Dendunnen/Derose Full

Total Page：16

File Type：pdf, Size：1020Kb

Maaike den Dunnen (NL) / Dena DeRose (NYC) For this unique event, 1 young upcoming musician and 1 experienced, world wide well- known musician join their forces for an evening of great jazz-music. Maaike den Dunnen is a young jazz-singer, originally from Holland, who writes her own compositions and arrangements. She has won the title ‘Outstanding Performance’ in 2 categories of the Downbeat Student Music Awards 2011. Her own European Quintet ‘MDEQ’ is chosen a finalist in the prestigious ‘European Jazz Competition’, taking place at this year’s North Sea Jazz Festival. As a guest, she toured around Europe doing concerts with the European Jazz Orchestra (EU) and the RTV Big Band (Slovenia). Dena DeRose, considered ‘The most creative and compelling singer-pianist since Shirley Horn’, may need no introduction. Originally from New York City, this singer-pianist has been touring all over the globe and is a highlight on today’s international jazz-scene. She has 9 CDs as a leader to her credit, all of which have received superior accolades, such as Grammy Nominations and being ranked in "Top 10 CD's" by All About Jazz and Downbeat Magazine (USA). She has worked with a variety of famous musicians such as Ray Brown, Clark Terry and Marianne McPartland. Quoting from an immense amount of positive reviews: ‘Let it be said that Dena DeRose is really a major discovery’. Both skilled in singing, playing the piano, composing and arranging (in different ways and different levels), they will explore all the possible combinations of the above to create a unique concert that you don’t want to miss… Maaike den Dunnen – voice, compositions, arrangements, piano Dena DeRose – piano, voice, compositions, arrangements For more information, please visit: www.denaderose.com www.maaikedendunnen.com .

Copy Link

Recommended publications

Download 2018 Catalog
JUNE 23 Bing Concert Hall Joshua Redman Quartet presented by JUNE 22 – AUGUST 4 28 BRILLIANT CONCERTS STANFORDJAZZ.ORG presented by JUNE JULY FRI FRI FRI FRI SAT SAT SAT SAT SAT MON SUN SUN 22 23 SUN 24 29 30 1 6 7 7 13 14 15 16 Indian Jazz Journey JUNE 22 – AUGUST 4 with Jazz on 28 BRILLIANT CONCERTS George the Green: Brooks, Early Bird Miles STANFORDJAZZ.ORG Jazz featuring Jazz for Electric Ruth Davies’ Inside Out Mahesh Dick Kids: An Band, Kev Tommy Somethin’ Blues Night with Joshua Kale and Tiffany Christian Hyman Jim Nadel American Choice, Igoe and Else: A with Special Jim Nadel Redman Bickram Austin McBride’s and Ken and the Songbook Sidewalk the Art of Tribute to Guest Eric & Friends Quartet Ghosh Septet New Jawn Or Bareket Peplowski Zookeepers Celebration Chalk Jazz Cannonball Bibb JULY AUGUST FRI FRI SAT SAT SAT TUE WED THU THU SUN SUN WED WED MON 18 19 21 22 23 25 26 27 28 29 MON 30 31 1 3 4 SJW All-Star Jam Wycliffe Gordon, Melissa Aldana, Taylor Eigsti, Yosvany Terry, Charles McPherson, Jeb Patton, Tupac SJW CD Mantilla, Release Jazz Brazil: Dena Camila SJW CD Regina Party: Anat DeRose Jeb Patton Meza, Release Carter Caroline Cohen/ Terrence Trio with Trio and Yotam party: An & Xavier Davis’ Romero Brewer Anat Yosvany Tupac Silberstein, Debbie Evening Davis: Heart Tonic Lubambo/ Acoustic Cohen and Charles Terry Taylor Mantilla’s Mike Andrea Poryes/ with Duos and Bria and Jessica Vitor Remembering Jazz Jimmy McPherson Afro-Cuban Eigsti Trio Point of Rodriguez, Motis Sam Reider Victor Lin Quartet Skonberg Jones Gonçalves Ndugu Quartet Heath Quintet Sextet and Friends View and others.
[Show full text]
Archer Nails Near Perfect Score Dedication, Practice Are Key in the Senior Games Men’S 60-64 Compound from 40, 50 and 60 Yards
Sponsored by AstraZeneca 2009 Official daily newspaper of the 2009 Senior Games | Palo Alto, California TUESDAY, AUGUST 4, 2009 Meagan Reidinger/Brooks Institute © 2009 Rafael Recto, from Vallejo, watches his arrow fly toward the target at the Senior Games competition Monday. Archer nails near perfect score Dedication, practice are key in the Senior Games men’s 60-64 Compound from 40, 50 and 60 yards. With 90 total shots in several archery magazines. “Don’t waste Release archery competition is any indica- and a maximum of 10 points per shot, a perfect your time trying to learn it yourself. You’ve to success in precision sport tion, he may be correct. round is 900 points. Campbell came within 26 got to get a good coach,” said Campbell. By Colin Becht Campbell shot a near perfect round, finish- points of perfection. Beyond the quality of his coaching, Camp- ing with a score of 874, putting him just one That level of precision comes with an incred- bell said his time commitment has been cru- lenn Campbell believes that a good point behind leader Ronald West. ible dedication to the sport. Campbell said he cial to his success. After shooting virtually coach is crucial to success in archery. In the Senior Games, archers participate shoots four hours each day and works with his G If Campbell’s performance on Monday in an American 900, shooting 30 times each coach, Bernie Pellerite, who has been featured (continued on page 13) John Hickinson, Palo Alto Bowling Club’s important aspects of the game and to do that Bowling on the green coach, started playing the sport about 10 one must carefully watch every bowl, not ball, years ago.
[Show full text]
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
[Show full text]
May 2001 03 Jazz Ed
ALL ABOUT JAZZ monthly edition — may 2001 03 Jazz Ed. 04 Pat Metheny: New Approaches 09 The Genius Guide to Jazz: Prelude EDITOR-IN-CHIEF: Aaron Wrixon 14 The Fantasy Catalog: Tres Joses ASSOCIATE EDITOR: Michael Martino 18 Larry Carlton and Steve Lukather: Guitar Giants CONTRIBUTORS: 28 The Blue Note Catalog: All Blue Glenn Astarita, Mathew Bahl, Jeff Fitzgerald, Chris Hovan, Allen Huotari, Nils Jacobson, Todd S. Jenkins, Joel Roberts, Chris M. Slawecki, Derek Taylor, Don Williamson, 32 Joel Dorn: Jazz Classics Aaron Wrixon. ON THE COVER: Pat Metheny 42 Dena DeRose: No Detour Ahead PUBLISHER: 48 CD Reviews Michael Ricci Contents © 2001 All About Jazz, Wrixon Media Ventures, and contributors. Letters to the editor and manuscripts welcome. Visit www.allaboutjazz.com for contact information. Unsolicited mailed manuscripts will not be returned. Welcome to the May issue of All About Jazz, Pogo Pogo, or Joe Bat’s Arm, Newfoundland Monthly Edition! (my grandfather is rolling over in his grave at This month, we’re proud to announce a new the indignity I have just committed against columnist, Jeff Fitzgerald, and his new, er, him) — or WHEREVER you’ve been hiding column: The Genius Guide to Jazz. under a rock all this while — and check some Jeff, it seems, is blessed by genius and — of Metheny’s records out of the library. as is the case with many graced by voluminous The man is a guitar god, and it’s an intellect — he’s not afraid to share that fact honour and a privilege to have Allen Huotari’s with us.
[Show full text]
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer
[Show full text]
16Th Annual Oregon Coast Jazz Party Oct
1 16 YEARS OF JAZZ Contact: Oregon Coast Council for the Arts Information Line (541) 265-2787 oregoncoastjazzparty.org FOR GENERAL RELEASE – August 2019 Oregon Coast Council for the Arts P. O. Box 1315, Newport, OR 97365 16th Annual Oregon Coast Jazz Party Oct. 4-6 Oregon Coast Council for the Arts celebrates 16 years of the annual Oregon Coast Jazz Party, held October 4-6 at the Newport Performing Arts Center in Newport. The party celebrates great live jazz – and the dedicated fans who love it – in the beautiful town of Newport, on the central Oregon coast. Expect multiple sets from renowned jazz stars, nightcap performances, and jazz education during your stay. OCCA is the founding organizational sponsor of the event, and partners with local businesses and more than 75 volunteers in its production. This extraordinary jazz party is supported by underwriter Rev. Carol Stubbs Smith, with support from Columbia Bank, Newport News-Times, Milt Bernhart Travel, Oregon Coast Piano Services, Just Jazz, and the 2019 Jazz Club, Jazz Hotels, jazz partners, patrons and friends. The Lineup Music directors Holly Hofmann and Ken Peplowski, both of whom will also perform this year, present a 2019 roster featuring Roxy Coss on soprano sax, tenor sax and flute, Dena DeRose on vocals and piano, guitarist Larry Koonse, drummer Lewis Nash, Houston Person on tenor sax, Terell Stafford on trumpet, Nicki Parrott on bass and vocals, pianist Randy Porter, vocalist Veronica Swift, drummer Matt Wilson, bassist Martin Wind, pianist Mike Wofford, Dave Captein on bass, and Gary Hobbs on drums. Education at the Party The party also features a free lecture and demo with pianist and vocalist Dena DeRose at 9 a.m.
[Show full text]
2012 SJF Press Release FINAL
FOR IMMEDIATE RELEASE Event dates: June 22 – August 4, 2012, with special preview performance June 17 Organization: Stanford Jazz Workshop, a 501(c)(3) nonprofit organization Press contact: Ernie Rideout Phone: 650-736-0324, ext. 305 E-mail: [email protected] Web site: www.stanfordjazz.org Stanford Jazz Workshop announces 2012 Stanford Jazz Festival, June 22 – August 4, 2012 Stanford, CA—April 17, 2012: Celebrating its 40th anniversary, the Stanford Jazz Workshop is pleased to announce the 2012 season of the Stanford Jazz Festival. This summer’s stellar lineup features a must-see mix of the finest jazz artists in the world, performing in the intimate and easily accessible South Bay setting of the Stanford University campus. Tickets will go on sale on May 1. The Festival presents a total of 38 concerts over the course of the summer, involving over 100 artists, including living legends (Roy Haynes, Charles McPherson, Houston Person), rising stars (Sasha Dobson, Vertical Voices, Kendrick Scott, Julian Lage), trail blazers (Victor Wooten, Peter Erskine, Terrell Stafford), and world jazz sensations (Poncho Sanchez, SJF 2012: 1 Danilo Pérez Trio Luciana Souza and Romero Lubambo). Following two preview events (Kitty Margolis on 6/17 and the SJW Faculty All-Stars on 6/21), the Festival opens with a blockbuster weekend, beginning Friday, June 22 with the Danilo Pérez Trio, continuing with Bobby Hutcherson and the Joey DeFrancesco Trio, and winding up with West African jazz guitarist Lionel Loueke on Sunday, June 24. The Festival culminates with All-Star WeeK, from July 29 – August 4, with performances by Wycliffe Gordon, Matt Wilson’s Arts & Crafts, Taylor Eigsti, Gretchen Parlato, Kenny Barron, Dena DeRose, and more.
[Show full text]
Jazz Notes TM the Journal of the Jazz Journalists Associationsm
Jazz Notes TM The Journal of the Jazz Journalists AssociationSM Vol. 18, No. 4 • Winter 2008 From the Editor 2 Arriving at jazz criticism by way of the city desk. President’s Report 3 Reporting on Jazz 8 By Ashante Infantry Somewhere Over 4 Nine Minutes riting about jazz h a s b e e n t he In The Other Room — that didn’t appeal to By Cyril Moshkow most challenging yet adaptable the Star’s jazz critic. W undertaking of my journalism Interest piqued, I began to help out on the After You’ve Gone 5 career. I’d worked primarily on the city beat — reviewing a festival appearance By John McDonough news side after joining the Toronto Star by Joshua Redman, interviewing Sonny staff in 1995. But I always contributed to Rollins for an advancer — and audited the entertainment pages, writing mostly Tom Terrell 7 a university course on jazz history and about hip-hop and R&B, out of personal criticism. Before long I was hooked by the interest in music that wasn’t being cov- beauty and tradition of the music and its Book Reviews 8 ered in the paper and for the opportunity personalities, controversies and complex- By David R. Adler, Stuart Broomer to write more creatively. ities. I eventually assumed the mantle in and Ken Dryden the wake of the retirement of the paper’s I had a passing familiarity with jazz longtime jazz critic. Though juggling pop News of Members 8 (Miles, Billie, the Marsalises) when and jazz criticism is sometimes hectic, I pitched a few years ago by a Verve pub- hope that those who read me for J.Lo and licist about a series of recordings — Jamie New Members 13 Cullum, RH Factor, Diana Krall’s The Girl continued on page 17 | » Dale Lind Retires 15 By arnold jay smith R.I.P., 2007 19 IN THIS ISSUE IN ON THE COVER: Ornette Coleman at the 2004 JVC Jazz Festival in Newport, Rhode Island.
[Show full text]
Lead Belly November 1-7, 2004
September/October 2004 Issue 270 Free 30th Anniversary Year www.jazz-blues.com Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Lead Belly September/October 2004 • Issue 270 Ninth Annual American Music Masters Shine A Light On Me, the Life and Legacy of Lead Belly November 1-7, 2004 Presented by the Rock and Roll Hall of Fame and Museum and Case Published by Martin Wahl Communications ead Belly was inducted into the feur (for John Lomax) and occasional per- Editor & Founder Bill Wahl Rock and Roll Hall of Fame former. During the last 15 years of his life, Land Museum in 1988. The he found an appreciative new audience in Layout & Design Bill Wahl Rock Hall will celebrate Lead Belly’s the leftist folk community, befriending the legacy in their Ninth Annual American likes of Woody Guthrie and Pete Seeger. Operations Jim Martin Music Masters, this November. Lead Much like Guthrie, he performed for politi- Pilar Martin Belly was one of the most influential art- cal rallies and labor unions in his later ists of the twentieth century. An emblem years. His keening, high-pitched vocals and Contributors of American Folk music, Lead Belly had powerful, percussive guitar playing com- Michael Braxton, Mark Cole, Chris a profound influence on artists such as manded attention, and he became known Hovan, Nancy Ann Lee, David Muddy Waters, Pete Seeger, Neil Young, as “the King of the Twelve-String Guitar.” McPherson, Peanuts, Mark Bob Dylan, George Harrison and Kurt Lead Belly recorded for a variety of labels, Smith, Duane Verh and Ron Cobain.
[Show full text]
Vinson Valega Biography Vinson Grew up in a Musical Family Near
Vinson Valega biography Vinson grew up in a musical family near Washington, D.C., studying classical piano from age seven until switching to the drums when he was 12. He played drums for three years in the All- County Jazz Ensemble during high school and subsequently held the drum chair in the University of Pennsylvania Big Band during college. After graduating from UPENN with a B.A. in Economics, Vinson came to New York City in the early 90's to study music at the Mannes College of Music in Manhattan, where he studied with Marvin "Smitty" Smith (of The Tonight Show Band), Vernel Fournier, and Norm Freeman (of the New York Philharmonic). Vinson has performed in many clubs in the New York Metropolitan area, including the Blue Note, Smoke, Jazz Gallery, 55 Bar, Birdland, Smalls, Knitting Factory, Cornelia Street Cafe, Cleopatra's Needle, and Trumpets of Montclair, NJ. An avid composer, Vinson also teaches privately and served on the staff of the Stanford Jazz Workshop in California from 1999-2001. He has toured throughout North America and Europe with his groups and others, and he appears on Matthew Fries' CD, Song For Today (TCB) and the Ganz Brother's release, First Steps (Extravaganza). Vinson also has four CDs out as a leader on the Consilience Productions label, Live@147 , Consilience , Awake , and Biophilia . In addition, Vinson has also worked with or played alongside with many of the great musicians in jazz, such as Grover Washington, Jr., Dakota Staton, Clarke Terry, James Williams, Donald Brown, Harold Mabern, Jr., Jamil Nasser, Ron McClure, Bob Mintzer, Russell Malone, Peter Bernstein, Mark Turner, Terell Stafford, Eric Alexander, Jim Rotundi, David Hazeltine, Joel Frahm, Dena DeRose, and Vincent Herring, and Candido Camero, among others.
[Show full text]
May 2006 Editor: Tim Coakley
A P A PLACE FOR JAZZ O R May 2006 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY VOLUNTEER HELP Looking Ahead to Another Great Season WANTED By Tim Coakley We need help: As summer approaches, a local connection. This we greatly appreciate it. Labeling newsletters (1 hour every 3 A Place for Jazz is in the year, we will have not If you haven't yet sent in months…can be done at home) process of readying the one, but four of our finest your membership, please fall 2006 series of con- musicians. Our own great take a look at the inside Writing music reviews certs. We have an out- pianist Lee Shaw and back page at the various Working on a young people’s project standing lineup of per- her trio of Jeff Siegel, membership levels, and at the Hamilton Hill Art Center formers in mind, with drums, and Rich Syra- find one that fits your several already definite. cuse, bass, will be joined budget. Among the artists we will by the outstanding guitar- Pilarczyk If you can help, please call Tim ist Jack Fragomeni for Coakley at present this fall are the outstanding guitarist what we are sure will be 518-393-4011 Chris Flory and the a memorable evening. or e-mail him at great pianist John Bunch, We will also be present- a veteran of both big ing the great tenor saxo- by Andrzej Photo [email protected] bands and small. Both phonist David Fathead have appeared at major Newman with a quartet.
[Show full text]
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected]
Richard Drexler POB 950795 Lake Mary FL 32795-0795 Phone: 727.365.4581 E-Mail: [email protected], [email protected] Profession Musician (piano, keyboards, bass violin, voice, violin, viola, ‘cello, percussion), teacher, composer, arranger, recording producer, music contractor Education Masters of Music (Composition) UNIVERSITY OF CENTRAL FLORIDA, Orlando FL – 2013 Bachelor of Music (Piano Performance) ILLINOIS WESLEYAN UNIVERSITY, Bloomington IL – 1977 Cum Laude Cross Cultural Arts Studies GREAT LAKES COLLEGE ASSOCIATION, New York NY – 1976: Apprentice to David Horowitz, Jackson MacLow and Charles Morrow Diploma in Bible Studies RHEMA BIBLE TRAINING CENTER, Broken Arrow OK – 1980 Summa Cum Laude Teaching Experience • University of Central Florida, Orlando FL – Adjunct instructor in 2005-present Jazz Studies • Valencia College (East Campus), Orlando FL – Adjunct jazz 2013-present instructor • Private instructor, central FL – Teacher of piano, acoustic bass, 1989-present improvisation, composition, arranging and jazz harmonic theory • Players School of Music, Clearwater FL – Jazz piano faculty 2003-2005 • Numerous universities in Europe, South America and USA – Guest clinician 1983-present • Jamey Aebersold Summer Jazz Camps – Jazz faculty, bassist 1979, 1980, 1981 Publication • Richard Drexler & Dr. Herb Silverstein: “Jazz Harmony & Improvisation – Scores & Recordings of Original Tunes” – Trafferd Publishing, ISBN #978-1-4251-3608-6 2 Richard Drexler Recording Experience as Bassist, Pianist, Producer and Composer/Arranger Selected
[Show full text]