DOCSLIB.ORG

Body Paragraph #1 – Exemplar 1 the Walt Disney Animated Movie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Body Paragraph #1 – Exemplar 1 the Walt Disney Animated Movie Body Paragraph #1 – Exemplar 1 Topic Sentence The Walt Disney animated movie Hercules is based on the most famous hero of The main idea being ancient Greek mythology. Both the movie and the original myth differ in quite a few discussed in body ways. The movie version deviates, not only in the story of Hercules himself, but also in paragraph #1 of your essay is: The Disney details that pertain to many other aspects of classical mythology. version of Hercules differs greatly from the original Greek One of the biggest differences between the two versions of Hercules was that Hera myth. drove Hercules crazy and was not his real mother in the myth, but Disney portrayed her This is the main idea of the paragraph and as Hercules’s real mother, the wife to Zeus and they lived as a happy family. In the real must be clearly stated myth Hercules’s father Zeus was with many different women, including Alcmene who in the TOPIC SENTENCE is Hercules’s mother, this made Hera very mad. Hera decided to take her anger out on Hercules by driving him mad. This eventually led to him killing his wife and children, which is the reason he has to complete 12 labors. In the Disney movie Zeus and Hera are happily married with their son Hercules, Hera is not the enemy whatsoever. As Evidence to punishment for murdering his wife and children Hercules had 12 labors to complete in Support The bulk of this the myth. These were daunting tasks that some deemed impossible, including killing paragraph consists of Hydra, the 9 headed serpent snake and the Nemean lion, along with cleaning manure points and arguments supported by filled stables and capturing Cerberus, the 3 headed watch dog of the Underworld. explanation and During Disney’s movie, Hercules completed some similar tasks but the reason being, to evidence: Use the information become a god and go home to his real parents, not as punishment. There were also not gathered from your 12 things Hercules did in the movie. Another change that Disney made was that in the Chart Comparing Disney Version vs. myth Hercules was born mortal and became immortal. Disney altered this completely, True Myth. When as in the movie Hercules was born immortal and became mortal. Another one of the using quotations, use the SICA format (Set biggest differences between Disney’s version of Hercules and the real myth of up, Integrate, Hercules is Hades role. In the Disney movie the Fates tell Hades that in 18 years the Connect, Analyse). planets will align, allowing him to take over Mount Olympus, but if Hercules is able to fight he will fail. This is the reason behind Hades hate and manipulation towards Hercules, which is also why he is the antagonist. Hades is the ruler of the Underworld in both versions but in the myth he is no real enemy to Hercules as Hera is the main threat. As Disney decided not to include the 12 labors of Hercules in the movie, they had to have a different reasoning for Hercules becoming a god. This was that he risked his life for Meg, the girl he was in love with. In the myth Hercules reached godhood by performing the 12 labors. A smaller change that Disney made to the original myth was Megara. In the myth Megara was Hercules’s first wife, who he ended up killing Transition/ because of Hera. In the movie she is referred to as Meg and is the girl that Hercules Closing ends up sacrificing his life for, and remains mortal to be with her. Sentence A concluding sentence lets the reader know the Although the Disney version of Hercules and the true myth differ greatly, Disney had paragraph is coming some legitimate reasons for making some of these changes. to a close. It restates the topic sentence in a different way and ties the paragraph together. You must finish with a sentence that leads into your next paragraph. Body Paragraph #1 – Exemplar 2 Topic Sentence The Walt Disney animated movie Hercules is based on the most famous hero of The main idea being ancient Greek mythology. Both the movie and the original myth differ in quite a few discussed in body ways. The movie version deviates, not only in the story of Hercules himself, but also in paragraph #1 of your essay is: The Disney details that pertain to many other aspects of classical mythology. version of Hercules differs greatly from the original Greek The movie version deviates, not only in the story of Hercules himself, but in details that pertain myth. to many other aspects of Classical mythology. The main differences between the movie and the This is the main idea of the paragraph and myth are the 12 labours. Originally, Hercules was assigned 12 labours he needed to complete to must be clearly stated gain redemption for killing his family. These tasks were extremely difficult to accomplish and in the TOPIC could have all possibly killed him. These tasks were assigned by his cousin King Eurytheus to SENTENCE aid in Hercules’ redemption. The labours consisted of killing various beasts such as the lion of Nemea, the hydra, the golden stag of Artemis, and the man-eating boar. His next portion of tasks however, was more charitable instead of proving his strength. These tasks included Evidence to cleaning out stables that had not been cleaned in years, driving off birds that threatened Support mortals, and bringing the Cretan bull to Greece to free the Grecians from Crete. The last The bulk of this portion of tasks consisted of forcing Hercules to leave what he knows and become a real hero. paragraph consists of His final tasks were to capture the man-eating horses of Diomedes, slaying the amazons, points and arguments capturing the cattle of Geryon, stealing a golden apple from the end of the world, and capturing supported by explanation and Cerberus from the underworld. These labours made Hercules a hero and ultimately redeemed evidence: him for his past. Walt Disney’s version of the myth included some of the labours, but not in Use the information gathered from your great detail. There were a few seconds of a scene dedicated to the labours, but only showing Chart Comparing where Hercules won with ease. Instead of the labours being a difficult challenge for him to face Disney Version vs. they were portrayed as simple tasks. His reason for facing the labours was also much different True Myth. When using quotations, use in Walt Disney’s version. Hercules faced these intense challenges to earn his place alongside the SICA format (Set his father on Mount Olympus and to find out where he belongs. The challenges were not up, Integrate, assigned by anybody, but they were designed by the villain of Hercules’ story in both the myth Connect, Analyse). and the movie. Most people who have seen the animated version will know the villain of the story is the flaming haired Hades, along with his two minions Pain and Panic. These three cause havoc for Hercules that ultimately makes him a hero. In the myth, Hades has no issues with Hercules. It is Hercules’ step-mother Hera who absolutely detests him. When Hercules was just a child, Hera sent snakes to his nursery in an attempt to kill him. He drove her crazy and in turn she caused Hercules to go insane and kill his family. One of the smaller differences between the myth and the movie was Hercules’ love for Megara. In the myth, Megara is the daughter of the king of Creon whose hand was given as a reward to Hercules when he saved Thebes. Her children were those who Hercules killed and caused his need for redemption. The Disney version had a much different story with Megara. She had sold her soul to Hades and Transition/ was helping him in his plot to take over Olympus. After Hercules surfaced, she was in charge Closing of keeping him away from fighting alongside the gods. Throughout the movie Hercules falls Sentence for Megara, and she eventually falls for him as well. At the end of the movie, Hercules A concluding becomes a god but gives it up to be with Megara. In the myth, Hercules becomes a god after sentence lets the reader know the losing Megara. Hercules’s parental situation is not one of the biggest differences between myth paragraph is coming and movie, it’s still slightly accurate. In the movie, it is told that Zeus and Hera are the parents to a close. It restates of Hercules. However, it is well known in the myth that Hera is Hercules’ step-mother and sees the topic sentence in a different way and him as the human form of Zeus’ infidelity. In both versions, Hercules ended up being raised by ties the paragraph Alcmene and Amphitryon, two mortals. In the myth, Hercules’s origin story is that he is the together. You must finish with a sentence bastard child of Zeus and Alcmene. Alcmene was lead to believe by Zeus that she was pregnant that leads into your with her husband Amphitryon’s child. When Hera discovered the news, she got angry and next paragraph. hated the child. Throughout his life, Hera tried to sabotage Hercules in order for her to get her revenge on Zeus. Walt Disney’s version tells a much different story with Hercules being stolen from his crib by Hades’ minions. Hercules was then given a potion that would turn him mortal if he drank every drop.
Load more

Recommended publications
  • The Heracles : Myth Becoming
    Natibnal Library Bibhotheque naticmale I* of Canada du Canada Canadian Theses Service Services des theses canadiennes Ottawa, Canada K1 A ON4 CANADIAN THESES THESES CANADIENNES NOTICE The quality of this microfiche is heavily dependent upon the La qualite de cette microfiche depend grandement de la qualite quality of the original thesis submitted fcr microfilming. Every de la these soumise au microfilmage. Nous avons tout fail pour effort has been made to ensure the highest quality of reproduc- assurer uoe qualit6 superieure de reproduction. tion possible. D If pages are missing, contact the university which granted the S'il 'manque des pages, veuillez communiquer avec I'univer- degree. Some pages may have indistinct print especially if the original certatnes pages peut laisser A pages were typed with a poor typewriter ribbon or if the univer-- ont 6t6 dactylographi6es sity sent us an inferior photocopy. a I'aide d'un ruban us6 ou si Imuniversit6nous a fa;t parvenir une photocopie de qualit6 inf6rieure. Previously copyrighted materials (journal articles, published cuments qui font d6jA I'objet d'un droit d'auteur (articles tests, etc.) are not filmed. ue, examens publi&, etc.) ne sont pas microfilmes. Reproduction in full or in part of this film is governed by the La reproduction, mGme partielle, de ce microfilm est soumke Canadian Copyright Act, R.S.C. 1970, c. C-30. A la Loi canadienne sur le droit d'auteur, SRC 1970, c. C-30. THIS DI~ERTATION LA THESE A ETE HAS BEEN iICROFILMED M~CROFILMEETELLE QUE EXACTLY AS RECEIVED NOUS L'AVONS REGUE THE HERACLES: MYTH BECOMING MAN.
    [Show full text]
  • Animated Stereotypes –
    Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
    [Show full text]
  • Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
    Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff.
    [Show full text]
  • Nagy Commentary on Euripides, Herakles
    Informal Commentary on Euripides, Herakles by Gregory Nagy 97 The idea of returning from Hades implies a return from death 109f The mourning swan... Cf. the theme of the swansong. Cf. 692ff. 113 “The phantom of a dream”: cf. skias onar in Pindar Pythian 8. 131f “their father’s spirit flashing from their eyes”: beautiful rendition! 145f Herakles’ hoped-for return from Hades is equated with a return from death, with resurrection; see 297, where this theme becomes even more overt; also 427ff. 150 Herakles as the aristos man: not that he is regularly described in this drama as the best of all humans, not only of the “Greeks” (also at 183, 209). See also the note on 1306. 160 The description of the bow as “a coward’s weapon” is relevant to the Odysseus theme in the Odyssey 203 sôzein to sôma ‘save the body’... This expression seems traditional: if so, it may support the argument of some linguists that sôma ‘body’ is derived from sôzô ‘save’. By metonymy, the process of saving may extend to the organism that is destined to be saved. 270 The use of kleos in the wording of the chorus seems to refer to the name of Herakles; similarly in the wording of Megara at 288 and 290. Compare the notes on 1334 and 1369. 297 See at 145f above. Cf. the theme of Herakles’ wrestling with Thanatos in Euripides Alcestis. 342ff Note the god-hero antagonism as expressed by Amphitryon. His claim that he was superior to Zeus in aretê brings out the meaning of ‘striving’ in aretê (as a nomen actionis derived from arnumai; cf.
    [Show full text]
  • THE HERO and HIS MOTHERS in SENECA's Hercules Furens
    SYMBOLAE PHILOLOGORUM POSNANIENSIUM GRAECAE ET LATINAE XXIII/1 • 2013 pp. 103–128. ISBN 978-83-7654-209-6. ISSN 0302-7384 Mateusz Stróżyński Instytut Filologii Klasycznej Uniwersytetu im. Adama Mickiewicza ul. Fredry 10, 61-701 Poznań Polska – Poland The Hero and His Mothers in Seneca’S Hercules FUreNs abstraCt. Stróżyński Mateusz, The hero and his mothers in Seneca’s Hercules Furens. The article deals with an image of the heroic self in Seneca’s Hercules as well as with maternal images (Alcmena, Juno and Megara), using psychoanalytic methodology involving identification of complementary self-object relationships. Hercules’ self seems to be construed mainly in an omnipotent, narcissistic fashion, whereas the three images of mothers reflect show the interaction between love and aggression in the play. Keywords: Seneca, Hercules, mother, psychoanalysis. Introduction Recently, Thalia Papadopoulou have observed that the critics writing about Seneca’s Hercules Furens are divided into two groups and that the division is quite similar to what can be seen in the scholarly reactions to Euripides’ Her- akles.1 However, the reader of Hercules Furens probably will not find much 1 See: T. Papadopoulou, Herakles and Hercules: The Hero’s ambivalence in euripides and seneca, “Mnemosyne” 57:3, 2004, pp. 257–283. The author reviews shortly the literature about the play and in the first group of critics, of those who are convinced that Hercules is “mad” from the beginning, but his madness gradually develops, she enumerates Galinsky (G.K. Galinsky, The Herakles Theme: The adaptations of the Hero in literature from Homer to the Twentieth Century, Oxford 1972), Zintzen (C.
    [Show full text]
  • The Hercules Story Pdf, Epub, Ebook
    THE HERCULES STORY PDF, EPUB, EBOOK Martin W. Bowman | 128 pages | 01 Aug 2009 | The History Press Ltd | 9780752450810 | English | Stroud, United Kingdom The Hercules Story PDF Book More From the Los Angeles Times. The god Apollo. Then she tried to kill the baby by sending snakes into his crib. Hercules was incredibly strong, even as a baby! When the tasks were completed, Apollo said, Hercules would become immortal. Deianira had a magic balm which a centaur had given to her. July 23, Hercules was able to drive the fearful boar into snow where he captured the boar in a net and brought the boar to Eurystheus. Greek Nyx: The Goddess of the Night. Eurystheus ordered Hercules to bring him the wild boar from the mountain of Erymanthos. Like many Greek gods, Poseidon was worshiped under many names that give insight into his importance Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Athena observed Heracles shrewdness and bravery and thus became an ally for life. The name Herakles means "glorious gift of Hera" in Greek, and that got Hera angrier still. Feb 14, Alexandra Dantzer. History at Home. Hercules was born a demi-god. On Wednesday afternoon, Sorbo retweeted a photo of some of the people who swarmed the U. Hercules could barely hear her, her whisper was that soft, yet somehow, and just as the Oracle had predicted to herself, Hera's spies discovered what the Oracle had told him. As he grew and his strength increased, Hera was evermore furious.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • An Analysis of Heracles As a Tragic Hero in the Trachiniae and the Heracles
    The Suffering Heracles: An Analysis of Heracles as a Tragic Hero in The Trachiniae and the Heracles by Daniel Rom Thesis presented for the Master’s Degree in Ancient Cultures in the Faculty of Arts and Social Sciences, at Stellenbosch University Supervisor: Prof. Annemaré Kotzé March 2016 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Copyright © 2016 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Abstract This thesis is an examination of the portrayals of the Ancient Greek mythological hero Heracles in two fifth century BCE tragic plays: The Trachiniae by Sophocles, and the Heracles by Euripides. Based on existing research that was examined, this thesis echoes the claim made by several sources that there is a conceptual link between both these plays in terms of how they treat Heracles as a character on stage. Fundamentally, this claim is that these two plays portray Heracles as a suffering, tragic figure in a way that other theatre portrayals of him up until the fifth century BCE had failed to do in such a notable manner. This thesis links this claim with a another point raised in modern scholarship: specifically, that Heracles‟ character and development as a mythical hero in the Ancient Greek world had given him a distinct position as a demi-god, and this in turn affected how he was approached as a character on stage.
    [Show full text]
  • Hercules, Heracles, Herakles
    Ms. Lardas/Mrs. Despines/Mrs. Rentschler February 2013 Hercules, Heracles, Herakles Print Books that may be helpful are located on a cart. These books will not be checked out of the library so that everyone has fair access to them. General encyclopedias may be helpful. They are located near the computers at the front of the library. eBooks USC High School’s FollettShelf eBooks: Go to the high school web site and click on the LIBRARY tab, or go the the USCHS Library class in Blended Schools. Notice that there is a link to the Quick Reference Guide for the Follett Digital Reader to help you navigate through the ebook. Click onto the FOLLETTSHELF icon. User name: uschs password: panther Click onto The Facts on File encyclopedia of world mythology and legend. Click the OPEN BOOK link. After you are done reading the book, you must go to the top left of toolbar and click the FOLLETT SHELF ICON. On the next screen, click CLOSE TITLE. 1 POWER Library Database---eBooks from EBSCOhost From STUDENT LINKS, click POWER Library. Under LITERATURE click eBooks on EBSCO Type the title of your work in the FIND bar. If necessary, make sure to select FULL TEXT. For home access: Go to STUDENT LINKS or go to the Township Library’s web page http://www.twpusc.org/library/index.html o You will need the barcode number from your TOWNSHIP LIBRARY CARD! o On the right-hand side of the screen, click onto ONLINE DATABASES. Click POWER LIBRARY under “Databases by Subject,” or “General Reference.” o Follow the directions and enter the barcode number on your Township Library card.
    [Show full text]
  • Handel Arias
    ALICE COOTE THE ENGLISH CONCERT HARRY BICKET HANDEL ARIAS HERCULES·ARIODANTE·ALCINA RADAMISTO·GIULIO CESARE IN EGITTO GEORGE FRIDERIC HANDEL A portrait attributed to Balthasar Denner (1685–1749) 2 CONTENTS TRACK LISTING page 4 ENGLISH page 5 Sung texts and translation page 10 FRANÇAIS page 16 DEUTSCH Seite 20 3 GEORGE FRIDERIC HANDEL (1685–1759) Radamisto HWV12a (1720) 1 Quando mai, spietata sorte Act 2 Scene 1 .................. [3'08] Alcina HWV34 (1735) 2 Mi lusinga il dolce affetto Act 2 Scene 3 .................... [7'45] 3 Verdi prati Act 2 Scene 12 ................................. [4'50] 4 Stà nell’Ircana Act 3 Scene 3 .............................. [6'00] Hercules HWV60 (1745) 5 There in myrtle shades reclined Act 1 Scene 2 ............. [3'55] 6 Cease, ruler of the day, to rise Act 2 Scene 6 ............... [5'35] 7 Where shall I fly? Act 3 Scene 3 ............................ [6'45] Giulio Cesare in Egitto HWV17 (1724) 8 Cara speme, questo core Act 1 Scene 8 .................... [5'55] Ariodante HWV33 (1735) 9 Con l’ali di costanza Act 1 Scene 8 ......................... [5'42] bl Scherza infida! Act 2 Scene 3 ............................. [11'41] bm Dopo notte Act 3 Scene 9 .................................. [7'15] ALICE COOTE mezzo-soprano THE ENGLISH CONCERT HARRY BICKET conductor 4 Radamisto Handel diplomatically dedicated to King George) is an ‘Since the introduction of Italian operas here our men are adaptation, probably by the Royal Academy’s cellist/house grown insensibly more and more effeminate, and whereas poet Nicola Francesco Haym, of Domenico Lalli’s L’amor they used to go from a good comedy warmed by the fire of tirannico, o Zenobia, based in turn on the play L’amour love and a good tragedy fired with the spirit of glory, they sit tyrannique by Georges de Scudéry.
    [Show full text]
  • City Manager's Bi-Weekly Report October 16, 2020 David Biggs, City
    City Manager’s Bi-Weekly Report October 16, 2020 David Biggs, City Manager CITY MANAGER’S OFFICE Waste Water Plant Upgrade Ribbon Cutting The Hercules and Pinole City Council will gather outdoors for a formal ribbon-cutting to mark the final completion of the joint waste water plant upgrade this weekend. Given the COVID Pandemic and restrictions on gatherings, the event will be taped and made available via our Cable Channels in the near future. Having Construction Work Done on Your Home? Whether you are doing the work yourself, or hiring a contractor, be sure that you and any contractors dispose of any construction or demolition debris appropriately. You can contact the City or Republic Services for more information. 1 ADMINISTRATIVE SERVICES Hercules General Municipal Election – Nomination Filing Period Is Now Closed The qualified candidates for the November 3, 2020 Hercules General Municipal Election and will appear on the ballot in the following order: 1. Gerard Boulanger, Incumbent 2. Celsa Taraya, Financial Consultant 3. Irina Galieva, Bank Vice President 4. Tiffany Grimsley, University Admissions Consultant 5. Alexander Walker-Griffin, Child Counselor / Advocate 6. Dan Romero, Incumbent More information can be found at https://www.ci.hercules.ca.us/home/showdocument?id=13769. SoS USPS Frequently Asked Questions How is the Secretary of State’s Office responding to concerns regarding the United States Postal Service (USPS)? Please visit the Secretary of State website at https://www.sos.ca.gov/elections/voter- registration/vote-mail/usps-frequently-asked- questions-faqs/ Mail-In Ballot Drop Off Box Contra Costa Elections has installed a Mail-In Ballot Drop Off Box in front of the Hercules Library.
    [Show full text]
  • Happily Ever Ancient
    HAPPILY EVER ANCIENT Visions of Antiquity for children in visual media HAPPILY EVER ANCIENT This work is subject to an International Creative Commons License Attribution- NonCommercial-ShareAlike 4.0, for a copy visit: http://creativecommons.org/licenses/by-nc-sa/4.0/ Visions of Antiquity for children in visual media First Edition, December 2020 ...still facing COVID-19. Editor: Asociación para la Investigación y la Difusión de la Arqueología Pública, JAS Arqueología Plaza de Mondariz, 6 28029 - Madrid www.jasarqueologia.es Attribution: In each chapter Cover: Jaime Almansa Sánchez, from nuptial lebetes at the National Archaeological Museum of Athens, Greece. ISBN: 978-84-16725-32-8 Depósito Legal: M-29023-2020 Printer: Service Pointwww.servicepoint.es Impreso y hecho en España - Printed and made in Spain CONTENTS INTRODUCTION: A CONTEMPORARY ANTIQUITY FOR CHILDREN AND YOUNG AUDIENCES IN FILMS AND CARTOONS Julián PELEGRÍN CAMPO 1 FAMILY LOVE AND HAPPILY MARRIAGES: REINVENTING MYTHICAL SOCIETY IN DISNEY’S HERCULES (1997) Elena DUCE PASTOR 19 OVER 5,000,000.001: ANALYZING HADES AND HIS PEOPLE IN DISNEY’S HERCULES Chiara CAPPANERA 41 FROM PLATO’S ATLANTIS TO INTERESTELLAR GATES: THE DISTORTED MYTH Irene CISNEROS ABELLÁN 61 MOANA AND MALINOWSKI: AN ANTHROPOLOGICAL APPROACH TO MODERN ANIMATION Emma PERAZZONE RIVERO 79 ANIMATING ANTIQUITY ON CHILDREN’S TELEVISION: THE VISUAL WORLDS OF ULYSSES 31 AND SAMURAI JACK Sarah MILES 95 SALPICADURAS DE MOTIVOS CLÁSICOS EN LA SERIE ONE PIECE Noelia GÓMEZ SAN JUAN 113 “WHAT A NOSE!” VISIONS OF CLEOPATRA AT THE CINEMA & TV FOR CHILDREN AND TEENAGERS Nerea TARANCÓN HUARTE 135 ONCE UPON A TIME IN MACEDON.
    [Show full text]