Live in Chicago Booklet.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Live in Chicago Booklet.Indd KING CRIMSON: LIVE IN CHICAGO (June 28th. 2017) I Q: Why another King Crimson official bootleg? A: A report from the front line, of continuing engagement with audience; in the form of a roughly-scribed love letter. Inevitably, a recording fails to convey the serve as an aide memoire for someone in experience of being present in a room the clinches. For those who were present with others when, for the first time, or as within the event, participating and con- if for the first time, Music leans over and tributing by their presence, their experi- takes us into its confidence. (Thank you, ence continues available to them: it may dear Muse, for innocent ears). be accessed, re-entered, re-engaged. The t-shirt doesn’t quite do the same job, al- It is impossible to convey how Music though a highly recommended adjunct wishes to be heard, accepted, embraced: to the CD. closer to us than we are to ourselves. And quietly heart-breaking to experience, yet Here, the whole is greater than the parts: again, the efforts we make to close our during a performance, individual pieces ears to what is available. may have clunkers, be outstanding, hon- ourable while not revelatory, breathtak- What to do? We persist. ingly audacious; but the overall perfor- Even were a gentle audient to have been mance is what attracts my interest. in person at the Chicago Theatre on June So, here we are: a sonic report from a few 28th. 2017, our current translation, from of Music’s friends, doing the best they can sound into sound, will not replicate their for the first time, once again. in-person experience. But perhaps it will II Q: Where is this Formation in the series of King Crimson incarnations? A: This sonic report is presented by King Crimson Formation 8.3. My perspective on the wider context, of The Third Definitive Formation: 1981. forty-eight years active KC service, needs The Double Trio (1994-1997) was a special a greater level of detailed commentary band, while not a defining band, and the and argument than available on this Friday whole greater than the sum of its parts. afternoon; when I have not yet strapped on a guitar in preparation for KC’s return The Double Duo (1999-2003): the whole to the US this Autumn; and hey! the sun is was not greater than sum of the parts. shining and the garden is waiting! The King Crimson Quintet (2008): the Few former Crims are likely to hold views sum of the parts was greater than the close to my own, which does not obviate whole. the rightness of their views and perspec- The Double Trio was not able to fulfil its tives. promise, for many good and valid reasons, and a few not so good. Overall, my sense There are four Definitive Formations of of KC 1999-2003, and 2007-2008, was of King Crimson: dis-satisfaction. Something was not quite realised. This was not how I wished to let The First Definitive Formation: 1969. go of Crimson. So, in 2013, in a flash be- The Second Definitive Formation: 1974 at fore my mind’s eye, a picture of the Seven the last live performance in NYC and the Headed Beast and its onstage configura- recording of Red. tion presented itself (July 22nd. 2013). 1 The Seven-Headed Beast (2014) may be with manager/minister David Singleton considered KC Formation 8.1; Jeremy re- and tour manager Dave Salt. I proposed placing Bill (2016) as Formation 8.2; Bill a toast: to King Crimson Formation Nine. returning (2017) as Formation 8.3. But please read on… The present formation, returning to the US in Autumn 2017, is King Crimson v. 9.1, My two prime aims in the re-formation the Fourth Definitive Formation. on KC in 2013 were Redemption and Completion. Acts of redemption took place during 2014, 2015 and 2016; at III which point completion was realised. A completion is a new beginning, and the eight-piece KC of 2017 constitutes a new Q: What is a Definitive Formation? beginning in the process of King Crim- A: Nothing is quite the same afterwards. son. This beginning-again may be called Formation 8.3, a formation becoming realised in Chicago on June 28th. 2017; at which point the process continued in motion. The beginning-again-again of KC 8.3 as Formation Nine took place at the Teatro Robert Fripp Friday 25th. August, 2017 Metropolitan, Mexico City on the evening Bredonborough, Middle England. of Friday, 14th. July 2017. The wonderful, exceptional, generous audience enabled the transition to take place. At the com- pletion of our performances in Mexico City, on the evening of Wednesday 19th. July, 2017, the band joined in champagne It wasn’t meant to be like this. Chris Porter, Robert Fripp and I spent several weeks this spring mixing “Live in Vienna”, a stand-out show from the 2016 European tour, ready for release this autumn. And then came the new 8-piece incarnation and the 2017 tour of North America, including this show in Chicago on 28th June. Writing in his online blog that night, Tony Levin de- scribed the show simply as “one of our best”, while Robert Fripp sent me an email saying “IF WE ARE LOOKING FOR A KC LIVE; CHICAGO WAS EXCEPTIONAL”. The new band had raised the bar to such a level that the proposed “Live in Vienna”, excellent though it re- mains (and it will be made available all over the world in the coming months), now felt like an archive release, not a snapshot of the current eight-headed beast. This band in full fl ight has been aptly described as having “THE PRECISION OF AN ORCHESTRA, THE FREEDOM OF A JAZZ BAND, AND THE POWER OF A ROCK BAND” – something no live recording will ever completely capture: a problem compound- ed by the fact that the two halves of the concert do not neatly divide between the two discs (the fi rst set closed with Islands and the second opened with Pictures of a City). Hopefully, however, this offi cial boot- leg based on the live board recording with no more than a few necessary edits con- veys much of the magic. In 2013, when Robert told me that he was re-forming the band, I predicted (with one small proviso) that this would be the most popular incarnation ever. Having seen this band night after night, it is diffi cult not to agree with Jordan Zivitz, writing in the Montreal Gazette, that “Crimson has never sounded more complete or more joyous on stage than it does now.” David Singleton DGMHQ Bredonborough 22 Aug 2017 Hand me the heart that rules my tongue Defl ate the air that fi lls my lungs Point out the joke that I’ve become And clarify / The error of my ways Count the convictions one by one Criticise the line that I just sung Why not place the bullet in my gun And clarify / The error of my ways (Again) So there’s no need for metaphor Now truth is becoming the last thing on our minds Now in a room full of ignorance And the debris of consequence Eden redesigned Hate or just post modern irony? Thinly veiling the jealousy Failure left behind Praised as you play to the gallery Hailed as the saviour of losers deaf and blind THE BAND Mel Collins-Saxes & Flutes Robert Fripp-Guitar & Keyboards Gavin Harrison-Drums Jakko Jakszyk-Guitar, Flute & Voice Tony Levin-Basses, Stick & Voice Pat Mastelotto-Drums Bill Riefl in-Keyboards Jeremy Stacey-Drums & Keyboards MANAGEMENT Dave Singleton-DGM Ltd. THE CREW Dave Salt-Tour Manager Renee Adams-Production assistant Jason Birnie-Stage Manager/Drums Chris Porter-Sound Engineer Russ Wilson-Monitor Engineer John Armitage-Guitars Biff Blumfumgagnge-Sax & Flute Michele Russotto-Bass/Drums Adrian Holmes-Merchendise David Taylor-Audio Tech/Cameras Iona Singleton-Royal Package Live Mixing Engineer CHRIS PORTER Production & mastering DAVID SINGLETON ON BEHALF OF KING CRIMSON DGM Logo STEVE BALL Artwork BEARHAND DESIGN The Errors Lyrics JAKKO JAKSZYK Photography TONY LEVIN Except pages 8, 18-19 22-23 DAVID SINGLETON RADICAL ACTION TOUR 2017 .
Recommended publications
  • STICK MEN - Tony Levin and Pat MasteloO, the Powerhouse Bass and Drums of the Group King Crimson for a Few Decades, Bring That TradiOn to All Their Playing
    STICK MEN - Tony Levin and Pat Masteloo, the powerhouse bass and drums of the group King Crimson for a few decades, bring that tradion to all their playing. Levin plays the Chapman Sck, from which the band takes it’s name. Having bass and guitar strings, the Chapman Sck funcons at mes like two instruments. Markus Reuter plays his selfdesigned touch style guitar – again covering much more ground than a guitar or a bass. And Masteloo’s drumming encompasses not just the acousc kit, but a unique electronic setup too, allowing him to add loops, samples, percussion and more. TONY LEVIN - Born in Boston, Tony Levin started out in classical music, playing bass in the Rochester Philharmonic. Then moving into jazz and rock, he has had a notable career, recording and touring with John Lennon, Pink Floyd, Yes, Alice Cooper, Gary Burton, Buddy Rich and many more. He has also released 5 solo CDs and three books. In addion to touring with Sck Men, since more than 30 years is currently a member of King Crimson and Peter Gabriel Band, and jazz bands Levin Brothers and L’Image. His popular website, tonylevin.com, featured one of the web’s first blogs, and has over 4 million visits. PAT MASTELOTTO - Very rarely does a drummer go on to forge the most successful career on the demise of their former hit band. Phil Collins and Dave Grohl have managed it, so too has Pat Masteloo, a self taught drummer from Northern California, who has also been involved with pushing the envelope of electronic drumming.
    [Show full text]
  • THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
    COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography……………………………………………………………………………….
    [Show full text]
  • Miller High Life Theatre Event Advisory
    ADDRESS PHONE NUMBER WEBSITE 500 W. Kilbourn Avenue, Milwaukee, WI 53203 414.908.6000 MillerHighLifeTheatre.com FOR IMMEDIATE RELEASE Sarah Maio [email protected] 414-908-6056 King Crimson Announce “Music Is Our Friend” North American Tour Dates 2021 King Crimson comes to the Miller High Life Theatre on August 31, 2021 MILWAUKEE – (June 7, 2021) – The Miller High Life Theatre and Alternative Concert Group are proud to welcome King Crimson with special guest The Zappa Band to the Miller High Life Theatre, August 31, 2021. Artist VIP presale is June 9 at 11 a.m., and venue presale is June 10th at 10 a.m. Tickets go on sale to the public Friday, June 11 at noon at the Miller High Life Theatre box office or Ticketmaster. When King Crimson returns to action this July, it will be the seventh year that the band has toured since returning to performing live in 2014, a run only interrupted by the lockdown in 2020. In that time, the audience has been reinvented, as much as the band itself, something Robert Fripp noted after the band’s performance in Pompeii, Italy’s famous amphitheater: “In Pompeii, a large percentage of the audience was young couples; KC moved into the mainstream in Italy. I walked onstage knowing that this band's position in the world has changed level.” - Robert Fripp The band’s shows regularly include material from twelve of their thirteen studio albums, including many songs from their seminal 1969 album In the Court of the Crimson King, described by Pete Townshend as an “uncanny masterpiece.” The 7-piece line-up play many historic pieces, which Crimson has never previously played live, as well as new arrangements of Crimson classics – “the music is new whenever it was written.” There are also new instrumentals and songs, as well as compositions by the three drummers, Pat Mastelotto, Gavin Harrison and Jeremy Stacey, which are a regular highlight.
    [Show full text]
  • King Crimson Improvattakc Volume # 1 Mp3, Flac, Wma
    King Crimson iMPRoVaTTaKc Volume # 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: iMPRoVaTTaKc Volume # 1 Country: Russia Released: 2001 Style: Prog Rock MP3 version RAR size: 1990 mb FLAC version RAR size: 1806 mb WMA version RAR size: 1448 mb Rating: 4.9 Votes: 153 Other Formats: MPC MMF FLAC AIFF AC3 TTA WMA Tracklist iMPRoVaTTaKc #1 (including: Daniel Dust / Clueless And Spightly Slack Parts 1&2 / The 1 20:06 Golden Walnut) iMPRoVaTTaKc #2 (including: Some Pussyfooting / Is There Life Out There? / The Law Of 2 26:20 Maximum Distress Parts 1&2 / Wilton Carpet) iMPRoVaTTaKc #3 (including: A Voyage To The Center Of The Cosmos / Providence / Some 3 30:27 More Pussyfooting / Coda) Credits Bass – John Wetton Drums – Bill Bruford Guitar, Mellotron – Robert Fripp Music By – King Crimson Percussion, Other [Allsort] – Jamie Muir Violin, Viola, Mellotron – David Cross Notes © 2001 Discipline Global Mobile. The phonographic copyright in these performances is operated by Discipline Global Mobile on behalf of the artists, wich whom it resides. Discipline Global Mobile accepts no reason for artists to give away such copyright interests in their work by virtue of a "common practice" which is out of tune with the time, was always questionable and is now indefensible. Music by King Crimson. All themes and variations recorded during the European tour 1973-1974 and based on the original concept. Mixed & mastered for DGM at November, 2001. Cover and sleeve design by Collage Gallery. Engineer & editor coordinator Andrew Lipatoff. Issued in a jewel case with clear tray and 4-page booklet. Barcode and Other Identifiers Matrix / Runout: KCIM-39309 Related Music albums to iMPRoVaTTaKc Volume # 1 by King Crimson Robert Fripp - Radiophonics (1995 Soundscapes Volume 1 - Live In Argentina) King Crimson - The ConstruKction Of Light King Crimson - Epitaph King Crimson - THRAK King Crimson - The Deception Of The Thrush (A Beginner's Guide To ProjeKcts) King Crimson - Larks' Tongues In Aspic King Crimson - Absent Lovers (Live In Montreal 1984) King Crimson - USA.
    [Show full text]
  • Debuten Til Hardrocker'ne Fra Down Under. 6.Albumet I Rekken Av
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP KOMMENTAR A New wave/synthpop fra Sheffield band, med Martin Fry som leder. Musikken kan ABC BEAUTY STAB 1983 MERCURY 814 661-1 GER LP høres som en mix av Bowie og Roxy Music. Mick fra den første utgaven av Jethro Tull og Blodwyn Pig med sitt soloalbum fra ABRAHAMS, MICK MICK ABRAHAMS 1971 A&M RECORDS SP 4312 USA LP 1971. Drivende god blues / prog rock. Min første og eneste skive med det tyske heavy metal bandet. Et absolutt godt ACCEPT RESTLESS AND WILD 1982 BRAIN 0060.513 GER LP album, med Udo Dirkschneider på hylende vokal. Fikk opplevd Udo og sitt band live på Byscenen i Trondheim november 2017. Meget overraskende og positiv opplevelse, med knallsterke gitarister, og sønnen til Udo på trommer. AC/DC HIGH VOLTAGE 1975 ATL 50257 GER LP Debuten til hardrocker'ne fra Down Under. AC/DC POWERAGE 1978 ATL 50483 GER LP 6.albumet i rekken av mange utgivelser. ACKLES, DAVID AMERICAN GOTHIC 1972 EKS-75032 USA LP Strålende låtskriver, albumet produsert av Bernie Taupin, kompisen til Elton John. GEFFEN RECORDS AEROSMITH PUMP 1989 EUR LP Steven Taylor, Joe Perry, Tom Hamilton, Joey Kramer. Spilt inn i Canada. 924254 AKKERMAN, JAN PROFILE 1972 HARVEST SHSP 4026 UK LP Soloalbum fra den glimrende gitaristen fra nederlandske progbandet Focus. Akkermann med klassisk gitar, lutt og et stor orkester til hjelp. I tillegg rockere som AKKERMAN, JAN TABERNAKEL 1973 ATCO SD 7032 USA LP Tim Bogert bass og Carmine Appice trommer. Her viser Akkermann en ny side av sitt talent.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • Schule Am Stadtrand
    KING CRIMSON – 01. July 2018 – Berlin, Admiralspalast – Uncertain Times Tour - Text: Holger Ott Schwere Kost und ein anstrengender, langer Abend stehen heute auf meinem Plan. KING CRIMSON mit ihrem, als etwas exzentrisch geltenden Bandleader ROBERT FRIPP, sind in der Stadt und geben im ehrwürdigen Admiralspalast gleich drei Konzerte an drei Abenden. Betrachtet man den Tourplan, scheint das wohl bei ihnen so üblich zu sein. Anderenorts gibt es auch Zusatzkonzerte wegen der enormen Nachfrage. Ein kluger Rechner würde überlegen, weshalb die Band nicht in größere Säle gewechselt hat, um alles mit einem Rutsch abzuarbeiten, aber der Rechner hat dabei ROBERT FRIPP vergessen. Für ihn ist es wichtiger Qualität abzuliefern, als die Massen zu bespaßen. Somit bildet der Admiralspalast das perfekte Ambiente, um das 'Klanggewitter' auf die Bühne zu bringen. Zudem können sich die Band, die Techniker und Roadies ein paar Tage Berlin gönnen. Da Foto- und Videoaufnahmen streng verboten sind, kann ich mich entspannt in meinem Sitz zurücklehnen und das Ereignis über mich ergehen lassen. Ja, die Fotoregelung ist schon etwas Besonderes, das doch mal Erwähnung verdient hat. Bei der Einlasskontrolle wird jedem Besucher alles technische Gerät abgenommen. Zwei riesige Schilder auf der Bühne weisen darauf hin, dass bei einem Verstoß, der 'Täter' sofort aus dem Saal komplimentiert wird. Ein Ansager erklärt, dass erst nach Ende des Konzertes fotografiert werden darf, und zwar ab dem Moment, an dem Bassist TONY LEVIN seine eigene Kamera zur Hand nimmt, um Bilder vom Publikum zu machen. Und womit soll das Publikum fotografieren? Ich habe meine Kamera und mein Mobiltelefon zum Auto zurückgeschleppt. Einige haben es dennoch geschafft ihr Telefon hinein zu schmuggeln und wer schon im Dunkeln das Gerät einschaltet und somit eine Lichtquelle erzeugt, wird von den Ordnern aufs Korn genommen.
    [Show full text]
  • Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
    Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b.
    [Show full text]
  • 78071 187 14782.Pdf
    03 "Se han convertido en una de esas bandas que están más allá de los géneros" “Tuvo muy buen muy recibimiento, pero casi inmediatamente“Tuvo después se transformó en una rareza, era difícil de pillar. id Smith, colaborador de las presti- ro 30, pensé que sería bueno hacer la versión que ejercen escapa a los confines del rock progresivo y giosas revistas Prog Magazine, MOJO, nueva para esa fecha, veinte años después. Por creo que la razón es que la música creada por la banda Classic Rock y Record Collector —en- fortuna, fui capaz de sacarlo a tiempo”, dice desde los sesenta y setentas, hasta los años ochenta, ha tre otras— mantuvo desde el año 1999 riendo. Esquizoides en el siglo XXI cubierto mucho terreno estilísticamente. No solo han un blog en el sitio oficial de King Crim- tocado un único tipo de música. Los discos que van des- Sson, posteriormente llamado Krimson News y -Imagino que nunca pensaste ver a King Crim- de In the court of the Crimson King hasta Discipline en luego Postcards from the yellow room. En el son activo 50 años después de su creación. Al el 81 -e incluso más allá, como Thrak en 1994-, casi to- año 2001 editó la biografía titulada In the court comienzo el proyecto se disolvió apenas se lan- dos suenan diferentes, en especial los primeros cuatro. of King Crimson, coincidiendo con el aniversa- zó el disco debut, y ha pasado por muchos quie- Incluso así, todos suenan como King Crimson. rio número 30 de la banda. ¿Por qué? “La res- bres en su historia.
    [Show full text]
  • Steve Smith Steve Smith
    • SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades.
    [Show full text]
  • John Wetton's Official Website
    John Wetton's Official Website http://www.johnwetton.com/index.html LATEST NEWS January 31st 2020--- Today is the 3rd anniversary of the untimely death of John Wetton. Today we remember the genius of John and we share love with John’s son, Dylan, and John’s wife Lisa. Please keep subscribed to John’s social media. More details relating to the forthcoming John Wetton box set will shortly be released. The stories and tributes being assembled are a mind-blowing testament to John’s legacy. December 12th 2019--- American guitarist Fernando Perdomo has recorded a tribute album of King Crimson songs. The Crimson Guitar includes two songs from John Wetton's time in the band - Starless and Book of Saturday. There is also a dedication to John Wetton's memory inside the album. Amazon CD: https://geni.us/CrimsonGuitar June 12th 2019--- The John Wetton Estate proudly announces work has commenced on a solo career box set featuring expanded editions of his iconic albums and a lavish hardback book. 12th June 2019 would have been John’s 70th birthday. 1 of 42 16/03/2020, 12:18 John Wetton's Official Website http://www.johnwetton.com/index.html Since John Wetton’s passing in January 2017, his family, friends and management have been working on finding a fitting tribute to such a remarkable man and iconic artist. The result of this labour of love is a box set entitled “An Extraordinary Life”, dedicated entirely to John’s solo career. The project has the full support of John’s wife, Lisa, and his son, Dylan, who are wholly involved with compiling the contents.
    [Show full text]
  • Book Review with TTU Libraries Cover Page
    BOOK REVIEW: BEYOND AND BEFORE: THE FORMATIVE YEARS OF YES BY PETER BANKS The Texas Tech community has made this publication openly available. Please share how this access benefits you. Your story matters to us. Citation Weiner, R.G. (2008). [Review of the book Beyond and Before: The Formative Years of Yes by Peter Banks]. Popular Music and Society, 31(1), 136-139. https://doi.org/10.1080/03007769908591748 Citable Link http://hdl.handle.net/2346/1546 Terms of Use CC-BY Title page template design credit to Harvard DASH. 136 Book Reviews Hammond’s myopic vision, his unrelenting determination, and his deep personal sorrows, but to his friends and supporters Hammond was a trying project. Perhaps, as Prial suggests, Hammond’s relationship to the Vanderbilts did him more good in his early years in music than his social skills. There are questions unanswered and undeveloped in this biography related to Hammond the man, such as his falling out with Aretha Franklin or his quick parting with Dylan. Each chapter of this book comes (another assault on your pocketbook) with a wonderful ‘‘discography’’ that should slow down the pace of reading but will contribute to a great start in building a library of American music of the 20th century. It is quite something how much music Hammond had a role in, and this portion of the book is an important reminder of the times and genres Hammond touched. As with all biographies there are problems and limitations. For those of us raised in the second half of the century, The Producer fails to deliver the same magic surrounding the discovery and signing of ‘‘our’’ heroes as it does around the early stars.
    [Show full text]