Racial Minority Immigrant Acculturation: Examining Filipino Settlement Experiences in Canada Utilizing a Community-Focused Acculturation Framework
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'New Society' and the Philippine Labour Export Policy (1972-1986)
EDUCATION IN THE ‘NEW SOCIETY’ AND THE PHILIppINE LABOUR EXPORT POLICY (1972-1986) EDUCATION IN THE ‘NEW SOCIETY’ AND THE PHILIPPINE LABOUR EXPORT POLICY (1972-1986) Mark Macaa Kyushu University Abstract: The ‘overseas Filipino workers’ (OFWs) are the largest source of US dollar income in the Philippines. These state-sponsored labour migrations have resulted in an exodus of workers and professionals that now amounts to approximately 10% of the entire country’s population. From a temporary and seasonal employment strategy during the early American colonial period, labour export has become a cornerstone of the country’s development policy. This was institutionalised under the Marcos regime (1965-1986), and especially in the early years of the martial law period (1972-81), and maintained by successive governments thereafter. Within this context, this paper investigates the relationship between Marcos’ ‘New Society’ agenda, the globalization of migrant labour, and state sponsorship of labour exports. In particular, it analyses the significance of attempts made to deploy education policy and educational institutions to facilitate the state’s labour export drive. Evidence analyzed in this paper suggests that sweeping reforms covering curricular policies, education governance and funding were implemented, ostensibly in support of national development. However, these measures ultimately did little to boost domestic economic development. Instead, they set the stage for the education system to continue training and certifying Filipino skilled labour for global export – a pattern that has continued to this day. Keywords: migration, labour export, education reforms, Ferdinand Marcos, New Society Introduction This paper extends a historical analysis begun with an investigation of early Filipino labour migration to the US and its role in addressing widespread poverty and unemployment (Maca, 2017). -
Upsurge of People's Resistance in the Philippines and the World
Jose Maria Sison Upsurge of People’s Resistance in the Philippines and the World Selected Works 2020 Julieta de Lima, Editor Table of Contents Title Page Upsurge of People's Resistance in the Philippines and the World Author’s Preface I. Articles and Speeches Terrorist crimes of Trump and US imperialism | turn the peoples of the Middle East against them On the Prospect of Peace Negotiations during the Time of Duterte or Thereafter1 Fight for Land, Justice and Peace | Message on the Occasion of 33rd Anniversary | of the Mendiola massacre2 Celebrate the First Quarter Storm of 1970, | Honor and Emulate the Heroic Activist Youth Relevance of the First Quarter Storm of 1970 | to the Global Anti- Fascist In Transition to the Resurgence of the | World Proletarian Revolution In Transition to the Resurgence of the | World Proletarian Revolution4 On the International Situation, | Covid-19 Pandemic and the People’s Response5 | First Series of ILPS Webinars In Transition to the Resurgence | of the World Proletarian Revolution6 An Update on the International Situation7 | for the International Coordinating Committee | of the International League of Peoples’ Struggle ILPS as United Front for Anti-Imperialist and | Democratic Struggle | Message on the Plan to Establish the ILPS-Europe8 A Comment on Dialectical Materialism, Idealism | and Mechanical Materialism Lenin at 150: Lenin Lives!9 | In Celebration of the 150th birth anniversary | of V.I. Lenin On the Current Character of the Philippine Economy General View of Lenin’s Theory on | Modern Imperialism -
The 'Unfinished Revolution' in Philippine Political Discourse
Southeast Asian Studies, Vol. 31, No. I, June 1993 The 'Unfinished Revolution' in Philippine Political Discourse Reynaldo C. ILETo * The February 1986 event that led to Marcos's downfall is usually labelled as the "February Revolution" or the "EDSA Revolution." On the other hand, all sorts of analyses have argued to the effect that the "EDSA Revolution" cannot be called a revolution, that it can best be described as a form of regime-change, a coup d'etat, a restoration, and so forth [see Carino 1986]. Yet to the hundreds of thousands of Filipinos from all social classes who massed on the streets that week there seemed to be no doubt that they were "making revolution" and that they were participating in "people power." For the revolution to be, it sufficed for them to throw caution aside (bahala na), to confront the tanks and guns of the state, to experience a couple of hours of solidarity with the anonymous crowd, and to participate in exorcising the forces of darkness (i. e., the Marcos regime). Should the business of naming the event a "revolution" be understood, then, simply in terms of its political referent? Whatever the reality of the processes enveloping them, the crowds on EDSA seemed to readily interpret or locate their experience within a familiar discourse of revolution and mass action. The present essay explores the discursive frame of radical politics from the 1950s up to 1986. I) I hope to explain why "revolution" and "people power" were familiar in 1986, as well as why the imagined "1986 EDSA revolution" also constitutes a departure or break from the Marcos/Communist Party discourse of revolution. -
Countdown to Martial Law: the U.S-Philippine Relationship, 1969
University of Massachusetts Boston ScholarWorks at UMass Boston Graduate Masters Theses Doctoral Dissertations and Masters Theses 8-31-2016 Countdown to Martial Law: The .SU -Philippine Relationship, 1969-1972 Joven G. Maranan University of Massachusetts Boston Follow this and additional works at: https://scholarworks.umb.edu/masters_theses Part of the Asian History Commons, and the United States History Commons Recommended Citation Maranan, Joven G., "Countdown to Martial Law: The .SU -Philippine Relationship, 1969-1972" (2016). Graduate Masters Theses. 401. https://scholarworks.umb.edu/masters_theses/401 This Open Access Thesis is brought to you for free and open access by the Doctoral Dissertations and Masters Theses at ScholarWorks at UMass Boston. It has been accepted for inclusion in Graduate Masters Theses by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. COUNTDOWN TO MARTIAL LAW: THE U.S.-PHILIPPINE RELATIONSHIP, 1969-1972 A Thesis Presented by JOVEN G. MARANAN Submitted to the Office of Graduate Studies, University of Massachusetts Boston, in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2016 History Program © 2016 by Joven G. Maranan All rights reserved COUNTDOWN TO MARTIAL LAW: THE U.S.-PHILIPPINE RELATIONSHIP 1969-1972 A Thesis Presented by JOVEN G. MARANAN Approved as to style and content by: ________________________________________________ Vincent Cannato, Associate Professor Chairperson of Committee ________________________________________________ David Hunt, Professor Member ________________________________________________ Christopher Capozzola, Associate Professor MIT Member _________________________________________ Vincent Cannato, Program Director History Graduate Program _________________________________________ Tim Hascsi, Chairperson History Department ABSTRACT COUNTDOWN TO MARTIAL LAW: THE U.S.-PHILIPPINE RELATIONSHIP, 1969-1972 August 2016 Joven G. -
Dictators Walking the Mogadishu Line: How Men Become Monsters and Monsters Become Men∗
Dictators Walking the Mogadishu Line: How Men Become Monsters and Monsters Become Men∗ Shaun Larcom Mare Sarr Tim Willems June 2016 ∗Shaun Larcom is University Lecturer in the Department of Land Economy at the University of Cam- bridge. His email address is [email protected]. Mare Sarr (corresponding author) is Associate Professor in the School of Economics at the University of Cape Town. His email address is [email protected]. Tim Willems is an external Research Associate with OxCarre. His email address is [email protected]. The authors thank Denis Norman for sharing his experiences on life within the Mugabe-government. They also thank the editor (Andrew Foster), two anonymous referees, Rob Davies, Georgy Egorov, Bernardo Guimaraes, Juniours Marire, Athanasios Orphanides, Chrik Poortman, Ragnar Torvik, Wessel Vermeulen, Sam Wills, Li Yuan, Alex Zimper and audiences at the 7th Oxcarre Conference, the 2014 Political Economy Workshop in Milan, and the Universities of Cape Town, Oxford, Pretoria, Toulouse School of Economics, and the Graduate Institute Geneva for useful comments and discussions. Adeola Oyenubi provided excellent research assistance. 1 Let them hate me, as long as they fear me. Caligula, Roman Emperor from 37 to 41 AD. At some point in the second half of the 20th century, the world was in a state of excitement. The reason was that the white government of an African country had just announced the discharge of a prominent freedom fighter with a history within the South African ANC. After decades of tireless struggle for freedom and majority rule, he was convincingly elected to lead his country. -
Political-Economic Ideologies and Social Justice
Ateneo de Manila University Archīum Ateneo Political Science Department Faculty Publications Political Science Department 1994 Political-Economic Ideologies and Social Justice Benjamin T. Tolosa Jr Follow this and additional works at: https://archium.ateneo.edu/polsci-faculty-pubs Part of the Philosophy Commons, and the Political Science Commons Cultural Heritage and Contemporary Change Series III. Asia, Volume 7 Values in Philippine Culture and Education Philippine Philosophical Studies, I Edited by Manuel B. Dy Jr. The Council for Research in Values and Philosophy Copyright © 1994 by The Council for Research in Values and Philosophy Gibbons Hall B-20 620 Michigan Avenue, NE Washington, D.C. 20064 All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Values in Philippine culture and education / edited by Manuel B. Dy, Jr. p.cm. — (Cultural heritage and contemporary change . George F. McLean, Gen. ed.: Series III. Asia, vol. 7) (Philippine philosophical studies; 1) Includes bibliographies and index. 1. Moral education—Philippine. 2. Values—Philippine. 3. Philosophy—Philippine. 4. Philippines—Civilization. I. Dy, Manuel B. Jr. II. Series III. Series: Philippine philosophical studies; 1. LC315.P5V35 1994 94-4724 370.11’4’09599—dc20 CIP ISBN 1-56518-040-2 & 1-56518-041-2 (pbk.) Table of Contents Preface vii Introduction 1 Part I. Values Inherent in Philippine Culture 1. The Philosophy of Value, the Value of Philosophy 9 Manuel B. Dy Jr. 2. Outline of a Project of Pilippino Ethics 19 Manuel B. Dy Jr. 3. Values Education and Philippine Society 27 Raul J. Bonoan, S.J. 4. A Moral Recovery Program: Building a People--Building a Nation 35 Patricia Licuanan Part II. -
Decorated Duterte: Digital Objects and the Crisis of Martial Law History in the Philippines
McKay, D 2020 Decorated Duterte: Digital Objects and the Crisis of Martial Law History in the Philippines. Modern Languages Open, 2020(1): 27 pp. 1–10. DOI: https://doi.org/10.3828/mlo.v0i0.316 GLOBAL CRISIS IN MEMORY Decorated Duterte: Digital Objects and the Crisis of Martial Law History in the Philippines Deirdre McKay Keele University, GB [email protected] Much of the contemporary crisis in coming to terms with the past may have digital origins. We can see this crisis as engineered or assembled through a new series of historical actors: memes and posts on social media and, behind them, the work of trolls and paid influencers. These actors do not travel with first-person accounts of events so much as accumulate in the digital ephemera of daily lives and are then archived as the currency of digital capital- ism, saved in individual online albums, on smart phones and then republished elsewhere. Their circulation and accumulation can be strategically directed by political actors who seek to overturn established historical consensus. Tracing the trajectory of memes featuring the Philippines’ President Duterte, this paper explores how digital objects have contributed to attempts to rework the history of the Martial Law era. Much of the contemporary crisis in coming to terms with the past may have digital origins. We can understand this crisis as one assembled through a new series of historical actors. These actors are memes and posts on social media and, behind them, the trolls and paid influencers whose work it is to create and disseminate them.1 The actions of memes, posts and their makers are delimited by the dynamic regulations of social media platforms. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title The Subject Case : : The Filipino Body and the Politics of Making Filipino America Permalink https://escholarship.org/uc/item/7x9535xx Author Diaz, Josen Masangkay Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Subject Case: The Filipino Body and the Politics of Making Filipino America A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Josen Masangkay Diaz Committee in charge: Professor Lisa Lowe, Co-Chair Professor John D. Blanco, Co-Chair Professor Fatima El-Tayeb Professor Yen Le Espiritu Professor Shelley Streeby Professor Lisa Yoneyama 2014 Copyright © Josen Masangkay Diaz, 2014 All rights reserved. The Dissertation of Josen Masangkay Diaz is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2014 iii DEDICATION For my parents iv TABLE OF CONTENTS Signature Page .............................................................................................................. iii Dedication ..................................................................................................................... iv Table of Contents .......................................................................................................... v List of Figures .............................................................................................................. -
Transnational Cultural Work in the National Democratic Movement of the Philippines Ryan Anthony Leano University of San Francisco, [email protected]
The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 2014 Artist as Citizen: Transnational Cultural Work in the National Democratic Movement of the Philippines Ryan Anthony Leano University of San Francisco, [email protected] Follow this and additional works at: https://repository.usfca.edu/diss Part of the Asian American Studies Commons Recommended Citation Leano, Ryan Anthony, "Artist as Citizen: Transnational Cultural Work in the National Democratic Movement of the Philippines" (2014). Doctoral Dissertations. 102. https://repository.usfca.edu/diss/102 This Dissertation is brought to you for free and open access by the Theses, Dissertations, Capstones and Projects at USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of USF Scholarship: a digital repository @ Gleeson Library | Geschke Center. For more information, please contact [email protected]. The University of San Francisco ARTIST AS CITIZEN: TRANSNATIONAL CULTURAL WORK IN THE NATIONAL DEMOCRATIC MOVEMENT OF THE PHILIPPINES A Dissertation Presented to The Faculty of the School of Education International and Multicultural Education Department In Partial Fulfillment of the Requirements for the Degree Doctor of Education by Ryan A. Leano San Francisco, California May 2014 THE UNIVERSITY OF SAN FRANCISCO Dissertation Abstract Artist as Citizen: Transnational Cultural Work in the National Democratic Movement of the Philippines The inspiration for this topic comes from my own experiences as a Filipino transnational cultural worker in this movement. There has been research done on Filipinos in the arts and social movements, however there is a paucity of information concerning Filipino cultural work. -
Passionate Revolutions Contents
Passionate Revolutions Contents introduction The Power of Political Emotions 1 one The First Quarter Storm 20 two Social Conduct and the New Society 53 three National Discipline and the Cinema 84 four Popular Struggles and Elite Politics 116 five The Media and the Second Coming of the First Quarter Storm 144 six The New Politics, Lino Brocka, and People Power 171 conclusion The Force of National Allegory 204 Abbreviations 219 Notes 221 Glossary 253 Bibliography 259 Index 268 Introduction THE POWER OF POLITICAL EMOTIONS The dictatorship of Ferdinand Marcos came to an ignominious end on February 25, 1986. After twenty-one years in power, Marcos fled the Philippines following a four-day popular revolt dubbed people power. The euphoria in the streets was televised live around the globe. With the force of national allegory, these televised images conveyed a seemingly incontrovertible message: here is visible evidence that a people’s democratic aspirations can triumph over authoritarianism; here is proof of the utopian possibilities of political emotions. The political spectacle of people power conjoins two stories, each one pivoting on the activation of emotion in the political sphere. On the one hand, there is the melodramatic story of how Marcos rose to power by creating a national family, a political fan- tasy that was both seductive and treacherous in its claims to trans- form the nation into a postcolonial utopia via a dictatorship of love. On the other hand, there is the story of how a sentimental culture of protest grew in close proximity to the “official” political sphere, an intimate public laboriously channeling the moral outrage of a people pained by the egregious excesses of the Marcos regime. -
Download the Case Study Report on Prevention in the Philippines Here
International Center for Transitional Justice Disrupting Cycles of Discontent TRANSITIONAL JUSTICE AND PREVENTION IN THE PHILIPPINES June 2021 Cover Image: Relatives and friends hold balloons during the funeral of three-year-old Kateleen Myca Ulpina on July 9, 2019, in Rodriguez, Rizal province, Philippines. Ul- pina was shot dead by police officers conducting a drug raid targeting her father. (Ezra Acayan/Getty Images) Disrupting Cycles of Discontent TRANSITIONAL JUSTICE AND PREVENTION IN THE PHILIPPINES Robert Francis B. Garcia JUNE 2021 International Center Disrupting Cycles of Discontent for Transitional Justice About the Research Project This publication is part of an ICTJ comparative research project examining the contributions of tran- sitional justice to prevention. The project includes country case studies on Colombia, Morocco, Peru, the Philippines, and Sierra Leone, as well as a summary report. All six publications are available on ICTJ’s website. About the Author Robert Francis B. Garcia is the founding chairperson of the human rights organization Peace Advocates for Truth, Healing, and Justice (PATH). He currently serves as a transitional justice consultant for the Philippines’ Commission on Human Rights (CHR) and manages Weaving Women’s Narratives, a research and memorialization project based at the Ateneo de Manila University. Bobby is author of the award-winning memoir To Suffer thy Comrades: How the Revolution Decimated its Own, which chronicles his experiences as a torture survivor. Acknowledgments It would be impossible to enumerate everyone who has directly or indirectly contributed to this study. Many are bound to be overlooked. That said, the author would like to mention a few names represent- ing various groups whose input has been invaluable to the completion of this work. -
The Country and the City Social Melodrama and the Symptoms of Authoritarian Rule
1 The Country and the City Social Melodrama and the Symptoms of Authoritarian Rule One of the most accomplished works of the new cinema that emerged in the Philippines in the early 1970s revolves around a scene of waiting, one in which lit- tle appears to be happening even though everything is actually at stake. The film, called Maynila: Sa mga kuko ng liwanag (Manila in the Claws of Light, 1975), returns intermittently to the image of a young man standing on a dingy corner of Chinatown. He has his eye on the window above an always-closed storefront. He waits for any signs of his lost sweetheart, a country lass who may have fallen prey to white slavery. Somewhere behind him, a fortune teller’s sign reads: “Do you have a problem?” In an inconspicuous but visible corner of the movie screen, we might find the answer to that question. A snip of graffiti scrawled in blood-red paint on newsprint screams “Long Live the Workers!” Another handmade poster contains an image of a raised fist and the initials of a radical youth organization called Kabataang Makabayan (Nationalist Youth). A third poster, partially torn, alternately suggests the words Junk (Ibasura) and Take Down (Ibagsak), depending on which letters the man’s body obscures and reveals as he moves around. The political graffiti in Brocka’s mise-en-scène are imprints of history. They are the traces of a political ferment that began in the West—in the antiestablishment and antiwar uprisings of the late 1960s—and spread, albeit not unchanged, to the third world country where the young man dwells.