Lesson Plans and Resources for War Dances
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The Transgenerational Trauma in Sherman Alexie's
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Anna Vacková The Transgenerational Trauma in Sherman Alexie’s Autobiographical Writing Bachelor’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2018 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor Jeffrey Alan Vanderziel, B.A. for his helpful approach and valuable advice he provided me. I would also like to thank my family, friends, and my partner for their support. TABLE OF CONTENTS INTRODUCTION ............................................................................................... 1 1. SHERMAN ALEXIE .................................................................................. 3 The Analysed Works ........................................................................................ 7 The Absolutely True Diary of a Part-Time Indian ...................................... 9 You Don’t Have to Say You Love Me: a Memoir ...................................... 10 2. THE CONCEPT OF TRANSGENERATIONAL TRAUMA .............. 12 3. ANALYSIS ................................................................................................ 18 4. CONCLUSION ......................................................................................... 30 5. WORKS CITED ...................................................................................... -
Sherman Alexie's Reservation: Relocating the Center of Indian
ABSTRACT SHERMAN ALEXIE’S RESERVATION: RELOCATING THE CENTER OF INDIAN IDENTITY by Tracey L. Connette NOVEMBER, 2010 Director: Ellen L. Arnold, PhD DEPARTMENT OF ENGLISH Indian reservations are territories within the United States recognized by the federal government as land reserved specifically for American Indians. Indigenous communities still referred to as tribes have some autonomy over the reserved lands, which allow tribes freedom to maintain and preserve cultural heritage. Indian reservations are societies within the larger mainstream America, making physical and social boundaries problematic for cross-cultural exchange. Indian writer Sherman Alexie challenges the misrepresentations of Indians which originated from a EuroAmerican perspective of the “outside looking in” to these cultures. Sherman Alexie presents the Indian perspective of “looking out” at mainstream society. Rather than evoking a desire for one homogenous society, Alexie’s narratives reveal Indian identity as a distinct identity compatible with other cultures. The homogenous element Alexie does include in all of his literature is the human condition. This thesis demonstrates how Sherman Alexie conceptualizes the reservation as a center of Indian identity in three of his novels, The Lone Ranger and Tonto Fistfight in Heaven (1993), Reservation Blues (1995) and The Absolutely True Diary of a Part-Time Indian (2009). In The Lone Ranger and Tonto Fistfight in Heaven , the reservation functions as a center of post-colonial trauma rather than existing as a cultural hub. In Reservation Blues , Alexie portrays the center as a process rather than location of Indian identity. In The Absolutely True Diary of a Part-Time Indian , the center of Indian identity is the Indian character him or herself; the reservation is only elemental as part of the process of Indian experience. -
Download Spring 2010
2010SpringSummer_Cover:Winter05Cover 11/11/09 11:24 AM Page 1 NATHALIE ABI-EZZI SHERMAN ALEXIE RAFAEL ALVAREZ JESSICA ANTHONY NICHOLSON BAKER CHARLES BEAUCLERK SAMUEL BECKETT G ROVE P RESS CHRISTOPHER R. BEHA THOMAS BELLER MARK BOWDEN RICHARD FLANAGAN HORTON FOOTE ATLANTIC M ONTHLY PRESS JOHN FREEMAN JAMES HANNAHAM TATJANA HAUPTMANN ELIZABETH HAWES SHERI HOLMAN MARY-BETH HUGHES B LACK CAT DAVE JAMIESON ISMAIL KADARE LILY KING DAVID KINNEY MICHAEL KNIGHT G RANTA AND O PEN C ITY DAVID LAWDAY lyP MIKE LAWSON nth r JEFF LEEN o es DONNA LEON A A A A M s ED MACY t t t t c KARL MARLANTES l l l l ti NICK MC DONELL n TERRY MC DONELL a CHRISTOPHER G. MOORE JULIET NICOLSON SOFI OKSANEN P. J. O’ ROURKE ROBERTA PIANARO JOSÉ MANUEL PRIETO PHILIP PULLMAN ROBERT SABBAG MARK HASKELL SMITH MARTIN SOLARES MARGARET VISSER GAVIN WEIGHTMAN JOSH WEIL TOMMY WIERINGA G. WILLOW WILSON ILYON WOO JOANNA YAS ISBN 978-1-55584-958-0 ISBN 1-55584-958-X GROVE/ATLANTIC, INC. 50000 841 BROADWAY NEW YORK, NY 10003 9 781555 849580 ATLANTIC MONTHLY PRESS HARDCOVERS APRIL This novel, written by a Marine veteran over the course of thirty years, is a remarkable literary discovery: a big, powerful, timeless saga of men in combat MATTERHORN A Novel of the Vietnam War Karl Marlantes PHOTO COURTESY OF THE AUTHOR • Marlantes is a graduate of Yale University and a Rhodes Scholar who went on to serve as a Marine “Matterhorn is one of the most powerful and moving novels about combat, lieutenant in Vietnam, where he the Vietnam War, and war in general that I have ever read.” —Dan Rather was highly decorated ntense, powerful, and compelling, Matterhorn is an epic war novel in the • Matterhorn will be copublished tradition of Norman Mailer’s The Naked and the Dead and James Jones’s with El León Literary Arts IThe Thin Red Line. -
Language As a Healing Agent: Affecting and Effecting Change a Master of Arts Thesis by Savona D. Holmes, MA Lewis-Clark State C
Language as a Healing Agent: Affecting and Effecting Change A Master of Arts Thesis by Savona D. Holmes, MA Lewis-Clark State College Instructor, Humanities Division ii ABSTRACT This thesis studies how language can affect change which creates a healing effect for the people involved in its performance. It focuses on the works of Sherman Alexie as a means to investigate how language, primarily through the use of narrative and poetics, facilitates a way to create new meaning from events which impact our wellbeing through the introspection and reclamation of story. The thesis takes into account the concept of writing therapy, Theresa Brennan’s theory of the transmission of affect, Maria Yellow Horse Brave Heart’s and Lemyra M. DeBruyn’s thesis of American Indian generational trauma and disenfranchised grief as well as Cathy Caruth’s hypothesis of how recapturing the past facilitates healing. My thesis illustrates that through the use of language with the combined action of reflection to create new meaning or re-envisioning one’s story, we are empowered and brought towards healing. I use the arc of Alexie’s writing to illustrate these concepts. iii ACKNOWLEDGEMENTS This thesis was made possible due to the infinite patience, encouragement and support of Dr. Janis Johnson, my thesis director and mentor—to her I give very special thanks. In addition, I am grateful for the knowledge and extremely helpful suggestions of my committee members, Dr. Walter Hesford and Dr. Rodney Frey. Each of my committee members helped me focus my passion for this thesis in a very directed and effective way. -
Antiseptic Humor: Using Comedy to Confront Realities and Refute
Antiseptic Humor: Using Comedy to Confront Realities and Refute Stereotypes in the Works of Sherman Alexie by Janie Lynn Bryan June, 2015 Director of Thesis: Dr. Su-ching Huang Major Department: English Sherman Alexie, a Native American author of poems, novels, plays, and film uses humor to expose and to explore lingering cultural stereotypes affecting people of Native American ancestry. These stereotypes often conflict with their actual identity and mainstream society’s ambiguous expectations of them in modern life. Analyzing various genres from his works, I propose that Alexie’s works include both positive and negative stereotypes not only to teach but also to delight. With observation and wit, Alexie refutes prevailing cross-tribal stereotypes of alcoholism, spirituality, and residence of Indian reservations, and he confronts the deeper, serious social problems that are bypassed by such stereotyping. Like a doctor designing a treatment plan for a chronic care patient, Alexie approaches the stereotypical views of Native Americans by identifying symptoms and providing antiseptic humor to help heal the pain caused by prejudices suffered by Native Americans on and off the reservations. Antiseptic Humor: Using Comedy to Confront Realities and Refute Stereotypes in the Works of Sherman Alexie A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree Masters of Arts in English by Janie Lynn Bryan June, 2015 © Janie Lynn Bryan, 2015 TABLE OF CONTENTS INTRODUCTION ………………………………………………………………………………. 1 CHAPTER ONE: THE DRUNKEN INDIAN …………………………………………...……... 7 CHAPTER TWO: THE NOBLE INDIAN …………………………………..………………… 26 CHAPTER THREE: RESERVATION LIFE ………...……………………………………....... 39 CONCLUSION ……………………………………………..……………………………….…. 56 WORKS CITED …………………………………………………..…………………………… 61 Introduction Often in literature, authors use stereotypes as a device to refute those they address in their works. -
Sherman Alexie's Discursive Reconstruction of the Native
NUML Journal of Critical Inquiry Vol 14, (I), June, 2016 ISSN 2222-5706 Sherman Alexie’s Discursive Reconstruction of the Native American Subject Ghulam Murtaza1 Shaheena Ayub Bhatti2 Abstract Sherman Alexie’s literary discourse counters the white-washed essentializing misrepresentation of the Native American socio-cultural practices as primitive and uncultured. Alexie’s poetry and fiction reactivate discursive life patterns of communitism, ritualistic significance of the objects like eagle-feathers, salmon, buffalo, deer, corn and love for Earth with a view to reasserting and imaginatively gaining what the Native Americans have lost in the modern McDonaldized institutionalized environment of the U.S. Alexie incorporates and reinterprets the central metaphors of the West and Christianity like Moses and Jesus Christ from Native American perspectives. Native American subject adjusts itself in the contemporary American milieu. Alexie’s Discourse – a system of institutionally supported chain of statements, in Foucauldian sense – is in conscious conflict and competition with the Euro-American Discourse, both with capital “D” because discourse with small “d” focuses on textual features and their coherence and cohesion whereas Discourse with capital D includes institutional support, approval and cognition. Alexie reactivates Native American discursive practices with their original pre-Columbian cultural context in which human beings lived with animals and plants in a horizontal relationship in which there was nothing for man to capture and subjugate. Native American subject caught up in the web of dual bindings of traditional cultural roots and modern socio-cultural patterns passes from straightaway rejection of the white culture to gradual acceptance of the modern cultural compulsions, after recovery of his soul wound resulting from the shock of loss of “everything.” Alexien subject in poetry is concerned with recovery of the past to put it back together whereas in fiction it concerned with moving forward to the future through partial acceptance of the present. -
Self- and Counter-Representations of Native Americans: Stereotypical Images of and New Images by Native Americans in Popular Media
Intercultural Communication Studies XX: 2 (2011) LIU & ZH ANG Self- and Counter-Representations of Native Americans: Stereotypical Images of and New Images by Native Americans in Popular Media Kedong LIU & Hui ZH ANG Harbin Institute of Technology, China Abstract Historically speaking, American mainstream media have distorted Native American images, which has misled the formation of young Native Americans’ identity. The emerging Native American writer and film maker Sherman Alexie has countered the distortion by uttering his own voice and presenting his own image of the new American Indians. Alexie has replaced the reticent, subservient, disappearing “Noble Savage” with the expressive, free, and surviving new Indians. Alexie depicts successful and resilient American Indian characters and plots in films, novels (sometimes with cartoon illustrations). He has also disintegrated the stereotypical mascot and ushered in a new Indian image. Racial genocide, assimilation, and oppression are substituted by syncretism. Keywords: Native American, film, TV, radio, novel, cartoon Introduction American mainstream media have always tended to distort Native American images. The film, Dances with Wolves; the radio and TV Western, The Lone Ranger; and the novel, by Fenimore Cooper, The Last of the Mohicans, to name just a few, present negative or romanticized images of American Indians, either nasty or cruel, or subservient and laconic, but all disappearing. 1These distortions have severely misled the formation of young Native Americans’ identity. As a counter strategy, native writers and film workers began to counteract by putting whites in their lenses and representing their own lives and images. This study2 takes examples from several media: film, TV, radio, books, cartoons, etc., and focuses on the works of the emerging Native American Artist Sherman Alexie. -
Read Ebook {PDF EPUB} Old Shirts & New Skins by Sherman Alexie
Read Ebook {PDF EPUB} Old Shirts & New Skins by Sherman Alexie Old Shirts & New Skins. Sherman Alexie's poetic power renders an honest and painful perception of contemporary Native American life. In this collection, Alexie, a poet of the Coeur d'Alene people, speaks for the spirit of Native American resistance, determination, and sovereignty, compelling readers to confront reality with his honest and inspiring vision. Remarkable in its candor and gracefully constructed, this collection of poems binds us to the present and, at the same time, connects us to the voices of the past. Old Shirts & New Skins [signed] Alexie, Sherman, illustrations by Elizabeth Woody. AbeBooks Seller Since December 14, 1997 Seller Rating. About this Item. Title: Old Shirts & New Skins [signed] Publisher: American Indian Studies, UCLA, Los Angeles. Publication Date: 1993. Binding: Paperback. Signed: Signed by Author(s) Edition: 1st Edition. About this title. Poetry. Native American Studies. Amongst the poems and prose of OLD SHIRTS & NEW SKINS appear illustrations by Elizabeth Woody, an enrolled member of the Confederated Tribes of Warm Springs, Oregon. In the best tradition of confronting American reality and exacting vision and meaning from it, Sherman Alexie chooses to use poetic power. His vision is an amazing celebration of endurance, intimacy, love, and creative insight; finally, it is a victory that can be known only by a people who refuse to submit to the thieves, liars, and killers that have made them suffer tremendous loss and pain. "Like the woman who pours her life into a stew of survival, Sherman Alexie has created a meal, not for a reader to consume but for a reader to be changed by. -
Reservation Blues"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2001 "Old maps" and "new roads"| Confronting neocolonial despair in Sherman Alexie's "Reservation Blues" Matthew R. Burkhart The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Burkhart, Matthew R., ""Old maps" and "new roads"| Confronting neocolonial despair in Sherman Alexie's "Reservation Blues"" (2001). Graduate Student Theses, Dissertations, & Professional Papers. 1440. https://scholarworks.umt.edu/etd/1440 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Maureen and Mike MANSFIELD LIBRARY The University of Montana Permission is granted by the author to reproduce this material in its entirety, pnovided that this material is used for scholarly purposes and is properly cited in published works and reports. **Please check "Yes" or "No" and provide signature** Yes, I grant permission ^ No, I do not grant permission Author's Signature: Date. O] Any copying for commercial purposes or financial gain may be undertaken only with the author's explicit consent. 8/98 "Old Maps" and "New Roads": Confronting Neocolonial Despair in Sherman Alexie's Reservation Blues by Matthew R. Burkhart B.A. University of Colorado, Boulder, 1996 presented in partial fulfillment of the requirements for the degree of Master of Arts The University of Montana December 2001 Approved by: Chairperson Dean, Graduate School Date UMI Number: EP34541 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Sherman Alexie: a Collection of Critical Essays
Sherman Alexie: A Collection of Critical Essays !"Edited by Jeff Berglund and Jan Roush The University of Utah Press Salt Lake City !"#$%"&'()&'*+++, -././0+++/0123+45 Copyright © 2010 by the University of Utah Press. All rights reserved. The Defiance House Man colophon is a registered trademark of the University of Utah Press. It is based upon a four-foot-tall, ancient Puebloan pictograph (late PIII) near Glen Canyon, Utah. 13 12 11 10 09 1 2 3 4 5 [cip to come] Photo credit for cover [if necessary] Permission acknowledgments [if necessary] Printed and bound by Sheridan Books, Inc., Ann Arbor, Michigan. !"#$%"&'()&'*+++, -././0+++/0123+45 Contents Acknowledgments xx Introduction: “Imagination Turns Every Word into a Bottle Rocket”: An Introduction to Sherman Alexie ! Jeff Berglund vii 1. Dancing That Way, Things Began to Change: The Ghost Dance as Pantribal Metaphor in Sherman Alexie’s Writing " ! Lisa Tatonetti 1 2. “Survival = Anger x Imagination”: Sherman Alexie’s Dark Humor " ! Philip Heldrich 25 3. “An Extreme Need to Tell the Truth”: Silence and Language in Sherman Alexie’s “The Trial of Thomas Builds-the-Fire” " ! Elizabeth Archuleta 44 4. Rock and Roll, Redskins, and Blues in Sherman Alexie’s Work " ! P. Jane Hafen 62 5. This Is What It Means to Say Reservation Cinema: Making Cinematic Indians in Smoke Signals " ! James H. Cox 74 6. Native Sensibility and the Significance of Women in Smoke Signals " ! Angelica Lawson 95 7. The Distinctive Sonority of Sherman Alexie’s Indigenous Poetics " ! Susan Berry Brill de Ramírez 107 !"#$%"&'()&'*+++, -././0+++/0123+45 8. The Poetics of Tribalism in Sherman Alexie’s The Summer of Black Widows ! " Nancy J. -
The Rez and the Rest
The Rez and the Rest American Indian Identity and the Negotiation of Space in Selected Works by Sherman Alexie Jenny Pascale Luco, 3033929 Master Thesis RMA Literary Studies, Utrecht University Supervisor: Professor P.R. de Medeiros Second Reader: Professor G.D.M. Huggan (Leeds University) 10 June 2011 Contents Introduction…………………………………………………………………………….1 Chapter 1: Within the Boundaries of the Reservation………………………………….6 Chapter 2: Boundary-Spaces…………………………………………………………..22 Chapter 3: Away from the Reservation; Towns and Cityscapes……………………....34 Chapter 4: Cosmopolitan Patriots?.................................................................................50 Conclusion……………………………………………………………………………..57 Bibliography…………………………………………………………………………...60 Appendix: Summaries………………………………………………………………….64 1 Introduction When it comes to American Indian1 literature, there is still much work to be done. As Arnold Krupat states: “Although there exists at present a solid body of criticism demonstrating the importance of Native American literature in its own right and in relation to ethnic, minority, or difference literature of a variety of kinds, Native materials still continue to be badly neglected” (Krupat vii). He traces this to media inattention to Indians, and a general lack of Indians in academia, or of academics of other ethnicities who are interested in Indians. There is a lack of awareness of American Indian issues, which not only hurts Indian people, but, as Krupat explains, “also hurts Americans in general. This is because it is simply not possible to achieve any remotely adequate understanding of the „ethical and intellectual heritage of the West as a whole‟, or, locally, that enormous powerful offshoot of „the West‟ known as the United States of America, without engaging ethically and intellectually the treatment here of blacks and Indians” (Krupat ix). -
The Postmodern Indian: Representation and the Films of Sherman Alexie
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2018 The Postmodern Indian: Representation and the Films of Sherman Alexie Tara P. McCrink Burcham University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Critical and Cultural Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons, Indigenous Studies Commons, and the Other Film and Media Studies Commons Recommended Citation McCrink Burcham, Tara P., "The Postmodern Indian: Representation and the Films of Sherman Alexie" (2018). Dissertations. 1534. https://aquila.usm.edu/dissertations/1534 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The Postmodern Indian: Representation and the Films of Sherman Alexie by Tara P. McCrink-Burcham A Dissertation Submitted to the Graduate School, the College of Arts and Letters and the School of Mass Communication and Journalism at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Approved by: Dr. Christopher Campbell, Committee Chair Dr. Phillip Gentile Dr. Tammy Greer Dr. Cheryl Jenkins Dr. Fei Xue ____________________ ____________________ ____________________ Dr. Christopher Dr. David Davies Dr. Karen S. Coats Campbell Department Chair Dean of the Graduate School Committee Chair May 2018 COPYRIGHT BY Tara P. McCrink-Burcham 2018 Published by the Graduate School ABSTRACT For hundreds of years, Native Americans have been characters in American media.