DOCSLIB.ORG

May-June, 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
May-June, 2013 may-june, 2013 Help! (Photofest) Spectacle: The Music Video3 SonosandVEVOpresent: 4 TheDirector’sStudio Sonos Playground Deconstructed4 Play This Movie Loud! 5 Hip-HopintheYouTubeAge 8 SPECTACLE: PLAY THIS TheSoundtrackSeries 8 THE MUSIC VIDEO 3 MOVIE LOUD! 5 Sightseers 9 Fahrenheit 4519 Sparrows 10 Sandnes 2160 10 New York Polish Film Festival 11 The Kick 12 Epic in3-D 12 See It Big! 13 NEW YORK World Science Festival 14 POLISH FILM React to Film 15 SANDNES 2160 10 FESTIVAL 11 EvanRoth: A Tribute to Heather 16 DVD Dead Drop 17 YoungRewiredStateNYC 17 Behind the Screen 18 FocusontheCollection 19 WorkshopsandCamps 20 BecomeaMember 21 OurSupporters 22 HostYourEvent 23 DailySchedule 24 WORLD SCIENCE A TRIBUTE FESTIVAL 14 TO HEATHER 16 Museum Information 25 2 THROUGHOUT THE MUSEUM Spectacle: The Music Video isthefirstmuseum exhibitiontocelebratetheartandhistoryofthe musicvideo.Fromearlyexamplesofmusicinfilmto theworkofmusicvideomasterssuchasDavidBowie andMadonnaandcontemporaryartistssuchasThe WhiteStripesandKanyeWest,theexhibitionreveals theenormousinfluencemusicvideoshavehadon contemporarycultureoverthepast35years. Throughover300videos,artifacts,andinteractive installations,theexhibitionshowsthechanging landscapeofthemusicvideo,highlightingitsplace THROUGH JUNE 16, 2013 attheforefrontofcreativetechnology,anditsrolein pushingtheboundariesofcreativeproduction. Spectacleexploresthetrajectoryofthemusicvideo fromprecursorsthroughtothepresentdayacrossa rangeofmusicalgenres,andshowcasestheinnovative workofcontemporarydirectorssuchasMichel Gondry,FloriaSigismondi,andChrisMilk.Original propsandartifactsfromiconicmusicvideossuchas A-ha’sgroundbreaking“TakeOnMe”andOKGo’s“This TooShallPass”arepresentedalongsideinteractive experiencesfeaturingworksbyRadioheadandBjörk. Inconjunctionwiththeexhibition,theMuseumpresents a f rangeo relatedpublicprogramsforaudiencesofall ages, includingscreenings,hands-onworkshops,and exclusivespecialeventswithpersonalappearancesby musicvideodirectorsandmusicartists. Spectacle:TheMusicVideois organized by the Contemporary Arts Center, Cincinnati and curated by Jonathan Wells and Meg Grey Wells of Flux. Exhibition design by Logan. The exhibition is presented in partnership with Sonos and VEVO. Additional support is provided by Adobe and SOL REPUBLIC. Wax“California”(1995),directedbySpikeJonze.Courtesyoftheartist. 3 Sonos and Vevo Present: The Director's Studio THROUGH JUNE 16, 2013 In conjunction with the exhibition Spectacle: The Music Video, a series of intimate and in-depth conversations with creators of music videos. An Evening with Mark Pellington An Evening with Fab 5 Freddy and a screening of U2 3D FRIDAY,MAY17,7:00P.M. TUESDAY,MAY7,7:00P.M. Fab5Freddyisaculturalpioneerwhoplayedakeyrole LosAngeles-basedfilmmakerMarkPellingtonmade inbringinghip-hopculturetoaudiencesaroundthe hismarkasoneofthemosttalented,inventive world.BornFredBrathwaiteinBedfordStuyvesant, directorsofmusicvideos,collaboratingwithU2, hewasagraffitiartistwhofamouslypaidhomageto BruceSpringsteen,PublicEnemy,NineInchNails, AndyWarholbycoveringasubwaycarinCampbell’s TheDaveMatthewsBand,andmanyothers.Hisvideo soupcans.HedrewtogetherNewYork’sdowntown forPearlJam’s“Jeremy”isoneofthemostpopularin film,music,andartscenesanddevelopinghip-hop history.Hedevelopedanambitiousnon-linearcollage cultureinHarlemandtheBronx,andwasimmortalized stylethatreacheditsheightwiththegroundbreaking byDebbieHarryinthelyricsforhersong“Rapture,” seriesBuzzforMTV.Hethenbecameasuccessful “Fab5Freddytoldmeeverybody’sfly…”Hewasthe directoroffeaturefilms(Arlington Road,The Mothman starofthe1981filmWild Style,andthefirsthostof Prophecies),andtelevision(The United States of Yo! MTV Raps.Heisalsoaprolificdirectorwhohas Poetry,Cold Case).Pellingtonwilldiscusshiscareer, madedozensofgroundbreakingmusicvideosand PhotobyEricHarveyBrown showinghighlightsfromhiswork,inaconversation commercialsforartistslikeQueenLatifah,KRS-One, withChiefCuratorDavidSchwartz.Thediscussion Nas,SnoopDoggyDog,andmanymore.Therewill willbefollowedbyararetheatricalscreeningofthe beplentyofgreatstories,andgreatvideos,inwhat IN THE NAM JUNE PAIK ROOM / HBO PRODUCTION LAB spectacularconcertfilmU2 3D. promisestobeanunforgettableeveningwithFab5 Freddy,whowilldiscusshisremarkablecareerasa SONOS PLAYGROUND DECONSTRUCTED U2 3D centralfigureinhip-hop. Presented in Dolby Digital 3-D THROUGH JUNE 16, 2013 Introduced by Catherine Owens and Mark Pellington Alsoaspartoftheseries,onApril19theMuseum presentedAnEveningwithChrisMilk,theinnovative Sonos Playground Deconstructed (2013)isasite-specificinstallation,designed Dirs.CatherineOwens,MarkPellington.2007,85mins. musicvideodirector,andonApril26AnEveningwith WithBono.Aquantumleapbeyondtraditionalconcert by Aramique,RedPaperHeart,andFakeLove,thataimstobringminimalistartto Rich+Tone,musicvideochoreographersforartists filmsandtraditional3-D,U2 3Dimmersesaudiences lifeasanimmersivemusicvideoenvironment.Sonos Playgroundwasoriginally includingMichaelJacksonandMadonna. intheexcitementandthrobbingintensityofastadium installedina250sq.ftshedattheSonosStudioatthe2013SXSWfestival.At concertbyoneoftheworld’smostpopularbands. MuseumoftheMovingImage,thedesignersofSonos Playground Deconstructed TICKETS:$15public/$9Museummembers/freefor havere-imaginedtheexperienceusingfivedetachedwallssuspendedabovea SilverScreenmembersandabove. reflectivefloor. VisitorsareabletoselectasongfromaniPadandwatchavisualizationofthe musicprojectedontothesurroundingwalls.Throughmotion-capturetechnology, visitorscaninteractwithandmanipulatethevisualsthroughmovement. 4 Gimme Shelter(JanusFilms) MAY 4–JUNE 9, 2013 “Thisfilmshouldbeplayedloud!”isthetitlecardatthebeginningofThe Last Waltz,Martin Scorsese’s1978concertfilmfeaturingTheBand.Scorseseraisedthemusicfilmtoa cinematicartform,withtop-notchcinematographyandasuperblycraftedstereosound mix.Othermusicfilms,suchasD.A.Pennebaker’sDon’t Look Back,offeramoreraw andspontaneousexperience,capturingtheexcitementofliveperformanceandthe candidrealityofbackstagelife.Andsome,suchasRichardLester’sAHard Day’s Night, putarealbandintoafictionalcontext.Thisseriesfeaturesallthreeofthesetypes offilms:concertfilms,véritédocumentaries,andfictionfilms.Whatthemovies allhaveincommonisthateachonefocusesonasingleperformerorband… andallofthemaremeanttobeseen—andheard—inatheater,playedLOUD! 5 The Beatles in Help! AltamontconcertinDecember1969,itfelttomany SATURDAY,MAY4,5:00P.M. thatthespiritofthe1960sdiedalongwithhim. TheMayslesBrotherscapturetheeventsthatled Dir.RichardLester.1965,92mins.35mm.WithThe uptotheconcertaswellasthemountingtension, Beatles.WhenRingogetsinajamwithanevilcultover unravelingnerves,andlossofcontrolthattookplace asacrificialringandsomeredpaint,TheBeatleshave afterwards.ThehauntedlookonMickJagger’sface tofindawaytorescuetheirfriendwithoutsacrificing ashewatchesthefatalmomentregistersallofthe themselves.InpureRichardLesterstyle,Help! isa loss,shock,anddisappointmentthatcamewiththe fast-pacedmadcapdelight.Chasedbyeveryonefrom passingofanera.Amesmerizingandelectrifying cultiststomadscientiststoScotlandYard,theFab véritéclassic,Gimme Shelterisbothdisturbingand FourfleefromSwingingLondontotheAlps,tothe enthralling,anessentialrockmovie. Bahamas,andthroughWorldWarIIre-enactments, Head andofcoursestillfindtimetostopfortheoccasional performance. Ziggy Stardust and the Spiders from Mars The Monkees in Head (PennebakerHegedusFilms) SATURDAY,MAY18,2:00P.M. Don’t Look Back (PennebakerHegedusFilms) SUNDAY,MAY19,4:00P.M. David Bowie in Ziggy Stardust and the Spiders from Mars Dir.BobRafelson.1968,86mins.35mm.WithPeter Tork,DavyJones,MickyDolenz.Psychedelic,stream-of- Introduced by D.A. Pennebaker conscious,andsurreal,thistour-de-forcecapturesthe SUNDAY,MAY5,7:30P.M. bandTheMonkeesatitsmosthilarious—andalsoits Dir.D.A.Pennebaker.1973,90mins.35mm.WithDavid most reflexive.Head managestobeutterlyself-conscious Bowie,MickRonson,TrevorBolder.Throughtheyears, andnonsensicalatthesametime—theband,awarethey DavidBowiehastakenoncountlesspersonas—Major areactorswithinamovie,attempttobreakfreefroma Tom,TheThinWhiteDuke,AladdinSane,alongwith Quadrophenia dictatorialdirector,butfindthattheireveryactionisalready manyothers—buthisroleasZiggyStardusthasproved preordained.Filledwithsightgagsandslapstickdrawnfrom themostenduringiconofthesinger’smutability.On The Who in Quadrophenia the atmosphereofthedelirious1960sculturallandscape, July3,1973,ZiggyStardustmadehisfinalappearance SUNDAY,MAY12,5:00P.M. Headoffersatrenchantcritiqueofthesocialclimateof attheHammersmithOdeoninLondon;theenchanted theperiodbeneathitsveneeroflightheartedadventure. Dir.FrancRoddam.1979,117mins.35mm.WithPhil performancelivesoninthefootagecapturedthatnight Daniels,LeslieAsh,PhilipDavis.Thebattlebetween byrenowneddocumentaryfilmmakerD.A.Pennebaker. theModsandtheRockers,alludedtoinAHard Day’s The Harder They Come Bob Dylan in Don’t Look Back, The Beatles in A Hard Day’s Night Night,isplayedoutinQuadrophenia. Youth,motor scooters,music,rebellion—thesewerethevisible with Daybreak Express SATURDAY,MAY11,2:00P.M. elementsofEnglandinthe1960sthatbeliedthe With D.A. Pennebaker in person SUNDAY,MAY12,2:00P.M. restlessness,disillusionment,andmalaisefermenting SUNDAY,MAY5,5:00P.M. Dir.RichardLester,1964,87mins.35mm.WithThe beneaththesurfaceofcivilsociety.BasedonThe Dir.D.A.Pennebaker.1967,96mins.Digitalprojection. Beatles, WilfredBrambell.“Areyouamodorarocker,” Who’srockoperaofthesamename,thefilmfollows WithBobDylan,AlbertGrossman,BobNeuwirth. RingoStarr—playingacharacternamedRingo—is anangst-riddenboywhofallsinwiththeModstofind D.APennebaker’slandmarkcinéma
Load more

Recommended publications
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
    [Show full text]
  • School of Motion Pictures & Television Program Brochure
    School of Motion Pictures & Television academyart.edu SCHOOL OF MOTION PICTURES & TV Contents Program Overview ...................................................5 What We Teach ......................................................... 7 The School of MPT Difference .................................9 Faculty .....................................................................11 Degree Options ..................................................... 13 Our Facilities ......................................................... 15 Alumni Success ..................................................... 17 Partnerships ......................................................... 19 Career Paths ......................................................... 21 Additional Learning Experiences ......................... 23 Awards and Accolades ......................................... 25 Online Education .................................................. 27 Academy Life ........................................................ 29 San Francisco ....................................................... 31 Athletics ................................................................ 33 Apply Today .......................................................... 35 3 SCHOOL OF MOTION PICTURES & TV Program Overview Taught by professionals working in the industry, including Academy and Emmy Award winners, our students learn their craft through hands-on filmmaking experience. IMMERSE YOURSELF Direct. Produce. Shoot. Edit. Production Design. Write. Crew up and follow your passion
    [Show full text]
  • Google Chrome Scores at SXSW Interactive Awards 16 March 2011, by Glenn Chapman
    Google Chrome scores at SXSW Interactive awards 16 March 2011, by Glenn Chapman type of video," Google's Thomas Gayno told AFP after the award ceremony. "For Google it is very compelling because it allows us to push the browser to its limits and move the Web forward." Visitors to the website enter addresses where they lived while growing up to be taken on nostalgic trips by weaving Google Maps and Street View images with the song "We Used to Wait." A woman works on her computer as on the wall behind "It takes you on a wonderful journey all is seen the logo of Google in Germany 2005. A music synchronized with music," Gayno said. "It is like and imagery website that shows off capabilities of choreography of browser windows." Google's Chrome Web browser won top honors at a South By Southwest Interactive (SXSW) festival known US Internet coupon deals website Groupon was for its technology trendsetters. voted winner of a People's Choice award in keeping with a trend of SXSW goers using smartphones to connect with friends, deals, and happenings in the real world. A music and imagery website that shows off capabilities of Google's Chrome Web browser won Founded in 2008, Chicago-based Groupon offers top honors at a South By Southwest Interactive discounts to its members on retail goods and (SXSW) festival known for its technology services, offering one localized deal a day. trendsetters. A group text messaging service aptly named The Wilderness Downtown was declared Best of GroupMe was crowned the "Breakout Digital Trend" Show at an awards ceremony late Tuesday that at SXSW.
    [Show full text]
  • Film Festival-Nominated the Adventures of Sebastian Cole
    ‘LOVE AT FIRST GLANCE’ Cast Bios ADRIAN GRENIER (James Fielding) - Grenier is best-known for his starring role as Vincent Chase on “Entourage,” one of HBO’s most popular half-hour series in the network’s history, and the much anticipated Warner Bros. film version of Entourage that was released in 2015. Grenier recently completed production on two films: the political thriller Public Affairs, alongside Thora Birch and Mimi Rogers, and Southern Fury co-starring Jonathon Schaech, John Cusack and Nicolas Cage. Both films are scheduled for release in 2017. Most recently, Grenier was seen in the thriller Marauders alongside Bruce Willis and Christopher Meloni, which premiered at the 2016 Sundance Film Festival. Along with memorable roles opposite Meryl Streep and Anne Hathaway in The Devil Wears Prada and in the romantic comedy Drive Me Crazy, his other credits include the Woody Allen films Celebrity, and Anything Else, the new indie film Goodbye World, the John Waters comedy Cecil B. Demented and the Sundance Film Festival-nominated The Adventures of Sebastian Cole. Founder of Reckless Productions, Grenier has also brought his keen eye and love of storytelling to the production of documentaries: as producer/director of Shot in the Dark (2002), writer/ producer/director of the critically acclaimed Teenage Paparazzo (2010), producer of Don’t Quit Your Daydream (2010) and executive producer of How to Make Money Selling Drugs (2012), in addition to a variety of short films. Grenier is currently in pre-production on the documentary 52, which will chronicle the search for the loneliest whale in the world.
    [Show full text]
  • Jessica Lange Regis Dialogue Formatted
    Jessica Lange Regis Dialogue with Molly Haskell, 1997 Bruce Jenkins: Let me say that these dialogues have for the better part of this decade focused on that part of cinema devoted to narrative or dramatic filmmaking, and we've had evenings with actors, directors, cinematographers, and I would say really especially with those performers that we identify with the cutting edge of narrative filmmaking. In describing tonight's guest, Molly Haskell spoke of a creative artist who not only did a sizeable number of important projects but more importantly, did the projects that she herself wanted to see made. The same I think can be said about Molly Haskell. She began in the 1960s working in New York for the French Film Office at that point where the French New Wave needed a promoter and a writer and a translator. She eventually wrote the landmark book From Reverence to Rape on women in cinema from 1973 and republished in 1987, and did sizable stints as the film reviewer for Vogue magazine, The Village Voice, New York magazine, New York Observer, and more recently, for On the Issues. Her most recent book, Holding My Own in No Man's Land, contains her last two decades' worth of writing. I'm please to say it's in the Walker bookstore, as well. Our other guest tonight needs no introduction here in the Twin Cities nor in Cloquet, Minnesota, nor would I say anyplace in the world that motion pictures are watched and cherished. She's an internationally recognized star, but she's really a unique star.
    [Show full text]
  • Summer Classic Film Series, Now in Its 43Rd Year
    Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre.
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • Urban Illusions Haley R
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2017 Urban Illusions Haley R. Hatfield Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Fine Arts Commons Recommended Citation Hatfield, Haley R., "Urban Illusions" (2017). LSU Master's Theses. 4618. https://digitalcommons.lsu.edu/gradschool_theses/4618 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. URBAN ILLUSIONS A Thesis Submitted to the Graduate Faculty of Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The School of Art By Haley Hatfield B.F.A., Kansas State University, 2014 May 2017 I would like to dedicate this thesis on behalf of anyone that has ever been stereotyped or discriminated against. Keep your head up. ACKNOWLEDGEMENTS First and foremost, I would like to thank my advisor and thesis chair, Derick Ostrenko, as well as another committee member, Dr. Hye Yeon Nam, for granting me the opportunity to continue my education at Louisiana State University. Without their guidance and support throughout this program I would not be where I am today. I would like to thank the rest my thesis committee: Vincent Cellucci, for always commending me for tackling tough subjects like racism and segregation.
    [Show full text]
  • Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S
    Originalveröffentlichung in: Keazor, Henry ; Wübbena, Thorsten (Hrsgg.): Rewind, play, fast forward : the past, present and future of the music video, Bielefeld 2010, S. 7-31 Rewind - Play - Fast Forward The Past, Present and Future of the Music Video: Introduction HENRY KEAZOR/THORSTEN WUBBENA "Art presses the "Stop"- and "Rewind"- buttons in the stream of life: It makes time stop. It offers reflection and re­ collection, it is an antidote against lost certitudes."1 Like perhaps no other medium, the music video clip is marking and shap­ ing our everyday culture: film, art, literature, advertisements ­ they all are clearly under the impact of the music video in their aesthetics, their technical procedures, visual worlds or narrative strategies. The reason for this has not only to be sought in the fact that some of the video di­ rectors are now venturing into art or advertisement, but that also peo­ ple not working in the field of producing video clips are indebted to this medium.2 Thus, more or less former video clip­directors such as Chris Cunningham or Jonas Akerlund have established themselves successfully with their creations which very often are based on ideas and concepts, originally developed for earlier music videos: both Cunningham's works Flex and Monkey Drummer, commissioned in 2000 respectively 2001 by the Anthony d'Offay Gallery, evolved out of his earlier music videos.' Flex relies on the fantastic and weightless underwater cosmos Cunningham designed for the images that accompanied Portishead's Only you in 1998. Monkey Drummer* is heavily based on the soundtrack written by the Irish musician Aphex Twin (Richard David James) for whom Cunningham had previously directed famous videos such as Come to Daddy (1997) and Win- dowlicker (1999).
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]
  • Michelle Laine
    MICHELLE LAINE Costume Designer FEATURES ARCHENEMY Adam Egypt Mortimer Company X / SpectreVision Cast: Joe Manganiello, Zolee Griggs, Skylan Brooks PNEUMA Floria Sigismondi PHOENIX “Ti Amo Speciale” Warren Fu DIRECTORS & MUSIC VIDEOS WARREN FU Zedd + Kehlani “Good Thing,” Phoenix “Ti Amo Speciale”, “J-Boy”, Paramore “Rose-Colored Boy” MICHAEL GRACEY Pink “Walk Me Home” FLORIA SIGISMONDI Alice Glass “Without Love”, Nuit Blanche Toronto “Pneuma” Lawrence Rothman ft. Charli XCX “Oz Vs. Eden” Lawrence Rothman ft. Angel Olsen “California Paranoia” Lawrence Rothman ft. Soko “Users” Lawrence Rothman “H”, “#1 All Time Low”, “Fatal Attraction” Living Things “Fake It Baby, Fake it” Yves Tumor “Lifetime” SKINNY Tiesto “Red Lights” MIMI CAVE Lunch Money Lewis ft. Chloe Angelides “Whip It!” DAVE LONGSTRETH Dirty Projectors “Lamp Lit Prose” NICOLAS RANDALL Jorge Blanco “Summer Soul” ATRAK Ft. Jamie Lidell “We All Fall Down” NICOLAS RANDALL + MARC EDOUARD LEON Midnight to Monaco “One In A Million” TOMAS WHITMORE Rae Sremmurd “Perplexing Pegasus” John Mayer “Still Feel Like Your Man” BREWER The Chainsmokers “Sick Boy” OZZIE PULLIN Jax Jones ft. Demi Lovato “Instruction” DIRECTORS & COMMERCIALS EZRA HURWITZ Ryan Murphy Show Opener, Romp LEEOR WILD The Venetian VINCENT PEONE Yahoo Sports CHLOE WALLACE Booking.com NICOLAS RANDALL Zillow, Verizon Fios, State Farm “More Than A Bundle”, State Farm “Mine”, Instagram, Zillow, Euro Jackpot JOHN PINA + BENJAMIN KUTSKO Surf Air “Unlimited Flight – Morning Coffee”, Surf Air “Unlimited Flight – You’ve Arrived” JOHN PINA + CHRIS BERDINE Adult Swim/Dr. Pepper “Ten”, Adult Swim/Sobe “Life Water” DAVID BRASHEAR Splenda “I Use Splenda” JAKE HURWITZ V8 Juice FLORIA SIGISMONDI Facebook JOSH LIPTON Need For Speed “Born to Race” DOMINIC LAHIFF Spotify 800 South Robertson Blvd.
    [Show full text]
  • Aesthetic Apparatus Midwesterners Dan Ibarra and Michael Byzewski Of
    Aesthetic Apparatus Midwesterners Dan Ibarra and Michael Byzewski of Aesthetic Apparatus have carved a niche as designers of iconic band posters for the likes of the Meat Puppets, Art Chantry, Frank Black the Ames Brothers and about a zillion more. Over the years, their limited edition, screen-printed concert posters and art prints have created a certain aura about their work. Their growing reputation has landed them gigs for Blue Q, Stella Artois, Harper Collins, American Cancer Society and Criterion Collection, and their work has been featured in Print, Step Into Design, Communication Arts, Creative Review, and Rolling Stone (among others), as well as in the recent Chronicle Books rock art Bible, "The Art of Modern Rock." Kinsey Los Angeles-based Kinsey is a powerhouse of the graffiti-turned-fine-art set. His paintings and designs tend to find analogies for human culture and conflict in the natural and animal worlds, and the resulting images are both beautiful and unsettling. Coming of age just before the explosion of computer-based design and being trained as a fine artist in painting and drawing, it's perhaps natural that Kinsey's art has its roots in a painterly, "by hand" aesthetic that shines through even in works where the computer plays an important role. Whether he's painting on canvas or designing sneakers, a leather jacket or motorcycle helmet, everything Kinsey does has a vibrant, kinetic, multi- layered look that is his alone. David Bray Fantasy and imagination have marked Kent- born artist David Bray from the start. As a child he drew images of space travel that depicted himself and his friends exploring distant planets.
    [Show full text]