DOCSLIB.ORG

Hercules?” I Wrote the Format Category “Long Form,” Has Reached and Watson Respectively

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hercules?” I Wrote the Format Category “Long Form,” Has Reached and Watson Respectively TM The Network Television Mini-Series and the creation and making of by Kate McCallum ver the years the television mini- The Hound of The Baskervilles and Hands of scr(i)pt: Were you hired to do the treatment? series has been hailed as one of a Murderer. CP: No, I did it on my own because I just the great vehicles for deeper Prior to writing, Pogue spent many years wanted to do it. It was a very good calling storytelling. Classics such as as a stage actor in such plays as Cyrano De card and got floated around a lot. Nothing Roots, The Thorn Birds and Lonesome Dove, Bergerac, Duchess of Malfi, The Rainmaker, ever came of it, unfortunately. Then a Oall highly regarded and well-received “event Hay Fever, Angel Street, Flea in Her Ear and, few years ago, my friend, David Madden, programming,” have garnered numerous oddly enough, in a Sherlock Holmes play, who is the head of Fox TV, e-mailed me: awards and high ratings for the networks The Crucifer of Blood which starred Charlton “Do you think there’s an idea in doing a who aired them. The mini, which falls under Heston and the late Jeremy Brett as Holmes mythologically serious Hercules?” I wrote the format category “long form,” has reached and Watson respectively. him back: “Yes, and I’m the guy to do it.” a new level of pedigree in the broadcast A member of WGA, SAG, AFTRA, We sat down and had a quick exploratory marketplace with the cable channels jump- Actors’ Equity and The Dramatists Guild, meeting about how to approach the idea. I ing in with such content as HBO’s Angels Pogue is also a popular guest speaker and has didn’t want to do a Ray Harryhausen ver- in America or A&E’s Horatio Hornblower. lectured on film and screenwriting at UCLA, sion, like the gods are up in the heavens Hallmark Entertainment has been one of USC and universities across the country, as playing chess with all the mortals, because the most prolific providers of the mini- well as for the Writers Guild at film festivals that immediately deflates the heroism of series content recently. They have produced in Cannes, Beaune, Brazil and Seattle. He the piece. To me, a hero has to make his such titles as The 10th Kingdom, Children of recently finished a screenplay adaptation of own decisions versus just being manipu- Dune, Dead Man’s Walk, Dinotopia and now H. Rider Haggard’s immortal classic She and lated by the gods. I wanted the gods to NBC’s Hercules. I was fortunate to interview is currently writing a personal film project be a very wide presence in the minds of screenwriter Charles Pogue about his experi- and another novel. the people, but I didn’t want to see any ence penning this Herculean task. manifestations of gods. My approach was Charles Edward Pogue launched his career scr(i)pt: What inspired the idea to bring going to be I, Claudius meets The Lord of with a pair of scary classics, Psycho III and The Hercules to the screen? The Rings. I told David, “Don’t worry, we’ll Fly. Shifting from horror to fantasy, Pogue CHARLES POGUE: Mythology is an area have plenty of blood and thunder, CGI penned the swashbuckling epic, Dragonheart, that I’ve always liked, particularly the Greek and technology; but there’s going to be a with Sean Connery as the voice of Draco, the mythologies. I study it a lot; and eons ago, brain in this. I want to really get into the computer-animated dragon. His film noir when I was first starting out as a writer, I nitty-gritty seriousness of it as well.” He mystery, D.O.A., starred Dennis Quaid and wrote a 176-page bible for a 10-hour mini- asked what I needed; and I said, “Give me Meg Ryan. In addition, he has written three series about the Trojan War. It was a very a few months; I’ve got to do some read- Sherlock Holmes mysteries: The Sign of Four, detailed, scene-for-scene treatment. ing,” because I’m a very rigid researcher. 32 s c r ( i ) p t scriptmag.com ( the great idea ) scr(i)pt: To whom at Hallmark did you goddess/god conflict, realizing that humans pitch? need to embrace the finest aspects of both CP: Lynn Holtz, with whom I’d worked the god and the goddess to find the true bal- before on another project that never came ance of life. So he slowly breaks the chains quite to fruition. She is very much into of religion and leads the masses toward a mythology and ancient culture, as well, so monotheistic ideal that’s not about capri- she really got it. cious divinities imposing a bunch of arcane kindergarten rules upon humanity. Religion scr(i)pt: How about at NBC? should be uplifting and freeing; not stifling CP: Stephen Bulka was our executive at and punishing. Hercules strives to live his NBC, and he also got it. They really liked life with honor and honesty, dignity and the resonance of the piece, though there decency, and proclaims that that’s pretty were some notes and concerns because of much all any god can expect. the tone. I had to take into consideration But, in the meantime, we’ve still got lots that there was another audience demograph- of blood and thunder and also Hercules ic we were trying to reach as well. The first initially thinking he’s the son of a god. He thing we addressed was that after Hercules starts with a certain amount of arrogance, Screenwriter Charles Pogue goes through all the labours, he really can’t then is humbled and finds his divinity be killed off. So, the two things I had to when he discovers his humanity. Those I immersed myself in all sorts of mythol- find most in the story were ... that dreaded became the themes of the piece and gave ogy, read tons of novels in this whole arena word ... character arc or ... me a trajectory. The other challenge was and very quickly found out that I wanted to dealing with all the disparate labours and deal with the mother worship, which actu- scr(i)pt: The plot throughline? making them interesting—exploring again ally preceded all the panoply of gods. The CP: Yes, the throughline—and thematic the myth behind the myth. I knew I story is basically about Hera’s having it in structure—what the story was really about, couldn’t do all 12 labours simply because for Hercules because he’s the son of Zeus. and taking all these incidences and creat- there were some that were just repetitive If you go back far enough into the myths, ing a storyline that had a real trajectory—a and impossible to conjure into something you find out that the Greeks were great beginning, middle and end. Then, I went interesting. I think we finally ended up worshippers of the goddess before Zeus. So back through some of the myths again to with six. The goal was to find a twist on the story became about the conflict of the find their origins; and what I found was that each one and make it not what you expect- mother/father worship cults. I then pitched the story was basically about the tyranny of ed it was going to be. Then, [the labour] David a rough idea and he liked it. religion—pretty much kind of what we’re had to inform the lessons Hercules had to After a few months, I came back with going through today ... learn and the whole thematic structure and a very detailed cradle-to-grave treatment the direction he was going. of Hercules with everything I wanted it to scr(i)pt: Absolutely, that eternal myth— For example, one task ultimately got be in terms of the seriousness of the tone. and how very relevant. It’s quite remarkable, cut for budgetary reasons. It was the This wasn’t your Steve Reeves Hercules isn’t it? famous one about Hercules’ cleaning out or a Kevin Sorbo Hercules. This wasn’t CP: Not only in the Middle East but also the Aegean stables. You think, geez, who L.A. flip. It was very dark. David and here with the extremists’ viewpoints and fun- wants to see Hercules with a broom, shov- I pitched it a few places, and nobody damentalists’ viewpoints—this whole idea eling a bunch of horse poop? That’s not would bite. Later that summer we heard that people are restricted and stifled because going to be too dramatic. But, somewhere Robert Halmi of Hallmark Entertainment they think God wants them to do something. in the research I read that this was actu- and NBC were looking to do Hercules. Sometimes it’s something they don’t even ally a cavalry charge of some kind; and David, who is one of the few true gentle- understand, like a dumb, empty ritual piece I thought suddenly, now that’s interest- men I’ve actually met in this business, of mummery that’s come down through the ing. What the scene then becomes is that, said, “I haven’t been able to set this up. ages and nobody understands why it was at some point, Zeus arouses the ire of It’s your outline. It’s your work, so take done in the first place. It’s probably been this king who sends his cavalry to attack.
Load more

Recommended publications
  • Stuart Lochhead Sculpture
    Stuart Lochhead Sculpture Stuart Lochhead Limited www.stuartlochhead.art 020 3950 2377 [email protected] Auguste Jean-Marie Carbonneaux Paris, 1769-1843 Hercules, after the Antique bronze 73 cm high Signed and dated Carbonneaux 1819 on the right side of the base Related literature ■ E. Lebon, « Répertoire », in Le fondeur et le sculpteur, Paris, Ophrys (« Les Essais de l'INHA »), 2012 [also available online] Stuart Lochhead Limited www.stuartlochhead.art 020 3950 2377 [email protected] Auguste Jean-Marie Carbonneaux is one of the pioneers of the technique of sand-casting for monumental sculpture. Not a lot is known about his life but a recent publication by E. Lebon (see lit.) has shed some light on his career. Born into a family of metal workers, Carbonneaux is known to be active as a founder from 1814. In 1819 at the request of the celebrated sculptor François-Joseph Bosio (1768-1845) he received the prestigious commission to execute the equestrian statue of Louis XIV for the Place des Victoires, Paris, which was unveiled in 1822. Carbonneaux cast the statue and the two men worked together at least one more time since he also executed in bronze Bosio’s large group of Hercules fighting Achelous transformed into a snake, a statue commissioned by the French royal household in 1822, exhibited at the Salon of 1824 and now in the Musée du Louvre, Paris. Clearly recognised as being an excellent founder, Carbonneaux was also selected by the Polish-French count Leon Potocki in 1821 to cast the equestrian portrait of the polish statesman and general Josef Poniatowski by Berthel Thorvaldsen1.
    [Show full text]
  • The Hercules Story Pdf, Epub, Ebook
    THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious.
    [Show full text]
  • An Analysis of Heracles As a Tragic Hero in the Trachiniae and the Heracles
    The Suffering Heracles: An Analysis of Heracles as a Tragic Hero in The Trachiniae and the Heracles by Daniel Rom Thesis presented for the Master’s Degree in Ancient Cultures in the Faculty of Arts and Social Sciences, at Stellenbosch University Supervisor: Prof. Annemaré Kotzé March 2016 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract This thesis is an examination of the portrayals of the Ancient Greek mythological hero Heracles in two fifth century BCE tragic plays: The Trachiniae by Sophocles, and the Heracles by Euripides. Based on existing research that was examined, this thesis echoes the claim made by several sources that there is a conceptual link between both these plays in terms of how they treat Heracles as a character on stage. Fundamentally, this claim is that these two plays portray Heracles as a suffering, tragic figure in a way that other theatre portrayals of him up until the fifth century BCE had failed to do in such a notable manner. This thesis links this claim with a another point raised in modern scholarship: specifically, that Heracles‟ character and development as a mythical hero in the Ancient Greek world had given him a distinct position as a demi-god, and this in turn affected how he was approached as a character on stage.
    [Show full text]
  • Hercules and the 12 Tasks Pg
    © Drama Notebook www.dramanotebook.com Hercules and the 12 Tasks pg. 1 IMPORTANT NOTICE-Copyright 2018 Published in the United States by Drama Notebook www.dramanotebook.com a division of Rumplestiltskin Press, Portland Oregon USA All rights reserved. No part of this script may be reproduced, stored or introduced into a retrieval system or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the express written permission of both the copyright owner and the publisher of this script. This script is authorized for individual sale and use only, unless a group license is granted. Please contact the publisher to obtain group licenses for use in after-school organizations, school districts, theatre companies, etc. Your support of the author’s rights is appreciated. Performance Royalties… If you perform this play in front of an audience, in lieu of royalties, you MUST provide a link to Drama Notebook on your school or theatre organization website. As an alternative, if you do not have a website, you must post a link on social media, or send photos of your production that we may share on social media. https://www.dramanotebook.com/plays-for-kids/ Example of what to say: This royalty-free play is part of a fantastic collection of plays for kids and teens on Drama Notebook. Send a note to Alex at Drama Notebook [email protected] with one or more of the following: 1. The URL of the link 2. The post on social media 3. Photos attached and a description of your production © Drama Notebook www.dramanotebook.com Hercules and the 12 Tasks pg.
    [Show full text]
  • Hercules, Heracles, Herakles
    Ms. Lardas/Mrs. Despines/Mrs. Rentschler February 2013 Hercules, Heracles, Herakles Print Books that may be helpful are located on a cart. These books will not be checked out of the library so that everyone has fair access to them. General encyclopedias may be helpful. They are located near the computers at the front of the library. eBooks USC High School’s FollettShelf eBooks: Go to the high school web site and click on the LIBRARY tab, or go the the USCHS Library class in Blended Schools. Notice that there is a link to the Quick Reference Guide for the Follett Digital Reader to help you navigate through the ebook. Click onto the FOLLETTSHELF icon. User name: uschs password: panther Click onto The Facts on File encyclopedia of world mythology and legend. Click the OPEN BOOK link. After you are done reading the book, you must go to the top left of toolbar and click the FOLLETT SHELF ICON. On the next screen, click CLOSE TITLE. 1 POWER Library Database---eBooks from EBSCOhost From STUDENT LINKS, click POWER Library. Under LITERATURE click eBooks on EBSCO Type the title of your work in the FIND bar. If necessary, make sure to select FULL TEXT. For home access: Go to STUDENT LINKS or go to the Township Library’s web page http://www.twpusc.org/library/index.html o You will need the barcode number from your TOWNSHIP LIBRARY CARD! o On the right-hand side of the screen, click onto ONLINE DATABASES. Click POWER LIBRARY under “Databases by Subject,” or “General Reference.” o Follow the directions and enter the barcode number on your Township Library card.
    [Show full text]
  • How Disney's Hercules Fails to Go the Distance
    Article Balancing Gender and Power: How Disney’s Hercules Fails to Go the Distance Cassandra Primo Departments of Business and Sociology, McDaniel College, Westminster, MD 21157, USA; [email protected] Received: 26 September 2018; Accepted: 14 November; Published: 16 November 2018 Abstract: Disney’s Hercules (1997) includes multiple examples of gender tropes throughout the film that provide a hodgepodge of portrayals of traditional conceptions of masculinity and femininity. Hercules’ phenomenal strength and idealized masculine body, coupled with his decision to relinquish power at the end of the film, may have resulted in a character lacking resonance because of a hybridization of stereotypically male and female traits. The film pivots from hypermasculinity to a noncohesive male identity that valorizes the traditionally-feminine trait of selflessness. This incongruous mixture of traits that comprise masculinity and femininity conflicts with stereotypical gender traits that characterize most Disney princes and princesses. As a result of the mixed messages pertaining to gender, Hercules does not appear to have spurred more progressive portrayals of masculinity in subsequent Disney movies, showing the complexity underlying gender stereotypes. Keywords: gender stereotypes; sexuality; heroism; hypermasculinity; selflessness; Hercules; Zeus; Megara 1. Introduction Disney’s influence in children’s entertainment has resulted in the scrutiny of gender stereotypes in its films (Do Rozario 2004; Dundes et al. 2018; England et al. 2011; Giroux and Pollock 2010). Disney’s Hercules (1997), however, has been largely overlooked in academic literature exploring the evolution of gender portrayals by the media giant. The animated film is a modernization of the classic myth in which the eponymous hero is a physically intimidating protagonist that epitomizes manhood.
    [Show full text]
  • Melquart and Heracles: a Study of Ancient Gods and Their Influence
    Studia Antiqua Volume 2 Number 2 Article 12 February 2003 Melquart and Heracles: A Study of Ancient Gods and Their Influence Robin Jensen Follow this and additional works at: https://scholarsarchive.byu.edu/studiaantiqua Part of the Classics Commons, and the History Commons BYU ScholarsArchive Citation Jensen, Robin. "Melquart and Heracles: A Study of Ancient Gods and Their Influence." Studia Antiqua 2, no. 2 (2003). https://scholarsarchive.byu.edu/studiaantiqua/vol2/iss2/12 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Studia Antiqua by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. On the left, in one of the earliest surviving depictions of Heracles, c. 620 b.c., he is shown slaying the evil Geryon and his guard dog. He wears the usual Greek hero’s kilt with geometric patterns and bronze greaves like his opponent. Over them, he wears the impervious skin of the Nemean lion, his first labor. His knapsack is probably a bowcase. On the right, a basalt bas-relief of Melkart, c. 800 b.c., was found at Breidj near Aleppo. He wears the distinctive Phoenecian kilt and carries a pierced bronze battle-ax. His conical headress links him to Assyrian depictions of the gods. The Aramaic inscription invokes Melkart, “Protector of the city.” Melquart and Heracles: A Study of Ancient Gods and Their Influence Robin Jensen Societies in general revere their heroes, holding them in high regard and giving them adulation—sometimes deserved, sometimes not.
    [Show full text]
  • Farnese Hercules
    FARNESE HERCULES ROMAN, 2ND CENTURY AD MARBLE HEAD RESTORED IN THE 18TH CENTURY HEIGHT: 55 CM. WIDTH: 21 CM. DEPTH: 16 CM. PROVENANCE: IN AN EUROPEAN COLLECTION FROM THE 18TH CENTURY BASED ON THE RESTORATION TECHNIQUES. THEN IN AN AMERICAN PRIVATE COLLECTION FROM THE 1950S. His left leg is forward, slightly flexed, while his supporting leg, the right, is tensed. The position tilts his hips significantly, drawing attention to the prominent muscles of our man’s torso. The inclined line of his hips contrasts with the line of his shoulders, giving the body a pronounced ‘S’ shape. This position, also known as contrapposto, is a Greek invention from the 5th century This statue of a middle-aged man in a BC, introduced by the sculptor Polyclitus. resting position depicts the demi-god At the time, he was looking for the way to Hercules in heroic nudity. Its statuary type perfectly represent the human body and is that of the Farnese Hercules. ultimately devised this new position. 3, Quai Voltaire, 75007 Paris, France – T. +33 1 42 97 44 09 - www.galeriechenel.com Although his head is modern, the craftsmanship is of high quality, reminiscent of late Hellenistic creations. His face and thoughtful, serene expression respect the codes for the representation of the demi- god in statues of this type (Ill. 1). Hercules is hiding his right hand behind his back and, although it is now missing, based on the Farnese Hercules type, we can Ill. 1. Statuette of Hercules resting, Greek, 3rd imagine that he was once holding the apples century BC or Roman replica from the early imperial from the Garden of the Hesperides (Ill.
    [Show full text]
  • Achelous & Hercules
    Achelous & Hercules Achelous was the god of the most powerfully flowing mountain had fallen on me. Hercules was a mountain river in Greece, and so was the chief of all the river gods. of a man.” The land along the river was ruled by the king of the nearby city of Calydon. The king had a beautiful daughter The god saw he could not beat Hercules in a regulation named Dejanira. When it came time for Dejanira to wrestling match. It was then that he took the form of a marry, her father announced a contest: the strongest snake that slithered out of the strong man’s arms. He of her suitors would win her hand. coiled himself and gave a hiss. Hercules laughed and spoke for the first time. Achelous, the river god, was by far the strongest in the region. But Dejanira’s beauty was known everywhere, “A snake!” he said. “Is that the best you can do? I’ve been so it wasn’t long before Hercules came to Calydon to killing snakes since I was a babe in the crib.” try his luck. What might have seemed a wild boast was entirely true, Hercules was the strongest mortal in the world, but and Achelous knew it. Hercules’s famous first feat in life Achelous, being a god, had some advantages over him. was strangling two snakes that had crawled into his crib. He could change his shape at will. He could become a snake that curved like the winding river. He could Achelous the snake decided to become Achelous the become a bull that roared like the roaring river.
    [Show full text]
  • This Is a Test
    ‘LOVE’S CHRISTMAS JOURNEY’ CAST BIOS SEAN ASTIN (Mayor William Wayne) – Sean Astin is one of Hollywood's most respected young actors with a distinctive list of projects and credits. Astin starred as beloved Sam Gamgee in the Academy Award®-winning "The Lord of the Rings Trilogy." The three films have grossed over $3 billion worldwide and have entered the history books of classic cinema. Astin has just recently signed up for Nickelodeon‟s re-launch of “Teenage Mutant Ninja Turtles.” He will lend his voice to Raphael in the latest animated incarnation of the hugely successful franchise which premieres in fall 2012. Currently, he is lending his voice to Playhouse Disney‟s “Special Agent Oso.” Astin stars as a lovable, bumbling special agent-in-training who enlists viewers at home to help complete his missions. Premiering fall 2011, Astin heads an all star cast in “And They‟re Off,” an independent comedy about thoroughbred horseracing that also stars Kevin Nealon, Cheri Oteri and Martin Mull. Astin also has two other comedies in the can: “Stay Cool” about an older man‟s homecoming whose cast includes Winona Ryder, Chevy Chase, Hillary Duff and more, and “Demoted” in which Astin plays a mean-spirited prank whose victim becomes his boss. Adding to his seemingly boundless list of occupations, Astin released his acting memoir titled There and Back Again: An Actor's Tale. The book opened at #1 on the New York Times Best- seller list, putting him on the map as a true literary story-teller as well as the unabashed screen actor audiences fall in love with again and again.
    [Show full text]
  • Greek Mythology #13: HERACLES by Joy Journeay
    Western Regional Button Association is pleased to share our educational articles with the button collecting community. This article appeared in the November 2016 WRBA Territorial News. Enjoy! Please join WRBA! Go to www.WRBA.us WRBA gladly offers our articles for reprint, as long as credit is given to WRBA as the source, and the author. Greek Mythology #13: HERACLES by Joy Journeay Gatekeeper of Olympus God of: Strength, heroes, sports, athletes, health, agriculture, fertility, trade, oracles and the divine protector of mankind Home: MOUNT OLYMPUS Symbols: Club, Nemean Lion, Lion Skin, Bow and Arrows Parents: Zeus and Alcmene Consorts: Hebe Siblings: Ares, Athena, Apollo, Artemis, Aphrodite, Dionysus, Hebe, Hermes, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces Children: Alexiares and Anicetus, Telephus, Hyllus, Tlepolemus Roman Counterpart: Hercules Heracles was both a hero and a god. It is told that when he died his mortal body went to the Underworld and he ascended to Mount Olympus to join the gods as reward for his heroism. He is associated with the famous Twelve Labors. From the beginning, Hera loathed Heracles as a son from one of Zeus’ infidelities. Zeus had made love to the mortal woman Alcmene by disguising himself as her husband. The same night her true husband returned and also made love to her. As a result, she carried twins from two fathers. Hercules Farnese, a Roman Heracles’ mother was to deliver twins, each baby from a different father marble copy of the (one mortal and one a god). The infant Heracles was from Zeus, and part original sculpture by immortal.
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]