full text]
  • Mortuary Variability in Early Iron Age Cretan Burials
    MORTUARY VARIABILITY IN EARLY IRON AGE CRETAN BURIALS Melissa Suzanne Eaby A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics. Chapel Hill 2007 Approved by: Donald C. Haggis Carla M. Antonaccio Jodi Magness G. Kenneth Sams Nicola Terrenato UMI Number: 3262626 Copyright 2007 by Eaby, Melissa Suzanne All rights reserved. UMI Microform 3262626 Copyright 2007 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, MI 48106-1346 © 2007 Melissa Suzanne Eaby ALL RIGHTS RESERVED ii ABSTRACT MELISSA SUZANNE EABY: Mortuary Variability in Early Iron Age Cretan Burials (Under the direction of Donald C. Haggis) The Early Iron Age (c. 1200-700 B.C.) on Crete is a period of transition, comprising the years after the final collapse of the palatial system in Late Minoan IIIB up to the development of the polis, or city-state, by or during the Archaic period. Over the course of this period, significant changes occurred in settlement patterns, settlement forms, ritual contexts, and most strikingly, in burial practices. Early Iron Age burial practices varied extensively throughout the island, not only from region to region, but also often at a single site; for example, at least 12 distinct tomb types existed on Crete during this time, and both inhumation and cremation were used, as well as single and multiple burial.
    [Show full text]
  • The Coppergate Helmet Tweddle, Dominic Fornvännen 78, 105-112 Ingår I: Samla.Raa.Se the Coppergate Helmet
    The Coppergate Helmet Tweddle, Dominic Fornvännen 78, 105-112 http://kulturarvsdata.se/raa/fornvannen/html/1983_105 Ingår i: samla.raa.se The Coppergate Helmet B v Dom i nic Tweddle Tweddle, D. 1983. The Coppergate helmet. (Hjälmen frän Coppergate i York.) Fornvännen 78. Stockholm. A helmet was discovered in 1982 during building works at Coppergate, York. The cap of the helmet is composed of eight individual piéces rivetted together. There are two hinged cheek piéces with brass edge bindings, and the neck was protected by a curtain of iron mail, (bund inside the helmet. The nasal is decorated with a pair of contronted animals with their rear quarters deve­ loping into interlace. Över the eye sockels are hatched brass eyebrows. At the junction of these is an animal head acting as terminal to a narrow field with half-round edge bindings forming the crest of the helmet. This is filled with a metal foil decorated in repoussé with an inscription in Latin. A second field filled with an identical inscription runs from ear to ear. Comparison of the script and decoration with Northumbrian manuscripts suggests a date in mid eighth century lor the helmet. Dominic Tweddle, York Archaotogical Trust, 47 Aldwark York YOI2BZ England. The Coppergate helmet was discovered in the brow band for the eyes. Between them 1982 during building works at 16—22 Cop­ there is a long nasal — a continuation of the pergate, York. It lay face down near the cor­ nose to nape band — expanding from the ner of a rectangular plank-lined feature which junction ol the eye holes to form two points, also contained a spearhead of seventh- one in each of the long edges, before tapering century or låter form, a wooden disc with live again.
    [Show full text]
  • British Troops in Londonderry a Toast to Three Men Who Left Sky Unlimited
    * N '. ' a ^ PAGE THIRTY’-SIX ' ■■ ' ‘ \ llanrbfHtpr €t>ratng iii^raib WEDNESDAY, AUGUST 18, 1969 Most Manchester Stores Open Tonight Until 9 O^Clock will be borne by the town, prin­ Town^ T ravelers Research cipally by in-kind services. Harkins, following the sign­ Av«rage Daily Net Press Run ing of the contract with Trav­ Sign C-DAP Study Contract elers, said that work on the Fbr nSe Week Ended The Weather C-DAP study will start im­ June M, IMS ^ J / contract waa signed In Harkins added, however, that mediately. Fair and mild .tonight with // tford txiday (or the services he anticipates that 'Travelers lows in the 60s. Tomorrow, / ■ of ^y^elers Research Corp., to will do a good job and that he 15,459 again, (air and warm with does not anticipate any need highs in upper 80s. be the o<™ultant for Manches­ Five-Day Forecast for cancellation WINDSOR LOCKS, Conn. Manchester— A City of Vitiate Charm ter’s two^ar C-DAP (Com­ C-DAP, which can be com­ (AP) — Temperatures In Con­ VOL. LXXXV m , NO. 268 munity DevfelQpment Action pared to jet^massive Comprehen­ necticut from ’Thursday through TWENTY-TWO PAGES MANCHESTER, CONN., THURSDAY, AUGUST 14, 1969 (CSaaatfted Ads-ertising on Ftage 19) PRICE TEN CENTS Plan) study. sive P,lah, is a two-year study Monday are expected to average Signing for the tmVh was Ly­ ot a town’s exlstlng/servlces near normal with daytime highs man Hoops, chalrmaiAof Man­ and facilities and a ^'projection from 80 to 86 and overnight chester’s C-DAP AgencjAx^l^ of its needs in the five-year lows in the 60s.
    [Show full text]
  • February 16 — 20, 2011
    PARK AVENUE ARMORY HOUSE PRESENTS PROGRAM TUNE-IN MUSIC FESTIVAL FEBRUARY 16 —20, 2011 1 www.armoryonpark.org PARK AVENUE ARMORY IS NEW TUNE-IN MUSIC YORK CITY’S MOST EXCITING FESTIVAL SCHEDULE NEW ARTS CENTER, DEDICATED TO VISUAL AND PERFORMING WEDNESDAY, FEBRUARY 16 SUNDAY, FEBRUARY 20 ART THAT CANNOT BE MOUNTED 6:00-7:00 pm Artists’ Talk: 10:00 am-noon Family Educational Workshop: Paul Haas, Paul Fowler, Bora Yoon Tuning-In to the Music around Us: An Interactive Exploration of Inuksuit IN TRADITIONAL MUSEUMS AND 7:30 pm Concert: ARCO Email [email protected] with Sympho, New York Polyphony, for more information and Charles Perry Sprawls PERFORMANCE HALLS. 2:30-3:30 pm Artists’ Talk: John Luther Adams, ThURSDAY, FEBRUARY 17 Doug Perkins and Lisa Kaplan 6:00-7:00 pm Artists’ Talk: Lisa Kaplan and Tim Munro (eighth blackbird) (eighth blackbird) and David T. Little 4:00 pm Concert: INUKSUIT 7:30 pm Concert: powerFUL with members of eighth blackbird, with eighth blackbird, red fish blue fish, Newspeak, red fish blue fish, and guest artists Newspeak, and guest artists FRIDAY, FEBRUARY 18 Follow the conversation on Twitter: #PAATuneIn 6:00-7:00 pm Artist Talks’: Matt Albert (eighth blackbird), This program is supported by the New York City Department of Cultural Steven Schick, and Michel Galante Affairs in partnership with the City Council, The Reed Foundation, and (Argento Chamber Ensemble) The Amphion Foundation, Inc. 7:30 pm Concert: powerLESS with eighth blackbird, Argento Chamber Ensemble, red fish blue fish, Steven Schick, and guest artists board of directors Chairman Marvin Chudnoff Joel I.
    [Show full text]
  • Download Free
    ON YOUR MARKS A Nomadic Season of Events ON YOUR MARKS A Nomadic Season of Events Written by Marsha Bradfield Edited by Lucy Tomlins and Marsha Bradfield hink sculpture is the stuff you trip over while angling for a better simply called Art. We at PSC are unapologetic for our belief in sculpture as view of the paintings?1 Wrong. If the six events featured in this 1 This is a variation on multidimensional technique.5 For us this goes beyond both craft skills (i.e. 5 For a good discussion publication are any indication, it’s sculpture that’s tripping – the quote attributed to carving, casting, constructing) and life skills (including everyday activities on ‘technique’ as an American painter Ad alternative to ‘skill’ tripping out of its three-dimensional form as it wrestles with Reinhart, ‘Sculpture is like articulating ideas and networking). It also includes the values, principles in art education the conditions of its own possibility. What are the realities something you bump and commitments of sculpture as a specific sensibility preoccupied with see Dave Beech, Tof sculptural practice today? What does it take to not only survive but into when you back up the phenomenological experience of materiality and space. Gaining a better ‘Teaching the to look at a painting’. Unteachable,’ Art also thrive as sculptors? What are sculptural resources and what do we sense of sculptural technique within the broader context of contemporary Monthly 377 (June mean when we speak about ‘material,’ ‘skill,’ ‘ambition,’ ‘space to work’ and art and design is one of PSC’s main concerns as it aims to meet the needs 2014): 8-10.
    [Show full text]