Melbourne Cinémathčque | October 5
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Burning Bush
presents BURNING BUSH A Film by Agnieszka Holland 2013 / Czech Republic / in Czech with English subtitles / Color A Kino Lorber Release from Kino Lorber, Inc. 333 West 39 St., Suite 503 New York, NY 10018 (212) 629-6880 Publicity Contact: Rodrigo Brandão – [email protected] Matt Barry – [email protected] SHORT SYNOPSIS The three-part drama, directed by the Polish director Agnieszka Holland, is HBO Europe’s most ambitious, big-budget project to date. The film returns to a pivotal time in modern Czech history, ignored in Czech cinema until now. It begins with a reconstruction of the shocking act of a Czech university student, who in protest of the Soviet occupation of Czechoslovakia, set himself on fire in Prague’s Wenceslas Square on January 16, 1969, and died four days later. Through the story of the brave defense attorney Dagmar Burešová, who defended Palach’s legacy in a doomed lawsuit, the film examines the transformations taking place in Czechoslovak society after the invasion of the armies of the Warsaw Pact in August of 1968 and the installation of a hardline Communist government. It depicts the beginnings of Czech and Slovak resistance against the occupation, which reached its apex with the mass protests during Palach’s funeral. It also shows the nation’s gradual resignation under the pressure of fear and harsher persecution. LONG SYNOPSIS Part I On the 16th of January1969 on Wenceslas Square in Prague, a young student sets himself on fire in front of dozens of passers-by. Police Major Jireš (Ivan Trojan) investigates the circumstances of Palach’s actions. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
Ein Film Von OSCAR® Nominee AGNIESZKA HOLLAND
CHARLATAN Ein Film von OSCAR® Nominee AGNIESZKA HOLLAND 2020 - Tschechische Republik in Koproduktion mit Irland, Polen & der Slowakei Historisches Drama/Biopic - 2.35 - 118 min mit Ivan Trojan, Josef Trojan, Juraj Loj PRESSEAGENTUR DE & AUS Im Verleih von BOOKING & BILLING ZOOM Medienfabrik CINEMIEN Deutschland PRO-FUN MEDIA Suarezstr. 62 Hochstr. 17 Hochstr. 17 14057 Berlin 60313 Frankfurt am Main 60313 Frankfurt am Main Tel + 49 30 3150 6868 +4969707677–40 +4969707677–40 www.zoommedienfabrik.de www.cinemien.de www.pro-fun.de [email protected] [email protected] [email protected] Besetzung Jan Mikolášek (jung) Ivan Trojan Jan Mikolášek Josef Trojan František Palko Juraj Loj Mülbacherová Jaroslava Pokorná Zlatohlávek Jiří Černý Vernehmer Miroslav Hanuš CREW Regie Agnieszka Holland Drehbuch Marek Epstein Kamera Martin Strba Schnitt Pavel Hrdlicka Szenenbild Milan Bycek Kostüme Katarína Štrbová-Bieliková Ton Radim Hladik jr. Musik Antoni Komasa-Lazarkiewicz Make-Up René Stejskal, Gabriela Poláková Ausführende Aleš Týbl, Jeff Field Produzenten Produktionsfirma Marlene Film Production Produziert von Šárka Cimbalová, Kevan Van Thompson In Koproduktion mit Czech Television, Barrandov Studio, Rozhlas A Televízia Slovenska, Certicon, V ladimír and Taťána Maříkovi, Magic Lab, S tudio Metrage, Moderator Inwestycje Koproduzenten Mike Downey, Sam Taylor, Klaudia Śmieja-Rostworowska, Lívia Filusová CHARLATAN LOG-LINE Basierend auf einer wahren Begebenheit erzählt Charlatan vom Leben des tschechischen Heilers Jan Mikolášek, der Hunderte von Menschen mit pflanzlichen Medikamenten heilte. Während der Kriege und Unruhen des 20. Jahrhunderts steht Mikolášek bald vor der schwierigen Wahl zwischen der Erfüllung seiner Berufung und seinem Gewissen. SYNOPSE Nur wenige wahre Geschichten bewegen sich so gewagt auf einer derartig feinen Linie zwischen Gut und Böse, wie die Geschichte von Jan Mikolášek, einem tschechischen Kräuterheiler aus dem 20. -
Download Detailseite
H-9005:H_ 30.01.2011 15:24 Uhr Seite 398 Berlinale 2011 Agnieszka Holland Hommage BITTERE ERNTE Armin Mueller-Stahl ANGRY HARVEST AMERE RECOLTE Bundesrepublik Deutschland 1985 Länge 105 Min. Format 35 mm, 1:1.37 Farbe Stabliste Regie Agnieszka Holland Buch Paul Hengge Agnieszka Agnieszka Holland Holland, nach dem Roman Biografie von Hermann Geboren am 28.11.1948 in Warschau. H. Field, Stanislaw Regiestudium an der Prager Film hoch - Mierzenski schule FAMU. In den 70er Jahren Kamera Jozef Ort-Snep Regis seurin an polnischen Theatern Kameraassistenz Christian Karp und beim Polnischen Fernsehen, Schnitt Barbara Kunze Regie assistentin bei Krzysztof Zanussi, Ton Gunther Kortwich Drehbücher für Andrzej Wajda. 1980 Elisabeth Trissenaar, Armin Mueller-Stahl Foto: Deutsche Kinemathek Musik Jörg Straßburger erster internationaler Kinoerfolg mit Bauten Werner Schwenke AKTORZY PROWINCJONALNI (PRO- Ausstattung Holger Scholz VINZSCHAUSPIELER). 1981 Emigration BITTERE ERNTE Kostüm Hannelore Wessel nach Paris. Hat seither Filme in Oberschlesien, 1943. Nachdem die Jüdin Rosa aus einem Güterzug und Regieassistenz Dorota Paciarelli Frankreich, Deutschland und den damit der Deportation in ein KZ entkommen ist, findet sie Unterschlupf bei Herstellungsltg. Peter Hahne USA realisiert. dem Bauer Leon. Er pflegt die verstörte Frau gesund. Doch Rosa weiß nicht, Produzent Artur Brauner wie sie ihren Retter einschätzen soll. Denn Leon ist zwar ein hilfsbereiter Co-Produzent Klaus-Dieter Biography Lehmann Born in Warsaw on 28.11.1948, she Mann, aber auch ein Kriegsgewinnler, -
The Czech Cinematography Will Be Represented at the Oscars by The
The film Charlatan directed by Agnieszka Holland is taking off to fight for an Oscar The Czech Film and Television Academy (CFTA), which presents the Czech Lion awards, also nominates the Czech Republic’s candidate for the Oscar every year. This year, it is sending the drama Charlatan directed by Agnieszka Holland to fight for the most prestigious film award. Agnieszka Holland’s latest film is inspired by the real life of the healer Jan Mikolášek and the script was written by Marek Epstein. Ivan Trojan and his son Josef Trojan starred in the leading roles. The film was premiered at the 70th Berlinale International Film Festival this year. The ceremonial gala evening of the 93rd awards of the American Academy of Motion Picture Arts and Sciences will take place on 25th April 2021 in Los Angeles. The academics were choosing from 10 Czech feature films and documentary features that had been submitted by their producers. The voting took place from 1st to 11th October 2020. The film Charlatan was created within the framework of a Czech-Irish-Polish-Slovak co-production and it presents a stirring biographical drama of an exceptional man gifted with unique healing powers against the background of historical events. The plot is inspired by real fortunes of the healer Jan Mikolášek who throughout his career answered the pleas of thousands of people from all the social classes and also some of the most prominent figures of the political and cultural milieu. Mikolášek is a person without official medical education who possesses the unique as well as unfathomable talent to diagnose illnesses and heal people by herbs even when the doctors are at a loss. -
Indelible Shadows Film and the Holocaust
Indelible Shadows Film and the Holocaust Third Edition Annette Insdorf published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge CB2 2RU, UK 40 West 20th Street, New York, NY 10011-4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Annette Insdorf, 1983, 1989, 2002, 2003 Foreword to 1989 edition C Elie Wiesel This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First edition published 1983 by Random House Second edition published 1989 by Cambridge University Press Reprinted 1990 Third edition first published 2003 Printed in the United States of America Typefaces Minion 10/12 pt. and Univers67 System LATEX2ε [TB] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Insdorf, Annette. Indelible shadows : film and the Holocaust / Annette Insdorf. – 3rd ed. p. ; cm. Includes bibliographical references and index. ISBN 0-521-81563-0 – ISBN 0-521-01630-4 (pb.) 1. Holocaust, Jewish (1939–1945), in motion pictures. I. Title. PN1995.9.H53 I57 2002 791.43658 – dc21 2002023793 ISBN 0 521 81563 0 hardback ISBN 0 521 01630 4 paperback Contents Foreword by Elie Wiesel page xi Preface xiii Introduction xv I Finding an Appropriate Language 1. -
Titel Kino 2-2000
EXPORT-UNION OF GERMAN CINEMA 2/2000 At the Cannes International Film Festival: THE FAREWELL by Jan Schütte LOST KILLERS by Dito Tsintsadze NO PLACE TO GO by Oskar Roehler VASILISA by Elena Shatalova THE TIN DRUM – A LONE VICTOR On the History of the German Candidates for the Academy Award »SUCCESS IS IN THE DETAILS« A Portrait of Producer Kino Andrea Willson Scene from “THE FAREWELL” Scene from Studio Babelsberg Studios Art Department Production Postproduction Studio Babelsberg GmbH August-Bebel-Str. 26-53 D-14482 Potsdam Tel +49 331 72-0 Fax +49 331 72-12135 [email protected] www.studiobabelsberg.com TV SPIELFILM unterstützt die Aktion Shooting Stars der European Filmpromotion www.tvspielfilm.de KINO 2/2000 German Films at the 6 The Tin Drum – A Lone Victor 28 Cannes Festival On the history of the German candidates for the Academy Award 28 Abschied for Best Foreign Language Film THE FAREWELL Jan Schütte 11 Stations Of The Crossing 29 Lost Killers Portrait of Ulrike Ottinger Dito Tsintsadze 30 Die Unberührbare 12 Souls At The Lost-And-Found NO PLACE TO GO Portrait of Jan Schütte Oskar Roehler 31 Vasilisa 14 Success Is In The Details Elena Shatalova Portrait of Producer Andrea Willson 16 Bavarians At The Gate Bavaria Film International 17 An International Force Atlas International 18 KINO news 22 In Production 22 Die Blutgräfin 34 German Classics Ulrike Ottinger 22 Commercial Men 34 Es geschah am 20. Juli Lars Kraume – Aufstand gegen Adolf Hitler 23 Edelweisspiraten IT HAPPENED ON JULY 20TH Niko von Glasow-Brücher G. W. -
1 INTRODUCTION This Dissertation Will Discuss the Perception of Polish
Cut off by the 'Iron Curtain' Item Type Thesis Authors Draniewicz, Anna B. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 24/09/2021 13:59:05 Link to Item http://hdl.handle.net/10454/4927 INTRODUCTION This dissertation will discuss the perception of Polish Cinema in English- language literature. During the collection of my secondary data, which concentrated mainly on English-language books but also includes newspapers and Internet resources, I encountered many interesting issues. These are divided here into three categories discussed in three chapters: ‘Stereotypes and Errors’ that result from the lack of knowledge thus causing misunderstandings, ‘Deficiencies’ about the absence of some films and directors in the English-speaking world and ‘Different Perspectives’ that reveal some interesting comparisons. The judgements applied to define these sections are respectively: accuracy (correctness of the facts), novelty (unknown trends) and originality of ideas (absent in Polish film criticism). During my research I have discovered the main factors distorting the perception of Polish cinema. I talked about them during my presentation entitled ‘English-Language Critical Engagements with Polish Cinema’ during the ‘Polish Cinema in an International Context’ conference held in Manchester in December 2009. Most of these issues are addressed in Chapter One, which outlines the problems that English-language authors seem to have with the Polish language, the background political issues and the lack of knowledge about some of the periods of Polish cinema. -
Nga | Viewing History Through the Filmmaker's Lens
VIEWING HISTORY THROUGH THE FILMMAKER'S LENS Agnieszka Holland, lecture delivered Sunday, December 1, 2013 National Gallery of Art When I was thirteen years old, I became fascinated with ancient Rome. The impulse for that was a highly suggestive Polish TV adaptation of Billy Wilder's The Ides of March. I desperately wanted to enter this intense world, and so I decided that I must have reincarnated many times and that in ancient Rome I had been Brutus, with all his complexity and remorse, only to return in the Renaissance, but not as Michelangelo or Leonardo, but as an unknown friend of the latter (who, by the way, had a mysterious, dangerous relationship with Buonarotti). I even kept diaries as these pretended incarnations of mine. I was also convinced that one of my incarnations lived in occupied Poland during the Second World War, but this seemed to painful to write about. It wasn't until years later that this subject came back to me. I don't really believe in films describing historical events that happened ages ago. The stronger the remoteness, the more arbitrarily a filmmaker has to present it. This engenders a certain risk of falling into the most commonly encountered kind of kitsch: simplification, anachronisms, and overt aestheticization. The easiest step is to imitate the external time indicators (though even this requires intuition, knowledge, and diligence), such as costumes, props, and architectural details. The most difficult task is to discover the sense of inner truth, which makes the story deeply rooted in the historical context but at the same time doesn't make it look like some history manual article. -
FILM-FICHA Copying Beethoven
Holland, Agnieszka Film-ficha 93 Copying Beethoven TÍTULO ORIGINAL Copying Beethoven AÑO 2006 DURACIÓN 104 minutos PAÍS , USA / Alemania / Hungría DIRECTORA Agnieszka Holland GUIÓN Stephen J. Rivele, Christopher Wilkinson MÚSICA Ludwig Van Beethoven (supervi- sada por Maggie Rodford) FOTOGRAFÍA Ashley Rowe MONTAJE Alex Mackie GÉNERO Drama de época / Biográfico PRODUCCIÓN Sidney Kimmel, Michael Taylor, Stephen J. Rivele, Christopher Wilkinson PRODUCTORA Coproducción USA / Alemania / Hungría REPARTO Ed Harris (Ludwig van Beethoven), Diane Kruger (Anna Holtz), Nicholas Jones (archiduque Rudolph), Matthew Goode (Martin Bauer), Ralph Riach (Wenzel Schlemmer), Joe Anderson (Karl van Beethoven), Bill Stewart (Rudy), Angus Barnett (Krenski), Phyllida Law, George Mendel. SINOPSIS Copying Beethoven narra el final de la vida del compositor y su intensa relación artística con su copis- ta Anna Holtz, estudiante de 23 años en el conservatorio de música de Viena. Poseedora de gran talento musical, Anna aspira a convertirse en compositora. Pero dispone de pocos medios económicos para des- envolverse en la capital de la música, dar cauce a su inspiración y progresar en su propósito. Con todo, la vida le sonríe: Le brinda una recomendación para trabajar en una reconocida editorial musical, que puede proporcionarle el sustento e, inmediatamente después y tras una serie de circunstancias inesperadas, consigue entrar al servicio de Ludwig van Beethoven, el más relevante y voluntarioso compositor del mo- mento. El film nos sitúa en 1824. Beethoven está finalizando su "Novena Sinfonía" y necesita ayuda, por- que dentro de unos días se estrena su obra y todavía no están trascritas páginas importantes de la partitu- ra. Sordo, gruñón y déspota, su relación con Anna irá evolucionando. -
Quarterly 2 · 2010
German Films Quarterly 2 · 2010 IN CANNES: UN CERTAIN REGARD THE CITY BELOW by Christoph Hochhaeusler LIFE, ABOVE ALL by Oliver Schmitz PORTRAITS Directors Brigitte Bertele & Robert Thalheim, Collina Film Production, Actor Volker Bruch In Competition MY JOY by Sergei Loznitsa German Producer: ma.ja.de fiction/Leipzig World Sales: Fortissimo Film Sales/Amsterdam In Competition LA PRINCESSE DE MONTPENSIER by Bertrand Tavernier German Producer: Pandora Film/Cologne World Sales: StudioCanal/Paris In Competition TENDER SON – THE FRANKENSTEIN PROJECT by Kornél Mundruczó German Producer: Essential Filmproduktion/Berlin World Sales: Coproduction Office/Paris In Competition TOURNÉE by Mathieu Amalric German Producer: Neue Mediopolis Filmproduktion/Leipzig World Sales: Le Pacte/Paris In Competition UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES by Apichatpong Weerasethakul German Producers: Geissendoerfer Film- und Fernsehproduktion & The Match Factory/Cologne World Sales: The Match Factory/Cologne Out of Competition THE AUTOBIOGRAPHY OF NICOLAE CEAUSESCU by Andrei Ujicaˇ German Producer: Neue Mira Filmproduktion/Bremen World Sales: Mandragora International/Paris Out of Competition CARLOS THE JACKAL by Olivier Assayas German Producer: Egoli Tossell Film/Halle World Sales: StudioCanal/Paris Un Certain Regard AURORA by Cristi Puiu German Producer: Essential Filmproduktion/Berlin World Sales: Coproduction Office/Paris GERMAN FILMS AND CO-PRODUCTIONS 2010 FILM FESTIVAL THE CANNES AT Un Certain Regard THE CITY BELOW by Christoph Hochhaeusler Producer: Heimatfilm/Cologne