DOCSLIB.ORG

Support Your Musicians 64 Become an Annual Fund Contributor 66 Education & Outreach 71 Our Sponsors and Partners

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Support Your Musicians 64 Become an Annual Fund Contributor 66 Education & Outreach 71 Our Sponsors and Partners SAVANNAH PHILHARMONIC 2019/2020 SEASON VOL. 2 OF 2 JANUARY - MAY Meet The Artists Strings United Thomas Gansch & Savannah Arts the “Killer Queen” Academy Ensemble pg 32 pg 27 An Evening of Tango Season Finale A delight for the senses Mozart’s Requiem pg 26 Maestro Harada Returns pg 48 #SavPhil EXPERIENCE LUXURY WITH THE WORLD’S BEST CRYSTAL CRUISES CRYSTAL RIVER CRUISES CRYSTAL YACHT CRUISES CRYSTAL EXPEDITION CRUISES VOTED CRUISE LINE OF THE YEAR BY VIRTUOSO Worldwide destinations • Michelin-inspired cuisine with open seating in up to 9 dining venues including Chef Nobu Matsuhisa’s only sea-going restaurants** • Spacious butler-serviced suites • Acclaimed European trained service • Complimentary wines, champagnes and spirits • Complimentary, unlimited Wi-Fi • Pre-paid gratuities • Complimentary fi tness programs, optional spa indulgences • Crystal Destination Discoveries™ shore excursions, including complimentary Voluntourism* VISIT FOURSEASONSTRVL.COM, CALL 800.447.4484 OR CONTACT [email protected] *Crystal Cruises only. **Crystal Cruises and Crystal Expedition Cruises only. ©2019 Crystal Cruises, LLC. Ships’ registries: The Bahamas and Malta. 2 • SAVANNAHPHILHARMONIC.ORG NEW LISTINGS NATIONAL HISTORIC LANDMARK DISTRICT 210 East Taylor Street 314 East Huntingdon Street 106 West Jones Street $1,695,000 $1,600,000 $1,575,000 515 Howard Street 165 W. Bay Street #401 347 East Broad Street $749,000 $625,000 $490,000 STACI DONEGAN RECENTLY SOLD: 611 Whitaker Street - $2,150,000 459 Tattnall Street - $1,385,000 202 Gwinnett Street - $1,000,000 208 W. Park Avenue - $910,000 308 W. Gwinnett Street - $710,000 105 Brady Street - $505,000 105 Whitaker Street #301 - $410,000 Staci Donegan, Associate Broker | Seabolt Real Estate O: 912.233.6609 | C: 912.247.2052 24 East Oglethorpe Avenue, Savannah, GA 31401 [email protected] | stacidonegan.com #SAVPHIL • 3 Welcome SAVANNAH Dear Friends, PHILHARMONIC BOARD As we welcome 2020, I want to offer some personal reflections on the OFFICERS first months of my Designate sea- Rhegan son at Savannah Philharmonic. White-Clemm There is so much to be excited BOARD CHAIR about at #savphil. There have Scott Lauretti been extraordinary experiences of VICE CHAIR community connectivity and love, Bud Green starting with the sold out Season TREASURER Opener in September, followed by Phyllis Albertson October’s Picnic in The Park which SECRETARY brought more than 19,000 fans to Forsyth Park, then hearing Nina Eidell violin soloist William Hagen’s inspiring Savannah debut in EXECUTIVE COMMITTEE MEMBER November. Our annual Holiday Spectacular concert series in December Susan Whitaker EXECUTIVE COMMITTEE got everyone in the festive spirit! MEMBER Since my arrival in July, I have enjoyed getting to know my wonderful musicians, chorus, Staff, Board, and fans. I feel so BOARD MEMBERS at home here in Savannah and I couldn’t be happier to be Carol Bell the new Music & Artistic Director starting next season. Carolyn Brown In February, we will be announcing my 2020/2021 inaugural Staci Donegan season as Music & Artistic Director of Savannah Philharmonic. Rachel Fields I look forward to returning to Savannah in January to host Lyon Jemison our annual fundraiser, An Evening of Tango, and then I will Marek Lewanda be returning to the stage in May to close this season with Roger Moss Mozart’s Requiem. Daphne Nash Together, these and many other moments of this season Kelley Parker remind me of the amazing power of music to inspire, edu- Renee Portell cate, comfort and elevate. I am honored and thankful to Cindy Prutzman have the privilege of stewarding the Savannah Philharmonic Mel Whitehead through this next exciting stage of artistic growth. I offer my sincere thanks to the Board of Directors, and the Staff for EX OFFICIO all of the great work that they do as the backbone of this Terri O’Neil organization and to the musicians, I profess my joy and ap- EXECUTIVE DIRECTOR preciation of the passion you bring to each of our concerts. Keitaro Harada To our audience, our donors, our subscribers and our cor- MUSIC & ARTISTIC porate sponsors, without your support and appreciation of DIRECTOR DESIGNATE the music we make, a resident orchestra could not exist in Savannah. Thank you for choosing to join us on this journey. KEITARO HARADA Music & Artistic Director Designate Savannah Philharmonic 4 • SAVANNAHPHILHARMONIC.ORG Table of Contents TEAM Thomas Gansch Terri O’Neil pg 32 EXECUTIVE DIRECTOR Keitaro Harada MUSIC & ARTISTIC DIRECTOR DESIGNATE Mel Whitehead CHORUSMASTER Pre-Concert Nathan Lee Edward (E.J.) Lada Talks pg 25 DIRECTOR OF ARTISTIC pg 18 OPERATIONS Dr. Sinisa Ciric Season Finale CONCERTMASTER & pg 48 ARTISTIC DIRECTOR OF LARSEN MUSICIAN CONCERT SERIES Marsha Krantz LIBRARIAN Mike Daly ORCHESTRA PERSONNEL MANAGER 4 A Message from your Maestro Frances C. Colón 8 Season at a glance DEVELOPMENT & 9 Larsen Spotlight Series PATRON SERVICES ASSOCIATE 10 Orchestra 12 Chorus Katherine Poss DEVELOPMENT & 13 Keitaro Harada COMMUNICATIONS An Evening of Tango 14 Concertmaster ASSOCIATE pg 26 15 Chorusmaster Kristen Spiridon EDUCATION & 16 Make the Most of Your Visit OUTREACH Going Green 18 Pre-Concert Talks COORDINATOR pg 7 20 Mischievous Musicians Margaret Murphy 26 An Evening of Tango FINANCE ASSOCIATE 27 Strings United 28 Modern to Majestic 34 Cinephile Du Joure 38 Sympátheia 42 Germanic Passion 47 Saturday’s Night’s Fever Make the Most of Your Visit 48 Season Finale Mozart’s Requiem pg 16 54 Annual Fund Contributors 62 Support Your Musicians 64 Become an Annual Fund Contributor 66 Education & Outreach 71 Our Sponsors and Partners #SAVPHIL • 5 “Music has real health benefits. It boosts dopamine, lowers cortisol and it makes us feel great. Your brain is better on music.” ALE X DOMAN, AUTHOR DR. CHAD BROCK DR. ALANA COX 1601 ABERCORN STREET SAVANNAH, GA 31401 SAVANNAH'S LEADING MENTAL HEALTH PROVIDERS AND PROUD SUPPORTERS OF THE SAVANNAH PHILHARMONIC 912.712.2550 | SHRINKSAVANNAH.COM MAKING THE ORDINARY, EXTRAORDINARY. SAVANNAH 27 Bull Street | 912-234-6565 2225 East Victory Drive | 912-303-9667 8201 White Bluff Road | 912-232-5884 Member FDIC. © 2019 United Community Bank | ucbi.com 6 • SAVANNAHPHILHARMONIC.ORG WE’RE GOING GREEN! Savannah Philharmonic is proud to announce its going green initiative. In order to cut down on waste, we have chosen to print two programs per season: Volume 1 featured all orchestral and Larsen Musician Spotlight Series concerts from September through December. Volume 2 features all orchestral, chorus, and Larsen Musician Spotlight Series Concerts from January through May. Help us go green! n Keep your program and bring it with you to each concert. -Or- n Recycle your program in the designated recycle bins at the end of each concert. n View the program online, including program notes, days ahead of the concert. Your participation in going green will make an impact on the Savannah community, the environment and help us allocate saved dollars to producing more music. #SAVPHIL • 7 Season at a glance 2019-2020 MISCHIEVOUS MUSICIANS SATURDAY NIGHT’S FEVER SEASON January 18 7:30 pm April 18 7:30 pm Lucas Theatre for the Arts Lucas Theatre for the Arts Tickets Janna Hymes, conductor Mel Whitehead, conductor $25-$80 Nathan Lee, piano Savannah Philharmonic Chorus & Friends MODERN TO MAJESTIC February 8 7:30 pm MOZART’S REQUIEM Johnny Mercer Theatre May 2 7:30 pm Enrico Lopez-Yañez, Johnny Mercer Theatre conductor Keitaro Harada, conductor Thomas Gansch, trumpet Alyssa Toepfer, soprano Zoie Reams, mezzo-soprano GERMANIC PASSION Omar Najmi, tenor March 21 7:30 pm David Cushing, bass Lucas Theatre for the Arts Savannah Philharmonic Vlad Vizireanu, conductor Chorus Ryne Cherry, baritone SPECIAL EVENT: AN EVENING OF TANGO FRIDAY, JANUARY 31 6:00 pm Victory North Hosted by Maestro Keitaro Harada with Gustavo Feulien, baritone 8 • SAVANNAHPHILHARMONIC.ORG STRINGS UNITED: Larsen Musician Savannah Arts Academy ensemble Spotlight Series presented by Savannah Philharmonic Sunday, January 26 5:00 pm Tickets $25 First Presbyterian Church Presented by CINEPHILE DU JOURE Nancy & Ken Larsen “Blue Heron” chamber ensemble Sunday, February 23 5:00 pm Lutheran Church of the Ascension MARTIN GENDELMAN: Sympátheia Sunday, March 8 5:00 pm Trinity United Methodist Church To purchase tickets VISIT savannahphilharmonic.org CALL the Savannah box office at 912 525 5050, option 1 to speak with a representative STOP BY the Savannah Box Office at 216 E. Broughton Street during business hours (M- F, 10 am – 5 pm) #SAVPHIL • 9 Orchestra VIOLIN Angela Loizides Sinisa Ciric Betul Soykan Concertmaster Sponsored by David Katz Susan & Ron Whitaker Conrad Thomas Andrea Pettigrew Marsha Krantz Assistant Concertmaster Sponsored by Jason Economides Dr. and Mrs. Sidney Alex Shlifer Jefferson Bolch, III Marina Volynets David Song Sponsored by Kelley B. Parker VIOLA David Edwards LiZhou Liu Principal Danijela Žeželj-Gualdi Sponsored by Yvonne Johnson Rhegan White-Clemm Assistant Principal & Timothy Clemm Magaly Seay Pedro Miszewski Sponsored by Sponsored by Pierce Jemison Dave & Sylvaine Neises Sprite Crawford Adrianne Munden-Dixon Patrick Shelc Sponsored by Richard Foster Sadie Nichols Anastasia Petrunina Gabriel Schlaffer Martha Gardner Marsha Krantz Lucas Scalamogna Michael Giel Ann Cafferty William McClain Robert Givens CELLO Kathryn Gardner-Otwell GUEST PRINCIPAL Jonathan Wright Chair Sponsored by Diana Langer Jeanne Johnson Alfred Gratta Ricardo Ochoa Guest Principal Principal Second Violin Roee Harran Sponsored by Fran & Hue Thomas
Load more

Recommended publications
  • Convocation Hall, University of Alberta
    STUDENT COMPOSER RECITAL 560 & 660 levels Monday, April 10, 8:00 PM Convocation Hall, University of Alberta Fugue in g minor jon Jette Jon Jette - piano / Rick Vanderwoude - organ The Flowers of Time lanKnopke Silvia Yee, Jennifer McAllister - flutes / Suzanne Yuch - clarinet / Darryl Hartshome - bassoon / John Calverley - violin / Heidi Klann - viola / Greg Ferguson - vibraphone This is based on a siiort story by J.G. Ballard called The Garden of Time and is very grooxry to dance to. I.K. Reinvention jEiCockeU" Jim Cockell - piano / Ken Myers - alto saxophone I Hide No Hate Laura Hamilton Sarah Chaput - soprano / Jim Cockell - violin Paul Radosh - cello "For A Poet" by Countee Cullen in 1925,"Madness Is" by Laura Hamilton in 1989 Rain Delay Chris McLean Betsy Steed, Lyndi Lou Pollock - violins / Jenny-Lynn Steed -viola Bonnie Pollock - cello / Anneke Smit - piano macroHvne (forstuff) Scott Godin Jim Cockell, Moni Mathew - violins / Miriam Lewis - viola / Paul Radosh - cello / Ken Myers - saxophone Winter Songs Jim Cockell Ardelle Ries - soprano / Jim Cockell - violin / Laszlo Names - piano i) Prelude ii) There's a certain slant of light Emily Dickinson (1830 - 1886) iii) To Waken an Old Lady William Carlos WiUiams (1883 - 1963) iv) The Snow Man Wallace Stevens (1879 - 1955) brief intermission * * * 'longing..." Scott Godin Corey Hamm organ "ukuTusa" Allan Gilliland Wind Ensemble " The Lamp of Poor Souls Gordon Fitzell tenor - Tom McCleay / baritone - Kevin Gagnon / recorder, ocarina BiU Damur / trumpet - Steve Williams / harpsichord - Roger Admiral / viola - Miriam Lewis / double bass - Hassisen Saied / musical glass - Silvia Yee / percussion - John McCormick, Greg Ferguson, Scott Martin, Lisa Hrabec, Helene Jurkat, Nicole Arendt, Erin Zier / candlelighter - Andriy Talpash Based on the poem of the same name bxj Canadian poet Marjorie Pickthall, this piece attempts to expose the hypocrisies of the church during the period before the Reformation.
    [Show full text]
  • The University of Chicago Objects of Veneration
    THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies...............................................................................
    [Show full text]
  • Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
    “INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing.
    [Show full text]
  • One Day, Two Exciting, Family-Friendly Events!
    Tempo Symphony Friends Newsletter 2019-20 Season - January 2020 One Day, Two Exciting, CSO AT-A-GLANCE Family-Friendly Events! TCHAIKOVSKY On January 25th at 2:00 p.m., the have to admit that many of the & BEETHOVEN CSO will present its annual hour- film scores are from movies that SAT., FEB. 29TH • 7:30 PM CHEYENNE CIVIC CENTER long family matinee, Heroes and were my favorites when I was Enjoy the Barber of Seville Overture, Villains. The Orchestra will present younger: Superman, Raiders of Tchaikovsky’s Violin Concerto and a second concert, Blockbusters the Lost Ark, Robin Hood, Dances Beethoven’s Symphony No. 7! & Beethoven, as part of its with Wolves, etc. I am also excited Masterpiece series that evening about the Lord of the Rings music. MAHLER & at 7:30pm. These annual movie- Both the Saturday night concert BEETHOVEN themed performances are extremely and the Saturday afternoon SAT., MAR. 21ST • 7:30 PM popular because they provide matinee will be truly spectacular, CHEYENNE CIVIC CENTER audience members an opportunity with a large orchestra performing The celebration of Beethoven continues with the Egmont Overture to listen to accessible music in a fun incredible, dramatic and powerful and Eroica. Also featuring Mahler’s atmosphere. music.” Songs of a Wayfarer and “I am Lost to the World” The concerts will include Superman At the Matinee, the doors to the March, Raiders of the Lost Ark Civic Center will open at 1:00 RAIDERS OF THE LOST ARK March, and March of the Resistance p.m. This will give attendees IN CONCERT from The Force Awakens, all the opportunity to mingle with SAT., APR.
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • The Canadian Clarinet Works Written for James Campbell
    THE CANADIAN CLARINET WORKS WRITTEN FOR JAMES CAMPBELL by Laura Chalmers Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree, Doctor of Music Doctoral Committee __________________________________________ Eli Eban, Research Director and Chair __________________________________________ James Campbell __________________________________________ Kathleen McLean __________________________________________ Peter Miksza September 29, 2020 ii Acknowledgements I would like to express my gratitude to the following people, without whom this document would not have been completed: To Prof. Campbell, Allan Gilliland, Phil Nimmons, Timothy Corlis, and Jodi Baker Contin, who gave their time and shared their recollections with me. To my wonderful friends, Emory Rosenow, Laura Kellogg, Mark Wallace, and Lilly Haley- Corbin, who not only read through this entire document to correct mistakes, but who also encouraged me and bolstered me as I wrote this paper. To my family, Mom, Marcus, and Leisha, who have always supported me and continue to do so through my Doctorate. Finally, to my husband, Jacob Darrow. This is as much his success as it is mine. iii Table of Contents Acknowledgements ....................................................................................................................................
    [Show full text]
  • The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
    The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours.
    [Show full text]
  • The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
    Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process.
    [Show full text]
  • Beethoven Deaf: the Beethoven Myth and Nineteenth-Century Constructions of Deafness
    BEETHOVEN DEAF: THE BEETHOVEN MYTH AND NINETEENTH-CENTURY CONSTRUCTIONS OF DEAFNESS By DEVIN MICHAEL PAUL BURKE Submitted in partial fulfillment of the requirements For the degree of Master of Arts Thesis Adviser: Dr. Francesca Brittan Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2010 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of ______________________________________________________ candidate for the ________________________________degree *. (signed)_______________________________________________ (chair of the committee) ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ ________________________________________________ (date) _______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. Table of Contents LIST OF FIGURES ................................................................................................ 2 Abstract ................................................................................................................... 3 Introduction ............................................................................................................. 4 Chapter 1: The Heiligenstadt Testament, the Emerging Social Category of “Deafness,” and the Dual Nature of Disability ......................................... 20 Private and Public Deafness and the
    [Show full text]
  • Guest Artist Recital: the New Zealand String Quartet
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-16-2010 Guest Artist Recital: The ewN Zealand String Quartet New Zealand String Quartet James Campbell Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation New Zealand String Quartet and Campbell, James, "Guest Artist Recital: The eN w Zealand String Quartet" (2010). All Concert & Recital Programs. 4238. https://digitalcommons.ithaca.edu/music_programs/4238 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Concerts: The New Zealand String Quartet James Campbell, clarinet Ford Hall November 16, 2010 8:15 p.m. Program String Quartet No. 13 in B flat minor, Dmitri Shostakovich Op. 138 (1906-1975) Adagio, Doppio movimento, Tempo primo Quintet for Clarinet & Strings, Wolfgang Amadeus Mozart K. 581 (1756-1791) Allegro Larghetto Menuetto Allegretto con Variazioni Intermission String Quartet Opus 18, No. 2 in Ludwig van Beethoven G Major (1770-1827) Allegro Adagio cantabile, Allegro, Tempo I Scherzo: Allegro Allegro molto, quasi presto Suite from the Sound Allan Gilliland for string quartet & clarinet (b. 1965) (commissioned by James Campbell) Parry's Ground Waltz for Mr. Evans Sketches Management for James Campbell: GAMI/SIMONDS, LLC www.gamisim.com Management for New Zealand Quartet: Jonathan Wentworth Associates, Ltd. www.jwentworth.com Biographies The New Zealand String Quartet With its dynamic performing style, eloquent communication and beautiful sound, the New Zealand String Quartet has forged a major career in the busy international chamber music field, earning the acclaim of critics and the delighted response of audiences.
    [Show full text]
  • Master Class with Andrea Martin: Selected Filmography 1 the Higher
    Master Class with Andrea Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the Master Class 8½. Dir. Federico Fellini, 1963, Italy and France. 138 mins. Production Co.: Cineriz / Francinex. American Dad! (2005-2012). 7 seasons, 133 episodes. Creators: Seth MacFarlane, Mike Barker, and Matt Weitzman. U.S.A. Originally aired on Fox. 20th Century Fox Television / Atlantic Creative / Fuzzy Door Productions / Underdog Productions. Auntie Mame. Dir. Morton DaCosta, 1958, U.S.A. 143 mins. Production Co.: Warner Bros. Pictures. Breaking Upwards. Dir. Daryl Wein, 2009, U.S.A. 88mins. Production Co.: Daryl Wein Films. Bridesmaids. Dir. Paul Feig, 2011, U.S.A. 125 mins. Production Co.: Universal Pictures / Relativity Media / Apatow Productions. Cannibal Girls. Dir. Ivan Reitman, 1973, Canada. 84 mins. Production Co.: Scary Pictures Productions. The Cleveland Show (2009-2012). 3 seasons, 65 episodes. Creators: Richard Appel, Seth MacFarlane, and Mike Henry. U.S.A. Originally aired on Fox. Production Co.: Persons Unknown Productions / Happy Jack Productions / Fuzzy Door Productions / 20th Century Fox Television. Club Paradise. Dir. Harold Ramis, 1986, U.S.A.
    [Show full text]
  • Faculty Students from the Department of Music
    Upcoming Events; 28 Monday, 12:00 pm 4 Monday, 12:10 pm Noon-Hour Organ Recital Music at Noon, Convocation Hall The recital presents a variety of organ Student Recital Series featuring repertoire played by students, faculty students from the Department of Music. and guests of the University of Alberta Free admission FACULTY Free admission 5 Tuesday, 3:30 pm 28 Monday, 8:00 pm Piano Masterclass Master of Music Recital Milton Schlosser (Adjunct Professor of David Wilson, Choral Conducting Piano). Free admission Special Guests: Ariane Maisonnenve, piano 7 Thursday, 12:00 pm Robert Zylstra, organ Jazz Masterclass with The Haydn Festival Orchestra Visiting Artist Dean McNeill Franz Program will include works by Studio 27, Fine Arts Building 2-7 Haydn, Cardoso, Heinrich Schiitz and Free admission Brahms. Free admission 8 Friday, 8:00 pm Scott Whetham,tuba 29 Tuesday Visiting Artist Recital University Symphony Orchestra Dean McNeil, trumpet Gerald Onciul, horn Concerto Competition Program will include works by Arnold, Judy Loewen, piano Pre-Competition Martini, Saint-Saens, Gregson, Bozza, 3:15 pm Piano Gershwin and others 4:45 pm Strings 7:00 pm Winds and Percussion 15 Friday, 2:30 pm Free admission The Centre for Ethnomusicology presents World Music Sampler 2002 November Partners in Music Research Friday, October 25, 2002 1 Friday, 6:00 pm featuring live music and dance from University Symphony Orchestra Japan, Africa, the Andes, India, at 8:00 p.m. Concerto Competition Latin America, and Canada Final Competition with special guest Tom Phillips from Free admission Calgary. Admission is free .For more information, contact The Centre for Ethnomusicology, Fine Arts Building 2-11, Telephone: 492-8211 Convocation Building Hall University of Alberta Please donate to Campus Food Bank Unless otherwise Indicated Admission: $12/adult, $5/student/senior Convocation Hall, Arts Building Please note: All concerts and events are subject to change without notice.
    [Show full text]