CATHLEEN MASON Broadway Film Management 175 West 2700 South SLC UT 84105 (801) 557-4782 FEATURE FILMS

Total Page:16

File Type:pdf, Size:1020Kb

CATHLEEN MASON Broadway Film Management 175 West 2700 South SLC UT 84105 (801) 557-4782 FEATURE FILMS CATHLEEN MASON Broadway Film Management 175 West 2700 South SLC UT 84105 (801) 557-4782 FEATURE FILMS The Letter Writer Lynn, the nurse/Day Player Christian Vuissa Dir./ Mirror Films Blood Fare Dean Deveroux/Day Player J.A. Steel Dir./Warrior Entertainment Jospeh Smith and the Golden Plates Midwife 1/Day Player Christian Vuissa Dir./Mirror Films For Robbing the Dead Mrs. Carpenter/supporting Tom Russell Dir./First Light Productions The Wayshower,Lord of the Realms Mrs. Hinkins/Day Player Jsu Garcia & John Roger Dir./Gilgamesh Productions Joseph Smith,Prophet of the Restoration Pioneer Thom Eberhardt Dir./LDS Motion Picture One Good Man Weeping Woman/Featured Christian Vuissa Dir./Mirror Films The Book of Mormon Movie Weeping Woman/Featured Gary Rogers Dir./Mormon Productions Charly Sister Atkins/Day Player Adam Anderegg Dir./Kalidescope Productions Brigham City Barbra,townswoman/Day Player Richard Dutcher Dir./Zion Films TELEVISION None-the-Less Mom/supporting Brandi Lynn Anderson Dir./Drop-the-Ball Productions The Kane Files Wendy's Mom/featured Ben Gourley Dir./ Aesop Productions The Gap Helen, the mom/Day Player Antonio Lexoroot Dir./Stick Pictures/episodic Annother Audience Mrs. Meek, teacher/supporting Adam Anderegg Dr./BYU Productions/KBYU The Absence of the Good Mrs. Gumme/Day player John Flynn Dir./ Absence Prod./ HBO Special Touched by An Angel/Angel of Death The Angry Woman/Day Player Tim Van Patten Dir./Caroline Prod./CBS Series BUSSINESS/INDUSTRIAL/EDUCATIONAL/SHORTS/FEASTIVALS/COMMERICALS/V.O. Dead People Don't Talk Mom /supporting Steven Streeter Dir./UofU Student Film White Wings Mom/Featured Richard Hatch Dir./Sue Rowe Films The Hook-up Cathleen/Woman hot flashsday player Billy Holden Dir./Provo Creative In Loco Parentisis Helen/House keeper/supporting Connie Wilerson Dir./Utah Digital Film Society Hansel and Gretel Party Goer 2/Day player Christopher Lee Dir./Three Gun Rose Productions Tattle Tail Cathleen/Lead Warren Workman Dir./Timpanogas Films Hula Hell Agent Sultry/Day Player Joe Peck Dir./Provo Creative American Radio Cafe Improv/singing/skits/supporting Micheal Leavitt Dir./Desert Rose Productions A Short Goodbye Pam Weller/Dieing patient/Day Playerr Spanky Ward Dr./Otay Productions The Popcorn Club Pilot Miss B/teacher/Supporting Rhett&Burke Lewis Dr./Studio 1 Pictures Crossroads Grieving Mother/supporting Spanky Ward Dir./Otay Productions The Mirror Creepy Antique Dealer/Day player Todd Ruffner Dir/SLCC Student Film Intelegence Training Exercise Olga/Russian Woman/Improv Tip Boxel Dir./Utah National guard Relief Society/Welfare Instructional Sister Jorgenson/R.S. President/Lead LDS Church Our Boys June /supporting Geoff Hansen Dir./KH filmwerks Gus Palos Chevrolet Harried Mother Telescene Intense Mrs. Johnson Ryan Poland Dir./Super Bowl Commerical Competition MCI Pioneer Woman Omaha Pictures V.O. Trafalga,Deseret Book, Joseph Smith Prophet of the Restoration EDUCATION AND TRAINING Actors Improv/Nate Sears and Kim Page. Meisner study group 1 year/Ira Popper,Tye Nelson. Professional Actors Workshop, Basic,Advanced &Masters/Lance Williams Survior Improv/Don Gibble LA. Richard Hatch LA Acting Workshop x5 & Tipp Boxel Skinny Lincolns Improv comedy/Lincoln Holff. Directors Workshop SLCC 2 years/Geoff Hansen Actors Acadamy Beg. Inter. Advanced, Masters/ Rick Macy Professional Voice Over Workshop Level 1&2/Christina Thurmaon. Scene Study/Geoof Hansen 5 years,Christian Vuissa. & Joe Batxel LDSMPS Audiioning Workshop Auditioning Workshop/Jennifer Buster, Katrine McGreggor, . ADDITIONAL EXPERTISE: Multiple lead roles in Stage Plays. Registered Nurse, Sing in American Sign Language, Dialects, singing and Dancing, DJ for 88.1 weber FM.
Recommended publications
  • WHY WE STAY Samoan Temple Burns Down; Book Stirs Controversy; FIVE PERSPECTIVES New LDS Films; More! (P.74) J
    Cover_129.qxd 10/15/2003 10:05 AM Page 2 MORMON EXPERIENCE SCHOLARSHIP ISSUES & ART THE MAKING OF IMMANUEL: SUNSTONESUNSTONE Brian David Mitchell and the Mormon Fringe by John-Charles Duffy (p.34) NEBULA an England essay contest winner by Mari Jorgensen (p.46) Experience the YEAR OF THE CICADA a story by Joe Peterson (p.52) Surviving BYU and Berkeley by Joanna Gardiner (p.57) IN MEMORIAM: Dean L. May and Stanley B. Kimball (p.6) 2003 Salt Lake Sunstone Symposium Report (p.68) UPDATE Conference news: Church members arrested after confrontations with street preachers; LDS leaders speak out on same-sex marriage legislation; WHY WE STAY Samoan temple burns down; Book stirs controversy; FIVE PERSPECTIVES New LDS films; More! (p.74) J. Frederick “Toby” Pingree, October 2003—$5.95 MaryAnne Hunter, Bill Bradshaw, Grethe Peterson, & Thomas F. Rogers ifc.qxd 10/15/2003 10:08 AM Page 1 Washington MOLLY BENNION—ORGANIZER ROY BENNION LEVI S. PETERSON RICHARD DUTCHER MARNI CAMPBELL ARMAND L. MAUSS THERESA ROTH CHARLOTTE ENGLAND TOM MUMFORD SUSAN PALMER JULIE MUMFORD DAVID HUNTER DAN PINGREE SAGE JOHNS LEAH SMITH pecial thanks to this year’s fall regional symposium volunteers! S Tape order form, page 73 Texas STEVE ECCLES—ORGANIZER MARGARET BLAIR YOUNG ROBERT H. BRIGGS DARIUS GRAY DAVID FEATHERSTONE ARMAND L. MAUSS CLIFTON JOLLEY VICKIE STEWART EASTMAN PAUL H. SMITH DARRELL FLETCHER LAEL LITTKE 01_toc.qxd 10/15/2003 11:19 AM Page 1 MORMON EXPERIENCE, SCHOLARSHIP, ISSUES, & ART OCTOBER 2003 Issue 129 FEATURES 22 J. Frederick “Toby” Pingree, . WHY WE STAY MaryAnne Hunter, Bill Bradshaw Grethe Peterson, Thomas F.
    [Show full text]
  • THESIS a REASON to BELIEVE: a RHETORICAL ANALYSIS of MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communic
    THESIS A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS Submitted by Sky L. Anderson Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring 2012 Master’s Committee Advisor: Carl Burgchardt Eric Aoki Kathleen Kiefer ABSTRACT A REASON TO BELIEVE: A RHETORICAL ANALYSIS OF MORMON MISSIONARY FILMS In this analysis, I examine Mormon cinema and how it functions on a rhetorical level. I specifically focus on missionary films, or movies that are framed by LDS missionary narratives. Through an analysis of two LDS missionary films, namely Richard Dutcher’s God’s Army (2000) and Mitch Davis’ The Other Side of Heaven (2001), I uncover two rhetorical approaches to fostering spirituality. In my first analysis, I argue that God’s Army presents two pathways to spirituality: one which produces positive consequences for the characters, and the other which produces negative consequences. I call these pathways, respectively, ascending and descending spirituality, and I explore the rhetorical implications of this framing. In my second analysis, I contend that The Other Side of Heaven creates a rhetorical space wherein the audience may transform. Specifically, the film constructs a “Zion,” or a heaven on earth, with three necessary components, which coincide perfectly with established LDS teachings: God, people, and place. These three elements invite the audience to accept that they are imperfect, yet they can improve if they so desire. Ultimately, by comparing my findings from both films, I argue that the films’ rhetorical strategies are well constructed to potentially reinforce beliefs for Mormon audiences, and they also may invite non-Mormons to think more positively about LDS teachings.
    [Show full text]
  • In the United States District Court for the District of Utah
    Case 2:15-cv-00110-DB Document 114 Filed 05/08/17 Page 1 of 15 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF UTAH CENTRAL DIVISION RICHARD DUTCHER, MEMORANDUM DECISION AND ORDER Plaintiff, v. Case No. 2:15-cv-110-DB-PMW BOLD FILMS LP; BOLD FILM PRODUCTIONS, LLC; OPEN ROAD FILMS, LLC; NBC UNIVERSAL MEDIA, LLC; and UNIVERSAL STUDIOS HOME ENTERTAINMENT, LLC, District Judge Dee Benson Defendants. Chief Magistrate Judge Paul M. Warner District Judge Dee Benson referred this case to Chief Magistrate Judge Paul M. Warner pursuant to 28 U.S.C. § 636(b)(1)(A).1 Before the court are Richard Dutcher’s (“Plaintiff”) three motions to compel various discovery requests from Bold Films LP; Bold Films Productions, LLC; Open Road Films, LLC; NBC Universal Media, LLC; and Universal Studios Home Entertainment, LLC (collectively, “Defendants”).2 The court has carefully reviewed the written memoranda submitted by the parties. Pursuant to civil rule 7-1(f) of the Rules of Practice for the United States District Court for the District of Utah, the court has concluded that oral argument is not necessary and will determine the motions on the basis of the written memoranda. See DUCivR 7-1(f). 1 Dkt. no. 80. 2 Dkt. nos. 100, 101, and 106. Case 2:15-cv-00110-DB Document 114 Filed 05/08/17 Page 2 of 15 BACKGROUND In 1999, Plaintiff wrote the screenplay for the movie Falling. Plaintiff’s movie was filmed in 2007, at which time he registered a copyright with the United States Copyright Office.
    [Show full text]
  • Download Resume
    Monica Moore Smith Eyes: blue • Hair: blonde • Height: 5’4” • Size: small/medium Talent Management Group, Inc. [email protected] • 801.319.6623 512 E 4500 S, #200 • Salt Lake City, Utah 84107 MonicaMooreSmith.com • IMDB.me/MonicaMooreSmith Vickie Panek • [email protected] • 801.263.6940 Television Battle of the Ages Character Co-Host Big Game Productions Inc. Big Family Movie Host BYUtv Devin Supertramp Fortnite Lead Devin Graham Primary Pals with David Osmond Series Lead Joseph Wilkins Devin Supertramp Super Smash Bros Lead Devin Graham Life Crunch Personal Responsibility Guest Star Neil Haitt Theatrical Romance in the Outfield: Double Play Lead Randolph Sternberg, Rebecca Sternberg Twice The Dream Lead Savannah Ostler Saturday's Warrior Supporting Lead Michael Buster A Seat For Everyone Supporting Lead Cactus Jack Missionary Safety Series Featured Blair Treu Waiting Lead Emily Mcney 13 Bullets Supporting Lead Richard Dutcher Fairness for All Lead Sterling Van Wagenen Bullying - Stop It Supporting Feature Lucas James McGraw To Have and To Hold Lead Colten Elzy Mission Advantage Lead Kelyn Ikegami Room Enough Supporting Lead Ben Wray Commercial Sinclair Oil 100th Anniversary - Are We There Yet? Supporting Lead Fueld Films Ken Garff Lead Faktory Poo-Pourri Supporting Chamber Media Utah Community Credit Union Supporting Molin Christmas Anxiety Support Group Lead Deseret Book $5 Smile Club Lead Circa3 Check City Lead First Vision Group Lucid Mattress Lead Malouf Films Morgan Jewelers Lead Thomas Arts WyzeCam Supporting Lead Atomic
    [Show full text]
  • JH Resume 2016 TMG.Pages
    JEREMY HOOP FILM (PARTIAL LIST) STELLA STARRING VANESSA GREENE DIR. LOVE EVERLASTING SUPPORTING ROB DIAMOND, DIR. ROAD TO EMMAUS STARRING BRUCE NIEBAUR, DIR. EPHRAIM’S RESCUE SUPPORTING TC CHRISTENSEN DIR. THE ORCHARD STARRING GO FILMS/NATHAN LEE DIR. BULLSEYE STARRING MATT POPE DIR. LIFTED UP STARRING ERWIN BROTHERS FILMS CHARLY STARRING ADAM ANDEREGG DIR. MOOLA SUPPORTING DON MOST DIR. JONAH AND THE GREAT FISH SUPPORTING DENNIS AGLE DIR. ABRAM’S REWARD SUPPORTING ERWIN BROTHER’S FILMS JUST A DREAM SUPPORTING SHOWTIME/DANNY GLOVER DIR. OUT OF STEP STARRING RYAN LITTLE DIR. THE TESTAMENTS STARRING KIETH MERRIL DIR. THE KING’S FALCON STARRING DEBORAH HOFSTEDT DIR. THE APOSTASY SUPPORTING BLAIR TREU DIR. SONS OF PROVO SUPPORTING WILL SWENSON DIR. BRIGHAM CITY SUPPORTING RICHARD DUTCHER DIR. THE SINGLE’S WARD SUPPORTING KURT HALE DIR. TELEVISION FIRESTARTER 2: REKINDLED (W/Danny Nucci) SUPPORTING USA/SCI-FI MINI SERIES PERFECT MURDER, PERFECT TOWN (W/John Heard) SUPPORTING CBS/MINI SERIES BEYOND THE PRAIRIE (W/ Walton Goggins) SUPPORTING CBS TOUCHED BY AN ANGEL GUEST STAR CBS PACIFIC BLUE (2 EPISODES) GUEST STAR USA PROMISED LAND (W/Gerald McRaney) GUEST STAR CBS TOUCHED BY AN ANGEL (4 Episodes) CO-STAR CBS EVERWOOD CO-STAR WB COVER ME CO-STAR USA UNDER CONTRACT GUEST STAR USA/PILOT COMMERCIAL/INDUSTRIAL (PARTIAL LIST) POKEMON - TOMY PRINCIPAL PARENTWISE PRINCIPAL VERIZON WIRELESS PRINCIPAL ANCESTRY.COM PRINCIPAL NAPA AUTOPARTS PRINCIPAL MICROSOFT PRINCIPAL SOUTHWEST AIRLINES PRINCIPAL ALBERTSONS PRINCIPAL INTEL PRINCIPAL WELLS FARGO PRINCIPAL
    [Show full text]
  • Writer-Director Richard Dutcher, Unquestionably the Dominant Personality in the Past Decade of Mormon Cinema, on Location with A
    Writer-director Richard Dutcher, unquestionably the dominant personality in the past decade of Mormon cinema, on location with actors Jo-Sei Ikeda and Ignacio Serricchio for his film States of Grace (2005). Dutcher—who has worked as writer, actor, producer, director, and now editor—is credited with launching a new wave of Mormon film with his breakthrough production God’s Army in 2000, which not only set the stage for multiple theatrical releases of Mormon-themed pictures, but also sought to increase their realism and dramatic depth beyond the limited depic- tions of Mormons in Hollywood films or, conversely, institutional productions in the style of Judge Whitaker. © Main Street Movie Co. A History of Mormon Cinema: Fifth Wave V 127 The Fifth Wave: Cultural and Commercial Viability (2000–Present) The Fifth Wave of Mormon cinema is the current period, in which a culturally robust and commercially vibrant new art form is beginning to emerge. Its most obvious manifestation is in the stream of Mormon- themed theatrical feature films, produced independently of the Church, made by and for Latter-day Saints. Richard Dutcher’s much-celebrated God’s Army, released in March 2000, made him widely recognized as the father of this new movement in Mormon film, but his groundbreaking work actually marks a return to the past. The LDS filmmakers of the First Wave also sought to create 35mm films to be distributed through commer- cial theaters to a paying public. Mormon film has in many ways come full circle, with Latter-day Saints of the Fifth Wave attempting large theatrical productions at a time when anti-Mormon films are once again more vis- ible in the mainstream.
    [Show full text]
  • Curriculum Vitae Barrett Ogden
    Curriculum Vitae Barrett Ogden 1457 East 920 South Provo, UT 84606 Phone: (818) 415-9350 E-mail: [email protected] www.barrettogden.com http://bit.ly/BarrettOgdenIMDb EDUCATION MFA, Theater: Contemporary Performance, 2009 NAROPA UNIVERSITY, Boulder, CO BA Theater (Acting Track), 1997 BRIGHAM YOUNG UNIVERSITY, Provo, UT CERTIFICATIONS Fitzmaurice Voicework Teacher, 2017 (Pending) Catherine Fitzmaurice, Barcelona, SPAIN Grotowski-based Psychophysical Acting Teacher, 2016 (Pending) Stephen Wangh, New York City, NY (Dean-nominated) Great Teachers Invitational Summit Training, 2011 UTAH VALLEY UNIVERSITY WASATCH CAMPUS, Heber, UT Designated Viewpoints Teacher, 2009 NAROPA UNIVERSITY, Boulder, CO Guild Certified Feldenkrais Practitioner©, 2003 EAST COAST PROFESSIONAL FELDENKRAIS® TRAINING PROGRAM, Montclair, NJ Alba Emoting™ CL1, 2002 Christine Scott, New York, NY Bartenieff Fundamentals, 1995 Pat Debenham, BRIGHAM YOUNG UNIVERSITY, Provo, UT UNIVERSITY APPOINTMENTS Adjunct Professor, Fall 2013 – present Voice, Movement, and Acting UTAH VALLEY UNIVERSITY, Orem, UT Lecturing Professor of Acting, Voice and Movement, Fall 2011 – Spring 2013 Acting, while serving as interim Professor of Voice and Movement, including Dialects, Movement, and Voice & Speech UTAH VALLEY UNIVERSITY, Orem, UT Adjunct Professor, Fall 2010 – Spring 2011 Acting UTAH VALLEY UNIVERSITY, Orem, UT Co-Instructor, Spring 2009 NAROPA UNIVERSITY, Boulder, CO Co-Instructor, Fall 2008 NAROPA UNIVERSITY, Boulder, CO 1 UNIVERSITY INVITATIONAL TEACHING Feldenkrais® - for the Actor
    [Show full text]
  • Mike a Christensen's Acting Résumé, 05-13-17--71917
    Mike A. Christensen Height: 6’ 0” Anderson Talent Management Hair: dark brown 75 East Fort Union Blvd., Suite C148 Eyes: brown Midvale, Utah 84047 Weight: 280 lbs. 801-836-4263 [email protected] MOVIES Hatching Pete Background (a parade watcher) Walt Disney Studios (Disney Channel) Church Ball Background (referee, a fan [different games]) Halestorm Entertainment Joseph: Prophet of the Restoration Background (a choir member) LDS Motion Picture Studio Mobsters and Mormons Background (a church member) Halestorm Entertainment The Hand that Feeds Ivàn Betkov (a principal role) Tyree Pini Benji: Off the Leash!/Benji Returns Background (a park guest) Mulberry Square Productions The Maldonado Miracle Background/supporting (immigration officer) Showtime (directed by Salma Hayek) The Singles’ Ward Background (a dance partner) HaleStorm Enterntainment Dying to Belong (made-for-TV movie) Background (a student) NBC COMMERCIAL “Crammed in an Elevator” (Studio C) Background (an elevator passenger) BYU Broadcasting INDUSTRIAL Old Testament Resource DVDs Background (worker, soldier [different scenes]) LDS Motion Picture Studio THEATER Singin’ in the Rain Man On the Screen, & a man in audience Spanish Fork Community Theater Anything Goes Bishop Henry Dobson, & Drunk Man Payson Community Theater The Pirated Penzance A “Visual Pirate” Payson Community Theater Anne--With an E (the Green Gables Musical) A traveler and a society member Spanish Fork Community Theater Joseph & the Amazing Technicolor Dreamcoat Main guard, and an Ishmaelite Payson Community Theater TRAINING Casting director's acting workshop Catrine McGregor Stars Talent Studio Designing Specialty Demo Reels and Resumes Tia Aiono Demo Reels (advanced, 2 times) Amber Evans Stars Talent Studio Conservatory Teleprompter (advanced, 2 times) Amber E.
    [Show full text]
  • Sunday Iournal
    PULLOUT SECTION INSIDE: TV LISTINGS FOR THE WEEK NOVEMBER 23-29, 1997 THE DETROIT VOL. 3 NO. 2 75 CENTS S u n d a y Io u r n a l CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©t d s j INSIDE ENTERTAINMENT If song titles as diverse as “O Divine Redeemer” and “RuPaul the Bigfoot Red-Nosed Drag Queen” appear in the same story, you know it’s holiday album time. Page 12. NEWS Journal photo by REBECCA COOK Susan Watson grew up Xiao Qiang, left, executive director for Human Rights in China, speaks with Chinese dissident Wei Jingsheng going to Hudson’s and and his sister Wei Shanshan as he leaves Hemy Ford Hospital. has plenty of warm and fuzzy memories of those days, but she can’t wait to see the old building A warrior’s respite reduced to dust. Page 3. By Martha Hindes Airport Sunday morning on the first SPORTS Journal Staff Writer Wei’s release leg of a journey to liberation. It had It was Sunday afternoon before ended nearly 19 excruciating years in The Red Wings might Chinese human rights activist won’t halt his Chinese prisons, relieved only by one finally be ready to Elizabeth King realized that some­ six-month stretch when the 47-year- thing wonderfully exciting and long old electrician was briefly free. entertain trade offers hoped-for was happening. longtime crusadeThe officials who spirited Wei away for holdout Sergei She had arrived home from church, from the tarmac tried to shield him out of touch with radio or television.
    [Show full text]
  • 19Th Encounters Short Film and Animation Festival
    OUR THANKS TO SUPPORTING PARTNERS Daniel Goodwin, Dan Drake, Jemma Ballantyne, Denne Dempsey, David Allain, Jessica Gormley, Sofia Bak, Maude Laflamme, Marie Morin, Laurent Gagliardi, José Dubeau, Mei Rider, Astrid Bulmer, Agathe Bonitzer, Karel Och, Philip Bloom, Oli Harbottle, Virginie Sélavy, William C. Martell, Nicolangelo Gelormini, Sarah Radclyffe, Gaia Meucci, Karel Spesny, Kate Tancred, Nic Baisely, Ashlin Ritchie, Elliot Scott, David Reynolds, Fuad Omar, Manuel Diaz, Lupita Ayala, Eduardo Gomez, David Martinez, Mariela Velasco, Sean Chavarria, Junko Takekawa, Helena Culliney, Diederik Smet, Claire Maher, Chris France, Jessica Leung, Kate Bradford, Jacques Henry-Bezy, Adam Woodward, Denise Parkinson, Natasha Bishop, Andrew Birnie Lukas G-G, Ruby the Rebel, Janine Gerhardt, Jiri Gerhardt Greco, David Theobald, Steve Mitchell, Robert Lenkiewicz, the ladies from Cinemacity, Novi Sad, Una at Film Centre Serbia, Serbian City CULTURAL PARTNERS Club London, Micha from ORF, Zekic at Divx, Marcus Agar at WildRooster, Soulfood Films, TeleFilm Croatia, Emotion Film/Vertigo Slovenia, Artikulacija Montenegro, Arsmedia, Super-films Belgrade, Manuela at IntraMovies and Latido Films, Tiska Wiederman, Jaimy Warner, Elli Raynai, Facundo Campos, Sabrina Kunert, Marvin Shepherd, Eloisa Suarez, Daniel Kresmery, Reka Kresmery, Maxime Feyers, Francois-Xavier Alet, Philip Gambrill, Michael Barker, Keith Greenhalgh, Dean Goldberg, Patrick Tucker, Col Spector, Jurgen Wolff, Martin Gooch, Simon Hunter, Chris Thomas, Tony Morris, Dave Reynolds, Zara Ballantyne
    [Show full text]
  • Competing Business Models in Mormon Cinema
    BYU Studies Quarterly Volume 46 Issue 2 Article 10 4-1-2007 Finding an Audience, Paying the Bills: Competing Business Models in Mormon Cinema Eric Samuelsen Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Samuelsen, Eric (2007) "Finding an Audience, Paying the Bills: Competing Business Models in Mormon Cinema," BYU Studies Quarterly: Vol. 46 : Iss. 2 , Article 10. Available at: https://scholarsarchive.byu.edu/byusq/vol46/iss2/10 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Samuelsen: Finding an Audience, Paying the Bills: Competing Business Models Finding an Audience, Paying the Bills Competing Business Models in Mormon Cinema Eric Samuelsen ver since Richard Dutcher directed and released God’s Army in 2000, E articles in the news media as well as papers in various outlets within Mormon Studies have discussed the beginnings of a “Mormon film” movement. What has been lost in all this discussion, however, is a simple enough reality: that what Richard Dutcher and others have accomplished in beginning this new movement does not represent anything close to the totality of Mormon filmmaking, but rather, success following one specific business model. To refer to the commercial films that followedGod’s Army as “the Mormon film movement” presumes a direct link between the busi- ness model used by an artist and the aesthetic choices made by that art- ist, or perhaps even that the particular model used by Dutcher and those who have followed his lead ought to be preferred over other possibilities on aesthetic grounds.
    [Show full text]
  • Mormon Filmakers Seek Box-Office Blessings
    CHRISTIAN RESEARCH INSTITUTE P.O. Box 8500, Charlotte, NC 28271 News Watch Article: DM812 MORMON FILMAKERS SEEK BOX-OFFICE BLESSINGS This article first appeared in the News Watch column of the Christian Research Journal, volume 25, number 2 (2002). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org The advertisement for The Other Side of Heaven appeared promising. “From the Academy Award-winning producer of Schindler’s List and Jurassic Park,” the ad said, “comes the true story of an ordinary boy on an extraordinary adventure.” Rated a benign PG and promising the wholesome presence of Anne Hathaway (The Princess Diaries), The Other Side of Heaven seemed like a sensible film to promote in San Diego’s Southern California Christian Times and three other Southern California papers owned by iExalt Inc. A vague hint of what awaited filmgoers appeared in the lower right corner of the ad. Two men are in a small boat, one wearing a white shirt and the other wearing not only a white shirt but also a coat and tie. What ordinary boy would travel on an extraordinary adventure dressed as if he’s bound for an office building? That would be John H. Groberg, who served a two-and-a-half-year term as a Mormon missionary to Tonga in the early 1950s. Groberg, who continued missionary work in the South Pacific in subsequent years, now serves on the Church of Jesus Christ of Latter-day Saints’ First Quorum of the Seventy. Some readers of the Christian Times discovered, to their chagrin, that the film portrayed its hero as promoting the LDS doctrine of eternal marriage and depicted a Methodist missionary as someone who asked thugs to beat up this Mormon interloper.
    [Show full text]