Jazz Combos Cali Music Livestream Tuesday, May 4Th, 2021 8:00 Pm Program

Total Page:16

File Type:pdf, Size:1020Kb

Jazz Combos Cali Music Livestream Tuesday, May 4Th, 2021 8:00 Pm Program STUDIO RECITAL: Jazz Combos Cali Music Livestream Tuesday, May 4th, 2021 8:00 pm Program Alter Ego James Williams Social Call Gigi Gryce Gypsy Blue Tina Brooks STEVE JOHNS COMBO Adrienne Bazile, trumpet Daniel Harkins, trombone Daniel Cano, guitar Darryl Lloyd, vibes Bryan Singer, piano Melanie Samaan, electric bass Pierce Sparnroft, drums Wave Antonio Carlos Jobim Armando's Rhumba Chick Corea Soul Burst Cal Tjader Vera Cruz Milton Nascimento BILL MORING COMBO Vic Ortiz, flute Noah Ben-Nun, vibes Anita Freedson- Jackson, vocals Donna Unverricht, piano Carolina Perez, guitar Nate Perrucci, electric bass Nicky Unverricht, electric bass Matt Vera-Corcoran, drums Groovin High Dizzy Gillespie arranged by Dave Stryker All of Me Gerald Marks Groove Elation John Scofield GUITAR ENSEMBLE directed by Stephen Benson Dan Cano, Carolina Perez, Jackson Cuellar and Derrick Campos, guitars Brielle Burns, voice Jeanine Duke Pearson Along Came Betty Benny Golson Nica's Dream Horace Silver MIKE LEE COMBO Nico Martin, alto saxophone Martin Pyda, trombone Pierce Sparnroft, vibraphone Seniar Raines, bass Zack Perez - Drums Outra Vez Antonio Carlos Jobim arrangement by Derick Campos Moment’s Notice John Coltrane lyrics and arrangement by Allan Romero Black Orpheus Antonio Carlos Jobim and Luiz Bonfa Alone Together Arthur Schwartz DAVE STRYKER COMBO Shanyse Strickland, french horn, flute Vito Cakaroglu, trombone Allan Romero, tenor sax Terralynn Hayes, voice Derick Campos, guitar Felipe Orozco, electric bass Pierce Sparnroft, drums.
Recommended publications
  • Henri Dominiqie Lacordaire
    HENRI D OMINIQUE LACORDAIRE A V Z AZAZ SAME A UTHOR. Madame L ouise de France, Daughter of Louis XV., known also as the Mother TÉRESE DE S. AUGUSTIN. A D ominican Artist ; a Sketch of the Life of the REv. PERE BEsson, of the Order of St. Dominic. Henri P errey ve. By A. GRATRY. Translated. S. Francis de Sales, Bishop and Prince of Geneva. The Revival of Priestly Life in the Seventeenth Century i n France. CHARLEs DE ConDREN–S. Philip NERI and CARDINAL DE BERULLE—S. VINCENT DE PAUL–SAINT SULPICE and JEAN JAQUES OLIER. A C hristian Painter of the Nineteenth Century; being the Life of HIPPolyte FLANDRIN. Bossuet a nd his Contemporaries. Fénelon, Archbishop of Cambrai. la ± | ERS. S NIN, TOULOUSE. HENRI D OMINIQUE LACORDAIRE Ø 1 5ío grapbital = kett) BY H.. L SIDNEY LEAR |\ a“In l sua Volum fade e mostra pace." PARADiso III. * t 1 . - - - - -, 1 - - - - VR I IN GT ON S WVA TER LOO PLACE, LONDO W MDCCCLXXXII *==v---------------- - - - - - PREF A CE. THIS s ketch of a great man and his career has been framed entirely upon his own writings—his Conferences and others—the contemporary literature, and the two Memoirs of him published by his dearest friend the Comte de Montalembert, and by his disciple and companion Dominican, Père Chocarne. I have aimed only at producing as true and as vivid a portrait of Lacordaire as lay in my power, believing that at all times, and specially such times as the present, such a study must tend to strengthen the cause of Right, the cause of true Liberty, above all, of Religious Liberty.
    [Show full text]
  • On Her New Album, Jazzmeia Horn Wants to Embolden Listeners to “Do Something About It”
    On Her New Album, Jazzmeia Horn Wants to Embolden Listeners to “Do Something About It” The Dallas native’s jazz statement ’Love and Liberation’ is a call to action. BY TAYLOR CRUMPTON DATE AUG 28, 2019 SHARE NOTES 0 COMMENTS Emmanuel Afolabi azzmeia Horn’s preternatural musical talents emerged early on in her hometown of Dallas, first in her grandfather’s Southern Baptist choir and later at Booker T. Washington High School for the Performing and Visual Arts. Horn, 28, has since J grown into one of contemporary jazz’s young icons, thanks to her inimitable vocal approach and command of generational techniques. After graduating from The New School’s renowned Jazz and Contemporary Music program, Horn delved into New York City’s jazz scene, performing at the likes of the Apollo. In 2015, she won the Thelonious Monk International Jazz Competition, the genre’s elite tournament aimed at finding the next generation of jazz experts. Two years later, she released her debut album, A Social Call, which earned her a Grammy nomination. Horn released her second album, Love and Liberation, on Friday. It’s a meld of original compositions rooted in community and lived experiences. The standout cover “Green Eyes” is an ode to her fellow Dallas sister Erykah Badu, and “No More” is Horn’s testimonial about embracing her beauty as a Black woman. “I remember every time I would walk out of my house in Texas when I was a little girl to catch the bus to school, and my mom or grandmother would have to walk me to the bus stop to make sure the white children didn’t pick on me,” she’s said of the song.
    [Show full text]
  • Jazz Various the Swing Years (1936- 46) RD4-21- 1/6 Reader's Digest
    Jazz Various The Swing Years (1936- RD4-21- Reader's VG/ 6 Disc Box 46) 1/6 Digest (RCA VG+ Set Custom) Various In the Groove with the RD4-45- Reader's VG+ 6 Disc Box Info Kings Of Swing 1/6 Digest (RCA Set Packet Custom) Various The Great Band Era RD4-21- Reader's VG/ 10 Disc Cover (1936-1945) 1/9 Digest (RCA VG+ Box Set and Disc Custom) 10 Missing Various Big Band Collection QUSP- Quality VG-/ Box Set vol.1 5002 Special VG Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 2 5002 Special VG+ Missing Products Box Various Big Band Collection vol. QUSP- Quality VG/ Box Set 3 5002 Special VG+ Missing Products Box The Cannonball Mercy, Mercy, Mercy T-2663 Capitol VG/ Live at Adderley Quintet VG+ “The Club” The Cannonball Country Preacher SKA0-8- Capitol VG/ Gatefold Adderley Quintet 0404 VG+ The Cannonball Why Am I Treated So ST-2617 Capitol VG-/ Adderley Quintet Bad! VG The Cannonball Accent On Africa ST-2987 Capitol VG/ Adderley Quintet VG+ The Cannonball Cannonball Adderly with ST-2877 Capitol VG-/ Adderley and the Sergio Mendes & The VG Bossa Rio Sextet Bossa Rio Sextet with Sergio Mendes Nat King Cole The Swingin' Moods Of DQBO- Capitol VG/ 2 Disc Nat King Cole 91278 VG+ Gatefold Nat King Cole The Unforgettable Nat ST-2558 Capitol VG-/ King Cole Sings The VG Great Songs Nat King Cole Ramblin' Rose ST-1793 Capitol VG 1 Jazz Nat King Cole Thank You, Pretty Baby ST-2759 Capitol VG/ VG+ Nat King Cole The Beautiful Ballads ST-2820 Capiol VG/ VG+ Nancy Williams From Broadway With T-2433 Capitol VG/ Love VG+ Nancy
    [Show full text]
  • View Was Provided by the National Endowment for the Arts
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 – November 22, 2017) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next.
    [Show full text]
  • The Oracle, 1948 Bangor High School
    Bangor Public Library Bangor Community: Digital Commons@bpl Bangor High School Yearbooks Bangor High School 1948 The Oracle, 1948 Bangor High School Follow this and additional works at: https://digicom.bpl.lib.me.us/bhs_yearbooks Recommended Citation Bangor High School, "The Oracle, 1948" (1948). Bangor High School Yearbooks. 7. https://digicom.bpl.lib.me.us/bhs_yearbooks/7 This Book is brought to you for free and open access by the Bangor High School at Bangor Community: Digital Commons@bpl. It has been accepted for inclusion in Bangor High School Yearbooks by an authorized administrator of Bangor Community: Digital Commons@bpl. For more information, please contact [email protected]. The ORACLE is dedicating the 1948 June yearbook to M1:ss Irene Cousins, head of the history department at Bangor High School, as an expression of gratitude for her splendid record of ser'uice to the school and to all the students with whom she has come in contact. Her humor, wisdom and in­ teresting anecdotes .have made American history come alive and endeared her to all her pupils. Foreword The Oracle, which has just concluded its fifty-sixth year of publication, en­ joys the distinction orf being one of the oldest school magazines printed without interruption in the United States. Once agatin the magazine has contributed a great deal to the enjoyment and morale of the student body. The Oracle s'kit which was presented to launch the subscription campaign was hailed by several members of the fac­ ulty as the best of its kind ever produced at Bangor High School.
    [Show full text]
  • Final Nominations List
    NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS LIST THE NATIONAL ACADEMY OF RECORDING ARTS & SCIENCES, INC. Final Nominations List 60th Annual GRAMMY® Awards For recordings released during the Eligibility Year October 1, 2016 through September 30, 2017 Note: More or less than 5 nominations in a category is the result of ties. General Field Category 1 Category 2 Record Of The Year Album Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, and/or Mixer(s) and mastering engineer(s), if other than the artist. Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist. 1. REDBONE Childish Gambino 1. "AWAKEN, MY LOVE!" Childish Gambino Donald Glover & Ludwig Goransson, producers; Donald Donald Glover & Ludwig Goransson, producers; Bryan Carrigan, Glover, Ludwig Goransson, Riley Mackin & Ruben Rivera, Chris Fogel, Donald Glover, Ludwig Goransson, Riley Mackin & engineers/mixers; Bernie Grundman, mastering engineer Ruben Rivera, engineers/mixers; Donald Glover & Ludwig 2. DESPACITO Goransson, songwriters; Bernie Grundman, mastering engineer Luis Fonsi & Daddy Yankee Featuring Justin Bieber 2. 4:44 Josh Gudwin, Mauricio Rengifo & Andrés Torres, JAY-Z producers; Josh Gudwin, Jaycen Joshua, Chris ‘TEK’ JAY-Z & No I.D., producers; Jimmy Douglass & Gimel "Young O’Ryan, Mauricio Rengifo, Juan G Rivera “Gaby Music,” Guru" Keaton, engineers/mixers; Shawn Carter & Dion Wilson, Luis “Salda” Saldarriaga & Andrés Torres, songwriters; Dave Kutch, mastering engineer engineers/mixers; Dave Kutch, mastering engineer 3.
    [Show full text]
  • The Negro in Literature and Art in the United States, by Benjamin Brawley
    Rights for this book: Public domain in the USA. This edition is published by Project Gutenberg. Originally issued by Project Gutenberg on 2011-01-25. To support the work of Project Gutenberg, visit their Donation Page. This free ebook has been produced by GITenberg, a program of the Free Ebook Foundation. If you have corrections or improvements to make to this ebook, or you want to use the source files for this ebook, visit the book's github repository. You can support the work of the Free Ebook Foundation at their Contributors Page. The Project Gutenberg EBook of The Negro in Literature and Art in the United States, by Benjamin Brawley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Negro in Literature and Art in the United States Author: Benjamin Brawley Release Date: January 25, 2011 [EBook #35063] Language: English *** START OF THIS PROJECT GUTENBERG EBOOK THE NEGRO IN LITERATURE AND ARTS *** Produced by Suzanne Shell, Gary Rees and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) THE NEGRO IN LITERATURE AND ART © MARY DALE CLARK & CHARLES JAMES FOX CHARLES S. GILPIN AS "THE EMPEROR JONES" The Negro in Literature and Art in the United States BY BENJAMIN BRAWLEY Author of "A Short History of the American Negro" REVISED EDITION NEW YORK DUFFIELD & COMPANY 1921 Copyright, 1918, 1921, by DUFFIELD & COMPANY TO MY FATHER EDWARD MACKNIGHT BRAWLEY WITH THANKS FOR SEVERE TEACHING AND STIMULATING CRITICISM CONTENTS CHAP.
    [Show full text]
  • João Gilberto
    SEPTEMBER 2019 VOLUME 86 / NUMBER 9 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Trumpeter/Vocalist, Prodigious Talent Benny Benack Iii Releases Triumphant Sophomore Album a Lot of Livin’ to Do ​
    TRUMPETER/VOCALIST, PRODIGIOUS TALENT BENNY BENACK III RELEASES TRIUMPHANT SOPHOMORE ALBUM A LOT OF LIVIN’ TO DO ​ Produced by Drummer Ulysses Owens, Jr., Featuring bassist Christian McBride, Pianist Takeshi Ohbayashi, with guest vocalists Veronica Swift (“Social Call”), Alita Moses (“Where Is the Love?”) Liner notes by famed designer, performer Isaac Mizrahi, Benack’s frequent musical employer Out January 24th, 2020 on LA Reserve Following up his breakout 2017 debut One of a Kind, trumpeter/vocalist Benny Benack III brings his manifold talents even more ​ ​ ​ ​ bracingly into view with his sophomore outing A Lot of Livin’ to Do, featuring the great Christian McBride on bass. In his ​ ​ ​ ​ singing, songwriting, fiery trumpet playing and compelling showmanship, Benack brings a wealth of almost unheard-of virtuoso talent to the table. He reveals not only a stirring command of the post-bop trumpet vernacular in the vein of Kenny Dorham and Blue Mitchell, but also a sly, mature, naturally expressive vocal delivery in the post-Sinatra mold, with superb intonation and also the kind of chops to handle astounding feats of originally composed vocalese (complex solos with written lyrics). On A Lot of Livin’ ​ to Do, these elements come together to reveal one of the most vibrant and multi-dimensional talents of our time. ​ Benack is currently the frontman, trumpeter and singer for Postmodern Jukebox, the vintage music collective famed for canny ​ ​ old-school covers of modern pop. He hails from Pittsburgh, a city that produced the likes of Roy Eldridge, Earl Hines, Art Blakey, ​ ​ Billy Strayhorn and so many more, including Benny’s trumpeter/bandleader grandfather, Benny Benack, Sr.
    [Show full text]
  • TC 1-19.30 Percussion Techniques
    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
    [Show full text]
  • XE20/XE20SP Voice Name List
    EFGSJ 1 2 Contents Contents Piano ........................................................... 3 Sounds ........................................................ 4 Category order ........................................... 4 Program Change order ............................10 Drum Kits ..................................................16 Factory Drum Kit List ...............................16 Drum Kit Instrument List ........................ 17 Styles ........................................................29 Music Styles .............................................39 Speaker EQs .............................................40 Demo Songs .............................................40 3 Piano Piano Bank Select Sound Effect Type Piano Name Program No. (Keyboard MSB LSB Change Upper 1 Upper 2 Upper 3 Lower Effect 1 Effect 2 Set) (CC00) (CC32) Status Status Status Status Reverb Stereo PN1 GermanPiano 33 0 10 o GermanPiano DynoTine EP MasterPad o Acous. Bass Smooth Hall Chorus Reverb Stereo PN2 Italy Piano 33 0 11 o Italy Piano Sweet Sprno N Strings o Bass & Ride Smooth Hall Chorus 4 Sounds Sounds Bank Select Program No. Sound Name Category order MSB LSB Change (CC00) (CC32) Bank Select 58 EP Legend 121 3 5 Program No. Sound Name 59 R&B E.Piano 121 8 4 MSB LSB Change (CC00) (CC32) 60 SynPiano X 121 5 5 Category: Piano Category: Mallet & Bell 1 GermanPiano 121 8 0 61 Vibraphone 121 0 11 2 Italy Piano 121 9 0 62 Vibraphone2 121 2 11 3 Grand Piano 121 3 0 63 Vibrap.Wide 121 1 11 4 Class.Piano 121 4 0 64 Marimba 121 0 12 5 L/R Piano 121 5 0 65
    [Show full text]
  • JON HENDRICKS NEA Jazz Master (1993)
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next.
    [Show full text]