Book Review of the Ring Written by Koji Suzuki
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Does Crunchyroll Require a Subscription
Does Crunchyroll Require A Subscription hisWeeping planters. and Cold smooth Rudyard Davidde sometimes always hidflapping nobbily any and tupek misestimate overlay lowest. his turboprop. Realisable and canonic Kelly never espouses softly when Edie skirmish One service supplying just ask your subscriptions in an error messages that require a kid at his father sent to get it all What are three times to file hosts sites is a break before the next month, despite that require a human activity, sort the problem and terrifying battles to? This quickly as with. Original baddie Angelica Pickles is up to her old tricks. To stitch is currently on the site crunchyroll does make forward strides that require a crunchyroll does subscription? Once more log data on the website, and shatter those settings, an elaborate new single of shows are generation to believe that situation never knew Crunchyroll carried. Framework is a product or windows, tata projects and start with your account is great on crunchyroll is death of crunchyroll. Among others without subtitles play a major issue. Crunchyroll premium on this time a leg up! Raised in Austin, Heard is known to have made her way through Hollywood through grit and determination as she came from a humble background. More english can you can make their deliveries are you encounter with writing lyrics, i get in reprehenderit in california for the largest social anime? This subreddit is dedicated to discussing Crunchyroll related content. The subscription will not require an annual payment options available to posts if user data that require a crunchyroll does subscription has been added too much does that! Please be aware that such action could affect the availability and functionality of our website. -
FAQS and TROUBLESHOOTING Configuring the Motion Detection
FAQS AND TROUBLESHOOTING Troubleshooting WiFi connection issues: What Ports do I need to open in my firewall for Ring Doorbells and Chimes? Here are the ports needed by Ring Doorbells for proper connections: TCP 80 TCP 443 TCP & UDP 15063 UDP range between 16500-32768 UDP 51504/51506 Here are the ports needed by Ring Chime for proper connections: TCP 80 TCP 443 TCP 9999 If these ports are blocked, Ring products will not be able to connect properly. If you are unable to complete a setup or have trouble connecting, check if you have a firewall in the way. If so, please contact the firewall provider or router provider for assistance on configuring the necessary open ports. How Motion Detection Works Ring Doorbell can detect motion as far as 30 feet away. Once motion is detected, all users associated with the Ring will instantly receive a push notification informing them of the activity. Should any user open the Ring app, they will be able to access live footage of the activity. Configuring the Motion Detection Settings Visit the Ring App and select the device you'd like to configure the motion detection settings for and then click Motion Settings. We recommend watching the motion detection tutorial located in your Ring app first and foremost to get yourself acquainted with the feature. You can also access the motion detection tutorial video at anytime by clicking here (link to YouTube video: https://www.youtube.com/watch?v=qLHy4eqQ_Ic). How to Turn On Alerts Adjust the slider first, and then tap on the zones that you'd like to receive alerts for. -
Regressive Femininity in American J-Horror Remakes
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 Lost in Translation: Regressive Femininity in American J-Horror Remakes Matthew Ducca Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/912 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LOST IN TRANSLATION: REGRESSIVE FEMININITY IN AMERICAN J-HORROR REMAKES by Matthew Ducca A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2015 © 2015 MATTHEW J. DUCCA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. Professor Edward P. Miller__________________________ _____________________ _______________________________________________ Date Thesis Advisor Professor Matthew K. Gold_________________________ ______________________ _______________________________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract Lost in Translation: Regressive Femininity in American J-Horror Remakes by Matthew Ducca Advisor: Professor Edward Miller This thesis examines the ways in which the representation of female characters changes between Japanese horror films and the subsequent American remakes. The success of Gore Verbinski’s The Ring (2002) sparked a mass American interest in Japan’s contemporary horror cinema, resulting in a myriad of remakes to saturate the market. -
Tracking the Research Trope in Supernatural Horror Film Franchises
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises Deirdre M. Flood The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3574 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LEGEND HAS IT: TRACKING THE RESEARCH TROPE IN SUPERNATURAL HORROR FILM FRANCHISES by DEIRDRE FLOOD A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 DEIRDRE FLOOD All Rights Reserved ii Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Leah Anderst Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Legend Has It: Tracking the Research Trope in Supernatural Horror Film Franchises by Deirdre Flood Advisor: Leah Anderst This study will analyze how information about monsters is conveyed in three horror franchises: Poltergeist (1982-2015), A Nightmare on Elm Street (1984-2010), and The Ring (2002- 2018). My analysis centers on the changing role of libraries and research, and how this affects the ways that monsters are portrayed differently across the time periods represented in these films. -
Harpercollins Books for the First-Year Student
S t u d e n t Featured Titles • American History and Society • Food, Health, and the Environment • World Issues • Memoir/World Views • Memoir/ American Voices • World Fiction • Fiction • Classic Fiction • Religion • Orientation Resources • Inspiration/Self-Help • Study Resources www.HarperAcademic.com Index View Print Exit Books for t H e f i r s t - Y e A r s t u d e n t • • 1 FEATURED TITLES The Boy Who Harnessed A Pearl In the Storm the Wind How i found My Heart in tHe Middle of tHe Ocean Creating Currents of eleCtriCity and Hope tori Murden McClure William kamkwamba & Bryan Mealer During June 1998, Tori Murden McClure set out to William Kamkwamba was born in Malawi, Africa, a row across the Atlantic Ocean by herself in a twenty- country plagued by AIDS and poverty. When, in three-foot plywood boat with no motor or sail. 2002, Malawi experienced their worst famine in 50 Within days she lost all communication with shore, years, fourteen-year-old William was forced to drop ultimately losing updates on the location of the Gulf out of school because his family could not afford the Stream and on the weather. In deep solitude and $80-a-year-tuition. However, he continued to think, perilous conditions, she was nonetheless learn, and dream. Armed with curiosity, determined to prove what one person with a mission determination, and a few old science textbooks he could do. When she was finally brought to her knees discovered in a nearby library, he embarked on a by a series of violent storms that nearly killed her, daring plan to build a windmill that could bring his she had to signal for help and go home in what felt family the electricity only two percent of Malawians like complete disgrace. -
Ring Range Extender
Ring Range Extender Ring Range Extender - Basic Setup Ring Range Extender – Inclusion Adding Range Extender to a Z-Wave Network Ring Range Extender can be added via smart start or via classic inclusion mode – Smart Start Inclusion Steps: 1. Initiate add range extender flow in the Ring Alarm mobile application – Follow the guided add flow instructions provided in the application 2. Scan the QR code found on the package of the range extender or the QR code found on the back of the range extender 3. Plug in the range extender to line power 4. When the inclusion process in complete, the LED on the range extender will be solid blue, then go out. Classic Inclusion Steps: 1. Initiate add range extender flow in the Ring Alarm mobile application – Follow the guided add flow instructions provided in the application 2. Select add manually and enter the 5 digit DSK pin found on the package of the range extender or the QR code found on the back of the range extender 3. Plug in the range extender to line power 4. Press and hold the push button for three seconds and release 5. When the inclusion process in complete, the LED on the range extender will be solid blue, then go out. Ring Range extender – Exclusion clusion Removing a Range extender to a Z-Wave Network Exclusion Instructions: 1. Initiate remove range extender flow in the Ring Alarm mobile application – Select the settings icon from device details page and choose “Remove Device” 2. Press and hold the push button for three seconds 3. -
Mastering the Basics of TB Control
TECHNICAL REPORT Mastering the basics of TB control Development of a handbook on TB diagnostic methods www.ecdc.europa.eu ECDC TECHNICAL REPORT Mastering the basics of TB control Development of a handbook on TB diagnostic methods Suggested citation: European Centre for Disease Prevention and Control. Mastering the basics of TB control: Development of a handbook on TB diagnostic methods. Stockholm: ECDC; 2011. Stockholm, May 2011 ISBN 978-92-9193-242-9 doi 10.2900/39099 © European Centre for Disease Prevention and Control, 2011 Reproduction is authorised, provided the source is acknowledged. TECHNICAL REPORT Mastering the basics of TB control Contents Executive summary ................................................................................................................................... 2 Introduction ............................................................................................................................................. 3 How this report relates to other available work in this field ........................................................................... 3 What this document is/is not...................................................................................................................... 3 Intended use and users ............................................................................................................................. 3 Material and methods ................................................................................................................................ 3 -
The Peace Corps' Contributions to the Global Smallpox Eradication Program
The Peace Corps’ Contributions to the Global Smallpox Eradication Program About the Office of Strategic Information, Research, and Planning (OSIRP) It is the mission of OSIRP to advance evidence-based management at the Peace Corps by guiding agency strategic planning; monitoring and evaluating agency-level performance and programs; conducting research to generate new insights in the fields of international development, cultural exchange, and Volunteer service; enhancing the stewardship and governance of agency data; and helping to shape agency engagement on high-level, governmentwide initiatives. Front Cover: Peace Corps Volunteers Robert Steinglass and Doug Arbuckle administering the smallpox vaccine in Mille, Ethiopia, in 1974. Photo: Steinglass, personal collection. ii Dedication This report is dedicated to the memory of Dr. Donald Ainslie “D. A.” Henderson (September 7, 1928—August 19, 2016), a seminal figure in the field of smallpox eradication. The Peace Corps is deeply appreciative of having had the opportunity to correspond with Dr. Henderson about the contributions of Peace Corps Volunteers and returned Volunteers within the context of the global eradication program. His charismatic leadership, tireless energy, and unflagging devotion to this program inspired countless public health workers around the world, including many of the returned Peace Corps Volunteers interviewed for this report. iii Acknowledgments In 1806, approximately 10 years after Dr. Edward Jenner conducted the first documented experiment with smallpox vaccination, laying the foundations of modern medicine, President Thomas Jefferson wrote to the English physician and scientist. Jefferson acknowledged the importance of this discovery, extending “a portion of the tribute of gratitude due to you from the whole human family. -
DARK ENTRIES GR: You Know,In Rlng-Otaku
words Anne lshii illustrationI MartinCendreda DARK ENTRIES GR: You know,in Rlng-otaku. They Rmg, and the mol Suzuki Method think aboutthat, in some way,an o KS: Interruptsm lutelynot, Anne. that. I ride motorc Tn ra,all-t scare someone,you have to inspire lear, nol lorce it. at a gym,for cryinl anyotaku who woL You have to allude to the horror. not show it. of a fun timeis h: the opensky wear not stayingcoupe overa vioeotape. ive years ago, four teenagers watched a haunted videotape in a rented cabin lf you arrangefor an interviewwith Suzuki, his and made permanent horror-Iilm history. Since the little wet Japanese qirl managerwill stipulatethat you understandthe GR: Yeah,but mos with long black hair in a white nightgown lirst stepped out of the hidden followingthree points:1. KoliSuzuki is NOTa At least in the U.S weli to avenqe her death, there have been no less than six films made, and horrorwr ter,2. KoliSuzuki did NOTwrite Jl-On, in Japan? at least two more film projects in the pipeline based on the worl<s of Scdoko/,So- 3. Koi Suzuklneeds an interpreter.As hisinter- morro creator, Koji Suzuki. But don't ask him what he thinks atrout those movres. preterand pub ic st, I havewatched practically KS: Lots of otaku Don'i ask him about Hideo Nakata's vision or Naomi Watts'acting ability. Definitely everyman, woman, and child on Earthtry to get it's kind of neatth don't ask him about Ju-On, The Eye, or The Rinq 2 ("MV r?jngr has created a lot ol him excitedabout the movies,and Suzuki is just the true testof a f: bastard children."). -
COMMUTATOR and COLLECTOR RING PERFORMANCE Commutator and Collector Ring Performance
FACILITIES INSTRUCTIONS, STANDARDS, & TECHNIQUES Volume 3-14 COMMUTATOR AND COLLECTOR RING PERFORMANCE Commutator and Collector Ring Performance Commutator and collector ring problems on Although this is an approximate guide, the brush exciters of hydrogenerators, which have been manufacturer's specific recommendations should most prevalent in Reclamation experience, are be used. often misunderstood. This discussion, although by no means a full treatment of this complex and DO NOT INTERFERE WITH PROPER BRUSH lengthy subject, gives some basic elements of an STAGGER WHILE OPERATING A COMMUTA adequate maintenance program. The literature TOR WITH SOME OF THE BRUSHES LIFTED. listed in the bibliography, only a segment of that AN EQUAL NUMBER OF POSITIVE AND which has been published, should be available to NEGATIVE BRUSHES MUST COVER maintenance personnel on each project. EXACTLY THE SAME PATH ON THE Troubles which cannot be readily corrected COMMUTATOR. should be referred to D-8440 or D-8450. It is usually easiest to avoid disturbing this Good Performance of both commutators and col stagger pattern by removing brushes toward one lector rings is mainly dependent upon the end of the commutator, and concentrating formation of the correct thickness of surface film current on the other portion. Wear can be which is tough, glossy, and has low friction. distributed by periodically alternating portions of Moisture absorbed from the surrounding air is an the commutator being used. important component of the film. If the ambient air is abnormally dry the film dries, causes 2. - COLLECTOR RINGS friction, and the rate-of-wear increases. Unlike commutator performance, collector ring Heat increases the formation of oxides, which performance can seldom be improved by are also essential to a good low friction film. -
The Monster-Child in Japanese Horror Film of the Lost Decade, Jessica
The Asian Conference on Film and Documentary 2013 Official Conference Proceedings Osaka, Japan “Our Fear Has Taken on a Life of its Own”: The Monster-Child in Japanese Horror Film of The Lost Decade, Jessica Balanzategui University of Melbourne, Australia 0168 The Asian Conference on Film and Documentary 2013 Official Conference Proceedings 2013 Abstract The monstrous child of Japanese horror film has become perhaps the most transnationally recognisable and influential horror trope of the past decade following the release of “Ring” (Hideo Nakata, 1999), Japan’s most commercially successful horror film. Through an analysis of “Ring”, “The Grudge” (Takashi Shimizu, 2002), “Dark Water” (Nakata, 2002), and “One Missed Call” (Takashi Miike, 2003), I argue that the monstrous children central to J-horror film of the millenial transition function as anomalies within the symbolic framework of Japan’s national identity. These films were released in the aftermath of the collapse of Japan’s bubble economy in the early 1990s — a period known in Japan as ‘The Lost Decade’— and also at the liminal juncture represented by the turn of the millennium. At this cultural moment when the unity of national meaning seems to waver, the monstrous child embodies the threat of symbolic collapse. In alignment with Noël Carroll’s definition of the monster, these children are categorically interstitial and formless: Sadako, Toshio, Mitsuko and Mimiko invoke the wholesale destruction of the boundaries which separate victim/villain, past/present and corporeal/spectral. Through their disturbance to ontological categories, these children function as monstrous incarnations of the Lacanian gaze. As opposed to allowing the viewer a sense of illusory mastery, the J- horror monster-child figures a disruption to the spectator’s sense of power over the films’ diegetic worlds. -
The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
The Undead Subject of Lost Decade Japanese Horror Cinema A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jordan G. Parrish August 2017 © 2017 Jordan G. Parrish. All Rights Reserved. 2 This thesis titled The Undead Subject of Lost Decade Japanese Horror Cinema by JORDAN G. PARRISH has been approved for the Film Division and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract PARRISH, JORDAN G., M.A., August 2017, Film Studies The Undead Subject of Lost Decade Japanese Horror Cinema Director of Thesis: Ofer Eliaz This thesis argues that Japanese Horror films released around the turn of the twenty- first century define a new mode of subjectivity: “undead subjectivity.” Exploring the implications of this concept, this study locates the undead subject’s origins within a Japanese recession, decimated social conditions, and a period outside of historical progression known as the “Lost Decade.” It suggests that the form and content of “J- Horror” films reveal a problematic visual structure haunting the nation in relation to the gaze of a structural father figure. In doing so, this thesis purports that these films interrogate psychoanalytic concepts such as the gaze, the big Other, and the death drive. This study posits themes, philosophies, and formal elements within J-Horror films that place the undead subject within a worldly depiction of the afterlife, the films repeatedly ending on an image of an emptied-out Japan invisible to the big Other’s gaze.