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Contributions to Phenomenology HANDBOOK OF PHENOMENOLOGICAL AESTHETICS CONTRIBUTIONS TO PHENOMENOLOGY IN COOPERATION WITH THE CENTER FOR ADVANCED RESEARCH IN PHENOMENOLOGY Vol ume 59 Series Editors: Nicolas de Warren, Wellesley College, MA, USA Dermot Moran, University College Dublin, Ireland. Editorial Board: Lilian Alweiss, Trinity College Dublin, Ireland Elizabeth Behnke, Ferndale, WA, USA Rudolf Bernet, Husserl-Archief, Katholieke Universiteit Leuven, Belgium David Carr, Emory University, GA, USA Chan-Fai Cheung, Chinese University Hong Kong, China James Dodd, New School University, NY, USA Lester Embree, Florida Atlantic University, FL, USA Alfredo Ferrarin, Università di Pisa, Italy Burt Hopkins, Seattle University, WA, USA Kwok-Ying Lau, Chinese University Hong Kong, China Nam-In Lee, Seoul National University, Korea Dieter Lohmar, Universität zu Köln, Germany William R. McKenna, Miami University, OH, USA Algis Mickunas, Ohio University, OH, USA J.N. Mohanty, Temple University, PA, USA Junichi Murata, University of Tokyo, Japan Thomas Nenon, The University of Memphis, TN, USA Thomas M. Seebohm, Johannes Gutenberg-Universität, Germany Gail Soffer, Rome, Italy Anthony Steinbock, Southern Illinois University at Carbondale, IL, USA Shigeru Taguchi, Yamagata University, Japan Dan Zahavi, University of Copenhagen, Denmark Richard M. Zaner, Vanderbilt University, TN, USA Scope The purpose of the series is to serve as a vehicle for the pursuit of phenomenological research across a broad spectrum, including cross-over developments with other fields of inquiry such as the social sciences and cognitive science. Since its establishment in 1987, Contributions to Phenomenology has published nearly 60 titles on diverse themes of phenomenological philosophy. In addition to welcoming monographs and collections of papers in established areas of scholarship, the series encourages original work in phenomenology. The breadth and depth of the Series reflects the rich and varied presence of phenomenological thinking to seminal questions of human inquiry as well as the increasingly international reach of phenomenological thinking. HANDBOOK OF PHENOMENOLOGICAL AESTHETICS edited by HANS RAINER SEPP Charles University, Prague, Czech Republic and LESTER EMBREE Florida Atlantic University, Boca Raton, FL, USA 123 Editors Prof. Hans Rainer Sepp Prof. Lester Embree Charles University Prague Florida Atlantic University Faculty of Humanities College of Arts and Letters UKrížeˇ 10 P.O. Box 3091 CZ–158 00 Praha 5 Boca Raton, FL 33431-0881 Czech Republic USA [email protected] [email protected] ISSN 0923-9545 ISBN 978-90-481-2470-1 e-ISBN 978-90-481-2471-8 DOI 10.1007/978-90-481-2471-8 Springer Dordrecht Heidelberg London New York Library of Congress Control Number: 2009929301 © Springer Science+Business Media B.V. 2010 No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the Publisher, with the exception of any material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Printed on acid-free paper Springer is part of Springer Science+Business Media (www.springer.com) Contents Aesthetic Experience .............................. 1 Edward S. Casey Aisthesis .................................... 9 Jagna Brudzinska´ Appearance ................................... 17 TANI Toru Architecture .................................. 25 Timothy K. Casey Antonio Banfi .................................. 29 Gabriele Scaramuzza Beauty ..................................... 33 Simone Neuber Simone de Beauvoir .............................. 41 Sara Heinämaa Oskar Becker .................................. 45 Markus Ophälders Chinese Aesthetics ............................... 49 CHEN Zhiyuan Waldemar Conrad (1878–1915) ........................ 53 Daniela Angelucci Creativity .................................... 57 Mario Teodoro Ramírez Cubism ..................................... 63 Andrea Pinotti Dance ...................................... 67 Gediminas Karoblis Jacques Derrida (1930–2004) ......................... 71 Terri J. Hennings Dream ...................................... 75 Hans Rainer Sepp v vi Contents Mikel Dufrenne (1910–1995) ......................... 81 Edward S. Casey Ecological Aesthetics .............................. 85 Ted Toadvine Empathy .................................... 93 Andrea Pinotti Enjoyment ................................... 99 Mad˘ alina˘ Diaconu Fashion ..................................... 107 César Moreno Márquez Film ....................................... 111 Elena del Río Eugen Fink (1905–1975) ............................ 119 Hans Rainer Sepp Hans-Georg Gadamer (1900–2002) ...................... 123 Mirko Wischke Moritz Geiger (1880–1937) .......................... 127 Licia Fabiani Gender Aesthetics ............................... 131 Gayle Salamon Nicolai Hartmann (1882–1950) ........................ 135 Mirko Wischke Martin Heidegger (1889–1976) ........................ 137 Françoise Dastur Michel Henry (1922–2002) .......................... 141 Ruud Welten Dietrich von Hildebrand (1889–1977) .................... 145 John F. Crosby Edmund Husserl (1859–1938) ......................... 151 John B. Brough Imagination ................................... 155 Natalie Depraz India and Intercultural Aesthetics ...................... 161 Ram Adhar Mall Roman Ingarden (1893–1970) ......................... 167 Andrzej Gniazdowski Japanese Worlds ................................ 171 OHASHI¯ Ryosuke¯ Fritz Kaufmann (1891–1958) ......................... 177 Christian Lotz Contents vii Emmanuel Levinas (1906–1995) ....................... 181 Daniel Marcelle Literature .................................... 187 Pol Vandevelde Henri Maldiney (1912–) ............................ 193 Eliane Escoubas Jean-Luc Marion (1946–) ........................... 197 Michael Staudigl Media ...................................... 201 Paul Majkut Maurice Merleau-Ponty (1908–1961) ..................... 207 Galen A. Johnson Metaphor .................................... 211 Annamaria Lossi Methodology .................................. 215 Lester Embree Music ...................................... 223 Augusto Mazzoni Maurice Natanson (1924–1996) ........................ 231 Michael D. Barber Nature ...................................... 235 Cathrin Nielsen NISHIDA Kitaro (1870–1945) ......................... 241 KANATA Susumu José Ortega y Gasset (1883–1955) ...................... 245 Javier San Martín Painting ..................................... 249 Eliane Escoubas Jan Patockaˇ (1907–1977) ........................... 255 Ludger Hagedorn Photography .................................. 259 CHEUNG Chan-Fai Play ....................................... 265 Cathrin Nielsen Political Culture ................................ 269 Helmut Kohlenberger Religion ..................................... 275 Bálazs M. Mezei Representation ................................. 281 John B. Brough viii Contents Marc Richir (1943–) .............................. 287 Jürgen Trinks Paul Ricoeur (1913–2005) ........................... 291 Yvanka B. Raynova Heinrich Rombach (1923–2004) ....................... 295 Georg Stenger Jean-Paul Sartre (1905–1980) ......................... 299 Philippe Cabestan Max Scheler (1874–1928) ........................... 303 Wolfhart Henckmann Hermann Schmitz (1928–) ........................... 307 Anna Blume Alfred Schutz (1899–1959) .......................... 311 Andreas Georg Stascheit Secondary Senses ............................... 317 Mad˘ alina˘ Diaconu Gustav Gustavovich Špet (1879–1937) .................... 321 Tatyana Schedrina Style ....................................... 325 Andrea Pinotti Theater ..................................... 331 NUKI Shigeto France Veber (1890–1975) ........................... 339 Dean Komel Virtual Reality ................................. 343 Christian Rabanus Work of Art .................................. 351 Cathrin Nielsen The Core of Phenomenological Aesthetics: A Suggested Bibliography .. 359 About the Authors ............................... 365 Index ...................................... 377 Preface Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental first philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The con- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural field to be approached phenomenologically. Contributions to this field have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics.) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apart- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors
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