Curriculum Vitae Barrett Ogden 1457 East 920 South Provo, UT 84606 Phone: (818) 415-9350 E-mail: [email protected] www.barrettogden.com http://bit.ly/BarrettOgdenIMDb

EDUCATION MFA, Theater: Contemporary Performance, 2009 NAROPA UNIVERSITY, Boulder, CO BA Theater (Acting Track), 1997 , Provo, UT CERTIFICATIONS Fitzmaurice Voicework Teacher, 2017 (Pending) Catherine Fitzmaurice, Barcelona, SPAIN Grotowski-based Psychophysical Acting Teacher, 2016 (Pending) Stephen Wangh, New York City, NY (Dean-nominated) Great Teachers Invitational Summit Training, 2011 VALLEY UNIVERSITY WASATCH CAMPUS, Heber, UT Designated Viewpoints Teacher, 2009 NAROPA UNIVERSITY, Boulder, CO

Guild Certified Feldenkrais Practitioner©, 2003 EAST COAST PROFESSIONAL FELDENKRAIS® TRAINING PROGRAM, Montclair, NJ Alba Emoting™ CL1, 2002 Christine Scott, New York, NY Bartenieff Fundamentals, 1995 Pat Debenham, BRIGHAM YOUNG UNIVERSITY, Provo, UT UNIVERSITY APPOINTMENTS Adjunct Professor, Fall 2013 – present Voice, Movement, and Acting UTAH VALLEY UNIVERSITY, Orem, UT Lecturing Professor of Acting, Voice and Movement, Fall 2011 – Spring 2013 Acting, while serving as interim Professor of Voice and Movement, including Dialects, Movement, and Voice & Speech UTAH VALLEY UNIVERSITY, Orem, UT Adjunct Professor, Fall 2010 – Spring 2011 Acting UTAH VALLEY UNIVERSITY, Orem, UT Co-Instructor, Spring 2009 NAROPA UNIVERSITY, Boulder, CO Co-Instructor, Fall 2008 NAROPA UNIVERSITY, Boulder, CO

1 UNIVERSITY INVITATIONAL TEACHING Feldenkrais® - for the Actor Guest Teacher, February 2011 UTAH VALLEY UNIVERSITY, Provo, UT Feldenkrais® - for the Actor Guest Teacher, March 2009 UNIVERSITY OF COLORADO - BOULDER, Boulder, CO Feldenkrais® - for the Actor Guest Teacher, Feb 2005 BRIGHAM YOUNG UNIVERSITY, Provo, UT Feldenkrais® - for the Actor Guest Teacher, Nov 2004 BRIGHAM YOUNG UNIVERSITY, Provo, UT ADDITIONAL TEACHING Teacher, 2017 – present THE ACTOR’S CIRCLE Private Intensive Holistic Training for the Film Actor in Acting, Voice and Movement, via Skype and in person, , UT Teacher, October 2016 – December 2016 Foundations of Acting Technique for Youth Private weekly group, Layton Montissori School, Layton, UT Invited Teacher, March 2016 Stress Relief through Yoga and the Feldenkrais Method UNITED STATES INSTITUTE FOR THEATRE TECHNOLOGY 56TH ANNUAL CONFERENCE & STAGE EXPO, SALT PALACE CONVENTION CENTER, Salt Lake City, UT Invited Teacher, June – July 2012 Acting, Movement, Voice EVERYTHING THEATRE COMPANY, ARENAN, Falun, SWEDEN and CAUX PALACE, Caux, SWITZERLAND Instructor, June 2010 Stage Combat NOORDA THEATRE SUMMER CAMP, UTAH VALLEY UNIVERSITY, Orem, UT Guest Instructor, Summer 2011 Acting UTAH VALLEY UNIVERSITY, Orem, UT Guest Instructor, May 2010 Acting, Movement, Viewpoints, Voice SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, April 2010 Acting, Directing, Improvisation, Movement, Shakespeare, Stage Combat, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, February 2010 Acting, Business of “the Business”, Directing, Improvisation, Movement, Shakespeare, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, December 2009 Acting, Business of “the Business”, Directing, Feldenkrais, Improvisation, Movement, Shakespeare, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT

2 Guest Instructor, October 2009 Acting, Business of “the Business”, Directing, Feldenkrais, Improvisation, Movement, Shakespeare, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Teaching Artist / Representative, Jan – May 2007 UTAH SHAKESPEARE FESTIVAL EDUCATIONAL TOUR, over 70 dates throughout AZ, ID, NV, UT Feldenkrais Teacher®, 2004 – 2007 Private clients, Salt Lake City / Provo, UT Acting Teacher, 2004 – 2007 Private clients, Salt Lake City / Provo, UT Feldenkrais® for the Actor Guest Teacher, Sept 2003 Private clients at TERRY MCCOMBS STUDIO / HUGHES BROTHERS THEATER, Branson, MO Acting for the Actor Teacher, Sept 2003 Private clients at TERRY MCCOMBS STUDIO / HUGHES BROTHERS THEATER, Branson, MO Feldenkrais® for the Actor Teacher, 2002 HANDCART ENSEMBLE THEATRE COMPANY, New York, NY Acting Teacher, 2002 HANDCART ENSEMBLE THEATRE COMPANY, New York, NY Feldenkrais® Teacher, 2002 Private on-site clients, New York, NY Performance Training Retreat Leader, 2000 HANDCART ENSEMBLE THEATER COMPANY, New York, NY Acting Workshop Leader, 1999 – 2001 HANDCART ENSEMBLE THEATER COMPANY, New York, NY COURSES TAUGHT Acting Styles – THEA 4123 Section 001, Fall 2012 Instilled students with awareness and appreciation of personal qualities, types and style; trained them in principles of Classical style overall, and in-depth work with Greek Tragedy, Elizabethan, and Molière through scene work, exercises (from Michael Chekhov, Laban, Viewpoints, and more); deepened engagement and appealed to additional learning styles through journaling of learning process, peer review, analysis of Styles work in theatre productions on and off campus, and from various film selections, in-class student-presented workshop segments, text-based and knowledge quizzes via CANVAS on-line system; advised and graded students. UTAH VALLEY UNIVERSITY, Orem, UT Movement for Actors II – THEA 3123 Section 001, Summer Block 2 2016 Trained students in Neutral Mask, Acting Styles movement preparation, Grotowksi-based Psychophysical Acting movement work, dehabituation of self-use through the Feldenkrais Method and various Yoga forms, generation of performance material, warm-up strategies, some elements of Laban, Michael Chekhov Technique and Contact Improvisation; deepened engagement and appeal to additional learning styles through journaling of learning process, peer review, analysis of Movement work in theatre productions on and off campus, peer-evaluated student research papers on various movement training approaches, text-based and knowledge quizzes via CANVAS on-line system, and student-devised performances; advised and graded students. UTAH VALLEY UNIVERSITY, Orem, UT

3 Introduction to Movement for Actors – THEA 2123 Section 002, Fall 2016 Section 001, Summer Block 1 2016 Section 001, Spring 2016 Section 001, Spring 2015 Section 001, Fall 2014 Section 001, Spring 2014 Section 001, Fall 2013 Section 001, Spring 2013 Section 001, Fall 2012 Sections 001 and 002, Spring 2012 Trained students in Viewpoints, Michael Chekhov Technique, Contemplative Movement Practices, Barbara Dilley’s Red Square and Score Improvisational Movement Forms, dehabituation of self-use, generation of performance material, warm-up strategies, Feldenkrais, Contact Improvisation, Laban, Neutral Mask; deepened engagement and appealed to additional learning styles through journaling of learning process, peer review, analysis of Movement work in theatre productions on and off campus, peer-evaluated student research papers on various movement training approaches, text-based and knowledge quizzes via CANVAS on-line system, and student-devised performances; advised and graded students. UTAH VALLEY UNIVERSITY, Orem, UT Stage Dialects – THEA 3123 Section 001, Fall 2011 Helped students further strengthen range and expressivity of vocal instrument and characterization through mastery of various dialects (General American, Received Pronunciation, Southern regions, Irish, NYC boroughs, French, German) and refining of acuity with IPA and articulation through scene and monologue work, IPA transcription of text, and group improvisation activities; deepened engagement and appealed to additional learning styles through journaling of learning process, peer review, analysis of Dialect work in theatre productions on and off campus, field trip investigation of specific dialect traits, and student-devised workshop presentations of each dialect; counseled and graded students. UTAH VALLEY UNIVERSITY, Orem, UT Voice & Diction – THEA 1113 Section 001 (BFA students) and 002, Spring 2016 Section 002, Spring 2014 Section 001, Fall 2013 Sections 001 and 002, Spring 2013 Sections 001, 002 and 003, Spring 2012 Sections 001 and 002, Fall 2011 Trained students in Rodenburg, Linklater, Berry, Feldenkrais-based approaches for Relaxation, Release, Open Throat, Supported Breath, Stamina, Projection, Articulation, Diction, IPA, warm-up strategies, and in application to Shakespearian and Classical Text through scansion and performance of solo and scene work with sonnets; deepened engagement and appealed to additional learning styles through journaling of learning process, peer review, analysis of Voice work in theatre productions on and off campus, text-based and knowledge quizzes via CANVAS on-line system; counseled and graded students. UTAH VALLEY UNIVERSITY, Orem, UT Auditioning – THEA 4113 Section 001, Spring 2011 While serving as interim instructor on behalf of Dr. Chris Clark for first five weeks of course, trained students in impulse response work, Michael Chekhov technique, psychophysical acting, Stanislavksy-based task/objective and action/tactic work, improvisation, theatre games, performance of Contemporary American monologues;

4 Worked with, studied, and discussed application, exercises, and theory of audition techniques based upon Joanna Merlin’s Audition; counseled and graded students. UTAH VALLEY UNIVERSITY, Orem, UT Fundamentals of Acting II – THEA 2033 Section 002, Fall 2016 Section 001, Fall 2014 Section 001, Fall 2012 Sections 001 and 002, Spring 2011 Coached students through improvisation, theatre games, rehearsal and performance of Contemporary American and 20th Century English Language scenes; trained in, studied, and discussed application, exercises, and theory of Stanislavsky system’s various phases; deepened engagement and appealed to additional learning styles through journaling of learning process, peer review, analysis of Acting work in theatre productions on and off campus, preparatory character/scene research reports, peer-evaluated student research papers on various acting methodologies, text-based and knowledge quizzes via CANVAS on-line system; counseled and graded students. UTAH VALLEY UNIVERSITY, Orem, UT Fundamentals of Acting I – THEA 1033 Section 002 (majors), Spring 2017 Section 004 (majors), Fall 2016 Sections 004 (non-majors) and 005 (majors), Fall 2015 Sections 004 (non-majors) and 005 (majors), Spring 2015 Section 006, Fall 2014 (non-majors) Section 004, Spring 2014 Sections 001 (non-majors) and 007, Spring 2013 Sections 003 and 006 (non-majors), Fall 2012 Section 001 (non-majors), Summer Block 1 2012 Section 004 (non-majors) and 011 (majors), Fall 2011 Section 001 (non-majors), Summer 2011 Sections 003 and 006 (non-majors), Spring 2011 Sections 003 (Theatre majors), 009, 010, and 011 (non-majors), Fall 2010 Coached beginning actors through theatre games, improvisation, rehearsal and performance of open, modern and classical scenes and monologues; trained students in basics of Stanislavsky, Michael Chekhov technique, Viewpoints, beginning principles of Steve Wangh’s Grotowski-based awareness work, exploration through introductory Neutral Mask, text analysis, scansion and warm-ups; deepened engagement and appealed to additional learning styles through journaling of learning process, peer review, analysis of Acting work in theatre productions on and off campus, preparatory character/scene research reports, student presentations on response to reading Declan Donnellan’s The Actor and the Target and viewing segments from AmericanTheatreWing.org; counseled and graded students. UTAH VALLEY UNIVERSITY, Orem, UT PFAR 203 Dance & Theater Studies II: Investigating Performance – Devised Work, Spring 2009 Helped design curriculum for and taught strategies of devising performance through Viewpoints, -derived vocal work, and “Aunts” form of improvisation; contributed input on grading; counseled students. NAROPA UNIVERSITY, Boulder, CO PFAR 310 BFA Ensemble Training Module III: Shakespeare Scenes & Sonnets, Fall 2008 Designed curriculum for performance of Shakespeare through text analysis, scansion, speech and diction, Cicely Berry and Roy Hart -derived vocal and movement work, Viewpoints, and Grotowski-based Psychophysical acting work; contributed input on grading; counseled students. NAROPA UNIVERSITY, Boulder, CO

5 Improv Workshop, 2007 Teaching Artist / Representative, UTAH SHAKESPEARE FESTIVAL EDUCATIONAL TOUR, over 70 dates throughout AZ, ID, NV, UT Shakespearian Text Workshop, 2007 Teaching Artist / Representative, UTAH SHAKESPEARE FESTIVAL EDUCATIONAL TOUR, over 70 dates throughout AZ, ID, NV, UT Stage Combat Workshop, 2007 Teaching Artist / Representative, UTAH SHAKESPEARE FESTIVAL EDUCATIONAL TOUR, over 70 dates throughout AZ, ID, NV, UT INVITED PRESENTATIONS/PRIVATE INSTRUCTION Acting for the Camera Workshop, March 2017 Acting David Layne of Elevate Talent: Scene Study of Salt Lake Marc Reynolds Studio Salt Lake City, UT Acting and Improvisation Workshop, January – July 2015 Acting, Improvisation, Movement Poplive Presents: Hollywood Launch, Vibe Studios Lindon, UT Feldenkrais Teacher and Acting Coach, June 2014 – June 2015 Acting, Feldenkrais, Movement, Voice Kynsie Kiggins Orem, UT Feldenkrais Teacher and Public Speaking Coach, August 2014 Acting, Voice, Movement, Text Analysis DAVID J HASKINS (internationally renowned recording artist, performer, author), Salt Lake City, UT Reclaiming Authenticity through Contemplative Movement, January 2014 Acting, Movement, proto-Viewpoints UTAH THEATRE ASSOCIATION, Weber State University, Ogden, UT Inspiration for the Actor with The Michael Chekhov Technique, January 2014 Acting, Movement UTAH THEATRE ASSOCIATION, Weber State University, Ogden, UT The Red Square: Devising Work for Actors and Directors, through the Contemplative Dance Practice of Barbara Dilley, April 2013 Devised Work: Acting, Movement, Voice, proto-Viewpoints KENNEDY CENTER/AMERICAN COLLEGE THEATRE FESTIVAL, REGION XVIII CITY OF ANGELS THEATRE, Los Angeles, CA Featured Feldenkrais Teacher, July 2012 Participants of TAGE Conference, INITIATIVES OF CHANGE, CAUX PALACE, Caux, SWITZERLAND Featured Acting / Movement / Voice Coach, July 2012 Acting, Movement, Voice, Michael Chekhov Technique EVERYTHING THEATRE COMPANY ARENAN, Falun, SWEDEN Featured Acting / Movement / Voice Coach, December 2011 Acting, Movement, Voice, Michael Chekhov Technique GRASSROOTS SHAKESPEARE COMPANY UTAH VALLEY UNIVERSITY, Orem, UT

6 Featured Acting / Movement / Voice Coach, October 2010 Acting, Movement, Viewpoints, Voice Cast of ANTIGONE UTAH VALLEY UNIVERSITY, Orem, UT Guest Instructor, May 2010 Courses: Acting, Movement, Viewpoints, Voice SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, April 2010 Courses: Acting, Directing, Improvisation, Movement, Shakespeare, Stage Combat, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, February 2010 Courses: Acting, Business of “the Business”, Directing, Improvisation, Movement, Shakespeare, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, December 2009 Courses: Acting, Business of “the Business”, Directing, Feldenkrais, Improvisation, Movement, Shakespeare, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Guest Instructor, October 2009 Courses: Acting, Business of “the Business”, Directing, Feldenkrais, Improvisation, Movement, Shakespeare, Voice & Speech, Viewpoints SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Feldenkrais Method® for Actors, 2009 Undergraduate Acting class (non-majors), UNIVERSITY OF COLORADO — BOULDER, Boulder, CO Feldenkrais Method® as an aid in voice and movement work for Actors, 2005 Undergraduate Theatre Majors Voice class, BRIGHAM YOUNG UNIVERSITY, Provo, UT Feldenkrais Method® as Voice Work for Actors, 2004 Undergraduate Musical Dance Theatre Majors Voice class, BRIGHAM YOUNG UNIVERSITY, Provo, UT Feldenkrais Method® as Voice Work for Actors, 2004 Undergraduate Theatre Majors Voice class, BRIGHAM YOUNG UNIVERSITY, Provo, UT Acting and Movement for the Performer, 2003 In association with TERRY MCCOMBS for THE HUGHES BROTHERS, Branson, MO Feldenkrais Method® for Actors, 2002 Sample class for Founders, HOLDERNESS THEATRE, New York, NY Feldenkrais Method® for Actors, 2002 Undergraduate Majors workshop, BOSTON UNIVERSITY, Boston, MA ACTING & DIRECTING ADVISEMENT The Marriage Proposal, Dir. Scott Stringham, 2014 FREEDOM ACADEMY, Provo, UT Eurydice, Dir. Dr. Lisa Hall Hagen, 2011-12 UTAH VALLEY UNIVERSITY, Orem, UT KCACTF Scenes and Monologues, 2011/12/13 UTAH VALLEY UNIVERSITY, Orem, UT

7 Elephant’s Graveyard, Dir. Dr. Terry Petrie, 2011 UTAH VALLEY UNIVERSITY, Orem, UT Tea with Mint or Lemon?, Dir. Dr. Terry Petrie, 2011 UTAH VALLEY UNIVERSITY, Orem, UT Antigone, 2010 UTAH VALLEY UNIVERSITY, Orem, UT MOVEMENT & VOICE / DIALECT COACHING (See ”PERFORMING EXPERIENCE” for additional details) This Mortal Coil, 2016 FREEDOM ACADEMY, Provo, UT Much Ado About Zombies, 2014 COVEY CENTER FOR THE ARTS, Provo, UT The Imaginary Invalid, 2013 UTAH VALLEY UNIVERSITY, Orem, UT Journey of the Terranauts: A Time Travel Adventure, 2012 EVERYTHING THEATRE COMPANY, ARENAN, Falun, SWEDEN and CAUX PALACE, Caux, SWITZERLAND Eurydice, 2011 – 12 UTAH VALLEY UNIVERSITY, Orem, UT Elephant’s Graveyard, 2011 UTAH VALLEY UNIVERSITY, Orem, UT Antigone, 2010 UTAH VALLEY UNIVERSITY, Orem, UT David and Bathsheba, 2002 The Mistress of the Inn, 2001 Andromaque, 1999 HANDCART ENSEMBLE, New York, NY STAGE / SCREEN COMBAT CHOREOGRAPHY / FIGHT DIRECTING (See ”PERFORMING EXPERIENCE” for details) THEATRE (Selected) This Mortal Coil, 2016 FREEDOM ACADEMY, Provo, UT The Story Stone, 2013 UTAH VALLEY UNIVERSITY, Orem, UT Oliver!, 2012 HALE CENTRE THEATRE, West Valley City, UT Shackled, 2012 WARBOY THEATRE PROJECTS, Orem, UT Elephant’s Graveyard, 2011 UTAH VALLEY UNIVERSITY, Orem, UT Othello, 2011 UTAH VALLEY UNIVERSITY, Orem, UT Romeo and Juliet Together (at Last) and Alive!, 2011 NOORDA THEATRE SUMMER CAMP, UTAH VALLEY UNIVERSITY, Orem, UT Conventional Behavior, 2004 ARTISTS REPERTORY THREE, Salt Lake City, UT The Taming of the Shrew, 2002 LANDMARK SHAKESPEARE COMPANY, Exeter, Devon, ENGLAND

8 FILM (Selected) Scallywag Soiree Fright Night Fight, 2011 BRETTSCHNEIDER PRODUCTIONS, Orem, UT Strangers On a Racquetball Court, 2009 SHAD THOMPSON PRODUCTIONS, Boulder, CO Somewhere West, 2009 DKM PRODUCTIONS, Boulder, CO Le Chevelure, 2007 VOLKOVA FILMS, Provo, UT Uphill Ride, 2004 CONFLUENCE DESIGN PRODUCTIONS, Salt Lake City, UT Terrormarketers, 2003 LO-FI FILMS, New York, NY Hamlet, 2002 PENDULUM PRODUCTIONS, New York, NY Hébbé Kills Jarry, 1997 SEESOUND PRODUCTIONS, Provo, UT CURRICULUM DESIGNED ON REQUEST Movement II, 2015 (Unofficial advisor) Assisted Laurie Harrop-Purser in further shaping and refining course definition, parameters of methodological instruction and learning outcomes. Helped round out expected course overview and likely alternative approaches to be used. UTAH VALLEY UNIVERSITY, Orem, UT Fundamentals of Acting I for majors, 2011 Heightened intensity of previous version of course (see above) incorporating addition of more detailed journaling of process and out-of-class character development, increased load of scene work and research, with more in-depth textual analysis, and deeper exploration of space, body, and voice as preparatory to later courses on those themes. UTAH VALLEY UNIVERSITY, Orem, UT PANEL PRESENTATIONS AND WORKSHOPS DEVELOPED Scene Study, 2009-10 Use of Grotowski-based psychophysical acting and Michael Chekhov-inspired exercises, the Red Square contemplative movement form, and “Aunts” form of improvisation, as container, in response to one’s scene partner, circumstance, environment, and the unconscious, to facilitate an enriching discovery of greater depth in character, action, and image as inspirational source. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Ensemble, 2009 – 10 Viewpoints, Viola Spolin-adapted theater games, “Aunts” form of improvisation, Grotowski-based psychophysical acting exercises as means of strengthening ensemble through demand for reacting and responding to the Other, establishing the necessary environment of trust and vulnerability so essential to facilitating creativity’s flow. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Directing, 2009 – 10 Viewpoints, “Aunts” form of improvisation, Grotowski-based psychophysical acting ensemble-building and awareness-heightening exercises; Discussion and application of strategies for structuring of rehearsal time, script analysis, casting, development of one’s personal aesthetic eye, and approaches to composition. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT

9 Movement for Actors, 2009 – 10 ® Feldenkrais Method for training of young actors as a means for finding balanced readiness, tuning and reintegration of the actor’s instrument, and living in moment-to- moment process as source of creative ground and inspiration. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Voice for the Actor, 2009-10 Use of Roy Hart Extended Voice technique, Body Mind Centering-inspired / Grotowski- based psychophysical acting approaches as support in reintegrating invigorated awareness of sensation and expressivity in vocal and emotional range. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Acting, 2009 – 10 Feldenkrais Method® as means of discovering stillness and right effort, in helping young actors to find ground and greater ease in doing less and improving ability to listen and be available to the moment. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT The Business of the Business, 2009 Group discussion and one-on-one review of key practical issues faced by the performing artist, and the skills, strategies, and adaptable outlook needed to succeed as a professional artist. SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT Feldenkrais Method® for Performers, 2009 NAROPA UNIVERSITY, Boulder, CO Sources of Inspiration in Generation of Performance – Object, Image, , and Music: Object as Oneiric Ally, a Source of Sensory and Associative Direction, 2009 NAROPA UNIVERSITY, Boulder, CO Butoh: Origins, Present, and Future: Influence of Dada, Surrealism and Abstract Expressionism, 2008 Presented with Katsura Kan NAROPA UNIVERSITY, Boulder, CO Feldenkrais Method® / Principles of Michael Chekhov for Performers, 2004 – 2007 Ongoing Group & Individual Training, Salt Lake City / Provo, UT Odin Teatret-derived training, 2002 Actor Training Workshop, HANDCART ENSEMBLE, New York, NY Feldenkrais Method® for Actors, 2002 Actor Training Workshop, HANDCART ENSEMBLE, New York, NY Feldenkrais Method®, 2002 Private on-site clients, New York, NY Breath & Alignment / Creative Visualization / Energy Work, 2000 Training Intensive, HANDCART ENSEMBLE, The Dragon Egg Retreat, Stonington, CT Breath & Alignment / Creative Visualization / Energy Work, 1999 – 2001 Ongoing Actor Training Workshop, HANDCART ENSEMBLE, New York, NY TRAINING OVERVIEW: Nationally and Internationally Recognized Teachers of Influence Film, Stage, Classical Acting Kevin Kuhlke, Leeny Sack, Maggie Flannigan, Ivan Crosland, Barta Heiner, Kent Bateman, Michael Cecchi, Scott Wilkinson, David Warner Psychophysical Grotowski-based Acting Eugenio Barba, Steve Wangh, Kevin Kuhlke, Roberta Carreri, Tage Larsen, Torgeir Weithal, Julia Varley, Leeny Sack, Erica Berg, Tanis Kowalchuk, Brad Krumholz

10 Michael Chekhov Acting Technique Lenard Petit, Per Brahe, Floyd Rumohr Mask Per Brahe, Rene Miggliacio, David Morgan Shakespeare Ethelyn Friend, Christopher McCullough, Barta Heiner Voice Catherine Fitzmaurice (pending), Saul Kotzubei, Ethelyn Friend, Leeny Sack, Saule Ryan, Andrea Haring, Julia Varley, Rebecca Holderness, Nancy Mayans, Pat Fletcher, Marion Bentley, David Morgan Suzuki Leon Ingulsrud, Barney O’Hanlon Directing Eugenio Barba, Steve Wangh, Kevin Kuhlke, Leon Ingulsrud, Leah Fondakowski, Peggy Pettitt, Roger Sorensen Pedagogy: Acting, Viewpoints Steve Wangh, Wendell Beavers Tectonic Theater Moment Work, Self-Scripting, Devised Work Leah Fondakowski, Peggy Pettit Viewpoints Wendell Beavers, Leon Ingulsrud, Barney O’Hanlon, Rebecca Holderness, Isaac Walters Combat for Stage and Screen Jake Turner, Ted Sharon, D.C. Wright, David Morgan Butoh Katsura Kan, Jennifer Hicks

Feldenkrais Method© David Zemach-Bersin, Deborah Bowes, Arlyn Zones, Larry Goldfarb, Mia Segal, Sheryl Field, Michael Johnson-Chase Body Mind Centering, Somatics, Developmental Movement, Experiential Anatomy, Bartenieff Fundamentals, Williamson Technique Wendell Beavers, Erika Berland, Pat Debenham, Jan Leys, Danielle Lacardo, Bill Walters Choreography, Contemplative Movement, Shintaido, African Fusion Wendell Beavers, Barbara Dilley, Katsura Kan, Jennifer Hicks, Onye Ozuzu Lecoq (Treteau) Claire Patton, Kjersti Webb Code David Dalley, Jr. Improvisation Laurie Harrop-Purser, Joe Hart Children’s Theatre Michael Bahr DETAILS Fitzmaurice Voice Work Teacher Certification, 2017 – 2018 (Pending) Catherine Fitzmaurice, Saul Kotzubei, Barcelona, SPAIN Somatics / Body Mind Centering, 2017 Wendell Beavers & Erika Berland, Boulder, CO Grotowski-based Psychophysical Acting Teacher Certification, 2017 (Pending) Stephen Wangh, Erica Fae, New York City, NY Emotion Code 2014 David Dalley, Jr., St. George, UT

11 Lecoq Technique: Treteau 2012 Claire Patton & Kjersti Webb, ARENAN, Falun, SWEDEN Fitzmaurice Voice Work, 2012 – present Saul Kotzubei, Los Angeles, CA Viewpoints Pedagogy Seminar, 2009 Wendell Beavers, NAROPA UNIVERSITY, Boulder, CO Roy Hart Extended Voice IV: Song with Rilke Text, 2009 Ethelyn Friend & Gary Grundei, NAROPA UNIVERSITY, Boulder, CO Meditation Practicum & Contemplative Dance Lab IV, 2009 Barbara Dilley, NAROPA UNIVERSITY, Boulder, CO Acting Pedagogy, 2009 Steve Wangh, NAROPA UNIVERSITY, Boulder, CO Roy Hart Extended Voice, 2009 Saule Ryan, NAROPA UNIVERSITY, Boulder, CO Tectonic Theater Seminar II: Moment Work Sequencing / Directing, 2009 Leah Fondakowski, NAROPA UNIVERSITY, Boulder, CO Somatic Technique IV, 2009 Erika Berland, NAROPA UNIVERSITY, Boulder, CO Pedagogy & Cultural and Academic Context, 2008 Barbara Dilley, NAROPA UNIVERSITY, Boulder, CO Psychophysical Acting III, 2008 Steve Wangh, NAROPA UNIVERSITY, Boulder, CO Meditation Practicum & Contemplative Dance Lab III, 2008 Barbara Dilley, NAROPA UNIVERSITY, Boulder, CO Roy Hart Extended Voice Application: Shakespearian Text, 2008 Ethelyn Friend, NAROPA UNIVERSITY, Boulder, CO Viewpoints / Somatically-sourced Choreography Lab II, 2008 Wendell Beavers, NAROPA UNIVERSITY, Boulder, CO Butoh, 2008 Katsura Kan, NAROPA UNIVERSITY, Boulder, CO Voice and Kinetic Awareness III, 2008 Leeny Sack, NAROPA UNIVERSITY, Boulder, CO Somatic Technique III, 2008 Erika Berland, NAROPA UNIVERSITY, Boulder, CO Shamanic Practice in Praxis with Performance: Introduction to “Soul Hunting”, 2008 Jennifer Hicks, Boulder, CO Shintaido, 2008 Jennifer Hicks, NAROPA UNIVERSITY, Boulder, CO Suzuki, 2008 Barney O’Hanlon of SITI COMPANY, NAROPA UNIVERSITY, Boulder, CO Suzuki, 2008 Leon Ingulsrud of SITI COMPANY, NAROPA UNIVERSITY, Boulder, CO Viewpoints, 2008 Barney O’Hanlon of SITI COMPANY, NAROPA UNIVERSITY, Boulder, CO Viewpoints, 2008 Leon Ingulsrud of SITI COMPANY, NAROPA UNIVERSITY, Boulder, CO Chekhov Scene Study Seminar, 2008 Kevin Kuhlke, NAROPA UNIVERSITY, Boulder, CO

12 Bertolt Brecht / Erving Goffman — Acting / Directing Seminar, 2008 Kevin Kuhlke, NAROPA UNIVERSITY, Boulder, CO Meditation Practicum II: Group Process, 2008 Erika Berland & Christi Strickland, NAROPA UNIVERSITY, Boulder, CO Tectonic Theater Seminar: Moment Work Composition / Directing, 2008 Leah Fondakowski, NAROPA UNIVERSITY, Boulder, CO Meditation Practicum & Contemplative Dance Lab II, 2008 Barbara Dilley, NAROPA UNIVERSITY, Boulder, CO Roy Hart Extended Voice, 2008 Ethelyn Friend, NAROPA UNIVERSITY, Boulder, CO Viewpoints, 2008 Wendell Beavers, NAROPA UNIVERSITY, Boulder, CO Somatic Foundations II: Developmental Technique & Experiential Anatomy I, 2008 Wendell Beavers & Erika Berland, NAROPA UNIVERSITY, Boulder, CO Developmental Movement, 2008 Eliza Ladd, NAROPA UNIVERSITY, Boulder, CO Shintaido-based warm-up & Butoh Choreography, 2007 Jennifer Hicks, NAROPA UNIVERSITY, Boulder, CO Butoh, 2007 Katsura Kan, NAROPA UNIVERSITY, Boulder, CO Body Dynamics & Developmental Movement, 2007 Eliza Ladd, NAROPA UNIVERSITY, Boulder, CO Meditation Practicum, 2007 Wendell Beavers & Erika Berland, NAROPA UNIVERSITY, Boulder, CO Viewpoints, 2007 Leon Ingulsrud of SITI COMPANY, NAROPA UNIVERSITY, Boulder, CO Suzuki, 2007 Leon Ingulsrud of SITI COMPANY, NAROPA UNIVERSITY, Boulder, CO Self-Scripting, 2007 Peggy Pettitt, NAROPA UNIVERSITY, Boulder, CO Grotowski-based “To The Mountain!” Excursion, 2007 Steve Wangh, NAROPA UNIVERSITY, Boulder, CO Somatic Foundations: Developmental Technique & Experiential Anatomy I, 2007 Wendell Beavers & Erika Berland, NAROPA UNIVERSITY, Boulder, CO Roy Hart Extended Voice, 2007 Ethelyn Friend, NAROPA UNIVERSITY, Boulder, CO Grotowski-based Psychophysical Acting, 2007 Erica Berg, NAROPA UNIVERSITY, Boulder, CO Meditation Practicum & Contemplative Dance Lab, 2007 Barbara Dilley, NAROPA UNIVERSITY, Boulder, CO Developmental Technique & Somatics, 2007 Wendell Beavers, NAROPA UNIVERSITY, Boulder, CO VPOV on camera technique & character development workshop series, 2004 Kent Bateman, ARTISTS REPERTORY THREE, Salt Lake City, UT Children’s Theatre Instruction, 2003 Sam Payne, Provo, UT Somatic Movement / Laban / Body Mind Centering, 2002 Katie Kohler-Amory, HOLDERNESS THEATRE, New York, NY Moscow Art Theatre Acting Work, 2002 Michael Cecchi, New York, NY

13 Grotowski & Linklater Work w/ Shakespeare, 2002 Steve Wangh & Andrea Haring, HOLDERNESS THEATRE, New York, NY Fitzmaurice Voice Work, 2002 Rebecca Holderness, HOLDERNESS THEATRE, New York, NY Fitzmaurice Voice Work, 2002 Julia Motyka, New York, NY Viewpoints, 2002 Rebecca Holderness, HOLDERNESS THEATRE, New York, NY Circus, 2002 John Koonz, JESTMASTER PRODUCTIONS, Englewood, NJ Alba Emoting™, 2002 Christine Scott, HANDCART ENSEMBLE, New York, NY Introduction to Clown, 2002 Judith Chafee, BOSTON UNIVERSITY, Boston, MA Stage Combat, 2002 Ted Sharon, BOSTON UNIVERSITY, Boston, MA Improvisation, 2002 HELGA’S COOKIES, New York, NY Michael Chekhov Technique: Psychological Gesture, 2001 Lenard Petit, CHEKHOV THEATRE ENSEMBLE, Brooklyn, NY Michael Chekhov Technique, 2001 Floyd Rumohr, CHEKHOV THEATRE ENSEMBLE, Brooklyn, NY Elizabethan Acting, 2001 Christopher McCullough, EXETER UNIVERSITY, Exeter, Devon, ENGLAND Expressionistic Realism: The Body & Face as a Mask, 2000 Rene Miggliacio, TELLURIDE REPERTORY THEATRE, New York, NY Michael Chekhov Technique / Balinese Mask / Energy Work, 2000 Per Brahe, The Dragon Egg Retreat, Stonington, CT Voice & Physical Theatre Intensive, 2000 NORTH AMERICAN CULTURAL LABORATORY, New York, NY Invitational Actor Training Intensive, 2000 ODIN TEATRET, Holstebro, DENMARK Michael Chekhov Technique / Balinese Mask, 1999 – 2000 Per Brahe, ACTORS CENTER, New York, NY Michael Chekhov Technique, 1999 Lenard Petit, ACTORS CENTER, New York, NY Alignment & Breath, 1999 Bill Walters, UNIVERSITY OF WISCONIN-MILWAUKEE, Milwaukee, WI Viewpoints, 1999 Isaac Walters (assistant to Anne Bogart), COLUMBIA UNIVERSITY, New York, NY Combat for Stage & Screen, 1998 Jake Turner, New York, NY Ensemble & Improvisation, 1998 Joe Hart, RUTGERS UNIVERSITY, MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ Combat for Stage & Screen, 1997 – 1998 Jake Turner, RUTGERS UNIVERSITY, MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ

14 Williamson Technique, 1997 – 1998 Jan Leys & Danielle Lacardo, RUTGERS UNIVERSITY, MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ Voice (Linklater / Fitzmaurice / Berry / Rodenburg) 1997 – 1998 Nancy Mayans, RUTGERS UNIVERSITY, MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ Voice (Linklater), Diction (Skinner), & International Phonetic Alphabet 1997 – 1998 Pat Fletcher, RUTGERS UNIVERSITY, MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ Meisner, 1997 – 1998 Maggie Flannigan, RUTGERS UNIVERSITY, MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ Solo Performance Project: Chekhov, 1997 On the Harmfulness of Tobacco Barta Heiner, BRIGHAM YOUNG UNIVERSITY, Provo, UT Auditioning, 1997 Laurie Harrop-Purser, BRIGHAM YOUNG UNIVERSITY, Provo, UT Directing, 1996 Roger Sorenson, BRIGHAM YOUNG UNIVERSITY, Provo, UT Advanced Scene Work, 1996 Barta Heiner, BRIGHAM YOUNG UNIVERSITY, Provo, UT Dialects, 1995 Marion Bentley, BRIGHAM YOUNG UNIVERSITY, Provo, UT Combat for Stage & Screen, 1995 Ted Sharon, D.C. Wright, & Dave Morgan, BRIGHAM YOUNG UNIVERSITY, Provo, UT Classical Scene Work, 1995 Barta Heiner, BRIGHAM YOUNG UNIVERSITY, Provo, UT Acting with Classical Verse / ”Heroic” Speech, 1995 Barta Heiner, BRIGHAM YOUNG UNIVERSITY, Provo, UT Voice (Linklater) & Movement (Yoga / Feldenkrais / Alexander-based), 1995 David Morgan, BRIGHAM YOUNG UNIVERSITY, Provo, UT Contemporary Scene Work, 1994 Barta Heiner, BRIGHAM YOUNG UNIVERSITY, Provo, UT Voice (Berry), Diction (Skinner), & International Phonetic Alphabet, 1994 Marion Bentley, BRIGHAM YOUNG UNIVERSITY, Provo, UT Contemporary Scene Work, 1994 Ivan Crosland, BRIGHAM YOUNG UNIVERSITY, Provo, UT Neutral & Character Mask, 1994 David Morgan, BRIGHAM YOUNG UNIVERSITY, Provo, UT

PERFORMING EXPERIENCE THEATRE (Selected) Wednesday: An Opera, BERTOLT BRECHT [World Premier Performance Series] THE SINGING HOUSE, Lafayette, CO, 2017 Intersections II: Forging Family From More Than DNA, Script In Hand Performance Series, JOHN / JAXTON [World Premiere] Plan B Theatre Company, Dir. Jerry Rapier ROSE WAGNER THEATRE, Salt Lake City, UT, 2017 Wednesday: An Opera, BERTOLT BRECHT [Workshop Presentations] THE SINGING HOUSE, Lafayette, CO, 2017

15 An Oak Tree, HYPNOTIST Sackerson Theatre Company, Dir. Alex Ungerman GREAT SALT LAKE FRINGE FESTIVAL, Salt Lake City, UT, 2016 Wednesday: An Opera, BERTOLT BRECHT [World Premier, Stage Reading] NALANDA STUDIO THEATRE, Boulder, CO, 2016 Red Title, MACHIAVELLI [World Premier, Screenplay Reading] RISE STUDIO, Provo, UT, 2016 The Drown’d Book, WILLIAM SHAKESPEARE [World Premier, Verse Reading] Dir. Mahonri Stewart, WHITE BOX SPACE, Orem, UT, 2016 Much Ado About Zombies, BENEDICK [World Premier, feat. Stage Combat] Dir. Eric Samuelsen, COVEY CENTER FOR THE PERFORMING ARTS, Provo, UT, 2014 Galileo, GALILEO Dir. Davey Morrison Dillard, CASTLE AMPITHEATRE, Provo, UT, 2014 Oliver!, FAGIN Dir. David Tinney, HALE CENTRE THEATRE, West Valley City, UT, 2012 Journey of the Terranauts: A Time Travel Adventure [World Premier, Devised Work], ROBOT Dir. Barrett Ogden, EVERYTHING THEATRE COMPANY at ARENAN, Falun, SWEDEN and TAGE INITIATIVES OF CHANGE CONFERENCE, CAUX PALACE, Caux, SWITZERLAND 2012 Shackled [World Premier, Devised Work], FATHER / LT. JOHNSON / ATTORNEY GENERAL / DR. ROSEN Dir. Chase Ramsey, WARBOY THEATRE PROJECTS at UTAH VALLEY UNIVERSITY’S EXBOX, Provo, UT, 2012 A Night at the Opera [World Premier, Devised Work], COACH DOUG ‘M.C.’ segments — Dir. Barrett Ogden, WASATCH CHORALE at COVEY CENTER FOR THE ARTS, Provo, UT, 2011 Othello [feat. Stage Combat], IAGO Dir. James Arrington, President’s Designated Production, UTAH VALLEY UNIVERSITY, Provo, UT, 2011 Hollow Earth Experience 2.0, CONSPIRATOR Dir. Barrett Ogden and Scott Stringham, featuring ((((((7)))))), DEATH BY DEATHRAY, JULES VERNE EXPEDITIONARY RESEARCH, and additional artists in association with HOLLOW EARTH CONSPIRACY and UTAH VALLEY UNIVERSITY, Orem, UT, 2011 Dracula, SEWARD / CAPTAIN / DRIVER / WOLF / OLD MAN Dir. Chris Clark, MORTAL FOOLS THEATRE COMPANY at The Castle Theatre, Provo, UT, 2010 Florence Flood [World Premiere, Devised Work], ENSEMBLE Moment Work Performance Presentation, Dir. Leah Fondakowski of TECTONIC THEATER, NAROPA UNIVERSITY, Boulder, CO, 2009 Sartre’s The Trojan Women [feat. Stage Combat], MENELAUS / SOLDIER Dir. Kevin Kuhlke, in association with NAROPA UNIVERSITY, ATLAS CENTER FOR THE ARTS, Boulder, CO, 2009 Our Town, STAGE MANAGER Dir. Steve Wangh, NAROPA UNIVERSITY, Boulder, CO, 2008

16 Butoh Intergenerational Project,: Over the Rainbow [World Premiere, Devised Work], BUTOH DANCER Dir. Katsura Kan, in association with NAROPA UNIVERSITY’S MFA CONTEMPORARY PERFORMANCE & SOMATIC PROGRAMS, and VIVA SENIOR ARTS ORGANIZATION, Boulder, CO, 2008 23 Seconds About John Cage: A Multi-disciplinary Dharma [World Premiere, Devised Work], JOHN CAGE / ENSEMBLE Dir. Leon Ingulsrud and Barney O’Hanlon of SITI COMPANY, in association with NAROPA UNIVERSITY, ATLAS CENTER FOR THE ARTS, Boulder, CO, 2008 Elephants & Gold II: Boulders In My Belly [World Premiere, Devised Work, feat. Stage Combat], ELEPHANT / MAN NAROPA UNIVERSITY, Boulder, CO, 2007 “Secrets” Group [World Premiere, Devised Work], ENSEMBLE Moment Work Performance Presentation, Dir. Leah Fondakowski of TECTONIC THEATER and Barrett Ogden, NAROPA UNIVERSITY, Boulder, CO, 2007 BeckettButoh ‘07: Double Quad, Not I, & That Time: Not I, BUTOH DANCER Dir. Katsura Kan, in association with NAROPA UNIVERSITY, ATLAS CENTER FOR THE ARTS, Boulder, CO, 2007 By Night II [World Premiere, Devised Work], THE SOJOURNER Dir. Barrett Ogden, NAROPA UNIVERSITY, Boulder, CO, 2007 Aliens On Ice: Borderline Dreaming In America [World Premiere, Devised Work], BORDER PATROL GUARD / “STAGE MANAGER” NAROPA UNIVERSITY, Boulder, CO, 2007 Fearless (An Evening of Self-Scripted Pieces): By Night [World Premiere, Devised Work], THE SOJOURNER Dir. Peggy Pettitt and Barrett Ogden, NAROPA UNIVERSITY, Boulder, CO, 2007 A Midsummer Night’s Dream [feat. Stage Combat], BOTTOM / DEMETRIUS / FAIRIE Dir. Brian Vaughn, UTAH SHAKESPEARIAN FESTIVAL EDUCATIONAL TOUR, Cedar City, UT (through AZ, ID, NV, & UT), 2007 A Midsummer Night’s Dream [feat. Stage Combat], PUCK / PHILOSTRATE Dir. Chris Clark, PROVO THEATRE COMPANY, Provo, UT, 2005 Conventional Behavior [World Premiere, feat. Stage Combat], HAL Dir. Kent Bateman, ARTISTS REPERTORY THREE, Salt Lake City, UT, 2004 Moon Over Buffalo [feat. Stage Combat], RICHARD Dir. Chris Clark, PROVO THEATRE COMPANY, Provo, UT, 2004 Genesis [feat. Stage Combat], GOD / ABEL / ANGEL Dir. Scott Reynolds, HANDCART ENSEMBLE at COMMON BASIS, New York, NY, 2003 Einstein’s Dreams, ENSEMBLE Dir. Rebeccah Holderness, HOLDERNESS THEATRE at CULTURE PROJECT, New York, NY, 2003 Live entertainment, STILTWALKER JESTMASTER PRODUCTIONS, Englewood, NJ, 2002 Metamorphosis [World Premier], ROOMER (filmed segments) Dir. René Miggliacio, BLACKMOON THEATRE COMPANY at LaMAMA, New York, NY, 2002

17 The Wild Ass’s Skin [Reading], VALENTINE Dir. Scott Reynolds, PLAYS & PLAYWRIGHTS 2000 ENCORE READING SERIES, Brooklyn, NY, 2002 David and Bathsheba [World Premier, feat. Stage Combat], JOAB Dir. Scott Reynolds, HANDCART ENSEMBLE at AMERICAN THEATER FOR ACTORS, New York, NY, 2002 King John [feat. Stage Combat], KING JOHN The Taming of the Shrew [feat. Stage Combat], PETRUCHIO A Midsummer Night’s Dream, THESEUS Dir. Matt Neves, LANDMARK SHAKESPEARE COMPANY TOUR, including TINTAGEL, OAKTON, and BERRY POMEROY CASTLES, Cornwall and Devon, ENGLAND, 2001 Goblin Market [World Premier, Devised Work], GOBLIN Dir. Scott Reynolds, HANDCART ENSEMBLE, New York, NY, 2001 The Mistress of the Inn [World Premier, feat. Stage Combat], SIR RIPAFRATTA Dir. Adam Houghton, HANDCART ENSEMBLE at AMERICAN THEATER FOR ACTORS, New York, NY, 2001 The Secret Sharer [Reading], BOSUN Dir. Greg Bodean, New York, NY, 2001 Improv Street Puppet / Mask Theatre, ROVER Dir. Daniel Potter & Marya Ursin, MYSTIC PAPER BEASTS THEATRE COMPANY at WORLD TRADE CENTER PLAZA, New York, NY, 2000 The Wild Ass’s Skin [World Premier, Devised Work, feat. Stage Combat], VALENTINE Dir. Scott Reynolds, HANDCART ENSEMBLE at AMERICAN THEATER FOR ACTORS, New York, NY, 2000 Nosferatu [w/ Nikolai Kinski; New York Premier], CHORUS / CAPTAIN Dir. René Miggliacio, TELLURIDE REPERTORY THEATRE at HERE, New York, NY, 2000 Barrabas [Anne Bogart, advisor], PILATE Dir. Isaac Walters (Asst. to Anne Bogart and Robert Woodruff), CATHEDRAL OF ST. JOHN THE DIVINE, New York, NY, 2000 Andromaque [World Premier], PYHRRUS Dir. Scott Reynolds, HANDCART ENSEMBLE at RED ROOM @ KGB, New York, NY, 1999 Penthesilea [Robert Woodruff, advisor], ODYSSEUS Dir. Isaac Walters (Asst. to Anne Bogart and Robert Woodruff), COLUMBIA UNIVERSITY, New York, NY, 1999 Third Eye Blind [World Premier, feat. Stage Combat], ROCKY Dir. Greg Ruffin, RUTGERS UNIVERSITY MASON GROSS SCHOOL OF THE ARTS, New Brunswick, NJ, 1998 Six Starving Seniors and 2 Chairs [World Premier, feat. Stage Combat], ENSEMBLE Six Starving Senior and a Chair [World Premier, feat. Stage Combat], ENSEMBLE Dir. Barrett Ogden, BRIGHAM YOUNG UNIVERSITY, Provo, UT, 1996 Gadianton (reading), PAUL Dir. Eric Samuelsen, TUACAHN ARTS FESTIVAL, St. George, UT, 1996 Montpelier Farewell [World Premier], SNOTTY-NOSED ARNOLD The Choice [World Premier], MATT Dir. Charles Whitman, BRIGHAM YOUNG UNIVERSITY, Provo, UT, 1995 Playing for Time [feat. Stage Combat], DR. MENGELE Dir. Carrie Morgan, WORLD HOLOCAUST SURVIVOR’S COMMEMORATIVE FESTIVAL, BRIGHAM YOUNG UNIVERSITY, Provo, UT, 1994

18 FILM The Jade Pendant, Buddy (Supporting) JADE PENDANT MOVIE LLC, Salt Lake City, UT 2015 Creatures of Whitechapel, Dr. Victor Frankenstein (Principal) BOHEMIAN INDUSTRIES, Salt Lake City, UT 2015 Segment Two, Raymond Thierry (Principal) JUMPING THE GREEN PRODUCTIONS, Provo, UT 2015 Stin Stin, Father (Principal) ROBOGO PRODUCTIONS, Provo, UT 2014 Zeus, Josh (Principal) [w/ Jeremy Davies] SUNDANCE DIRECTORS LAB, Sundance, UT 2013 Hot Bot, TSA Agent (Supporting) HOT BOT PRODUCTIONS, West Hollywood, CA 2012 Scallywag Soiree Fright Night Fight [feat. Combat for Screen], PIRATE (Principal) BRETTSCHNEIDER PRODUCTIONS, Orem, UT, 2011 Strangers On a Racquetball Court, DETECTIVE NEWTON (Supporting) SHAD THOMPSON PRODUCTIONS, Boulder, CO, 2009 Somewhere West [feat. Combat for Screen], IAN (Principal) DKM FILMS, Boulder, CO, 2009 Le Chevelure, ADRIAN (Principal) VOLKOVA FILMS, Provo, UT, 2007 Evil Angel [feat. Combat for Screen], ROCKER (Supporting) Dir. , MAIN STREET MOVIE CO., Salt Lake City, UT, 2006 Saving Sarah Cain, ELIM (Supporting) Dir. Michael Landon Jr., REDEMPTION FILMS, Salt Lake City, UT, 2006 I Will Always Know What You Did Last Summer, BASS PLAYER (Featured) SUMMER FILMS, Salt Lake City, UT, 2005 Flying Sideways, DANNY (Principal) CONFLUENCE DESIGN PRODUCTIONS, Salt Lake City, UT, 2004 Road Work [feat. Combat for Screen], LANCE (Principal) CONFLUENCE DESIGN PRODUCTIONS, Salt Lake City, UT, 2004 Uphill Ride [feat. Combat for Screen], VAGRANT (Principal) CONFLUENCE DESIGN PRODUCTIONS, Salt Lake City, UT, 2004 Terrormarketers [feat. Combat for Screen], ARTHUR (Principal) LO-FI FILMS, New York, NY, 2003 Millie and Me, DR. GREENTHOMB (Supporting) LIGHTNING BUG PRODUCTIONS, New York, NY, 2003 Hamlet, THE PLAYER (Supporting) PENDULUM PRODUCTIONS, New York, NY, 2002 Metamorphosis, ROOMER (Supporting) Dir. René Miggliacio, BLACK MOON PRODUCTIONS, Brooklyn, NY, 2002 Scavenger Hunt, DRIFTER (Supporting) ETHAN POCHMAN PRODUCTIONS, Provo, UT, 1997 Hébbé Kills Jarry [feat. Combat for Screen], HÉBBÉ (Principal) SEESOUND PRODUCTIONS, Provo, UT, 1997 Esperanza, VAUGHN (Principal) MUSTARD SEED PRODUCTIONS, Provo, UT, 1997

19 Water In The Desert, MAN (Principal) KARL BOWMAN PRODUCTIONS, Provo, UT, 1996 Remembering LaPorte, JEAN (Principal) KARL BOWMAN PRODUCTIONS, Provo, UT, 1996 TELEVISION Mosaic, Bartender (Supporting) [dir. Steven Soderbergh, w/ Garrett Hedlund] NON-PRECEDENTIAL PRODUCTIONS — HBO, Park City, UT 2015 Everwood, BASS PLAYER for Inara George (Featured) WB TELEVISION NETWORK, Salt Lake City, UT, 2005 Everwood, Principal Photo Double (Featured) WB TELEVISION NETWORK, Salt Lake City, UT, 2004 As The World Turns, WAITER (Featured) Dir. Larry Carpenter, CBS TV, New York, NY, 1998 COMMERCIAL Check City ‘Password’ spot, Game Show Host (Principal) CREATIVE MEDIA GROUP, Provo, UT, 2016 VidAngel ‘Stop Jar Jar’ spot, Jar Jar’s Lawyer (Principal) STUDIO C, Salt Lake City, UT, 2015 Antibacterial spot, GERM (Principal) SAXTONHORNE, Salt Lake City, UT, 2014 Xango spot, RON (Supporting) COSMIC PICTURES, Salt Lake City, UT, 2009 Shelf Reliance, MAGICIAN (Principal) NEW PRODUCTIONS, Ogden, UT, 2007 Genetics, COMMUTER (Principal) COSMIC PICTURES, Salt Lake City, UT, 2007 20% Off The Top, ERASERHEAD (Principal) T & S PRODUCTIONS, Salt Lake City, UT, 2006 Wendover series, HUSBAND (Principal) POW! PRODUCTIONS, Salt Lake City, UT, 2005 Utah Blaze “Angel/Devil” series, SHOULDER DEVIL (Principal) BOWG PRODUCTIONS, Salt Lake City, UT, 2005 INDUSTRIAL (Selected) 12 Step Recovery Program, Father (Principal) LDS MPS, Provo, UT, 2015 Security Training, Burglar (Principal) METROPOLITAN, Salt Lake City, UT, 2013 Isogenix, GARY (Principal) METROPOLITAN, Salt Lake City, UT, 2010 Joseph F. Smith: Portrait of Integrity, MOBOCRAT (Featured) BONNEVILLE COMMUNICATIONS, Provo, UT, 2005 The Restoration: Zion’s Camp, LEVI HANDCOCK (Supporting) BONNEVILLE COMMUNICATIONS, Salt Lake City, UT, 1998 VOICE-OVER The Civil War: A Tribute Through Music, WILLIAM TECUMSEH SHERMAN ROB MOFFIT PRODUCTIONS, Orem, UT, 2012

20 eStudies Weekly, READER AMERICAN LEGACY PUBLISHING, Lindon, UT, 2010 YLDSR.com Internet Radio, HOST YLDSR.COM, Salt Lake City, UT, 2009-10 Sacred Innocence, ANNOUNCER YLDSR.COM, Salt Lake City, UT, 2009 Utah Opera, HUSBAND (Principal) R & R PARTNERS / METROPOLITAN, Salt Lake City, UT, 2006 Utah Opera, BOYFRIEND (Principal) R & R PARTNERS / METROPOLITAN, Salt Lake City, UT, 2005 Tom Barberi on the Air, ANNOUNCER (Featured) CONFLUENCE PRODUCTIONS, Salt Lake City, UT, 2005 Millie and Me, THUMB (Principal) LIGHTNING BUG PRODUCTIONS, New York, NY, 2003 The War of the Worlds, ANNOUNCER #3 / ENSEMBLE GLENN BECK PROGRAM, PREMIER BROADCASTING, LIVE from XM STUDIOS, Washington, DC, 2002 ADR Saving Sarah Cain, Elim (Supporting) Dir. Michael Landon Jr., REDEMPTION FILMS at METROPOLITAN, Salt Lake City, UT, 2007 MULTIMEDIA Utah Blaze “Angel/Devil” series [jumbotron stadium broadcast], SHOULDER DEVIL (Principal) BOWG PRODUCTIONS, Salt Lake City, UT, 2005 The War of the Worlds [streaming video], ANNOUNCER #3 / ENSEMBLE GLENN BECK PROGRAM, PREMIER BROADCASTING, LIVE from XM STUDIOS, Washington, DC, 2002 STUNT WORK Various live events, STILTWALKING JESTMASTER PRODUCTIONS, Englewood, NJ, 2002 Peter Pan, or the Boy Who Would Not Grow Up, FLYING HARNESS Dir. David Morgan, BRIGHAM YOUNG UNIVERSITY, Provo, UT, 1996 DIRECTING, CHOREOGRAPHY, and CREATIVE RESEARCH The Philosopher’s Stone [in development] Based on the fairy tale by Hans Christian Andersen, examining knowledge, the senses, faith, and truth, featuring one actor, live musical accompaniment, and elements of science fair, magic show, board game, chance operations, and audience participation; EVERYTHING THEATRE COMPANY, Falun, SWEDEN, and INITIATIVES OF CHANGE, Caux, SWITZERLAND, Summer 2017 As It Is [in development] An inquest of the nature of mind, presence, and the plight of humanity within the context of a world of exciting challenges, contested natural resources, and a limitless future, released into the continuous “now” of moment-to-moment living; EVERYTHING THEATRE COMPANY, Falun, SWEDEN, and INITIATIVES OF CHANGE, Caux, SWITZERLAND, Summer 2017

21 Hollow Earth Experience 3.0: The Frozen North [in development] An exploration of Unknown Space in Dickens’ play The Frozen North through student excracurricular collaboration in writing, dance, and theatre; HOLLOW EARTH CONSPIRACY in association with UTAH VALLEY UNIVERSITY English Department faculty, Orem, UT, slated for Spring 2014 but delayed to layoff Global Peacebuilders Institute Second Annual International Conference 2016 A multi-disciplinary week-long event combining psychodrama, performance art, movement and voice exploration, drama and art therapy, group process, panel presentations, guided discussion, mindfulness practices and 12 Step-based work for survivors of violence and upheaval. Global Peacebuilders Institute, Orebro, SWEDEN, Summer 2016 This Mortal Coil [World Premier] In honor of the 400th anniversary of Shakespeare’s death, a pastiche of tragedy, dark satire, gallows humor and horror comprised of interwoven selections from Shakespeare, in an intricate physical theatre idiom with live musical and sound effects accompaniment; FREEDOM ACADEMY, Provo, UT 2016 The Story Stone [World Premier] A journey of healing the conflict between warring tribes, through ensemble-based movement, music and sound exploration; UTAH VALLEY UNIVERSITY, Orem, UT 2013 Journey of the Terranauts: A Time Travel Adventure A cast of four actors performing upon a 4 x 8’ platform the story of a group of intrepid explorers seeking to save the world from future environmental collapse by travelling through time; EVERYTHING THEATRE COMPANY, ARENAN, Falun, SWEDEN and CAUX PALACE, Caux, SWITZERLAND, 2012 Hollow Earth Experience 2.0 Mutlidisciplinary art event in four spaces (one interior, two outside) with overarching theme featuring theatre, dance, music, visual art, poetry, performance art, and more; HOLLOW EARTH CONSPIRACY in association with UTAH VALLEY UNIVERSITY, Orem, UT, 2011 Jules Verne Expeditionary Research: Scores Offerings Eight actors in conjunction with modern dance troupe, visual art and live music; Contemplative and Postmodern Dance performance using improvisatory Score form; in association with HOLLOW EARTH CONSPIRACY, UTAH VALLEY UNIVERSITY, Orem, UT, 2011 Hamlet Cast of four women, an Orchestra of 3, Masks, Puppets, Contemplative Walk into/out of natural setting and Zendo; in association with NAROPA UNIVERSITY, HABUKAI TEMPLE, and BOULDER CITY OPEN SPACE at HABUKAI TEMPLE, Boulder, CO, 2009 (See ”PERFORMING” / ”TEACHING EXPERIENCE” for details) Florence Flood [group 4 section], ENSEMBLE NAROPA UNIVERSITY, Boulder, CO Devised Work Performances, 2009 NAROPA UNIVERSITY, Boulder, CO BFA Performance Open Classrooms, 2008 NAROPA UNIVERSITY, Boulder, CO “Secrets” Group, ENSEMBLE NAROPA UNIVERSITY, Boulder, CO, 2007

22 ACCOLADES & INVITED PRESENTATIONS / AWARDS / GRANTS ACCOLADES & ADDITIONAL INVITED PRESENTATIONS Selected Principal Actor in Zeus [w/ Jeremy Davies & dir. Miguel Calderòn], 2013 SUNDANCE DIRECTORS LAB SUNDANCE, UT Coach of Irene Ryan National Winner (Liz Golden), 2013 KENNEDY CENTER AMERICAN COLLEGE THEATRE FESTIVAL KENNEDY CENTER, Washington D.C. Dialect Coach of National Winning Production (Vincent in Brixton), 2013 KENNEDY CENTER AMERICAN COLLEGE THEATRE FESTIVAL KENNEDY CENTER, Washington D.C. Coach of Irene Ryan Semifinalist (Shawn Saunders), 2013 KENNEDY CENTER AMERICAN COLLEGE THEATRE FESTIVAL, Los Angeles, CA Invited Speaker and Featured Artist, 2011-14 (selected) Screenings of Somewhere West 2014 WASHINGTON DC FILM FESTIVAL, Washington, DC 2012 BIG WATER INDEPENDENT FILM FESTIVAL, Washburn, WI 2012 WORLD MUSIC & INDEPENDENT FILM FESTIVAL, Washington, DC 2012 ‘BOLDER’ LIFE FILM FESTIVAL, Boulder, CO 2012 TAGE INITIATIVES OF CHANGE CONFERENCE, CAUX PALACE, Caux, SWITZERLAND 2012 INDIE GATHERING INTERNATIONAL FILM FESTIVAL, Cleveland, OH 2012 HOBOKEN INTERNATIONAL FILM FESTIVAL, Hoboken, NJ 2012 LONG ISLAND INTERNATIONAL FILM FESTIVAL, Long Island, NY 2012 GREEN BAY FILM FESTIVAL, Green Bay, WI 2012 DETROIT WINDSOR INTERNATIONAL FILM FESTIVAL, Detroit, MI 2012 MEXICO INTERNATIONAL FILM FESTIVAL, Mexico City, MEXICO 2012 UPTOWN FILM FESTIVAL, Birmingham, MI 2012 LONDON STUDENT FILM FESTIVAL, London, ENGLAND 2011 VEGAS INDIE FILM FESTIVAL, Las Vegas, NV 2011 EAST LANSING FILM FESTIVAL, East Lansing, MI Somewhere West World Premier 2011 AUSTIN FILM FESTIVAL, Austin, TX (Dean-nominated) Great Teachers Invitational Summit Training Conference, 2011 UTAH VALLEY UNIVERSITY WASATCH CAMPUS, Heber, UT Guest Speaker and Featured Artist, 2010 Somewhere West Private Screening ATLAS CENTER FOR THE ARTS, Boulder, CO Pick of the Week – NYTheatre.com, 2002 For Metamorphosis, New York, NY Invited Performer, 2002 PLAYS & PLAYWRIGHTS 2000 ENCORE READING SERIES, Brooklyn, NY, 2002 Pick of the Week – NYTheatre.com, 2000 For The Wild Ass’s Skin, New York, NY Featured Artist, 1998 Hébbé Kills Jarry World Premier SOUTH-BY-SOUTHWEST FILM FESTIVAL, Austin, TX Invited Performer, 1996 TUACAHN ARTS FESTIVAL, St. George, UT Invited Performer, 1996 UTAH STATE CORRECTIONAL FACILITY, Salt Lake City, UT

23 Nominated Performer, 1996 KENNEDY CENTER AMERICAN COLLEGE THEATRE FESTIVAL, Flagstaff, AZ Invited Performer, 1995 INTERNATIONAL HOLOCAUST SURVIVORS FESTIVAL, Provo, UT Irene Ryan Semifinalist — Scene Partner of Mimi Ruck (Female Lead of WORLD WAR Z and AMC’s THE KILLING), 1995 KENNEDY CENTER AMERICAN COLLEGE THEATRE FESTIVAL, Glendale, CA Invited Scene Partner of Mimi Ruck, 1995 KENNEDY CENTER AMERICAN COLLEGE THEATRE FESTIVAL, Glendale, CA AWARDS/RECOGNITION Official Selection, 2016 (selected) Creatures of Whitechapel (Actor) STITGES 49th FESTIVAL INTERNACIONAL DE CINEMA FANTASTIC DE CATALUNYA, Catalunya, SPAIN SCREAM IN THE DARK FILM FESTIVAL, Omaha, NE SACRAMENTO HORROR FILM FESTIVAL, Sacramento, CA HALLOWEENAPALOOZA, Ottumwa, IA LEGLESS CORPSE FILM FESTIVAL, Decatur, AL UTAH MUSIC AWARDS, Salt Lake City, UT FEAR CON, Salt Lake City, UT

Best of Festival, 2016 An Oak Tree (Actor) GREAT SALT LAKE FRINGE FESTIVAL, Salt Lake City, UT Other Film Awards, 2012 (selected) Best Feature Film, 2011-14 (selected) Somewhere West (Lead Actor and Co-Writer) 2014 WASHINGTON DC FILM FESTIVAL, Washington, DC 2012 LONDON STUDENT FILM FESTIVAL, London, ENGLAND (Simon Pegg, juror) 2012 DETROIT WINDSOR INTERNATIONAL FILM FESTIVAL, Detroit, MI 2012 MEXICO INTERNATIONAL FILM FESTIVAL, Mexico City, MEXICO (Silver Palm Award) 2011 VEGAS INDIE FILM FESTIVAL, Las Vegas, NV 2011 EAST LANSING FILM FESTIVAL, East Lansing, MI Other Film Awards, 2012 (selected) 2012 Honorable Mention, INDIE GATHERING INTERNATIONAL FILM FESTIVAL, Cleveland, OH 2012 Runner-Up, GREEN BAY FILM FESTIVAL, Green Bay, WI Teaching Assistantship Award, 2009 NAROPA UNIVERSITY, Boulder, CO Teaching Assistantship Award, 2008 NAROPA UNIVERSITY, Boulder, CO Best Actor, 1995 – 1996 For title role in Peter Pan BRIGHAM YOUNG UNIVERSITY, Provo, UT Outstanding Acting Award, 1995 – 1996 BRIGHAM YOUNG UNIVERSITY, Provo, UT Outstanding Acting Award, 1994 – 1995 BRIGHAM YOUNG UNIVERSITY, Provo, UT Talent Award Scholarship, 1995 – 1996 BRIGHAM YOUNG UNIVERSITY, Provo, UT

24 GRANTS/FUNDRAISING Successful Kickstarter Campaign, 2014 Exceeded $12k goal to finance recording and production of full-length album (as member of Intra-Venus & the Cosmonauts), Springville, UT NYC Theater Materials Grant, 2001 Materials to be used by deserving New York theater company (Handcart Ensemble), New York City, NY SERVICE AND STEWARDSHIP UVU Theatre Department Liaison, 2013 UVU Freshmen Convocation UTAH VALLEY UNIVERSITY, Orem, UT UVU Theatre Department Liaison and Audition Panelist, 2013 YouVU Day Scholarship Applicant Auditions UTAH VALLEY UNIVERSITY, Orem, UT UVU Theatre Department Liaison & Respondent, 2013 Kennedy Center/American College Theatre Festival, Region XVIII LOS ANGELES THEATRE CENTER & BILTMORE HOTEL, Los Angeles, CA UVU Theatre Department Liaison, 2012 UVU Freshmen Convocation UTAH VALLEY UNIVERSITY, Orem, UT UVU Theatre Department Liaison and Audition Panelist, 2012 YouVU Day Scholarship Applicant Auditions UTAH VALLEY UNIVERSITY, Orem, UT UVU Theatre Department Liaison and Audition Panelist, 2012 Utah Theatre Association Scholarship Applicant Auditions on behalf of UTAH VALLEY UNIVERSITY at BRIGHAM YOUNG UNIVERSITY, Provo, UT Representative, 2011/12 as Invited Speaker and Featured Artist on behalf of UTAH VALLEY UNIVERSITY at Austin, East Lansing, Las Vegas, Detroit, and London Student Film Festivals. Designated Substitute, 2011 For Randy King’s Acting I section (Summer term) UTAH VALLEY UNIVERSITY, Provo, UT Cast and performed as Iago to unanimous rave reviews, 2011 in Presidentially-designated production of Othello UTAH VALLEY UNIVERSITY, Provo, UT Designated Substitute, 2011 For Dr. Terry Petrie in event of medical leave (Spring semester) UTAH VALLEY UNIVERSITY, Provo, UT Designated Substitute, 2011 For Chris Clark’s Acting I section (Spring semester and Summer term) UTAH VALLEY UNIVERSITY, Provo, UT Designated Substitute, 2011 For Chris Clark’s Acting II and Auditioning sections during his month-long commitment to the UTAH SHAKESPEARE FESTIVAL (Spring semester) UTAH VALLEY UNIVERSITY, Provo, UT

25 Designated Substitute, 2009-10 For Jared Larkin and Carrie Morgan’s classes in Acting, Movement, Voice, and Business of “the Biz” classes SALT LAKE SCHOOL FOR THE PERFORMING ARTS, Salt Lake City, UT SCREENWRITING Co-Writer, webisode series Those Happy Aluminum Years HOLLOW EARTH FILMS, Springville, UT 2009-13 Co-Writer, feature-length film Somewhere West DKM FILMS, Boulder, CO 2009 Originator/Collaborator/Editor, 2004 1883 (Western trilogy of screenplays, story and characters in cooperation with Scott M. Stringham and Jeffrey Hanka, written by Jeffrey Hanka), Salt Lake City, UT AFFILIATIONS (International & NYC) Company Member, 2012 – present EVERYTHING THEATRE COMPANY, Falun, SWEDEN Co-Founder / Company Member, 1999 – present HANDCART ENSEMBLE, New York, NY Company Member, 2004 – 2005 ARTISTS REPERTORY THREE, Salt Lake City, UT Company Member, 2002 – 2003 HOLDERNESS THEATRE, New York, NY Company Member, 2002 BLACK MOON THEATRE COMPANY, Brooklyn, NY Company Member, 2002 HELGA’S COOKIES IMPROV TROUPE, New York, NY Company Member, 2001 LANDMARK SHAKESPEARE COMPANY, Exeter, Devon, ENGLAND Company Member, 2000 MYSTIC PAPER BEASTS THEATRE COMPANY, Mystic, CT Company Member, 2000 TELLURIDE REPERTORY THEATRE, New York, NY AFFILIATIONS (REGIONAL) Company Member, 2012 – present WARBOY THEATRE PROJECTS, Orem, UT Co-Founder and Artistic Director, 2011 – present JULES VERNE EXPEDITIONARY RESEARCH, Provo, UT Company Member, 2010 – present MORTAL FOOLS, Orem, UT Co-Founder / Company Member, 2005 – present HOLLOW EARTH CONSPIRACY, Orem, UT ORGANIZATIONAL EXPERIENCE Theatre Department Liason and Coordinator, 2014 Pending SPRING STAGE COMBAT SAFD SKILLS ASSESSMENT TEST WORKSHOP WITH DC WRIGHT of EAST ILLINOIS STATE UNIVERSITY in collaboration between UTAH VALLEY UNIVERSITY and Ward Wright of BRIGHAM YOUNG UNIVERSITY (in planning stage), Provo, UT

26 Theatre Department Ambassador, Liaison and Coordinator, 2013 STRAVINSKY PROJECT Collaboration between UTAH REGIONAL BALLET, UTAH VALLEY UNIVERSITY SYMPHONY ORCHESTRA, UVU DEPARTMENT OF THEATRE, and UVU MASTERWORKS CHORALE at COVEY CENTER FOR THE PERFORMING ARTS, Provo, UT Theatre Department Ambassador, Liaison and Coordinator, 2011 CARMINA BURANA Collaboration between UTAH REGIONAL BALLET, UTAH VALLEY UNIVERSITY SYMPHONY ORCHESTRA, and UVU MASTERWORKS CHORALE at COVEY CENTER FOR THE PERFORMING ARTS, Provo, UT Producer, Initiator and Coordinator, 2009 For Hamlet, forged cooperative bonds between University of Colorado-Boulder graduate Theater department and the Visual Arts and Theater departments of NAROPA UNIVERSITY, HABUKAI TEMPLE, & BOULDER CITY OPEN SPACE, Boulder, CO Co-founder, 2007 THE BLACK ROCK LANDING COMPANY (film production company for 1883 and three preceding screenplays in a six-part saga), Salt Lake City, UT Co-Founder and Board Member, 2005 HOLLOW EARTH CONSPIRACY, Springville, UT Workshop Producer / Promoter, 2002 st 1 Ever NYC Alba Emoting™ Training, New York, NY Producing Director, 1999 – 2002 HANDCART ENSEMBLE, New York, NY Assistant Stage Manager, 1994 Playing for Time BRIGHAM YOUNG UNIVERSITY, Provo, UT MUSIC PERFORMANCE PROJECTS (Selected) Co-Founder, 2012 – present: Bass, Vocals, Percussion Releasing full-length album December 2014, Produced by and featuring internationally renowned recording artist, performer, and author David J Haskins (Bauhaus, Love & Rockets). INTRA-VENUS AND THE COSMONAUTS, Springville, UT Co-Founder, 2007 – present: Bass, Loops, Pedal Modulation ((((((7)))))), Boulder, CO Co-Founder, 2005 – 06: Bass AGENTS OF DAN HUGHES, Springville, UT Co-Founder, 2004 – 07: Bass, Toy Piano / Xylophone ELIZA WREN AND THE JEWEL THIEVES, Austin, TX

PROFESSIONAL AGENCY REPRESENTATION Talent Management Group 512 East 4500 South Suite 200 Salt Lake City, UT 84107 (801) 263-6940

27 AFFILIATIONS AFTRA Association of Film, Television, and Radio Artists (Eligible) ATME Association for Theatre Movement Educators FGNA Feldenkrais Guild® of North America IFF International Feldenkrais® Federation SAG Screen Actors Guild (Eligible) VASTA Voice and Speech Trainers Association

28