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CHAPTER 2 ‘From the Night and the Light, All Festivals Are Golden’: the Festivalization of Culture in the Late Modernity1,2
CHAPTER 2 ‘From the night and the light, all festivals are golden’: The festivalization of culture in the late modernity1,2 Paula Guerra Abstract Festivals have been stated as important forms of social and cultural participation. In the twenty‐first century, all countries have been faced with a number of annual2 festivals, but also by diversifying the type of festivals, its location and its audiences. The festival model has expanded all over the world and became globalize. With this model emerged the so‐ called ‘festivalization of culture’. Portugal was no different in this phenomenon. The main purpose of this chapter is to explore the Portuguese festival dynamics. These dynamics have the function of globalization coding, marketing and culture of media coverage, mobilizing thousands of actors on the supply side, in mediation and on the demand side. There are several elements that prove this in Portugal: unprecedented evolution in the number of festivals over the past two decades; the spread of festivals around the country, especially in its Atlantic coast and in metropolitan areas; the exponential increase of the habitués; the weight of the turnover of the festivals in the statement of accounts culture and cultural industries; the importance of festivals for the launch and projection of the bands; and, above all, the design of a new way of life in an environment marked by consumptions, appropriations and embodiments of practices, associated with experience and sociability of the festival. 1 This chapter result of an intensive research carried out since 2005, anchored in three projects. The first, developed between 2005 and 2009, Urban cultures and youth lifestyles: Scenery, sounds and aesthetic in contemporary Portuguese (SFRH / BD / 24614/2005), at the Institute of Sociology of the University of Porto (IS‐UP), coordinated by the author of this article and funded by the Science and Technology Foundation (FCT). -
SS-159 $13.98 “Sonic Debris”
AUDIO CD MISS LAVA “Sonic Debris” Portugal’s foremost heavy rock and rollers Miss Lava return in 2016 with Sonic Debris, their third album, to be launched on May 20th, 2016 worldwide through Small Stone Records. Sonic Debris witnesses the band exploring new sonic landscapes and an open and inclusive creative process. Throughout, they design explosive sound textures, get high on psychedelic asteroids and unleash obscure beasts. The album is a sonic voyage with a diversity beyond anything yet evidenced by the band. The new album follows Red Supergiant (2013) and Blues for the Dangerous Miles (2009) – named by Loud Magazine as one of the top five Portuguese albums of the year – and a limited edition self-titled blood red vinyl EP (2008). Miss Lava has brought their explosive presence to stages in the UK, Spain and Germany and played slots at festivals like Stoned from the Underground (Germany), Stonefest (Spain), as well as Super Bock Super Rock, Rock in Rio Lisboa (Vodafone Stage), Reverence Valada, Vagos Open Air, Barroselas Metal Fest and Faro Bike Meeting in their home country. In addition to having traveled to play an exclusive one-off at the legendary Whisky a Go-Go in Los Angeles, the band has shared stages with Queens of the Stone Age, Metallica, Mastodon, Slash & Friends, Graveyard, Ufomammut, Greenleaf, W.A.S.P., Kyuss Lives!, Fu Manchu, Valient Thorr, Entombed, Meshuggah, Truckfighters, Barn Burners and Year Long Disaster. Previous videos featured on MTV Portugal, and with Sonic Debris, Miss Lava expect to launch a series of sin - gles and videos to promote the album and announce many European dates throughout 2016 and 2017. -
Events Brand Personality: Insights from Music Festivals in Portugal
EVENTS BRAND PERSONALITY: INSIGHTS FROM MUSIC FESTIVALS IN PORTUGAL Joana Gonçalves1 Manuela Guerreiro2 Júlio Mendes3 Luís Nobre Pereira4 ABSTRACT The changing trends in the marketplace and the proliferation of events, have become a reality in which those responsible for managing them seek adequate differentiation strategies through brand management approaches. Although brand personality has been studied in the case of different products, the theory has not been analysed in music festivals contexts. This study aims to analyse what extent is the scale of brand personality developed by Aaker et al. (2001) useful to characterize the brand personality of musical festivals? This research focuses on the study of four of the most iconic music festivals in Portugal: Rock in Rio, MEO Sudoeste, Optimus/NOS Alive and Super Bock Super Rock. Empirical data was collected from university students whose profile matches the profile of the target segments of these four events. This study contributes to the theory as it elaborates on the BP scale in the special case of musical events. It will be also particularly useful to musical events’ organisers as it will enrich their knowledge about the most relevant personality traits that best characterizes this kind of events brands. Keywords: Brand Personality, Music Events, Exploratory Factor Analysis. JEL Classification: M31 1. INTRODUCTION With the growing importance of the “symbolic” (Lash & Urry, 1994; Zukin, 2004) and experiences (Pine & Gilmore, 1999), public events in general have been growing in popularity over the last 50 years (Tafesse, 2016). They have become an important instrument to politicians and policy makers to whom events are seen as contributing to create a festive atmosphere in the city (Richards & Palmer, 2010). -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Abriu a Época Dos Festivais De Verão, No Último Fim-De-Semana, Em
Abriu a época dos festivais de Verão, no último fim-de-semana, em Lisboa, com o Super Bock Super Rock e o Rock in Rio a coincidirem nas datas - mas as semelhanças ficam por aí. Viagem a dois mundos paralelos e entrevistas a duas das próximas estrelas a actuar no Parque do Tejo e na Bela Vista lU r D E J U NH O DE 20 06 VISÃO Lu ís RIBEIRO E PAULI. CARDOSO não tens isqueiropara a queirnar.» Can que os Placebo comecem o espectáculo. sado das bocas, desiste, desiludido. Um Não há muito parafazer durante os in ZAREX . NUNCA OUVISTE amigo põe-lhe o braço por cima dos om tervalosdos concertos. Aqui. no Parque falardo uzarex?» A pergunta bros. no consolo possível. «Vá lá, pá. Não do Tejo, em Lisboa, passar o tempo é dei é ignorada. O rapaz mant ém te chateies . Afinal, vieste aqui pela ganza xar o tempo passar. Os mais prevenidos -se de joelhos, com o isqueiro ou pela música?» trouxeram uns baralhos de cartas. A al acesoacentímetros do asfalto. São dez e meia da noite de sexta, 26 de ternativa organizada consiste em duas «Não gasteso gás», diz-lhe ou- Maio, segundo dia da 12: edição do Su dúzias de mesas de matraquilhos, que troo « Daquia pouco encontras apedra e já per Bock Super Rock (SB5R). Espera-se nunca chegama lotar, apesardas mais de .. vlsia I o e J UNHO o c 20D6 lU • E Rf o Ro K o RIO 30 mil pessoas que de ambulam pelo recinto. Um euro por sete bolas é caro. -
A Experiência Do Consumidor Em Festivais De Música De Nicho
A Experiência do Consumidor em Festivais de Música de Nicho Fatores que Influenciam a Experiência do Consumidor em Festivais de Música de Pequena e Média Dimensão: Disparidades entre Públicos de Diferentes Géneros Musicais Inês Simão Bastos Lages André Dissertação submetida como requesito parcial para obtenção do grau de Mestre em Publicidade e Marketing Trabalho orientado pela Prof.ª Doutora Carla Medeiros Outubro de 2017 Declaração anti plágio Declaro ser autora da presente Investigação, que integra os requisitos obrigatórios exigidos para a obtenção do grau de Mestre em Publicidade e Marketing. O estudo desenvolvido e constituído por um trabalho original nunca submetido a outra instituição de ensino superior para obtenção de um grau académico ou de qualquer outra habilitação, no seu todo ou parcialmente. Atesto também que todas as citações se encontram devidamente identificadas. Mais acrescento que tenho consciência de que o plágio poderá levar à anulação do trabalho apresentado _______________________________________ Inês André I Resumo As potencialidades dos Festivais de Música enquanto oportunidades de relacionamento com os consumidores têm atraído ao longo dos últimos anos a atenção e interesse das marcas, dos negócios e das empresas. A audacidade, a visão e a própria evolução do Marketing tomaram conta deste fenómeno social que atraí cada vez mais pessoas de diferentes contextos e que se juntam todas num mesmo espaço na ideia de satisfazer um mesmo objetivo: experienciar algo novo, distinto e memorável. O crescimento em escala e em número dos festivais de música é notório e as alianças que estes estabelecem com as ferramentas do marketing concluem um acordo de cavalheiros entre duas entidades que procuram, independentemente da natureza dos seus objetivos, entregar aos consumidores experiências com os quais eles se identificam e com as quais eles sintam que foi acrescentado valor. -
Popular Music Journalism As Public Sphere
UNIVERSITY OF STIRLING PEDRO NUNES Department of Film and Media POPULAR MUSIC AND THE PUBLIC SPHERE: THE CASE OF PORTUGUESE MUSIC JOURNALISM Submitted for the degree of Doctor of Philosophy January, 2004 i Abstract Music journalism has been acknowledged as an important space of mediation between artists and consumers. Journalists and critics have played an historical role in the creation of discourse on popular music and are acknowledged by the music industry as an important referent in promotion strategies. Research on the subject has been mostly focused either on the relationship between music journalism and the wider music industry in which it operates or on its status as a field of cultural production. Little consideration has been given to the role played by music journalists in articulating popular music with wider political, social and cultural concerns. This thesis will examine the case-study of Portuguese popular music journalism. It will address its historical evolution and current status by taking into consideration some dimensions, namely, the wider institutional contexts that frame the status of music journalism and how they work upon it, the ideologies and values realised in journalistic discourse, the journalists’ relationship to the music industry (as represented by record labels/companies and concert promotion companies) and issues of interactivity with readers. The thesis will draw on theories of the public sphere and, to a lesser extent, on Bourdieu’s notions of field, capital and habitus to assess the possibilities for music journalism to create reasoned discourse on ii popular music and, therefore, contribute to wider debates on the public sphere of culture. -
Biography Boss Ac
BOSSAC BIOGRAPHY BOSS AC Inheriting a passion for music from his mother Ana Firmino, one of the greatest Cape Verdean talents, Boss AC soon revealed his rare talent. His first appearance on record, “Rapública”, was released back in 1994. It featured on a compilation which brought exposure to some of the most prominent underground Portuguese rappers such as Black Company, Zona Dread and Líderes da Nova Mensagem. He is one of the few artists from that era who still go on releasing nationally successful rap hits. His debut album, “Mandachuva”, from 1998 was recorded in the United States and produced by Troy Hightower, one of the most requested Hip-Hop producers in the US. Early on AC demonstrated his strong open minded vision, foretelling the maverick route he would follow. During the following years he embarked on several career paths – he produced and promoted shows, released records, composed music for TV programs (“Masterplan” and “Último Beijo”) and films (“Zona J” and “Lena”), and still found time to participate in works of some of the greatest national music artists, such as Xutos & Pontapés and Santos e Pecadores, among others. His second album of originals “Rimar Contra a Maré” – fully recorded, produced and mixed by the author himself – was an exploration of Portuguese- African music, fusing its traditional roots with the modern sounds of the street. It was also perhaps a more autobiographical and introspective record, revealing the artist’s wiser mindset. Success was slowly but inexorably on its way. The success of “Rimar Contra a Maré” crossed continents; a result of which was the nomination of the music video “Dinero”, at the African Video Awards, in the category “Best Special Effects”, by the well known South-African “Channel0”, a sort of African MTV. -
Historial Da SIC P
1 ÍNDICE A SIC p. 3 Os Valores da SIC p. 8 Breve Historial da SIC p. 9 O Hino da SIC p. 12 SIC Generalista p. 14 Principais Marcos da Programação da SIC Generalista p. 17 SIC Internacional p. 33 SIC Notícias p. 34 SIC Radical p. 36 SIC Mulher p. 39 SIC K p. 41 SIC Caras p.44 Evolução Anual do Site da SIC p. 46 GMTS e Bloom Graphics p. 47 SIC Esperança p. 48 Informação Genérica Sobre Televisão p. 49 2 HISTORIAL DA SIC – Sociedade Independente de Comunicação, SA Constituição Diário da República, IIIªSérie, nº 253 de 3.11.1987 Atribuição (Licença) Diário da República, IIªSérie, nº 45 de 22.02.1992 Emissões Experimentais 2 de Outubro de 1992 Emissões Regulares 6 de Outubro de 1992 Pertence a Grupo Impresa Capital Social Inicial 6.000.000.000$00 Capital Social à data 24.440.350,00 € O universo SIC ganhou expressão e importância relevante no meio audiovisual português ao longo dos anos. SIC INTERNACIONAL 15 de setembro de 1997 SIC NOTÍCIAS 08 de janeiro de 2001 SIC RADICAL 23 de abril de 2001 SIC MULHER 08 de março de 2003 SIC ESPERANÇA 06 de outubro de 2003 GMTS 01 de maio de 2006 BLOOM GRAPHICS 03 de abril de 2007 SIC K 18 de dezembro de 2009 SIC CARAS 06 de dezembro de 2013 3 4 ESTRUTURA ACIONISTA DA SIC IMPRESA, SGPS, S.A. 51,000% IMPRESA SERVIÇOS E MULTIMEDIA, LDA., 49,000% CONSELHO DE ADMINISTRAÇÃO Presidente: Dr. Francisco Pinto de Balsemão Vice-Presidente: Eng.º Francisco Maria Balsemão Vogais: Dr. -
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Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB
10,000 Maniacs;1988-07-31;Sadler's Wells Theatre, London, England (FM)[MP3-320];124 514 KB 10,000 Maniacs;Eden's Children, The Greek Theatre, Los Angeles, California, USA (SBD)[MP3-224];150 577 KB 10.000 Maniacs;1993-02-17;Berkeley Community Theater, Berkeley, CA (SBD)[FLAC];550 167 KB 10cc;1983-09-30;Ahoy Rotterdam, The Netherlands [FLAC];398 014 KB 10cc;2015-01-24;Billboard Live Tokyo, Tokyo, Japan [MP3-320];173 461 KB 10cc;2015-02-17;Cardiff, Wales (AUD)[FLAC];666 150 KB 16 Horsepower;1998-10-17;Congresgebow, The Hague, Netherlands (AUD)[FLAC];371 885 KB 16 Horsepower;2000-03-23;Eindhoven, Netherlands (Songhunter)[FLAC];514 685 KB 16 Horsepower;2000-07-31;Exzellenzhaus, Sommerbühne, Germany (AUD)[FLAC];477 506 KB 16 Horsepower;2000-08-02;Centralstation, Darmstadt, Germany (SBD)[FLAC];435 646 KB 1975, The;2013-09-08;iTunes Festival, London, England (SBD)[MP3-320];96 369 KB 1975, The;2014-04-13;Coachella Valley Music & Arts Festival (SBD)[MP3-320];104 245 KB 1984;(Brian May)[MP3-320];80 253 KB 2 Live Crew;1990-11-17;The Vertigo, Los Angeles, CA (AUD)[MP3-192];79 191 KB 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2002-10-01;Queen Elizabeth Hall, London, England [FLAC];619 21ST CENTURY SCHIZOID BAND;21st Century Schizoid Band;2004-04-29;The Key Club, Hollywood, CA [MP3-192];174 650 KB 2wo;1998-05-23;Float Right Park, Sommerset, WI;Live Piggyride (SBD)(DVD Audio Rip)[MP3-320];80 795 KB 3 Days Grace;2010-05-22;Crew Stadium , Rock On The Range, Columbus, Ohio, USA [MP3-192];87 645 KB 311;1996-05-26;Millenium Center, Winston-Salem, -
25Th Super Bock Super Rock
25th Super Bock Super Rock New line-up announcements: Roosevelt Ezra Collective Gorgon City July 18, 19, 20 Herdade do Cabeço da Flauta, Meco - Sesimbra The countdown to Super Bock Super Rock continues. With an ever-eclectic line-up, there’s music for tastes in this 25th edition of the festival: Roosevelt, Ezra Collective and Gorgon City are some of the most recent confirmations. ROOSEVELT The project Roosevelt was born in 2012 with the desire to take a risk and go further artistically, usually defined as “techno-meets-indie-rock”. Marius Lauber’s talent has made this meeting something magical - the alternative rock form his origins now seemed to perfectly marry the synthesisers he has learned to master over the years. The first big hit from this project was “Sea”, the single released by Greco-Roman (Hot Chip’s Joe Goddard’s label). His first EP, “Elliot”, was released right after in 2013. The song that titled this first collection of four songs showed us a dance music crusader in love with rock (and vice-versa). As the name Roosevelt became more and more widely spoken, Lauber continued to work and his first self-titled album saw the light of day in 2016 and contributed to the musician’s growing success, guaranteeing sold-out shows and invitations to be in the best festivals of the world. In the middle of all that, he still found time to dedicate himself to some remixes of artists like CHVRCHES, Rhye or Glass Animals. In 2018, he decided to make some new music, testing new territories. -
Diapositivo 1
-She was born on 23rd of July, 1944 in Pena, Lisbon; -When she was only 5 years old she gave her first recital; -When she was 7 years old she played Mozart concerts publicly; - Between 1953 and 1960 she studied in Conservatório de Lisboa; -She moved to Germany: * 1st – Musikakademie * 2nd- Hannover Maria João Pires - In 1970 she won an international competition in Beethoven’s bicentenary, in Brussels; - She performs mostly Bach, Beethoven, Mozart, Schumann, Brahms and Chopin among others; Maria João Pires - Best Plays concert in the best rooms; world orchestras; -She usually plays in Europe, Canada, Israel and in the United States; Maria João Pires - Left Portugal in 2006; -Moved to Brazil; -Decided to have double nationality; - Portuguese/ Brazilian Maria João Pires -Prémio da Juventude Musical ( When she was only 9 years old) -Prémio Pessoa ( 1989 ) Maria João Pires - Prémio da Juventude Musical Portuguesa ( 9 years old) -Prémio Pessoa ( 1989 ) -She was born on 17th of September, 1979 In Coruche, Santarém; - Her first album was “ Guarda-me a vida na mão “ in 2003; - The following album was “ Aconteceu “ in 2004 - Sings in many “Fado” houses in Lisbon; - Through television she became more recognized beside António Pinto Basto in “FadosFa de Portugal”; - Album “ Para Além da Saudade” (2007) - Television helped her to promote her album ; - The album received a triple platinum; - She received a nomination for “Globos de Ouro” in the Music category, for the best individual singer; - In 2007 she participated in a Rolling Stones concert where she sang in a duet with Mick Jagger; - In 2010 she collaborated with the north-american artist Prince in “Super Bock Super Rock” - She was in : United States Canada United Kingdom Austria Netherlands Germany -She won the prize of “ Best individual singer” in 2010; -She received a nomination for “Best Artist of the year” by the English music magazine “Songlines”; Daniela Ruah was born in Boston, USA.