December 2018 The
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2010 Joint Conference of the National Popular Culture and American Culture Associations
2010 Joint Conference of the National Popular Culture and American Culture Associations March 31 – April 3, 2010 Rennaisance Grand Hotel St. Louis Delores F. Rauscher, Editor & PCA/ACA Conference Coordinator Jennifer DeFore, Editor & Assistant Coordinator Michigan State University Elna Lim, Wiley-Blackwell Editor Additional information about the PCA/ACA available at www.pcaaca.org 2 Table of Contents The 2009 National Conference Popular Culture Association & American Culture Association Area Chairs ___________________ 5 PCA/ACA Board Members _______________________________ 13 Officers _______________________________________________ 13 Executive Officers ______________________________________ 13 Past & Future Conferences _______________________________ 14 Conference Papers for Sale; Benefits Endowment _____________ 15 Exhibit Hours __________________________________________ 15 Business & Board Meetings _______________________________ 16 Film Screenings ________________________________________ 18 Dinners, Get-Togethers, Receptions, & Tours ________________ 23 Roundtables ___________________________________________ 25 Special Sessions ______________________________________________ 29 Schedule Overview ______________________________________ 33 Saturday ____________________________________________________ 54 Daily Schedule _________________________________________ 77 Wednesday, 12:30 P.M. – 2:00 P.M. ____________________________ 77 Wednesday, 2:30 P.M. – 4:00 P.M. ____________________________ 83 Wednesday, 4:30 P.M. – 6:00 P.M. ____________________________ -
Where Nomads Go to Know Need
Art & Cities Nature Need 1 Welcome Culture & Towns Road Trips & Wildlife Adventure to Know worldnomads.com Where Nomads Go Nomads Where through the Deep South. and follow the barbecue trail stargaze in the Badlands, hang out with orcas in Alaska, Go moose-spotting in Montana, USA 2 worldnomads.com World Nomads’ purpose is to challenge Contents travelers to harness their curiosity, be WELCOME 3 brave enough to find their own journey, Getty Images / Stellalevi WELCOME Essential USA 4 and to gain a richer understanding of To paraphrase that most American of poets, Walt Whitman, the United ART & CULTURE 6 themselves, others, and the world. States contains multitudes – yawning red canyons and thick pine Music Across the USA 8 forests, steamy swamps and rock-ribbed coasts, languid small towns A Vegetarian on the Barbecue Trail 14 and cities that stay up all night. We can’t possibly cover it all in a A Nomad's Story: handful of pages, and we aren’t going to try. Welcome As American as Apple Cider 18 4 Museums Worth a Special Trip 20 Think of this guide as a series of windows into the United States – a Travels With the Gullah-Geechee 24 selection of first-hand accounts from Nomads who’ve hiked the trails, Native American Journeys 28 sampled the local specialties, and roamed the highways. With a focus CITIES & TOWNS 32 on the undiscovered and less-visited areas of the country, it’s meant Underrated USA 34 to inspire Americans to explore parts of their own backyard they never Culture Art & 5 Adventures Outside knew existed, and encourage visitors to get to know the US beyond the Major Cities 44 the famous icons. -
Rolling Stone | Rollingstoneaus.Com January, 2016
Issue 770 January 2016 $9.95 (GST INC) >> NZ $9.95 (GST INC) The Dark Web INSIDE THE HIDDEN INTERNET The Weeknd SEX, DRUGS AND R&B Tom Petty’s Lost Years Kurt Cobain HIS SECRET RECORDINGS Plus BUDDY GUY BILLY GIBBONS ARCHIE ROACH PHIL COLLINS TIM ROGERS COLDPLAY Adele GRIMES A Private Life 100007738 Print Post Approved Print Post More rooms. More music. More happy. 2 Room Starter Set - $529 $YDLODEOHDW-%+L)L+DUYH\1RUPDQ 6SHFLDOLVW+L)L6WRUHV Limited time offer. Save $69. 2σHUSHULRGDSSOLHV1RYWR'HF ELVIS PRESLEY JOE COCKER Elvis as you have never heard him before! The first comprehensive double album of Joe’s entire Featuring classic Elvis hits including musical history 36 unforgettable recordings, including ‘Burning Love’, Love Me Tender’, and ‘Fever’ ‘You Are So Beautiful’, ‘Many Rivers To Cross’, and (featuring Michael Buble). ‘You Can Leave Your Hat On’. ROGER WATERS BOB DYLAN The eponymous soundtrack to the globally acclaimed Latest volume in acclaimed Dylan Bootleg series feature filmCaptures Waters’ sold-out 2010-2013 premieres previously unreleased studio recordings. ‘The Wall Live’ tour, the first complete staging of the Includes never-before-heard songs, outtakes, rehearsal classic Pink Floyd concept album since 1990. tracks, and alternate versions, from the BRINGING IT ALL BACK HOME, HIGHWAY 61 REVISITED and BLONDE ON BLONDE Sessions. LEGENDS ALBUMS AC/DC DAVID GILMOUR ROCK OR BUST! Brand new solo album. New album featuring ‘Play Ball’, and ‘Rock Or Bust’. Features ‘Rattle That Lock’, A Boat Lies Waiting’, and ‘The Girl In The Yellow Dress’. JEFF LYNNE’S ELO BRUCE SPRINGSTEEN First album of all-new ELO music in over a decade! Contains 4 CDs, with a wealth of unreleased material, Features new songs including ‘When I Was A Boy’, and 4 hours of never-before-seen video on 3 DVDs ‘When The Night Comes’, and ‘ The Sun Will Includes studio outtakes; a two-DVD film of never- Shine on You’. -
Extraordinary Kids. Ordinary Families
SEPTEMBER 5, 2016 Ordinary Families. Extraordinary Kids. A story of nine families By Charlotte Alter time.com PHONEBRING YOUR OWN ACTIVATION KIT ††Half the cost is based on a comparison of the average cost of the $45 Straight Talk Service Plan plus average sales tax and fees and the average total monthly cost on an individual 2-year service contract plan with unlimited talk, text and comparable high-speed data on the top two carriers. Plan costs include all taxes, fees and overage charges. Source: Nationwide survey conducted May 2016. Straight Talk’s Bring Your Own Phone plan requires a compatible, unlocked phone, activation kit and Straight Talk service plan. User may need to change the phone’s Access Point Name settings. Please note: If you switch to Straight Talk, you may be subject to fees from your current provider. †To get 4G LTE speed, you must have a 4G LTE capable device and 4G LTE SIM. Actual availability, coverage and speed may vary. LTE is a trademark of ETSI. *At 2G speeds, the functionality of some data applications, such as streaming audio or video, may be aff ected. A month equals 30 days. Please refer always to the latest Terms and Conditions of Service at StraightTalk.com. VOL. 188, NO. 9 | 2016 2 | Conversation The View The Features Time Off △ Family photos 4 | For the Record Ideas, opinion, What to watch, read, The Brief innovations Super Siblings see and do depict the lives Six lessons from nine families of the Wojcicki News from the U.S. and 17 | Can virtual 43 | A new Ben-Hur sisters at their around the world reality -
April 2019 The
www.thewestwordonline.com Volume 46 Number 6 / April 2019 The Student voice of the Westhill community Westword“The test of good journalism is the measure of its public service.” Coffee culture elevated with Donut Delight Page 3 DISCUSSING THE IMPACTS OF GETTING p. 7 PLASTIC SURGERY COME UN DIVORCIO AFECTA p. 16 A LOS NIÑOS BILLIE EILISH MAKING A MARK ON HIGH p. 21 SCHOOL AUDIENCE 2 April 2019 TheWestword 2018-2019 Staff Note from the Editors Editor-in-Chief Anisa Richardson, Dear Readers, This issue, Special Re- In Sports, we provide Addison Magrath Marta Zach port delves into LGBTQ+ insight on the different Print Executive Editor Graphic Designer Welcome to the sixth rights in the U.S. and options within Track and Rachel Plotzky Angela Ramirez issue of the year, we are around the globe. Field beyond just running. Online Executive Editor Pollster very excited to continue This Supplement in- We also highlight our ath- Alexandra Watkinson Bella Vaccaro serving as the student sert shines a light on drugs lete’s of the month, Eric Managing Editors Reporters voice of the Westhill com- in the school and why stu- Zagaja and Tessa Man- Katie Gaia, Chloe Giulini Hailey Baloutch, Lexi munity and bring you up- dents use them in school. nella. Assistant Managing Editor Boccuzzi, Molly Cannon, dates about the school. Continuando con Las For more, visit thew- Tamar Bellete Alyssa Goldberg, Franki Our Editorial this Noticias, resaltamos el estwordonline.com. Be Ombudsman Spinelli Mastrone, month touches on the Do- impacto que un divorcio sure to check out our Ins- Bailee Esposito Timothy McKeithen, nut Delight craze at Wes- puede tener en los niños tagram account for updates Photo Manager Myra Perez, Shaira thill including the social y hablamos sobre como @thewestword. -
Call for Papers 52Nd ASECS Annual Meeting Baltimore MD March 31 – April 2, 2022
Call for Papers 52nd ASECS Annual Meeting Baltimore MD March 31 – April 2, 2022 Session Program Guidelines Abstracts or proposals should be sent directly to session organizers no later than September 17, 2021. Session organizers are reminded that all submissions received up to that deadline MUST be considered. Completed panels will be submitted using an online form; a link to this form will be sent to session organizers in mid-September. In the meantime, contact the ASECS Business Office with any questions – [email protected]. All breakout rooms at the Annual Meeting will be equipped with a screen, projector, and wifi. Additional room configuration or technology requests must be submitted by the session organizer on the online form. Session organizers will be required to confirm that all equipment requests are essential to the purpose of the session. Equipment requests or changes made after September 30, 2021 may not be accommodated. It may not be possible to fulfill all special requests. The Society’s rules permit members to present only one paper at the meeting. Members may, in addition to presenting a paper, serve as a session chair, a respondent, a workshop facilitator, or a roundtable, seminar, or workshop participant, but they may not present a paper at sessions they chair. No member may appear more than twice in the program (excluding sessions sponsored by ASECS). No individual may submit paper proposals to more than two panels. Since you can present only one paper at the meeting itself, you must notify both panel chairs if you are submitting two proposals for papers, whether or not the proposals concern the same topic. -
Guns N' Roses Entity Partnership Citizenship California Composed Of: W
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA966168 Filing date: 04/10/2019 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Guns N' Roses Entity Partnership Citizenship California Composed Of: W. Axl Rose Saul Hudson Michael "Duff" McKagan Address c/o LL Management Group West, LLC 5950 Canoga Ave., Ste. 510 Woodland Hills, CA 91367 UNITED STATES Attorney informa- Jill M. Pietrini Esq. tion Sheppard Mullin Richter & Hampton LLP 1901 Avenue of the Stars, Suite 1600 Los Angeles, CA 90067 UNITED STATES [email protected], [email protected], [email protected], [email protected], MDan- [email protected], [email protected], RLHud- [email protected] 310-228-3700 Applicant Information Application No 87947921 Publication date 03/12/2019 Opposition Filing 04/10/2019 Opposition Peri- 04/11/2019 Date od Ends Applicant ALDI Inc. 1200 N. Kirk Road Batavia, IL 60510 UNITED STATES Goods/Services Affected by Opposition Class 029. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: cheese, namely, cheddar cheese Grounds for Opposition Priority and likelihood of confusion Trademark Act Section 2(d) False suggestion of a connection with persons, Trademark Act Section 2(a) living or dead, institutions, beliefs, or national symbols, or brings them into contempt, or disrep- ute Mark Cited by Opposer as Basis for Opposition U.S. Application/ Registra- NONE Application Date NONE tion No. -
The Rhetoric and Social Meaning of MP3 Blogs by Larissa Wodtke A
Does NME even know what a music blog is?: The Rhetoric and Social Meaning of MP3 Blogs by Larissa Wodtke A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in English - Rhetoric and Communication Design Waterloo, Ontario, Canada, 2008 © Larissa Wodtke 2008 ISBN: 978-0-494-43862-6 Author‘s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract MP3 blogs and their aggregators, which have risen to prominence over the past four years, are presenting an alternative way of promoting and discovering new music. I will argue that MP3 files greatly affect MP3 blogs in terms of shaping them as: a genre separate from general weblogs and music blogs without MP3s, especially due to the impact of MP3 blog aggregators such as The Hype Machine and Elbows; a particular form of rhetoric illuminated by Kenneth Burke's dramatistic ratios of agency-purpose, purpose-act and scene-act; and as a potentially subversive subculture, which like other subcultures, exists in a symbiotic relationship with the traditional media it defines itself against. Using excerpts from multiple MP3 blogs and their forums, interviews with MP3 bloggers and Anthony Volodkin (creator of The Hype Machine), references to MP3 blogs in traditional press, and Burke's theory of dramatism and Hodge and Kress's theories of social semiotics, I will demonstrate that the MP3 file is not only changing the way music is consumed and circulated, but also the way music is promoted and discussed. -
Exploring Being Queer and Performing Queerness in Popular Music
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-11-2020 10:00 AM Exploring Being Queer and Performing Queerness in Popular Music Rosheeka Parahoo, The University of Western Ontario Supervisor: Coates, Norma J, The University of Western Ontario : Abrams Ansari, Emily, The University of Western Ontario A thesis submitted in partial fulfillment of the equirr ements for the Master of Arts degree in Music © Rosheeka Parahoo 2020 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Musicology Commons Recommended Citation Parahoo, Rosheeka, "Exploring Being Queer and Performing Queerness in Popular Music" (2020). Electronic Thesis and Dissertation Repository. 7010. https://ir.lib.uwo.ca/etd/7010 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract For many pop artists, queer is what they do, not who they are. They perform queerness, rather than identify as queer. The research I present here suggests that popular culture’s understanding of queerness relies on a heteronormative lens, whereby queerness is objectified and paraded primarily as an artistic performance. My analysis demonstrates that David Bowie’s influence rests in his ability to create a space where his fans can perform queerness, without necessarily being queer. As such, Bowie’s performances have come to form our expectation of what a queer performance should look like. -
(Straight) White Men Can't Dance: the Dancing Body As
(STRAIGHT) WHITE MEN CAN’T DANCE: THE DANCING BODY AS RACIAL AND GENDERED IDEOLOGY IN AMERICAN POPULAR CULTURE FROM 1980 to 2018 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCES BY ADDIE TSAI, M.F.A. DENTON, TEXAS AUGUST 2018 Copyright © 2018 by Addie Tsai DEDICATION For B, the only person to whom I can confess I can’t dance a single step. And for J, who believed, from the beginning, I did indeed have what it takes. ii ACKNOWLEDGMENTS I would like to offer my deepest gratitude to Dr. Linda Caldwell for her assistance, mentorship, and support throughout my doctoral coursework, qualifying exams, and dissertation process. Her guidance, patience, responsiveness, excitement, curiosity, investment, and openness have made this work what it most desperately sought to become. Thank you to Dr. Patrick Bynane and Dr. Rosemary Candelario for their assistance and guidance on this dissertation project from inception through the qualifying exams and the prospectus. I am especially appreciative for Dr. Patrick Byane’s willingness to serve on a doctoral committee outside of his department, and for his wisdom on canonical and profound texts and ideas I may not otherwise have found. I am immensely grateful to Dr. Rosemary Candelario for her guidance and support throughout doctoral coursework and the development of this project, and for agreeing to chair this dissertation committee at this late stage of the process. I am incredibly thankful to the entire Texas Woman’s University Dance Department, and especially to Professor Mary Williford-Shade, Dr. -
The Fielding Agency
The Fielding Agency Frankfurt Virtual Book Fair 2020 Rights List Contact: Whitney F. Lee, 1550-G Tiburon Boulevard, #528, Tiburon, CA 94920 (T) 310.968.6683; E-mail: [email protected] Nonfiction Titles JOAN ANDERMAN LIPSTICK: A HISTORY US Publisher: HarperCollins Primary agent: Paul Bresnick/Bresnick Weil Literary Agency Pub date: Fall 2022 Material available: Proposal; Final manuscript expected Fall 2021 In the 5,000 years since a Sumerian queen named Puabi pressed a mix of crushed gemstones and white lead to her mouth, empires have shunned lipstick, religions have condemned it and governments have criminalized it. In LIPSTICK: A HISTORY, Anderman explores the women-led beginnings and dizzying rise of the massive global lipstick industry which is on track to top $17 billion in 2024. A social-cultural history, LIPSTICK weaves the personal with the political, exploring not only the aesthetic and feminist theory behind lipstick, but also the cosmetic industrial complex and the nature of the beauty business. Joan Anderman has been a reporter of music and culture for the Boston Globe for more than 10 years. Her work has been published in The New York Times, Seattle Weekly and Rolling Stone. The Fielding Agency handles UK/ANZ and all translation rights. ERIN FALCONER HOW TO BREAK UP WITH YOUR FRIENDS: Letting Go of What Doesn’t Work to Make Room for What Does US/UK Publisher: Sounds True Primary agent: Leila Campoli/Stonesong Pub date: Fall 2021/Winter 2022 Material available: Proposal; Final manusript available November 2020 Sold in a six-figure pre-empt, HOW TO BREAK UP WITH YOUR FRIENDS will help women fine-tune their friendships, as much as Erin's first book, HOW TO GET SH*T DONE, helped women fine-tune their to-do list. -
JMU Honors College Capstone Projects
JMU Honors College Capstone Projects Student Name Year Major Advisor Name Title Finley, Debora 1986 Accounting The Use of Computers in Managerial Accounting Addresses the Role of Computers in Managerial Accounting Dec, John 1987 Accounting Arthur Bishop Auditor Independence: Is the Profession Covering the Concepts Adequately Goldenberg, Michael 1987 Accounting Jim Henrick Purchasing Fraud in the Hospitality Industry: Can the Problem be Controlled? Markey, Rita 1990 Accounting The Effects of Capital Gains Taxation on Taxpayer Equity, Government Revenue, and the National Economy Ruhl, Cynthia 1990 Accounting Kent St. Pierre Ethics in the Accounting Profession: Propaganda or Reality Thrift, William 1990 Accounting Alexander Gabbin, Ph.D. The Certification Process for Public Accountants: Are Virginia CPAs Ready for Changes? McKnight, Mary 1991 Accounting Donna Street, Ph.D. The Mentor-Protege Relationship in Large Public Accounting Firms Byrne, Lisa 1992 Accounting Donna Street, Ph.D. Role Conflict Faced by Accountants Employed by Large Public Firms O’Neil, Jon Patrick 1992 Accounting Charles P. Baril, Ph.D. Accounting for Income Taxes: The Implementation of FASB Statement No. 96 Dickenson, Lloyd 1995 Accounting Donna Street, Ph.D. The Harmonization of Accounting Standards in the 21st Century: Will the Anglo-Saxon/US Model become the Dominant Accounting Model? Harlow, William 1996 Accounting Donna Street, Ph.D. Measuring the Effect of Financial Reporting Standards 6 & 7 on British Business Combination Activity Seltzer, Nathan 2001 Accounting Nancy Nichols, Ph.D. Evaluating the Success of Whole Hospital Joint Ventures Through Charity Care Analysis Ackerman, Stephanie 2004 Accounting Nancy Nichols, Ph.D. Accounting Fraud in the Telecommunications Industry Romeo, Theresa 2005 Accounting Robert Richardson, Ph.D.