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COMM∆ND SMEDI∆ Inc. TORONTO
COMM∆ND S MEDI∆ iNc. TORONTO email > [email protected] telephone > +1 (604) 688-4217 w∆rnelivesey - production discography 2021 full length lp - production, mixing and engineering [except where noted] •recent work midnight oil - The Makarrata Project - new LP for release 2021 andee - lost in rewind (single) kandle - just to bring you back (single) [co-write, production, mixing] kelly heeley - EP [mixing] •less recent work midnight oil - diesel and dust - blue sky mining - redneck wonderland - capriconia - 20,000watts r.s.l the the - infected - mindbomb matthew good band - underdogs - beautiful midnight - audio of being matthew good - lights of endangered species - avalanche - white light rock n’ roll review - in a coma - chaotic neutral - i miss new wave (beautiful midnight revisited EP) - something like a storm - moving walls kim churchill - silence/win [co-songwriting/ production/ engineering/ mixing] - into the steel [string arrangements / co-production] - weight falls [co-songwriting, production 3 songs] xavier rudd - koonyum sun [mixing] email > [email protected] telephone > +1 (604) 688-4217 1 w∆rnelivesey - discography continued… julian cope - saint julian house of love - babe rainbow [co-songwriting / production] deacon blue - when the world knows your name [production / engineering] sinhead o’conner / the the - kingdom of rain (track from collaborations lp) paul young - other voices [production] jesus jones - perverse 54-40 - yes to everything - goodbye flatland [mixing] - northern soul [mixing] mark hollis - mark hollis [co-songwriting] -
Redfern Activist Calls for Climate Justice
Carriage Return Works – of the the future Laneway uncertain Festival The Review St Jerome’s – 2009 Page 15 The Review Page 17 NUMBER SIXTY-EIGHT FEBRUARY ’09 CIRCULATION 22,000 ALEXANDRIA BEACONSFIELD CHIPPENDALE DARLINGTON ERSKINEVILLE GLEBE KINGS CROSS NEWTOWN REDFERN SURRY HILLS WATERLOO WOOLLOOMOOLOO ZETLAND Redfern activist calls for climate justice Protesters outside Tanya Plibersek’s office in Surry Hills Photo: Supplied Emissions reduction target “not nearly good enough” Flint Duxfield Newtown branch. But Chippendale resident and member A string of protests took place of the Sydney Greens, James Diak, who across the inner city last month as attended the protests at the Federal Sydneysiders voiced their opposition Government’s Phillip Street offices, to the Federal Government’s disagreed: “In terms of carbon dioxide announcement of a 2020 emissions concentration, 450 parts per million reduction target of five per cent. (ppm) is really the maximum ceiling for safety, and a five per cent agreement Local residents and environmentalists would push us to over 650ppm which is chanted, “We didn’t vote for five per not just dangerous climate change but cent” outside the offices of Labor devastating climate change.” MPs Tanya Plibersek and Peter Garrett Similar protests were witnessed and the Government’s Phillip Street outside the Botany office of Peter offices. Garrett where protestors dressed as sea Lindsay Soutar of Climate Action creatures theatrically depicted the death Newtown (which organised the “step of the Great Barrier Reef. in” at Ms Plibersek’s office with the Federal Opposition Leader Malcolm Balmain-Rozelle Climate Group) said Turnbull was also targeted by the Patricia Corowa ponders the future of the Pacific Photo: Ali Blogg many people thought the Government community protests with around had let them down. -
Home As Archive - Event Transcript
Home As Archive - Event Transcript Event begins Title Slide: Pink background with white text that reads “Home as Archive: Presented in collaboration with Essex Book Festival & Metals Culture, Southend. EWF logo and festival dates are in the lower right corner” Video One: Katerina Bryant Welcome to Home as Archive. My name is Katerina and I will be a host and artist this evening. To begin, I would like to acknowledge the first nations and Traditional Owners of the land we are broadcasting from – I am currently on Kaurna land, where I live and write. I pay my respects to Elders past and present, and, as this is an online recording whose reach is far, to the Elders of the lands this recording might reach. For this event, we will be discussing home, spaces and histories. This is part of the wonderful EWF and is presented in collaboration with Essex Book Festival & Metal Culture, Southend. Tonight, we will be witnessing work by artists working between so-called Australia and Essex, England. They will be sharing artefacts from the archives of their personal histories. I anticipate there will be an intimacy tonight as we will be peering into these artists’ homes. Where we live and, who and what we share those spaces with, is intimate and vulnerable. In some ways the past year has allowed us to peer into each other’s homes over Zoom, but in others it has separated us from sharing space with people we cherish. I’d love to frame tonight as not only a look into these artist’s homes and lives but the creation of our own archive – capturing this moment through place and objects. -
Nr. 110 2020 Nr. 110 2020
Nr. 110 Dez./Januar 2020 24. Jahrgang Gratis im Fachhandel WWW.INMUSIC2000.DE inHard_inMusic_S1_S16 18.12.2020 1:34 Uhr Seite 16 Seite Uhr 1:34 18.12.2020 inHard_inMusic_S1_S16 MONATS DES CD NICK MASON’S SAU- KRISTOFER ASTRÖM INGER LISE STULIEN WHITE ROSE SHEMEKIA COPELAND CERFUL OF SECRETS Hard Times Nashville TRANSMISSION Uncivil War Live At The Roundhouse Startracks/Indigo Grappa/Galileo MC Happiness At Last Alligator Records/in-akustik Sony Music ##### ##### Sireena/Broken Silence ##### ###### ##### Der schwedische Singer- Man kann's nicht glauben, Die Tochter von Johnny Ein Highlight für alle Psych- Songwriter Kristofer Aström aber die hübsche Coun- Bereits das sechste Album Copeland legt mit "Uncivil Proggies kommt hier von ist seit Jahren ein Garant für trysängerin und Songwrite- des Dark- und Gothic-Pro- War" ihr bereits neuntes Pink Floyd Schlagzeuger erstklassige Alben. Da rin INGER LISE STULIEN jekts von Carlo van Putten Album vor, das wie der Vor- Nick Mason, der im vergan- macht auch seine neue stammt nicht aus Nashville, (auch The Convent, Ex-Dead gänger von Will Kimbrough genen Jahr mit seiner Scheibe "Hard Times“ keine sondern aus Norwegen. Guitars), der diesmal von produziert wurde. Die Blu- Begleitband „Saucerful Of Ausnahme, die richtig gut Stimmlich und musikalisch Gästen wie Mark Burgess essängerin intoniert die 12 Secrets“ live on stage die geworden ist. Im Vorfeld ist sie aber fest in der ame- (The Chameloens), Amanda Songs wie gewohnt mit frühe Phase von Pink Floyd konnte man ja schon durch rikanischen Countryszene Palmer (Dresden Dolls) und ihrem unnachahmlich lei- wiederauferstehen ließ. Das die Vorabsingle "Inbetwee- verwurzelt, was ihre neue CD Marty Wilson-Piper (The denschaftlichen Bluesge- musikalische Ergebnis klingt ner" auf ein sehr gutes beweist, die sie in einem Church, All About Eve) unter- sang. -
A Week on the Cooks River
A WEEK ON THE COOKS RIVER Clare Britton, MA Studio Arts Sydney College of the Arts, The University of Sydney A thesis submitted in partial fulfilment of requirements for the degree of DOCTOR OF PHILOSOPHY 29 February 2020 i This is to certify that to the best of my knowledge; the content of this thesis is my own work. This thesis has not been submitted for any degree or other purposes. I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. Signature Name: Clare Britton i TABLE OF CONTENTS Acknowledgment of Country…………………………………………..…....Page iv Acknowledgments……………………………………………………..…....Page v List of Illustrations……………………………………………………….. ..Page vii Abstract………………………………………………………………….....Page xi Introduction: Yagoona………………………………………………..…….Page 3 The argument …………………………………………...…....Page 8 Approach to research ………………………………..……….Page 9 Content of the thesis …………………………………..…......Page 14 Structure of the thesis…………………………………...……Page 19 Chapter One……………………………………………………..…………Page 27 Situated research: walking, observations and conversation…....Page 29 Contemporary Performance………………………………….Page 42 Process……………………………………………………….Page 44 The studio space……………………………………………...Page 47 Group critique process ………………………………………Page 49 Watermill Residency………………………………………….Page 53 Chapter Two ………………………………………………………………Page 63 A week on the Cooks River Derive # 1………….….…….......Page 64 A week on the Cooks River drawing experiment Derive #2….Page -
SSH February 2021
Gunyadyu graphic by Blak Douglas READ SSH ONLINE SOUTHSYDNEYHERALD.COM.AU FREE PRINTED EDITION EVERY MONTH TO 10,000+ REGULAR READERS Number Two Hundred ~ February 2021 Circulation 10,000 ~ First Published 2002 ALEXANDRIA | BEACONSFIELD | CHIPPENDALE | DARLINGTON | ERSKINEVILLE | EVELEIGH | GLEBE | NEWTOWN | PADDINGTON | POTTS POINT | REDFERN | ROSEBERY | SURRY HILLS | ULTIMO | WATERLOO | WOOLLOOMOOLOO | ZETLAND Next Australian Census to count non‑binary sex Emma Donovan. Photo: Michelle Grace Hunder Yabun 2021 — leading the way FIRST PEOPLES Taking part in a Speak Out discussion at the University of ANDREW COLLIS Sydney’s New Law Building, Lynda-June Coe said the call for GADIGAL LAND: Indigenous justice has grown Congratulations to Koori Radio stronger. The proud Wiradjuri 93.7FM, organisers and sponsors and Badu Island teacher-activist of Yabun 2021. The festival, said she looks for “cracks in held each year on January the system” and draws on her 26, celebrates the ancient and love of country and family. adaptive wisdom of Aboriginal A Welcome and Smoking and Torres Strait Islander Ceremony took place at Victoria Since 2002 Norrie has been delivering 2,000 copies each month of the SSH around the homes she’s lived in – initially on The Block, then in Erskineville and now to cultures, as well as ongoing Park where dance groups at the neighbours in Waterloo public housing. In what she describes as ‘the best gig an artist could have’ she has also been the SSH cartoonist since 2006. Here on her signature bubble bike, she holds the 100th issue of the SSH – and the issue in your hands is our 200th! Photo: Lyn Turnbull resistance to colonisation. -
Sydney Opera House Stretch Reconciliation Action Plan 2017–19 Reconciliation 2017–19 Stretch Reconciliation Action Plan Sydney Operahouse
Sydney Opera House Stretch Reconciliation Action Plan 2017–19 Reconciliation Sydney Opera House Stretch Reconciliation Action Plan 2017–19 CEO Message 7 Reconciliation Australia Message 9 Our Reconciliation Vision 10 Who We Are and What We Stand For 12 Our Values 14 Our Reconciliation Action Plan 16 2014-16 RAP Highlights 20 Case Studies Dance Rites 24 Guwanyi Walama: Digital Tour 26 Career Paths 28 Songlines on the Sails 30 Reconciliation Action Plan 2017–19 Relationships 34 Respect 38 Opportunities 42 Tracking Progress and Reporting 48 Contents Warning: Aboriginal and Torres Strait Islander peoples are advised that this document may contain images of deceased persons. 3 2016 Lighting the Sails, Songlines, at Vivid Sydney. Artwork by Donny Woolagoodja. Photo by Daniel Boud. 5 I am delighted to present the At its 40th Anniversary in 2013, the Opera House embarked on a Decade of Renewal. It includes not only Sydney Opera House’s 2017–19 major capital works to safeguard the building for future generations, but also work across the organisation to Reconciliation Action Plan (RAP). ensure a deeper, richer and more fulfilling experience for 21st century artists, audiences and visitors. We have come such a long way since first developing a RAP in 2011. Our fourth RAP builds on the strong Our RAP is fundamental to achieving this vision. foundations established over the past five years, The 2017-19 plan sets out a clear path to further embed and brings together all the great initiatives being reconciliation values across the full spectrum of what undertaken across the organisation. The Opera House the Opera House offers, from art and experiences to is committed to respecting, embracing and celebrating education and employment. -
A Comparative Study of Bolivian Indigenous and Aboriginal and Torres Strait Islander Peoples’ Resistance
Battles for Indigenous self-determination in the neoliberal period: a comparative study of Bolivian Indigenous and Aboriginal and Torres Strait Islander peoples’ resistance. Rachel Lorraine Evans A thesis submitted for the Masters of Research degree at Sydney University in 2019 Faculty of Social Sciences 1 Abstract ___________________________________________ This comparative study will analyse Bolivia’s revolutionary process and Australian Aboriginal and Torres Strait Islander resistance movements to assess the Indigenous empowerment model. It will seek to ascertain whether an exchange would benefit both struggles. Bolivian President Evo Morales, an Indigenous Aymara, is widely recognised as leading a fight against neoliberalism, with a ‘cultural, democratic revolution’. The country, with 42% of people identifying as Indigenous (Fontana 2013, para 3), appears to be formalising Indigenous land rights through a ‘plurinational constitution’ (Burbach, Fox, Fuentes, 2013, p. 80), within an anti-capitalist rubric. Other revolutionary governments in the region — Venezuela, Ecuador, Nicaragua, El Salvador and Cuba — are challenging neoliberalism, but Bolivia seems to be uniquely placed to showcase elements within an Indigenous self-determination model. In comparison, Aboriginal and Torres Strait Islander communities in Australia are a minority population of 2.8% (Australian Bureau of Statistics, 2017, para 1), living within a settler colonial state, having survived British invasion of their lands. They have waged heroic battles for land rights and won 33% of their land back from the settler state (Altman, 2014, para 8). However, showing the strength of the colonial project, the majority of land to Aboriginal and Torres Strait Islanders is in remote and arid lands not suitable for agricultural production. -
Executive of the Week: Atlantic Records GM/Senior VP Urban A&R Lanre Gaba
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 19, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE Executive of the Week: Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal• Publishers Music Group Nashville),Atlantic debuts at No. 1 on Billboard Records’s lion audience impressions, GM/Senior up 16%). VP Top CountryQuarterly: Albums Sony chart dated April 18. In its first week (ending April 9), it earnedDrops 46,000 ‘ATV’ equivalent and album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStays to No. Nielsen 1 On Music/MRCSongs Data. Urban A&Rand total Country Lanre Airplay No. 1 as “Catch”Gaba (Big Machine Label Group) ascends SouthsideCharts marks Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart and fourth top 10. It follows freshman LP BY DAN RYS Young’s first of six chart entries, “Sleep With- Montevallo• Can You, which Tour arrived in a at the summit in No - out You,” reached No. 2 in December 2016. He Land Down Under? vember 2014 and reigned for nineThis weeks. week, To date, Atlantic Records celebrated two significant now — songsfollowed that come with inthe and multiweek out of playlistsNo. -
Kaldor Public Art Projects Royal Botanic Garden Sydney, Australia
Kaldor Public Art Projects Royal Botanic Garden Sydney, Australia JONATHAN JONES barrangal dyara (skin and bones) 17.09— 03.10.16 Download the Project 32 App now at kaldor.org Project Hours 10am—Sunset #barrangaldyara From our Stakeholders Welcome I am thrilled that the Australian Government The project is an opportunity to tell a The latest Kaldor Public Art Project, The Gadigal clan is one Working with Jonathan Jones on barrangal 2016 has been a very big year for the Royal is able to support such a groundbreaking remarkable story from Sydney’s history that barrangal dyara (skin and bones), will be an dyara (skin and bones) has been a wonderful Botanic Garden Sydney—the 200th Birthday project. barrangal dyara (skin and bones) will had largely been forgotten. I believe that impressive temporary artwork which will of twenty-nine clans personal experience for me, my admiration of Australia’s oldest scientific institution, be an important moment not just in Sydney’s the ambitious scale of the project will be of complement the City’s Eora Journey. for Jonathan has grown as the project has and second-oldest botanic garden in the history but also for our nation’s story. international significance and remembered I commend artist Jonathan Jones for that make up the Eora progressed. His deep connection to his Southern Hemisphere. for many years to come. recalling an almost forgotten event in nation. The Eora nation ancestors and country has given me an This amazing Kaldor project, barrangal Minister for Communications, Sydney’s history, the destruction by fire insight into a different Australia. -
Transforming My Country Publishing Information Support Australian
Australian Poetry Transforming Chapbook My Country Transforming My Country Publishing Information Support Australian Transforming My Country Poetry Transforming australianpoetry.org Chapbook A publication of Australian Poetry Ltd My Guest Editor: Toby Fitch Designer: Stuart Geddes Publisher: Australian Poetry AP Subscriptions & Communications: Emma Caskey Country Printed by Focus Print Group Australian Poetry (AP) is the sole national representative body for poetry in this country. It is an independent non-profit organisation, supported A selection of poems by federal, state and local government arts funding edited by programs, patrons and its subscription base. We Tob y Fi t c h responding to represent Australian poetry and its poets, nationally and internationally. Dorothea Mackellar’s Address editorial correspondence to ‘My Country’ Level 3 The Wheeler Centre, 176 Little Lonsdale Street, Melbourne, Victoria 3000 or by email to [email protected] Australian Poetry Ltd attains worldwide first publication rights in both printed and digital form for the distribution and promotion of the Australian Poetry Journal and organisation as a whole. Copyright 2021 by Australian Poetry Ltd. Subscription to the Australian Poetry Journal is available online: australianpoetry.org/support Individual copies of the journal (including back issues) can be purchased directly from Australian Poetry Ltd: [email protected] AP House Style is to follow a poet’s use of punctuation, italicisation and US/English spellings as they are in the original poem. Any use of another’s works is expected to be acknowledged in notes and the responsibility for this is with poets. Also, regarding poet biographies, we accept the details provided in good faith. -
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