Smiths Protest Steak on New LP Stupidity Fever Cured at Baltimore

Total Page:16

File Type:pdf, Size:1020Kb

Smiths Protest Steak on New LP Stupidity Fever Cured at Baltimore Page 4 Retriever features Smiths protest steak on new LP by Tony Sclafani airplay. Could it be listeners are actually seeki- lations of personal experience that most would ing them out due to their music? cringe at revealing. Unlike another gay activist, There is no such thing as "new music." There After just one listen to their new import com- Tom Robinson, the Smiths are not just backing are only revivals, and revivals of revivals. Once pilation LP Hatful of Hollow, and their second for Morrisey's statements. These are songs in a while, someone takes a new approach to U.S. album Meat is Murder, the answer is a proper, not backing tracks for righteous music but what usually occurs is each genera- definite "yes." polemics. tion just revives parts of the old one for people The Smiths' formula is simple enough: the Meat is Murder, the "real"second album, too young to remember. standard guitar, bass, drums, and singer does not contain so many songs proper. Many Although this is a natural cycle with any form combo, it is what they do with this setup that of the tracks seem to be intended as atmosphere of entertainment, it inevitably results in shal- makes them worth a listen. Morrisey's whiny, pieces. "Barbarism Begins at Home," although lowness of form over content, style over melodic vocals twist around Johnny Marr's gui- almost seven minutes in length, contains only substance. tar, which often plays a combination of lead ten lines. The also-lengthy title track opens and A prime example is a band like U2. U2 is and rhythm patterns simultaneously, similar to closes to the sound of screaming animals! considered political, yet few realize their flag- the guitar work of REM's Peter Buck. The Which brings about the next point, the entire waving stance rings of shallowness and stupid- guitar and vocals lie on top of Mike Joyce's top concept of Meat is Murder. ity. They show remorse for the death of Martin heavy drums, and Andy Rourke's funky bass "The flesh you so fancifully fry is Luther King in their most recent hit, yet is this lines, which run both rhythmic and melodic MURDER!", "You savor the flavor of really political or radical? What normal human patterns (often employing a combination the- MURDER," are two gems in particular from A piece of art from Baltimore Museum of Art. would not feel regret over useless bloodshed? reof in a single song). This blends into either an the lyric sheet.The song they are from is, Like Reagan, U2 is just telling its audience what easy going dance groove with a message, or a obviously, the title track, not an ode to ham- it wants to hear. If they're so "Christian," why dreamy, depressing dirge-like sound. Often it burgers and milk shakes at the Tastee Freeze. not write songs against premaritial sex or sounds like both. While it is good to see Morrisey branch out into drugs? Because they are a watered-down Clash Stupidity fever cured or Joy Division for people who were too young to experience the original wave of punk. They also epitomize the style-over-substance at Baltimore Museum attitude of second-wave bands. U2 waves a white flag on stage in Aspen, Colorado. Yeah by Scott White in the exhibit. guys, no more wars in Colorado!! You're really Art Deco probably did not last long as a putting something on the line there. Even if U2 Record-breaking stupidity levels have been movement since most of the furniture was more were getting across their "Peace" message, how recorded among students, according to a recent for show than for practical application; I can't many people in the audience are more worried study. More than just the ordinary lack of intel- imagine some of it actually being used in a about what to wear to the show than what war ligence found among most students, this sudden house. The style is interesting for at least a look to protest. rise of stupidity is known as "Spring-break or two, but I can't say that I was overly thrilled As rebellious as bands like U2 appear to be, anticipation," according to an anonymous by the exhibit and we soon wandered away they are as much a part of the system that they source, and is quite common among universi- towards other areas of the museum. "rebel" against as Abba or the Osmonds. ties across the country. The antidote usually We meandered through an impressive variety Behind U2's hip facade lies a typically middle- prescribed is a good dose of culture; however, of art in their private collections on permanent of-the-road band. Ever see these "rebels" speak due to recent budget cuts in the arts and human- display at'the museum. There are quite a few out against their record company or take any ities departments, the university itself might not beautiful Rodin sculptures throughout the dares with their lackluster music, or make a be able to correctly facilitate this student need. gallery, numerous Renaissance and Old Mas- statement that just might not be accepted by The Baltimore Museum of Art might well be ters, and a few Impressionist pieces that we their trendy adolescent following? Of course the solution to this growing problem. Located spent most of our time browsing through. not. In that sense, Barry Manilow attempting one block south of Johns Hopkins University, Going downstairs, we passed through a fairly disco with "Copacabana" was a more radical the Museum offers many interesting exhibits extensive collection of Arts of Africa, The move than U2 ever took, or ever will take. and works of art that make it well worth the two Americas and Oceania, a rather popular exhibit Had enough? I have. You see, bands like U2 dollar admission. that I personally went through as quickly as are the inevitable cross of any revival, but they Traveling north on Charles street, my friend possible. do serve the purpose of making the bands who and I noticed a banner overhead advertising an It was after exiting this exhibit that we do stand out from the crowd that much better. Art Deco exhibit at our destination, The Balti- stumbled on a new exhibit on the photography Take the Smiths, for instance. They are more Museum of Art.Our interests were piqued of Imogen Cunningham. As one of the more lumped in with the recent revival of homosex- as we missed the turn reading the sign, but two famous artistic photographers and a pioneer of ual bands, (Frankie, Bronski Beat) but offer U-turns later we reached the museum. I was her craft, Cunningham's photographs are to say more than an invitation to dance with someone amazed at being able to park on the street the least interesting. I found them fascinating. with the same sex. The Smiths are less bold than directly in front of the building. The 100 photographs featured mainly portraits either Bronski or Frankie, because they are not The Smiths. Left to right: Morrissey, Johnny Marr, Andy Rourke, and Mike Joyce. My friend was saying how much she liked the of city life, but also included some abstracts, overtly homosexual, but in execution the style of Art Deco, but my mind had a rather plant forms and still-life. Many of these photo- Smiths seem like the band whose music will The Smiths would just be another dance other song topics besides the adolescent gay vague picture of it. I liad always associated Art graphs have, according to the museum, rarely stand up the longest, because it is not dance band if it were not for Morrisey's tortured sing- diatribes, I have to wonder if the whole band is Deco with anything mildly artistic out of the or never been shown or published before, so it music (dance music is usually forgotten first, ing and lyrics. Morrisey's psycho-social/sexual pro-vegetarian. That seems about as likely as 20's, like something out of The Great Gatsby. might be worth your while to check it out. care to remember "Staying Alive?"), and dilemmas make up virtually all of the Smiths' the Ramones really being brothers. So what are Once we were inside, I found that I was basi- Before leaving we went through the Museum because of their honest, often too realistic songs lyrical concerns, but he doesn't come off we to conclude form this track (and LP title no cally correct in my assumptions. Art Deco was gift shop where my friend pointed out a lot of of sexual confusion, and/or frustration (frus- preachy or self-righteous. Morrisey is compara- about how I pictured it: stylized furniture often genuine and imitation Art Deco jewelry on sale. tration and confusion dealing with the same ble to Lou Reed, because he delights in juxtap- low to the ground, iridescent glassware, jewelry She seemed impressed by them while I bought a and the opposite sex). osing mundane concerns, next to disturbing Could it be that listeners are and cosmetic paraphenalia that borders on couple of postcards of Peter Lorre and Woodie The impact of the Smiths' music is stunted ideas. "I was looking for a job, and then I found gaudy but possesses a little more thought Allen. because they are trendy right now, but they are a job," he sings. "And heaven knows I'm mis- actually seeking The Smiths behind the creation; all designed in what For anyone interested, the Art Deco exhibit not to be blamed.
Recommended publications
  • Call out Miutia in Pennsy Strike Pledges Continue To
    VOL. U L, NO. 256. Philaddphia Strikere Picket Hosiery Mills PLEDGES CONTINUE CALL OUT MIUTIA n m F A T A L IN PENNSY STRIKE TO COME IN FROM TO H0]D DRIVER ALL OVER NATION Martial Law to Be Pro- ARREST THIRD MAN Yondi ffit by (^r Dmeu by daoM d ia Fayette Connty IN SYLLA MURDER RockriDe Wonian Tester- M EHCAN BEATEN Officials Busy Explaining ?A ere 15,000 Miners day Passes Away at Hos­ BY SrA M SB COPS Various Pbases ef die Have Defied Authorities. Stanley Kenefic Also Comes pital This Momiug. Program— Coal and Ante* from Stamford — Police Raymond Judd Stoutnar, 17, son Pl^debpbia Man (Sves Ifis mobiles Next to Be Taken lUrrlsburf, Pa., July 29—(AP)— of Mr. and Mrs. John Stoatnar of Governor Plnchot told early today Seek Fourth Suspect. 851 Tolland Turnpike died at 7:30 m Up— Monday Sled h r jna-tlal law will be proclaimed in Side of His Arrest this morning at the Manchester Me­ Fayette county, heart of the turbu­ strike there. morial hospital from injuries re­ dnstry WiD Disenss Code. lent coal strike area, with the ar­ New York, July 29.—(AP)— A Barcelona. ceived early yesterday afternoon rival of National Guard troops now third man from Stamford, Conn., enroute. when thrown from his bicycle when Three hundred state soldiers, was booked on a homicide charge to­ MAY REQUEST LOAN hit by an automobile driven by Mrs. New York, July 29—(AP) — The Washington, July 29.—(AP)— eoulpped with automatic rifles, day In the slaying of Dr.
    [Show full text]
  • Sidvd504 Musicspectr
    Music Spectrum Page 5 of 23 death: “Dear God, take him, take them, take anyone, the stillborn, the newborn, the NorthernBlue infirm, take anyone, take people from Pittsburgh, Pennsylvania, just spare me.” Most of us 95North Reco wouldn’t say it out loud, but Morrissey outs our true sinister thoughts that pass through Or Music our brains. Palm Pictures Parasol Planetary Gro The Smiths: Under Review, An Provident Lab Independent Critical Analysis Righteous Ba The traditional topics in any Smiths Rhino biography are all covered here: the band Rough Trade name, traditional four piece lineup, Runway Netw ambiguous nature of Morrissey’s Ryko Music sexuality, being a household name in the Salt Lady Re UK (but not the U.S.), “Suffer Little Sanctuary Re Children” (Moors murders), album sleeves, singles slump, role of Mike Joyce Sounds Fami and Andy Rourke, reluctance to do videos Special Ops M in MTV era, Craig Gannon, and the split. Team Clermo However, while some of the information Theory 8 Rec may not be new, because The Smiths: Telarc Under Review, An Independent Critical Analysis is a video documentary, it is a comforting Transmit Sou companion for any Smiths fan or seeker. TVT Records Unschooled Having never attended a Smiths Convention http://www.musicconventions.com/, and Vanguard Re having very few close friends who are Smiths fans, sitting and watching so many writers, Wampus Rec musicians, and people in the circle discuss what the Smiths meant and mean is like Warp Record discovering that you’re not alone. Others have also spent hours thinking about why this Wind-up Rec band affected them so much.
    [Show full text]
  • The Sexual Politics of Meat by Carol J. Adams
    THE SEXUAL POLITICS OF MEAT A FEMINISTVEGETARIAN CRITICAL THEORY Praise for The Sexual Politics of Meat and Carol J. Adams “A clearheaded scholar joins the ideas of two movements—vegetari- anism and feminism—and turns them into a single coherent and moral theory. Her argument is rational and persuasive. New ground—whole acres of it—is broken by Adams.” —Colman McCarthy, Washington Post Book World “Th e Sexual Politics of Meat examines the historical, gender, race, and class implications of meat culture, and makes the links between the prac tice of butchering/eating animals and the maintenance of male domi nance. Read this powerful new book and you may well become a vegetarian.” —Ms. “Adams’s work will almost surely become a ‘bible’ for feminist and pro gressive animal rights activists. Depiction of animal exploita- tion as one manifestation of a brutal patriarchal culture has been explored in two [of her] books, Th e Sexual Politics of Meat and Neither Man nor Beast: Feminism and the Defense of Animals. Adams argues that factory farming is part of a whole culture of oppression and insti- tutionalized violence. Th e treatment of animals as objects is parallel to and associated with patriarchal society’s objectifi cation of women, blacks, and other minorities in order to routinely exploit them. Adams excels in constructing unexpected juxtapositions by using the language of one kind of relationship to illuminate another. Employing poetic rather than rhetorical techniques, Adams makes powerful connec- tions that encourage readers to draw their own conclusions.” —Choice “A dynamic contribution toward creating a feminist/animal rights theory.” —Animals’ Agenda “A cohesive, passionate case linking meat-eating to the oppression of animals and women .
    [Show full text]
  • Jeremyt Morrissey, Johnny Marr and the Smiths in London 1. Home to A
    Author: JeremyT Morrissey, Johnny Marr and The Smiths in London 1. Home to a Mozzer, Regent's Park Terrace, Camden Mozzer lived on this street in the 90s... but which number? Notes: 2. Morrissey & Marr call time, 2 Farmer Street, London Johnny Marr called a Smiths meeting here to leave the band Notes: 3. Pop Video Morrissey Style, Lyndhurst Hall, Warden Road Sing Your Life was filmed here with help from Chrissie Hynde Notes: 4. Ridgeway House's Musical History, Runwick Lane, Farnham, Surrey Former recording studio of choice to the stars. Notes: 5. The Beeb rocks Out!, 2-22 Portland Place Home to legendary performances from the likes of Moz Notes: 6. Morrissey Lived Here..., Campden Hill Road, Kensington He did indeed, on this road, but can you tell us the number? Notes: 7. Moz and the Suedehead House, 32 Chester Square Mozzer seen here sometime in 1987/88 recording a superb video Notes: 8. A Post made famous by Morrissey, Tench Street / Reardon Street Mozzer and Post can be seen on the 'Bona Drag' album artwork Notes: www.shadyoldlady.com Page 1/2 9. Geoff Travis calls Johnny Marr, Blenheim Crescent, Marr & Rourke blagged their way in get The Smiths signed Notes: 10. Mary Poppins author lived here, 50 Smith Street, Chelsea The home and inspiration behind Mary Poppins. Notes: 11. Dirk Bogarde does Chelsea, 30 Royal Avenue, off King's Road Home to 'The Servant' starring Dirk Bogarde back in 1963 Notes: 12. Brixton Academy & The Smiths, 211 Stockwell Road The Smiths last ever gig took place here in 1986 Notes: www.shadyoldlady.com Page 2/2.
    [Show full text]
  • My Bloody Valentine's Loveless David R
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63
    [Show full text]
  • America's Last Hope?
    Wars on Christians Not Hitler’s Pope Empire or Umpire? Food Rights Fight ANDREW DORAN JOHN RODDEN & JOHN ROSSI ANDREW J. BACEVICH MARK NUGENT JULY/AUGUST 2013 ì ì#ììeìì ì ì # America’s Last Hope? ììeì ì ìeì ì ìì #ì ìeì ìì ! $9.99 US/Canada theamericanconservative.com Visit alphapub.com for FREE eBooks and Natural-law Essays We read that researchers have used new technology to fi nd proof behind biblical stories such as the Parting of the Red Sea and the Burning Bush. Our writing uses a biblical story with a deadly result that is still happening today. This biblical event is the creator’s command to Adam: “Of the tree of the knowledge of good and evil, thou shalt not eat or you “Just found your site. will surely die.” Adam and Eve did eat the fruit of that tree, and for I was quite impressed disobeying the creator, they suffered much trouble and fi nally died. and look forward to Experience tells us that people worldwide are still acting on hours of enjoyment their judgments of good and evil. Now, consider what happens to and learning. Thanks.” millions of them every day? They die! It would follow that those - Frank whose behavior is based on their defi nitions of good and evil be- come subject to the creator’s warning, “or you will surely die.” We know that when people conform to creation’s laws of physics, right action always results. Children learn to walk and run by con- forming to all applicable natural laws.
    [Show full text]
  • The Smiths Hatful of Hollow Mp3, Flac, Wma
    The Smiths Hatful Of Hollow mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hatful Of Hollow Country: Canada Released: 1984 Style: Indie Rock MP3 version RAR size: 1868 mb FLAC version RAR size: 1204 mb WMA version RAR size: 1486 mb Rating: 4.3 Votes: 803 Other Formats: AA MP3 MP1 WMA VOX WAV VOC Tracklist Hide Credits 1 William, It Was Really Nothing 2:09 2 What Difference Does It Make? 3:12 These Things Take Time 3 2:32 Engineer – Martin ColleyProducer – Dale Griffin 4 This Charming Man 2:43 5 How Soon Is Now? 6:44 6 Handsome Devil 2:45 Hand In Glove 7 3:13 Producer – The Smiths 8 Still Ill 3:32 9 Heaven Knows I'm Miserable Now 3:34 10 This Night Has Opened My Eyes 3:39 You've Got Everything Now 11 4:16 Engineer – Martin ColleyProducer – Dale Griffin Accept Yourself 12 4:01 Engineer – Mike Robinson 13 Girl Afraid 2:47 14 Back To The Old House 3:02 15 Reel Around The Fountain 5:50 16 Please, Please, Please, Let Me Get What I Want 1:51 Companies, etc. Marketed By – Reprise Records Phonographic Copyright (p) – Sire Records Company Phonographic Copyright (p) – BBC Copyright (c) – Sire Records Company Manufactured By – WEA Manufacturing Pressed By – Specialty Records Corporation Copyright (c) – Morrissey / Marr Songs, Ltd. Copyright (c) – Warner-Tamerlane Publishing Corp. Credits Bass – Andy Rourke Drums – Mike Joyce Guitar, Harmonica, Mandolin – Johnny Marr Layout – Caryn Gough Lyrics By – Morrissey Music By – Johnny Marr Photography By [Group Photograph] – Paul Slattery Photography By [Morrissey Photographs] – Tom Sheehan Producer – John Porter (tracks: 1, 5, 9, 12, 13, 16), Roger Pusey (tracks: 2, 4, 6, 8, 10, 14, 15) Sleeve – Morrissey Voice – Morrissey Notes From the BBC Radio 1 John Peel Show: What Difference Does It Make?; Handsome Devil and Reel Around The Fountain first broadcast 31/5/83.
    [Show full text]
  • Masteroppgave.Guro.Pdf (671.5Kb)
    “Please Help The Cause Against Loneliness” The Importance of being a Morrissey fan Guro Flinterud Master Thesis in History of Culture Program for Culture and Ideas Studies Spring 2007 Department of Culture Studies and Oriental Languages, University of Oslo 2 Contents Chapter 1: Theorising Morrissey-fans……………………………………………………….5 Introduction..................................................................................................................................5 Who are The Smiths and Morrissey?...........................................................................................8 Overview of the field of fan studies……………………………………………………………11 Fans as source material………………………………………………………………………...14 Selected themes and how to reach them……………………………………………………….18 Speech genres and cultural spheres…………………………………………………………….23 Emotion and the expression of personal significance………………………………………….26 Narcissism, gender and individuality…………………………………………………………..29 Chapter 2: Fandom and love…………………………………………………………………35 The Fan and narcissism………………………………………………………………………...35 Self-reflection and the “new sort of hero”………………………………………………..........41 “Oh, I can’t help quoting you”; Morrissey in Odda……………………………………............45 The emotional dimension of music…………………………………………………………….50 Chapter 3: “I had never considered myself a normal teenager” Emotion, gender and outsiderness…………………………………………………………...56 The indie scene and masculinity………………………………………………………………..58 Morrissey fans contesting hegemonic masculinity……………………………………………..61 Non-gendered identification
    [Show full text]
  • December 9Th 1987
    California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 12-9-1987 December 9th 1987 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "December 9th 1987" (1987). Coyote Chronicle (1984-). 246. https://scholarworks.lib.csusb.edu/coyote-chronicle/246 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. CAUFCRiViA STATE U^iiVERSlTY The '.ardino DEC 9 - 198/ Chronicle LsSRARY Volume 22, Number 10 Col State University, Son Bernordino December 9, 1987 Parking Lot Dilemma: Faculty vs. Handicapped by Patrice Bolding Mitchell. Wklkihg," Which she resource. We try to split it as close does with a cane, or pushing as possible." herself in her wheelchair to her On Thursday afternoon, nine of Tarking here is a crunch for classes in the Biology, and Physical the ten handicapped spaces were everybody," says Susan Mitchell, Science building and library are occupied. Of the over 200 faculty backing out of her parking space. exhausting maneuvers from the parking spaces, 86 were open. For everyone except the Commons parking lot. Which is The following morning at 10:30 handicapped, it appeared. why she has always parked in the a.m., the situation was the same. Surrounding us were eight empty faculty/handicapped parking lot But the situation is being spaces out of the ten allotted behind the Biology building-until remedied, assures Butler.
    [Show full text]
  • Adult Fiction
    Adult Fiction Heroes of the Frontier The Woman in Cabin 10 Dave Eggers Ruth Ware When travel journalist Lo Blacklock is Josie is on the run with her invited on a boutique luxury cruise children. She's left her husband, around the Norwegian fjords, it seems her failing dental practice, and the like a dream job. But the trip takes a rest of her Ohio town to explore nightmarish turn when she wakes in Alaska in a rickety RV. the middle of the night to hear a body being thrown overboard. With his trademark insight, humor, and pathos, Dave Eggers explores Brit Ruth Ware has crafted her second this woman's truly heroic gripping, dark thriller in the Christie adventure, all the while exploring tradition. This page-turner toys with the concept of heroism in general. the classic plot of "the woman no one Brilliant, unpretentious, and highly would believe" with incredible language readable. and fun twists. Also a terrific, ~Alan’s and Leslie’s pick unabridged audiobook. ~Alan’s pick They May Not Mean To, But Barkskins They Do Annie Proulx Cathleen Schine Spanning hundreds of years, this When Joy Bergman's husband dies, ambitious work tells the often brutal her children are shocked that she story of the Canadian and New doesn't agree with their ideas for England lumber industry and all her. The book's title is from a those whom it enriched or displaced. Philip Larkin poem, and this funny and compassionate look at the Annie Proulx’s writing never ceases Bergman family brings Larkin's to thrill me.
    [Show full text]
  • World Music Day Questions
    Musical Styles Through the 20th Century Comprehension Worksheet Swing and Big Band Swing began in the late 1920s but it was between 1935 and 1946 when big band swing music became the most popular music in America, also known as the Swing Era. A typical song played in swing style would include a strong rhythm accompanied by wind, string or brass instruments, also including vocals. A soloist would commonly take centre stage and improvise a solo with the band in the background. One of the best known big band leaders includes Glenn Miller. His famous hit ‘In the Mood’ stayed at the top of the charts for 13 weeks! There were a large number of musicians in a swing band which meant it was more expensive than a small group. By the late 1940s, this type of music was less popular, however swing music had a revival in the late 1950s and 1960s when singers, such as Frank Sinatra, sang with swing bands. In 2001, Robbie Williams recorded an album of popular swing covers. Rock and Roll Rock and roll is a popular music style which came from America during the late 1940s and early 1950s. It developed out of other African American musical styles such as boogie woogie, blues, country music and gospel music. In the early 1940s, the saxophone or piano were often the lead instrument but this was replaced with the guitar in the 50s. The classic rock and roll sound is created with one or two electric guitars, an electric bass guitar, a string bass and drums.
    [Show full text]
  • Warwickshire Cover Online.Qxp Birmingham Cover 24/11/2016 10:32 Page 1
    Warwickshire Cover Online.qxp_Birmingham Cover 24/11/2016 10:32 Page 1 Your FREE essential entertainment guide for the Midlands ISSUE 372 DECEMBER 2016 Warwickshire ’ ONKATHERINE JENKINS WhatFILM I COMEDY I THEATRE I GIGS I VISUAL ARTS I EVENTSs I FOOD On warwickshirewhatson.co.uk IN THE MIDLANDS inside: Yourthe 16-pagelist week by week listings guide The Belgrade’s annual alternative pantomime p02 (IFC) Warks.qxp_Layout 1 21/11/2016 10:10 Page 1 JAN - FEB 2017 HIGHLIGHTS www.bridgehousetheatre.co.uk 13 JAN, 7.30PM, 25 JAN, 7.30PM, 14 JAN, 2PM FRANKENSTEIN &7.30PM, A brand new adaptation of THE JUNGLE BOOK Mary Shelley’s Gothic horror masterpiece fusing ensemble Rudyard Kipling’s “The storytelling, live music, Jungle Book” is getting the puppetry and stunning Oddsocks treatment! Enjoy theatricality the comical adventures of Calling Wolf-cubs Mowgli the man cub as he everywhere, battles to survive and become the leader of the pack. 29 JAN, 11AM & 2PM, 1 FEB, 7.30PM, THE BOY WHO BIT POLICE COPS PICASSO THE PRETEND MEN’s critically With storytelling, music and acclaimed, multi lots of chances to make your award-winning comedy own art, this hands-on and blockbuster delivers an hilarious family show intro- action packed hour of adren- duces one of the 20th century’s aline most fuelled physical comedy, influential artists through the cinematic style and eyes of a young boy. uncompromising facial hair 16 -17 FEB, 7.30PM, 25 FEB, 12PM & 3PM, MOTIONHOUSE - LAND OF THE SCATTERED DRAGON - This astonishing production ‘GWLAD Y explores our relationship DDRAIG’ with water, a fundamental force in our lives.
    [Show full text]