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Iconografía Militar Del Quijote: Emblemas De Aviación1
Revista de la CECEL, 15 2015, pp. 189-206 ISSN: 1578-570-X ICONOGRAFÍA MILITAR DEL QUIJOTE: EMBLEMAS DE AVIACIÓN1 JOSÉ MANUEL PAÑEDA RUIZ UNED RESUMEN ABSTRACT La popular obra de Cervantes ha sido ob- The popular text of Cervantes has received a jeto de una pluralidad de fi guraciones que plurality of confi gurations that have illustrat- han ilustrado la obra; mientras que por otro ed the work; while on the other hand an ex- lado surge en torno a dicho texto una extensa tensive popular iconography arises over the iconografía popular. Sin embargo, las repre- text. However, the representations in the mili- sentaciones en el ámbito militar son escasas, tary fi eld are scarce, being mainly focused in estando centradas principalmente en la esfera the fi eld of aviation. In this study a tour of the de la aviación. En este estudio se realiza un latter has been made, in order to analyze their recorrido por estas últimas, con el fi n de ana- origin, meaning and its relationship with the lizar su procedencia, signifi cado y su relación Quixote. con el Quijote.. PALABRAS CLAVE KEY WORDS Quijote, aviación, iconografía popular, pilo- Quixote, aviation, popular iconography, tos de caza. fi ghter pilots. 1. INTRODUCCIÓN La celebración del III centenario de la publicación de la segunda parte del Quijote2 en 1915 coincidió con otros dos acontecimientos que aunque inicial- mente no guarden relación aparente con la obra cervantina, posteriormente se verá que están intimamente ligados con la línea de trabajo del presente texto. El primero de ellos fue la Guerra Europea o Gran Guerra, o en palabras de Woodrow Wilson, presidente de Estados Unidos: 1 Fecha de recepción: 3 de diciembre de 2015. -
Review of R. M. Flores, Sancho Panza Through Three Hundred Seventy
Bulletin of Hispanic Studies, 61 (1984), 507–08. [email protected] http://bigfoot.com/~daniel.eisenberg R. M. Flores, Sancho Panza through Three Hundred Seventy-five Years of Continuations, Imitations, and Criticism, 1605–1980. Newark, Delaware: Juan de la Cuesta, 1982. x + 233 pp. This is a study of the fortunes of Sancho Panza subsequent to Cervantes, followed by a chapter analyzing ‘Cervantes’ Sancho’. It is a bitter history of what the author views as misinterpretation, a study of ‘disarray, irrelevance, and repetition’, which constitute the overall picture of the topic (149). Included are three bibliogra- phies, one of which is a chronological listing without references, 54 pages of appendices with categorized information about Sancho found in Don Quixote, a tabulation of the length of Sancho’s speeches, and an index of proper names. Flores’ focus in his historical survey is to see if and by whom Sancho has been presented accurately. This is a fair question when dealing with scholarship, but he evaluates creative literature from the same perspective. Thus, a novel of José Larraz López ‘fails to throw any useful light on Sancho’s character’ (105), and we are told that ‘it is impossible to accept [a novel of Jean Camp] as a genuine continuation of Cervantes’ novel’ (105). Flores praises Tolkien because ‘in most…respects the characters of Tolkien and Cervantes are alike’ (108). The question of why a novelist, dramatist, or poet should be expected to be faithful to Cervantes is never addressed, nor is the validity of authorial interpretation and intent explored. Even aside from this, the treatment of creative literature is incomplete, and relies heavily on secondary sources: thus, the discussion of seventeenth-century Spanish images of Sancho is based exclusively on the summary notes in Miguel He- rrero García’s Estimaciones literarias del siglo XVIII. -
Language and Gender in Don Quixote: Teresa Panza As Subject
Language and Gender in Don Quixote: Teresa Panza as Subject Patricia A. Heid University of California, Berkeley Teresa Panza, the wife of Don Quijote’s famous squire Sancho, is depicted in a drawing in Concha Espina’s book, Mujeres del Quijote, as an older and somewhat heavy woman, dressed in the style of the pueblo, with a sensitive facial expression and an overall domestic air. This is, in fact, the way in which we imagine her through most of Part I, when her identity is limited to that of a main character’s wife, and a somewhat unintelligent one at that. Concha Espina herself says that Cervantes’ book offers her to us as “la digna compaflera del buen Sancho, llena de rustiquez y de ignorancia” (90). Other critics have at least recognized that Teresa, like most of Cervantes ’ female characters, exhibits alertness and resolve (Combet 67). Teresa, however, eludes these simple characterizations. Dressed in all the trappings of an ignorant and obedient wife, she bounds over the linguistic and social borders which her gender imposes. In the open space beyond, Teresa develops discourse as a non-gendered subject. Her voice becomes one which her husband must reckon with in the power struggle which forms the context of their language. By analyzing the strategies for control utilized in this conflict, we see that it is similar to another power struggle with which we are quite familiar: that of Don Quijote and Sancho. The parallels discovered between the two highlight important aspects of the way in which Teresa manages her relationship to power, 1 and reveal that both conflicts are fundamentally the same. -
Fiction Excerpt 2: from the Adventures of Don Quixote
Fiction Excerpt 2: From The Adventures of Don Quixote (retold with excerpts from the novel by Miguel de Cervantes) Once upon a time, in a village in La Mancha, there lived a lean, thin-faced old gentleman whose favorite pastime was to read books about knights in armor. He loved to read about their daring exploits, strange adventures, bold rescues of damsels in distress, and intense devotion to their ladies. In fact, he became so caught up in the subject of chivalry that he neglected every other interest and even sold many acres of good farmland so that he might buy all the books he could get on the subject. He would lie awake at night, absorbed in every detail of these fantastic adventures. He would often engage in arguments with the village priest or the barber over who was the greatest knight of all time. Was it Amadis of Gaul or Palmerin of England? Or was it perhaps the Knight of the Sun? As time went on, the old gentleman crammed his head so full of these stories and lost so much sleep from reading through the night that he lost his wits completely. He began to believe that all the fantastic and romantic tales he read about enchantments, challenges, battles, wounds, and wooings were true histories. At last he fell into the strangest fancy that any madman has ever had: he resolved to become himself a knight errant, to travel through the world with horse and armor in search of adventures. First he got out some rust-eaten armor that had belonged to his ancestors, then cleaned and repaired it as best he could. -
Fall 2015 CERVANTES' DON QUIXOTE Prof. Julio Baena Syllabus
Fall 2015 SPAN 3700: SELECTED READINGS. SPANISH LITERATURE IN TRANSLATION. CERVANTES’ DON QUIXOTE Prof. Julio Baena Office: McKenna 24 Office hours: Mondays 10-12; Wednesdays 1-3, and by appointment e-mail address: [email protected] Syllabus Don Quixote de la Mancha is one of the most important books ever written. No literary critic in the world, or cultural critic, or even philosopher fails to mention it, to analyze it to interpret it. It has been influential to thinkers from Lukács to Foucault to Bakhtin to Girard to the Frankfurt School, and to writers from Sterne to Nabokov to Borges to Flaubert. No other book in the world, except for the Bible, has been translated to more languages, or undergone more editions and reprints, or generated so many books and articles about it. It is, of course, a novel, the first modern novel according to most critics, a herald of modernity, but it is also a book that scrutinizes the human psyche, the nature of empire and domination, the reality of the real, or the way in which it is reality that imitates fiction as much as the other way around. The purpose of this course is to read and comment this one book. Or it can be argued that it is two books, because Cervantes published Part I in 1605, and Part II in 1615… or it can be argued that it is three books, because a “fake” Don Quixote was published in 1614, which Cervantes incorporates in a brilliant intertextual exercise, or it can even be argued—following Borges—that we are dealing with an unlimited number of Don Quixotes. -
Sancho Panza and the Mimesis of Solomon: Medieval Jewish Traditions in Don Quijote1
CHAPTER THIRTEEN SANCHO PANZA AND THE MIMESIS OF SOLOMON: MEDIEVAL JEWISH TRADITIONS IN DON QUIJOTE1 Francisco Peña Fernández Th en he ordered the cane to be broken open in the presence of everyone; and when this was done they found ten gold crowns incide. Whereupon everyone expressed astonishment, and hailed the governor as a New Solomon.2 Th e above quote, in which the people of the Island of Barataria liken Don Quijote’s squire Sancho Panza to the fi gure of King Solomon, constitutes the only explicit mention of the legendary Biblical monarch in Cervantes’ entire masterpiece. Th is paper seeks to show that this allusion to the fi gure of Solomon is actually the culmination of a series of intertextual echoes of Hebrew legends in Don Quijote. Although the association between the squire Sancho Panza and King Solomon is evident in diff erent ways throughout the novel, I will focus especially on a series of events linked to the episode of Sancho’s governorship in Barataria. Th e shadow of King Solomon in Don Quijote is not only that of the monarch described in several books of the Bible, but also the mythical Solomon popularized in diverse Hebrew and specifi cally Judeo-Spanish legends that circulated throughout Spain in the Middle Ages. Carmen Vega Carney, bringing to light the “meticulous” study by R. M. Flores, has summarized the main critical approaches to the charac- ter of Don Quijote’s squire. Sancho has been considered—among other things—a madman, a fool, a carnivalesque buff oon, an instrument for 1 Parts of this paper appeared in a previous article: Francisco Peña Fernández. -
WARN Report Summary by Received Date 07/01/2019 - 06/30/2020 State Fiscal Year No
WARN Report Summary by Received Date 07/01/2019 - 06/30/2020 State Fiscal Year No. Of Notice Date Effective Date Received Date Company City County Employees Layoff/Closure 06/10/2020 06/09/2020 06/30/2020 Harbor Bay Club, Inc Alameda Alameda County 80 Layoff Temporary 03/20/2020 03/20/2020 06/30/2020 MD2 Industries, LLC Long Beach Los Angeles County 109 Closure Temporary 06/30/2020 08/21/2020 06/30/2020 NBCUniversal Media, LLC - Digital Lab Unit Universal City Los Angeles County 28 Layoff Temporary 04/22/2020 06/22/2020 06/30/2020 House of Blues Anaheim Anaheim Orange County 8 Closure Temporary 06/29/2020 08/01/2020 06/30/2020 ADESA California, LLC dba ADESA/AFC Los Mira Loma Riverside County 71 Layoff Permanent Angeles 06/17/2020 06/17/2020 06/30/2020 K&N Engineering, Inc. Riverside Riverside County 44 Layoff Permanent 06/29/2020 07/28/2020 06/30/2020 Benchmark Arrowhead, LLC dba Lake Lake Arrowhead San Bernardino County 114 Layoff Permanent Arrowhead Resort and Spa 06/18/2020 07/06/2020 06/30/2020 HOWMET Aerospace Fontana San Bernardino County 75 Layoff Temporary 06/18/2020 06/16/2020 06/30/2020 Bahia Resort Hotel San Diego San Diego County 47 Layoff Permanent 06/18/2020 06/16/2020 06/30/2020 Catamaran Resort Hotel and Spa San Diego San Diego County 46 Layoff Permanent 06/18/2020 06/16/2020 06/30/2020 The Lodge Torrey Pines La Jolla San Diego County 84 Layoff Permanent 06/18/2020 06/18/2020 06/30/2020 Bahia Resort Hotel San Diego San Diego County 33 Layoff Temporary 06/18/2020 06/18/2020 06/30/2020 Catamaran Resort Hotel and Spa San Diego San Diego County 33 Layoff Temporary 06/18/2020 06/18/2020 06/30/2020 The Lodge Torrey Pines La Jolla San Diego County 37 Layoff Temporary 06/08/2020 03/30/2020 06/30/2020 SmartCareMD Escondido San Diego County 38 Layoff Permanent 06/29/2020 08/31/2020 06/30/2020 Stryker Employment Company Menlo Park San Mateo County 33 Layoff Permanent 06/29/2020 08/29/2020 06/30/2020 Nitto, Inc. -
Faculty Research, Scholarship, and Creative Activity 2017
STATE UNIVERSITY OF NEW YORK AT FREDONIA FACULTY RESEARCH, SCHOLARSHIP, AND CREATIVE ACTIVITY 2017 fredonia.edu/academicaffairs STATE UNIVERSITY OF NEW YORK AT FREDONIA FACULTY RESEARCH, SCHOLARSHIP, AND CREATIVE ACTIVITY 2017 TABLE OF CONTENTS A MESSAGE FROM THE PRESIDENT .........................4 A MESSAGE FROM THE PROVOST ...........................5 COLLEGE OF EDUCATION ....................................6 CURRICULUM AND INSTRUCTION ................................... 7 LANGUAGE, LEARNING, AND LEADERSHIP ........................... 8 COLLEGE OF LIBERAL ARTS AND SCIENCES ................ 10 BIOLOGY .............................................................. 11 CHEMISTRY AND BIOCHEMISTRY ................................... 13 COMMUNICATION DISORDERS AND SCIENCES ..................... 14 COMMUNICATION .................................................... 14 COMPUTER AND INFORMATION SCIENCES ......................... 16 ENGLISH .............................................................. 17 HISTORY .............................................................. 18 MATHEMATICAL SCIENCES ........................................... 19 PHILOSOPHY ........................................................ 20 PHYSICS ............................................................... 21 POLITICS AND INTERNATIONAL AFFAIRS ........................... 22 PSYCHOLOGY ....................................................... 23 SOCIOCULTURAL AND JUSTICE SCIENCES ......................... 25 COLLEGE OF VISUAL AND PERFORMING ARTS .............26 MUSIC -
Cherrypy Documentation Release 3.3.0
CherryPy Documentation Release 3.3.0 CherryPy Team August 05, 2016 Contents 1 What is CherryPy? 1 2 What CherryPy is NOT? 3 3 Contents 5 3.1 Why choose CherryPy?.........................................5 3.2 Installation................................................6 3.3 CherryPy License (BSD).........................................8 4 Tutorial 9 4.1 What is this tutorial about?........................................9 4.2 Start the Tutorial.............................................9 5 Programmer’s Guide 35 5.1 Features.................................................. 35 5.2 HTTP details............................................... 66 6 Deployment Guide 79 6.1 Applications............................................... 79 6.2 Servers.................................................. 79 6.3 Environment............................................... 87 7 Reference Manual 91 7.1 cherrypy._cpchecker ....................................... 91 7.2 cherrypy._cpconfig ........................................ 92 7.3 cherrypy._cpdispatch – Mapping URI’s to handlers...................... 94 7.4 cherrypy._cprequest ....................................... 96 7.5 cherrypy._cpserver ........................................ 101 7.6 cherrypy._cptools ........................................ 103 7.7 cherrypy._cptree ......................................... 105 7.8 cherrypy._cpwsgi ......................................... 107 7.9 cherrypy ................................................ 108 7.10 cherrypy.lib............................................... -
The Search for Dog in Cervantes
humanities Article Article The Search for Dog in Cervantes ID Ivan Schneider Seattle, WA 98104,98104, USA; [email protected] Received: 20 20 March March 2017 2017;; Accepted: 11 11 July July 2017 2017;; Published: 14 14 July July 2017 2017 Abstract: This paper reconsiders the missing galgo from the first line in Don Quixote with a set of Abstract: This paper reconsiders the missing galgo from the first line in Don Quixote with a set of interlocking claims: first, that Cervantes initially established the groundwork for including a talking interlocking claims: first, that Cervantes initially established the groundwork for including a talking dog in Don Quixote; second, through improvisation Cervantes created a better Don Quixote by dog in Don Quixote; second, through improvisation Cervantes created a better Don Quixote by transplanting the idea for a talking dog to the Coloquio; and third, that Cervantes made oblique transplanting the idea for a talking dog to the Coloquio; and third, that Cervantes made oblique references to the concept of dogs having human intelligence within the novel. references to the concept of dogs having human intelligence within the novel. Keywords: Cervantes; talking dogs; narratology; animal studies Keywords: Cervantes; talking dogs; narratology; animal studies 1. Introduction 1. Introduction “[Cervantes] saw his scenes and the actors in them as pictures in his mind before he put “[Cervantes]them on paper, saw much his scenes as El Greco and the [see actors Figure in1] madethem as little pictures clay models in his ofmind his figuresbefore beforehe put thempainting on paper, them.” much (Bell as1947 El ,Greco p. -
Pipenightdreams Osgcal-Doc Mumudvb Mpg123-Alsa Tbb
pipenightdreams osgcal-doc mumudvb mpg123-alsa tbb-examples libgammu4-dbg gcc-4.1-doc snort-rules-default davical cutmp3 libevolution5.0-cil aspell-am python-gobject-doc openoffice.org-l10n-mn libc6-xen xserver-xorg trophy-data t38modem pioneers-console libnb-platform10-java libgtkglext1-ruby libboost-wave1.39-dev drgenius bfbtester libchromexvmcpro1 isdnutils-xtools ubuntuone-client openoffice.org2-math openoffice.org-l10n-lt lsb-cxx-ia32 kdeartwork-emoticons-kde4 wmpuzzle trafshow python-plplot lx-gdb link-monitor-applet libscm-dev liblog-agent-logger-perl libccrtp-doc libclass-throwable-perl kde-i18n-csb jack-jconv hamradio-menus coinor-libvol-doc msx-emulator bitbake nabi language-pack-gnome-zh libpaperg popularity-contest xracer-tools xfont-nexus opendrim-lmp-baseserver libvorbisfile-ruby liblinebreak-doc libgfcui-2.0-0c2a-dbg libblacs-mpi-dev dict-freedict-spa-eng blender-ogrexml aspell-da x11-apps openoffice.org-l10n-lv openoffice.org-l10n-nl pnmtopng libodbcinstq1 libhsqldb-java-doc libmono-addins-gui0.2-cil sg3-utils linux-backports-modules-alsa-2.6.31-19-generic yorick-yeti-gsl python-pymssql plasma-widget-cpuload mcpp gpsim-lcd cl-csv libhtml-clean-perl asterisk-dbg apt-dater-dbg libgnome-mag1-dev language-pack-gnome-yo python-crypto svn-autoreleasedeb sugar-terminal-activity mii-diag maria-doc libplexus-component-api-java-doc libhugs-hgl-bundled libchipcard-libgwenhywfar47-plugins libghc6-random-dev freefem3d ezmlm cakephp-scripts aspell-ar ara-byte not+sparc openoffice.org-l10n-nn linux-backports-modules-karmic-generic-pae -
NASDAQ Stock Market LLC (“Nasdaq Exchange”), a Subsidiary of the Nasdaq Stock Market, Inc
July 31, 2006 Nancy M. Morris, Esq. Secretary US Securities and Exchange Commission 100 F Street, NE Washington, DC 20549 RE: Request for Relief from § 12 of the Securities Exchange Act of 1934 Dear Ms. Morris: On January 13, 2006, the Securities and Exchange Commission (“SEC” or “Commission”) approved the application of The NASDAQ Stock Market LLC (“Nasdaq Exchange”), a subsidiary of The Nasdaq Stock Market, Inc. (“Nasdaq”), to register under Section 6 of the Securities Exchange Act of 1934 (“Act” or “Exchange Act”) as a national securities exchange.1 Nasdaq’s transition of its listing and trading activities to the Nasdaq Exchange will further Congress’s instruction to promote “fair competition . between exchange markets.”2 Absent the relief requested herein, however, Nasdaq’s transition to a national securities exchange would require approximately 3,200 Nasdaq Global Market3 and Capital Market issuers with securities registered pursuant to the Act, or exempt from registration under Section 12(g) of the Act,4 to file registration statements5 to register those securities under Section 12(b) of the Act.6 1 Securities Exchange Act Release No. 53128 (January 13, 2006), 71 FR 3550 (January 23, 2006) (the “Exchange Approval Order”). 2 Exchange Act Section 11A(a)(1)(C)(ii). 3 Effective July 1, 2006, Nasdaq renamed the Nasdaq National Market as the Nasdaq Global Market and created a new segment within the Global Market called the Global Select Market. References to the Nasdaq Global Market include those securities listed on the Nasdaq Global Market and the Nasdaq Global Select Market. See Securities Exchange Act Release No.