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Miller High Life Theatre Event Advisory
ADDRESS PHONE NUMBER WEBSITE 500 W. Kilbourn Avenue, Milwaukee, WI 53203 414.908.6000 MillerHighLifeTheatre.com FOR IMMEDIATE RELEASE Sarah Maio [email protected] 414-908-6056 King Crimson Announce “Music Is Our Friend” North American Tour Dates 2021 King Crimson comes to the Miller High Life Theatre on August 31, 2021 MILWAUKEE – (June 7, 2021) – The Miller High Life Theatre and Alternative Concert Group are proud to welcome King Crimson with special guest The Zappa Band to the Miller High Life Theatre, August 31, 2021. Artist VIP presale is June 9 at 11 a.m., and venue presale is June 10th at 10 a.m. Tickets go on sale to the public Friday, June 11 at noon at the Miller High Life Theatre box office or Ticketmaster. When King Crimson returns to action this July, it will be the seventh year that the band has toured since returning to performing live in 2014, a run only interrupted by the lockdown in 2020. In that time, the audience has been reinvented, as much as the band itself, something Robert Fripp noted after the band’s performance in Pompeii, Italy’s famous amphitheater: “In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” - Robert Fripp The band’s shows regularly include material from twelve of their thirteen studio albums, including many songs from their seminal 1969 album In the Court of the Crimson King, described by Pete Townshend as an “uncanny masterpiece.” The 7-piece line-up play many historic pieces, which Crimson has never previously played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written.” There are also new instrumentals and songs, as well as compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. -
Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent. -
Schule Am Stadtrand
KING CRIMSON – 01. July 2018 – Berlin, Admiralspalast – Uncertain Times Tour - Text: Holger Ott Schwere Kost und ein anstrengender, langer Abend stehen heute auf meinem Plan. KING CRIMSON mit ihrem, als etwas exzentrisch geltenden Bandleader ROBERT FRIPP, sind in der Stadt und geben im ehrwürdigen Admiralspalast gleich drei Konzerte an drei Abenden. Betrachtet man den Tourplan, scheint das wohl bei ihnen so üblich zu sein. Anderenorts gibt es auch Zusatzkonzerte wegen der enormen Nachfrage. Ein kluger Rechner würde überlegen, weshalb die Band nicht in größere Säle gewechselt hat, um alles mit einem Rutsch abzuarbeiten, aber der Rechner hat dabei ROBERT FRIPP vergessen. Für ihn ist es wichtiger Qualität abzuliefern, als die Massen zu bespaßen. Somit bildet der Admiralspalast das perfekte Ambiente, um das 'Klanggewitter' auf die Bühne zu bringen. Zudem können sich die Band, die Techniker und Roadies ein paar Tage Berlin gönnen. Da Foto- und Videoaufnahmen streng verboten sind, kann ich mich entspannt in meinem Sitz zurücklehnen und das Ereignis über mich ergehen lassen. Ja, die Fotoregelung ist schon etwas Besonderes, das doch mal Erwähnung verdient hat. Bei der Einlasskontrolle wird jedem Besucher alles technische Gerät abgenommen. Zwei riesige Schilder auf der Bühne weisen darauf hin, dass bei einem Verstoß, der 'Täter' sofort aus dem Saal komplimentiert wird. Ein Ansager erklärt, dass erst nach Ende des Konzertes fotografiert werden darf, und zwar ab dem Moment, an dem Bassist TONY LEVIN seine eigene Kamera zur Hand nimmt, um Bilder vom Publikum zu machen. Und womit soll das Publikum fotografieren? Ich habe meine Kamera und mein Mobiltelefon zum Auto zurückgeschleppt. Einige haben es dennoch geschafft ihr Telefon hinein zu schmuggeln und wer schon im Dunkeln das Gerät einschaltet und somit eine Lichtquelle erzeugt, wird von den Ordnern aufs Korn genommen. -
King Crimson – Live in Chicago
King Crimson – Live in Chicago (73:42 + 79:51, 2 CDs, Discipline Global Mobile, 2017) Über zu wenig Material von King Crimson braucht man sich in letzter Zeit nun wirklich zu beklagen. Gerade wurde u.a. die 21(!) CDs umfassende „Sailor’s Tale“ betitelte Rückschau der Jahre 1970-72 unters Volk gebracht, während die aktuelle Inkarnation der Band erneut auf Tour geht. „Live In Chicago“ stammt aus dem Sommer dieses Jahres und man fragt sich dennoch unweigerlich: ein weiteres Livealbum von King Crimson, ist das nun wirklich nötig? Einmal mehr lautet die klare Antwort ‚Ja‘, auch wenn sicherlich dieses Werk letztendlich vor allem die Die-Hard-Fans der Band begeistern wird. Seit 2015 erschienen bereits diverse Liveveröffentlichungen der Band um Robert Fripp (2015: „Live At The Orpheum“, 2016: „Live In Toronto“ und „Radical Action To Unseat The Hold Of The Monkey Mind“, 2017: „Heroes EP“ und der Japan Import „Live In Vienna“), so dass „Live In Chicago“ eine weitere Fortsetzung der aktuellen Reinkarnation mit drei(!) Schlagzeugern bedeutet. In der Besetzung Robert Fripp (Gitarre, Keyboards), Mel Collins (Saxophon, Flöte), Gavin Harrison (Schlagzeug), Jakko Jakszyk (Gitarre, Flöte, Gesang), Tony Levin (Bass, Stick, Gesang), Pat Mastelotto (Schlagzeug), Bill Rieflin (Keyboards), Jeremy Stacey (Schlagzeug, Keyboards) entstand dieser Mitschnitt auf letzten US Tour. Gerade im Vergleich mit den anderen Aufzeichnungen der letzten Jahre fällt auf, dass man sich zwar vermehrt mit den Klassikern der 70er Jahre auseinandersetzt, aber neben gewissen Songkonstanten in der Setlist wie z.B. ‚Starless‘, ’21st Century Schizoid Man‘, ‚Easy Money‘, ‚Lark’s Tongues In Aspic I‘ oder ‚Pictures Of A City‘ umspannt jeder Livemitschnitt eine anregende Variation der Setlist, mit einer Mischung aus frühen Songperlen, wie auch komplett neuem bzw. -
Legendary British Rockers King Crimson 2020 North American Tour Arrives at Graceland on June 10 Summer Tour Features Special Guests the Zappa Band
FOR IMMEDIATE RELEASE Contact: Christian Ross [email protected] David Beckwith [email protected] Legendary British Rockers King Crimson 2020 North American Tour Arrives at Graceland on June 10 Summer tour features special guests The Zappa Band MEMPHIS, Tenn. (March 9, 2020) – Ranked among the greatest progressive rock bands of all time, British rockers King Crimson made their breakthrough more than five decades ago with the debut album, In the Court of the Crimson King. Since their return to the stage in 2014, King Crimson has sold out shows all over the world, and on June 10, the critically acclaimed band’s We Paint in Electric Rhythm Tour arrives at the Soundstage at Graceland. The performance also features special guests The Zappa Band. King Crimson’s packed three-hour shows regularly include material from their impressive studio album catalog, including many of the songs from their groundbreaking debut album, which was described by The Who’s Pete Townshend as an “uncanny masterpiece.” The new 8-piece line-up plays many historic pieces that King Crimson have never played live, as well as new arrangements of classics. There are also new instrumentals and songs, as well as the compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight. King Crimson’s We Paint in Electric Rhythm Tour is a unique show, where eight of the best musicians in the world play without distraction or adornment. Early access presale tickets for King Crimson’s June 10 performance go on sale Wednesday, March 11 at 10 a.m. -
Roll of Thunder Hear My Cry
ROLL OF THUNDER HEAR MY CRY MILDRED D. TAYLOR NEWBERY MEDAL WINNER Author's Note My father was a master storyteller. He could tell a fine old story that made me hold my sides with rolling laughter and sent happy tears down my cheeks, or a story of stark reality that made me shiver and be grateful for my own warm, secure surroundings. He could tell stories of beauty and grace, stories of gentle dreams, and paint them as vividly as any picture with splashes of character and dialogue. His memory detailed every event of ten or forty years or more before, just as if it had happened yesterday. By the fireside in our northern home or in the South where I was born, I learned a history not then written in books but one passed from generation to generation on the steps of moonlit porches and beside dying fires in one-room houses, a history of great-grandparents and of slavery and of the days following slavery: of those who lived still not free, yet who would not let their spirits be enslaved. From my father the storyteller I learned to respect the past, to respect my own heritage and myself. From my father the man I learned even more, for he was endowed with a special grace that made him tower above other men. He was warm and steadfast, a man whose principles would not bend, and he had within him a rare strength that sustained not only my sister and me and all the family but all those who sought his advice and leaned upon his wisdom. -
Artist / Bandnavn Album Tittel Utg.År Label/ Katal.Nr
ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A 80-talls synthpop/new wave. Fikk flere hitsingler fra denne skiva, bl.a The look of ABC THE LEXICON OF LOVE 1983 VERTIGO 6359 099 GER LP love, Tears are not enough, All of my heart. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. HEADLINES AND DEADLINES – THE HITS WARNER BROS. A-HA 1991 EUR LP OF A-HA RECORDS 7599-26773-1 Samlealbum fra de norske gutta, med låter fra perioden 1985-1991 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. -
Progressive Rock Icons King Crimson Bring ‘Radical Action’ to Philly for Two Nights November 2 & 3 at Merriam Theater
Tweet it! Progressive English rock legends KING CRIMSON @DGMHQ make their Kimmel Center return 11/2 &11/3. More info @ kimmelcenter.org Press Contact: Monica Robinson 215-790-5847 [email protected] PROGRESSIVE ROCK ICONS KING CRIMSON BRING ‘RADICAL ACTION’ TO PHILLY FOR TWO NIGHTS NOVEMBER 2 & 3 AT MERRIAM THEATER FOR IMMEDIATE RELEASE (Philadelphia, PA, September 25, 2017) –– Progressive rock icons King Crimson, have announced an extension to their 2017 North American Radical Action Tour, including a stop at the Kimmel Center for the Performing Arts’ Merriam Theater in Philadelphia, PA for two nights, November 2 and 3, 2017. “We are thrilled to welcome the return of King Crimson to our Campus following the popularity of their 2014 Kimmel Center engagement,” said Anne Ewers, President and CEO of the Kimmel Center. “The group shares a passion for innovation, covers a wide range of musical genres, and will appeal to the broad and diverse Kimmel Center audience eager for their return.” King Crimson was conceived in 1968, and officially formed in 1969, in the Fulham Palace Cafe, London (Fripp/Ian McDonald/Greg Lake/Michael Giles/Pete Sinfield), coming to prominence after supporting The Rolling Stones at Hyde Park. Their ground-breaking debut In The Court Of The Crimson King (1969), described by Pete Townshend as "an uncanny masterpiece", began a career that has spanned nearly five decades. The current 8-piece lineup – its ninth since 1969 – includes founder Robert Fripp on guitar, Tony Levin on bass, singer-guitarist Jakko Jakszyk, and Mel Collins on flute and saxophones alongside the drummers and multi-instrumentalists, Gavin Harrison, Pat Mastelotto, Jeremy Stacey and Bill Rieflin. -
Último Concierto De King Crimson En Chile: El Universo Armónico Y Maniático De Robert Fripp
Último concierto de King Crimson en Chile: El universo armónico y maniático de Robert Fripp La expectativa es altísima. Ser testigos de las ondas sonoras que vibran desde el silencio de las ideas, desde esa intimidad delirante de perfección artística y musical desbordada, desde el alma de King Crimson, desde la mente de Robert Fripp. Siete músicos en escena constituyen la formación actual del grupo. Destaca en ella una línea de tres bateristas (¡tres!), integrada por Gavin Harrison, Jeremy Stacey y Pat Mastelotto, junto a los grandes e históricos Tony Levin (bajo) y Mel Collins (saxofón y flauta). Quizás el cambio más influyente es el reemplazo de Andrew Belew. En su lugar, el vocalista y segunda guitarra Jakko Jakszyk cumple una muy buena tarea. Además de ser un socio colaborador de Fripp y yerno de Michael Giles (otro de los fundadores del grupo), con su timbre de voz recrea fielmente el repertorio del grupo entre los psicodélicos años 1969 y 1974. Es la noche del 13 de octubre de 2019 en Santiago. Apenas pasadas las 19:00 horas. Es la segunda presentación en el Movistar Arena. King Crimson abre con “Hell hounds of Krim”, dejando claro que las baterías eran una orquesta por sí solas. Último concierto de King Crimson en Chile: El universo armónico y maniático de Robert Fripp La excelencia en la ejecución instrumental e interpretativa va más allá de lo imaginable durante todo el concierto. Navegar durante tres horas por la discografía de joyas seleccionadas como “Cirkus”, “Epitaph”, “Frame by frame”, “Moonchild”, “Lark’s tongues in Aspic part two”, “Cat food”, “Indiscipline” y “The court of the Crimson King”, entre otros temas consulares en la música progresiva, genera un estado de permanente emoción y asombro. -
King Crimson – Live in Vienna
King Crimson – Live In Vienna (66:09 + 72:59 + 48:15, 3 CDs, Discipline Global Mobile, 2018) Ursprünglich sollte dieser am 1.Dezember 2016 in Wien entstandene Mitschnitt bereits viel früher erscheinen. Doch einmal mehr liefen die Dinge bei King Crimson etwas anders als geplant, sodass man den ebenfalls exzellenten Auftritt „Live In Chicago“ zuvor veröffentlichte. Inzwischen ist aber auch „Live In Vienna“ als 3-fach CD für einen absoluten fairen Preis erhältlich, während die japanische Ausgabe bereits seit letztem Jahr für den entsprechend teuren Importpreis, sowie mit anderem Bonusmaterial, auf den Markt kam. Eigentlich kann man für dieses Album komplett die Einleitung zur Kritik von „Live In Chicago“ übernehmen, oder um es mit einem Zitat bzw. zwei Sätzen auf den Punkt zu bringen: „Ein weiteres Livealbum von King Crimson, ist das nun wirklich nötig? Einmal mehr lautet die klare Antwort ‚Ja‘, auch wenn sicherlich dieses Werk letztendlich vor allem die Die-Hard- Fans der Band begeistern wird.“ Eingespielt in der 7er BesetzungRobert Fripp (Gitarre, Keyboards), Jakko Jakszyk (Gitarre, Gesang), Tony Levin (Bass, Sticks), Mel Collins (Saxophon, Flöte), Pat Mastelotto (Schlagzeug), Jeremy Stacey (Schlagzeug, Keyboards), Gavin Harrison (Schlagzeug) beeindruckt diese Aufnahme einmal durch ihr präzises, lebendiges Zusammenspiel, des Weiteren durch den Ansatz, das Songmaterial immer wieder durch die jeweils beteiligten Musiker neu zu beleben und anders zu interpretieren. Im Vergleich zu dem knapp einem halben Jahr später erschienenem „Live In Chicago“ setzte man zwar auch in Wien auf 70er Jahre Standards wie ‚Starless‘, ’21st Century Schizoid Man‘, ‚Easy Money‘, ‚Larks‘ Tongues in Aspic (Part II)‘ oder ‚Pictures Of A City‘, kommen in Österreich in erster Linie eine Mixtur von neuem Material und Frühwerken wie „Lizard“ (1970) und „Islands“ (1971) zum tragen. -
For Immediate Release King Crimson Uncertain Times
For Immediate Release King Crimson Uncertain Times European tour 2018 King Crimson has announced the “Uncertain Times” European tour for 2018. The ensemble will visit Poland, Germany, Austria, Czech Republic, Sweden, Norway, The Netherlands, Italy, France and UK. Pre-sale VIP tickets will go on sale on 23rd November from the band’s website www.dgmlive.com, where fans can also find recordings and photographs of recent shows. General tickets will go on sale on 1st December. King Crimson 2018 European tour dates: 13th June Poznan, Poland Earth Hall 14th June Poznan, Poland Earth Hall 16th June Krakow, Poland ICE Congress Hall 17th June Krakow, Poland ICE Congress Hall 18th June Krakow, Poland ICE Congress Hall 20th June Essen, Germany Lichtburg 23rd June Vienna, Austria Stadthalle 24th June Vienna, Austria Stadthalle 26th June Prague, Czech Republic Forum Karlin 27th June Prague, Czech Republic Forum Karlin 1st July Berlin, Germany Admiralspalast 5th July Stockholm, Sweden Cirkus 6th July Stockholm, Sweden Cirkus 8th July Oslo, Norway Sentrum Scene 9th July Oslo, Norway Sentrum Scene 10th July Oslo, Norway Sentrum Scene 13th July Amsterdam, The Netherlands Concertgebouw 16th July Munich, Germany Philharmonie 19th July Pompeii, Italy Teatro Grande 20th July Pompeii, Italy Teatro Grande 22nd July Rome, Italy Auditorium Cavea 23rd July Rome, Italy Auditorium Cavea 25th July Lucca, Italy Piazza Napoleone 27th July Venice, Italy Teatro La Fenice 28th July Venice, Italy Teatro La Fenice 29th Oct Bournemouth, UK Pavilion Theatre 31st Oct Cardiff, UK St Davids 2nd Nov London, UK Palladium 6th Nov Birmingham, UK Symphony Hall 9th Nov Manchester, UK Bridgewater Hall 12th Nov Glasgow, UK Royal Concert Hall 15th Nov Paris, France L’Olympia 16th Nov Paris, France L’Olympia With three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, as well as the return of multi-instrumentalist Bill Rieflin on keyboards, guitarist and original founding member, Robert Fripp states that this “double quartet formation” is likely to make more noise than ever before. -
An Introduction to Prog Rock Prof
An Introduction to Prog Rock Prof. J. Paradiso – MIT Media Lab Session 1: Intro - Things your dad should have told you about Prog Session 2; Canterbury Session 3: Rock in Opposition Session 4: Zeuhl Session 5: Space Rock and Neopsychedelia Session 6: French & Quebecois Prog Session 7: Rock Progressivo Italiano Session 8: Germany, Berlin, and Krautrock (perhaps some Scandinavia too) Session 9: Japanese Prog Lecture 2 – Some Mandatory British Classics …and a few fascinating detours! IAP 2018 Giles, Giles & Fripp 1968 The Cheerful Insanity of Giles, Giles & Fripp How Do They Know? The Crukster King Crimson (1) 1969 1970 1970 1971 Robert Fripp, Ian McDonald, Mel Collins, Greg Lake, Michael Giles, Peter Sinfield, (Gordon Haskell, Boz…) 21’st Century Skitzoid Man In The Wake of Poseidon Sailor’s Tale In The Court of the Crimson King Cirkus Interlude – Fripp and Eno 1973 1975 2005 ‘Frippertronics’ – long tape delay system so he can overdub live The Heavenly Music Corporation King Crimson (2) 1973 1974 1974 Robert Fripp, Bill Bruford, Jon Wetton, <David Cross, Jamie Muir> Easy Money Fracture Red Larks' Tongues In Aspic, Part Two Hiatus – Fripp Moves to New York City 1979 Robert Fripp with friends (Peter Gabriel, Peter Hammill, Daryl Hall, etc.) Breathless Disengage NY3 King Crimson (3) 1981 1982 1984 Robert Fripp, Bill Bruford, Adrian Belew, Tony Levin Frame By Frame Indiscipline Hiatus – Fripp Disbands KC, starts guitar school in Virginia 1986 1988 1991 Robert Fripp with a large ensemble of his guitar students Scaling The Whales King Crimson