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Fairlady|October 2012 Fairlady|October 2012 49 Missing), I Begin to Explore the Lyrics
local star BY CRAIG BARTHOLOMEW STRYDOM ‘The Moon is Hanging In the Purple Sky’, ‘Woman, Please Be Gone’, ‘I Wonder (How Many Times You’ve Had Sex)’… Like us, you probably know every searching word to every track on the album Cold Fact. But what you may not know is that a documentary telling the amazing story of two South Africans’ epic search to find Rodriguez is winning major Sugar documentary awards. RODRIGUEZ, ALSO CALLED for SIXTO (BECAUSE HE WAS THE SIXTH CHILD) WAS BORN TO MIDDLE CLASS MEXICAN PARENTS WHO MOVED TO THE STATES IN Man THE ’20S. generation of South Africans grew up to a soundtrack of Rodriguez. We were living in troubled times, and the anti-establishment poetry of his lyrics drew us in. We never knew that – instantly recognisable as his music was to us – Rodriguez was only famous in South STEVE ‘SUGAR’ Africa; he was completely unknown in the SEGERMAN WAS THE SA RECORD- rest of the world. Even more bizarrely, he SHOP OWNER AS A OBSESSED WITH had absolutely no idea that he was famous FINDING RODRIGUEZ anywhere. About Rodriguez himself, we AS BARTHOLOMEW knew nothing. Was he alive, or – as ru- STRYDOM. moured – had he killed himself on stage? South African music journalist Craig was sent to Klipdam Holpan Others are washing and ironing. Bartholomew Strydom spent years trying Primêr as one of only three My group of friends is philoso- to track down Rodriguez. This is his story. English-speaking boys. Built phizing around snacks of during the diamond rush, the Salticrax and tinned mussels. -
Steve Rowland Actor, Singer, Columnist, Recording Producer, Author
Steve Rowland Actor, Singer, Columnist, Recording Producer, Author Born in Hollywood, actor, singer, columnist, author and record producer Steve Rowland grew up in Beverly Hills during the Golden Age of Hollywood. His father was film director Roy Rowland, his mother Ruth was a scriptwriter and the niece of Louis B. Mayer of MGM fame. Steve almost "naturally" began an acting career in the 50s, starring in over 35 TV shows like “Bonanza”, “Wanted Dead Or Alive” and a two year role in “The Legend of Wyatt Earp”. His first film appearance was at 11 year's old in MGM's "Boy's Ranch", singing Darling Clementine in the campfire scene. Film appearances included co-starring roles in “The Battle of the Bulge” with Henry Fonda and Telly Savalas, “Gun Glory” with Stuart Granger and Rhonda Fleming, “Crime in the Streets” with John Cassavetes and Sal Mineo, and the original “The Thin Red Line” with Keir Dullea and Jack Warden. These were also the years when as a member of "Hollywood royalty" Steve was inspired to write monthly columns for the popular fan magazines, The View From Rowland’s Head being the most famous, as he mingled with the stars and starlets of the time : Elvis Presley, Steve McQueen, Marlon Brando, James Dean, Natalie Wood, Tuesday Weld, Kathy Case, Carmen Phillips to name a few. And with his all-time friend Budd Albright, he hit the music scene with the group "West Coast Twist Kings", and with Earl Bostic he performed in the "Ringleaders". The lure of ‘the swinging sixties’ soon brought Steve to London where he produced records for the Fontana label. -
Rodriguez - Hate Street Dialogue (Round Table Knights Edit) Mp3 Download
Rodriguez - hate street dialogue (round table knights edit) mp3 download CLICK HERE TO DOWNLOAD The documentary tells the story of two South Africans that set out to discover what happened to their unlikely musical hero, the mysterious s rock 'n' roller Sixto Rodriguez. As a tribute, the Round Table Knights have turned his original "Hate Street Dialogue" into a smooth groove that's laced with extra percussive grooves and extra handclaps. Watch the video for Hate Street Dialogue from Rodriguez's Cold Fact for free, and see the artwork, lyrics and similar artists. Hate Street Dialogue Lyrics: Woman please be gone / You've stayed here much too long / Don't you wish that you could cry / Don't you wish I would die / Seamy, seesaw kids / Child-woman on the. Lyrics for Hate Street Dialogue by Rodriguez. Woman please be gone You've stayed here much too long Don't you wish that you could cry Do. Rodriguez "Hate Street Dialogue": Woman please be gone You've stayed here much too long Don't you wish that you could cry Don't you wi. Rodriguez - Hate Street Dialogue Lyrics. Woman please be gone You've stayed here much too long Don't you wish that you could cry Don't you wish I would die. Seamy, seesaw kids Chil. Stream Hate Street Dialogue (Thomas Jack Remix) - Sixto Rodriguez by Thomas Jack. from desktop or your mobile device. Choose and determine which version of Hate Street Dialogue chords and tabs by Rodriguez you can play. Last updated on Lyrics to 'Hate Street Dialogue' by The Avener Feat. -
Album Review: Rodriguez, Cold Fact
NZ Herald Album review: Rodriguez, Cold Fact By Lydia Jenkin 7:00 AM Friday Jul 6, 2012 Like a young Bob Dylan crossed with Jose Feliciano, with the poetic story-telling skills of Don McLean or Paul Simon, imparting the cold facts with a sly attitude, Sixto Rodriguez is an unsung hero of 70s counter-culture. A true rock 'n' roll star. Born and raised in Detroit to Mexican parents, and discovered by a couple of producers who saw him playing in a dive bar, Rodriguez is a rare songwriter, who can encapsulate a whole world of emotion in two potent lyrical lines. He has a knack for winding wry observations into a melody that produces elusive musical magic. That magic should've made him a big name when Cold Fact was released in 1970, the songwriting matched by skilful production, which leaves his world-weary American drawl to the fore, and builds up beautiful classic instrumental layers, along with the odd scorching guitar lick. The tenderness of Crucify Your Mind contrasts with the jaunty cheek of I Wonder, the cheerful resignation of Establishment Blues with wistful-on-reflection Jane S Piddy. Oddly, it was ignored in America, as was his second album Coming From Reality. Despite the songs full of insight into American urban life, they didn't connect with the wider public. But there were thousands of liberal young groovers in South Africa, Australia and even a few in New Zealand who regarded him as highly as The Beatles or Jimi Hendrix. Forty years on, a brilliant documentary called Searching For Sugar Man, which details his remarkable story, is being released (it's playing at the NZ International Film Festival) and there's been a resurgence of interest in Rodriguez, hence the re-release of both albums. -
'Rolling Stone' Consigue La Entrevista Con El Hombre Más Buscado De La
www.elboomeran.com Entrevista exclusiva 'RS' La fantastica historia de RodRiguez ‘Rolling Stone’ consigue la entrevista con el hombre más buscado de la música mundial: Sixto Rodriguez. Texto Andy Greene n la que debería haber sido la noche tido todo de negro: pantalones de piel comprados más importante de su vida, el cantante en Londres, gafas de sol grandes, una elegante y compositor Sixto Rodriguez, de 70 chaqueta y una gargantilla con un águila de made- E años, estaba desaparecido. Searching ra de los indios americanos. Sospechosamente, en for sugar man, el taquillero documental de 2012 su pelo no hay ni rastro de canas. “Todo esto va que finalmente, y de manera milagrosa, dio a de mi imagen. Es una actuación”, reconoce. conocer su música al mundo, estaba a punto de Después de cuatro décadas de anonimato casi conseguir el Oscar al Mejor Documental. Pero total –no ha grabado un disco desde 1971 y se Rodriguez no sólo se había saltado la ceremonia ganaba la vida trabajando en la construcción y la del teatro Dolby de Los Ángeles: estaba en su demolición–, Rodriguez se ha convertido en una casa de Detroit, durmiendo. “Me perdí el progra- superestrella reconocida. Sus conciertos, cuyas ma. Acabábamos de regresar de Sudáfrica el día entradas se agotan al instante, han pasado de anterior. Mi hija Sandra me llamó para comuni- tener lugar en bares a contar con una fecha en cármelo. De todas formas, no tengo señal de tele- otoño en el Barclays Center de Brooklyn, hogar visión”, se sincera. de los Nets y de las actuaciones de Jay-Z, y donde Dos semanas más tarde, Rolling Stone le caben 19.000 personas. -
Cbs' “60 Minutes”
CBS’ “60 MINUTES” TO FEATURE AWARD-WINNING DOCUMENTARY SEARCHING FOR SUGAR MAN SUNDAY, OCTOBER 7TH AT 7PM ET/PT Bob Simon Spotlights Artist/Musician Rodriguez’s Extraordinary & Inspirational Story Sony Pictures Classics Continues the Film’s Nationwide Expansion on Friday, October 12th New York (October 3, 2012) – CBS “60 Minutes” correspondent Bob Simon will spotlight artist/musician Rodriguez and director Malik Bendjelloul’s critically- acclaimed documentary Searching For Sugar Man on the show this Sunday, October 7th at 7pm ET/PT. The film was released by Sony Pictures Classics on July 27th and is continuing to expand nationwide. The film's soundtrack album is now available from Legacy Recordings, the catalog division of Sony Music Entertainment. Searching For Sugar Man opened the 2012 Sundance festival, where it won a World Cinema Audience Award (Documentary) and a World Cinema Documentary Special Jury Prize for its Celebration of the Artistic Spirit. It has become an audience and critics’ favorite premiering at this year's South By South West Film Festival, Tribeca Film Festival, Los Angeles Film Festival, Michael Moore’s Traverse City Film Festival and was hosted by Alec Baldwin at the Hamptons International Film Festival's Summer Docs series. Searching For Sugar Man chronicles the improbable story of Sixto Diaz Rodriguez, an uncompromising artist on the brink of success in the early 1970s who'd taken American protest music into stark new urban territory with two classic cult albums--Cold Fact in 1970 and Coming From Reality in 1971--before vanishing from public view after both albums tanked. In a twist of history, a bootleg copy of Cold Fact found its way to South Africa, where the album's streetwise narratives of chaos, corruption, revolution and redemption became anthems of the anti-apartheid movement. -
The Fantastic Butterfly Collectors
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document and is licensed under All Rights Reserved license: Gardner, Abigail S ORCID: 0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181 Official URL: http://www.tandfonline.com/doi/full/10.1080/15405702.2016.1193181 DOI: http://dx.doi.org/10.1080/15405702.2016.1193181 EPrint URI: http://eprints.glos.ac.uk/id/eprint/3540 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. Raiders of the Lost Archives Abstract Fantastic Man (2014) and Searching for Sugar Man (2012) mobilize tropes of discovery occurring in the filmed process of collecting and curating the work and identities of two reluctant, elusive and resistive figures. They are part of a discourse of collectability which is marked by the urge to discover and to narrate a “quest” that has its precedents in record collecting as obsessive cultural practice (Straw, 1997; Shuker, 2012), and in the fetishizing of obscurity (Thornton, 1995; Hesmondhalgh, 1997). -
Rian Malan on Sugarman
Discovering hippies and teen rebellion when 'Searching for Sugar Man' Rian Malan 08 Feb 2013 [accessed at: http://mg.co.za/article/2013-02-08-00-recognition-is-the-sweetest-sound] ‘You know then,” said Stephen Segerman. It was last Sunday morning and I’d spent the weekend googling recent developments in the story of Rodriguez, the construction worker who woke up one morning to discover he was actually a pop star in a parallel universe called Mzanzi. I checked his appearances on big-time American TV talk shows, scanned emotional fan mail on his website and watched several clips of foreign audiences erupting in standing ovations after screenings of Searching for Sugar Man, Malik Bendjelloul’s magical documentary about Rodriguez’s life, death and miraculous resurrection. Somewhere along the line, it struck me that Rodriguez’s global triumph is actually a huge compliment to people like me — white South Africans born in the baby boom, raised on the apartheid moonbase and converted in the Sixties to the cause of long hair and teen rebellion. The rest of you would not get it, so I ran my idea past Segerman, who laughed and said: “You know then,” thereby identifying himself as an ex-hippie of exactly my own persuasion. As the whole world is now aware, Segerman is the psychedelic music enthusiast who set out in the l990s to unravel the mystery of the missing Sugar Man. Rodriguez was supposed to be dead, but Segerman and Craig Bartholomew found him living in poverty in Detroit’s ruined downtown and brought him back to South Africa, where he stood dazed and dumbfounded in an outpouring of love from thousands of fans who had waited decades to see his face. -
KEY SONGS and We’Ll Tell Everyone Else
Cover-15.03.13_cover template 12/03/13 09:49 Page 1 11 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.03.13 £5.15 40 million albums sold worldwide 8 million albums sold in the UK Project1_Layout 1 12/03/2013 10:07 Page 1 Multiple Grammy Award winner to release sixth studio album ahead of his ten sold out dates in June at the O2 Arena ‘To Be Loved’ 15/04/2013 ‘It’s A Beautiful Day’ 08/04/2013 Radio Added to Heart, Radio 2, Magic, Smooth, Real, BBC Locals Highest New Entry and Highest Mover in Airplay Number 6 in Airplay Chart TV March BBC Breakfast Video Exclusive 25/03 ‘It’s A Beautiful Day’ Video In Rotation 30/03 Ant & Dec Saturday Night Takeaway 12/04 Graham Norton Interview And Performance June 1 Hour ITV Special Expected TV Audience of 16 million, with further TVs to be announced Press Covers and features across the national press Online Over 5.5 million likes on Facebook Over 1 million followers on Twitter Over 250 million views on YouTube Live 10 Consecutive Dates At London’s O2 Arena 30th June • 1st July • 3rd July • 4th July 5thSOLD July OUT • 7thSOLD July OUT • 8thSOLD July OUT • 10thSOLD July OUT 12thSOLD July OUT • 13thSOLD July OUT SOLD OUT SOLD OUT SOLD OUT SOLD OUT Marketing Nationwide Poster Campaign Nationwide TV Advertising Campaign www.michaelbuble.com 01 MARCH15 Cover_v5_cover template 12/03/13 13:51 Page 1 11 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.03.13 £5.15 ANALYSIS PROFILE FEATURE 12 15 18 The story of physical and digital Music Week talks to the team How the US genre is entertainment retail in 2012, behind much-loved Sheffield crossing borders ahead of with new figures from ERA venue The Leadmill London’s C2C festival Pet Shop Boys leave Parlophone NEW ALBUM COMING IN JUNE G WORLDWIDE DEAL SIGNED WITH KOBALT LABEL SERVICES TALENT can say they have worked with I BY TIM INGHAM any artist for 28 years, but Parlophone have and we are very et Shop Boys have left proud of that. -
Abecední KOMPLETNÍ SEZNAM HUDBY a MLUVENÉHO SLOVA - Do 1
abecední KOMPLETNÍ SEZNAM HUDBY A MLUVENÉHO SLOVA - do 1. pol. 2018 32743 CD 1975 I like it when you sleep, for you are so beautiful yet so2015 unaware of it / 25795 CD (Hed) Planet Earth The best of 2006 27813 CD 10,000 Maniacs Our time in Eden 1992 20981 CD 10,000 Maniacs The wishing chair 1985 30174 CD 100°C Brant rock 2008 23819 CD 100°C Evergreen 2004 27836 CD 10cc Bloody tourists 1978 29213 CD 10cc Sheet music 2000 25740 CD 12 Stones 12 Stones 2002 28482 CD -123 min. Dream 2009 22108 CD -123 min. Home 2002 24338 CD -123 min. Mom 2005 21160 CD -123 min. Shooba dooba 1999 21515 CD -123 min. Try 2001 29214 CD 2 13th Floor Elevators The Psychedelic sounds of The 13th Floor Elevators 2010 28616 CD 16 Horsepower Folklore 2002 26441 CD 2 Unlimited The Hits 2006 31106 CD 30 Seconds to Mars Love lust faith and dreams 2013 31107 CD 30 Seconds to Mars This is war 2009 32670 CD 4 Non Blondes Bigger, better, faster, more! / 1992 23750 CD 4TET 1st 2004 25313 CD 4TET 2nd 2005 26813 CD 4TET 3rd 2008 32436 CD 4TET 4th / 2016 31873 CD 5 Seconds of Summer 5 Seconds of Summer 2014 25959 CD 50 Cent Curtis 2007 23335 CD 50 Cent Get rich or die tryin' 2003 24826 CD 50 Cent The Massacre 2005 29454 CD 5th Dimension The age of aquarius 1969 29451 CD 808 State 808:88:98-10 years of 808 State 1998 25960 CD A bude hůř Basket 2001 33131 CD Aaronovitch, Ben Měsíc nad Soho / 2017 32419 CD Aaronovitch, Ben Řeky Londýna / 2016 20430 CD ABBA Gold 1992 20361 CD ABBA More ABBA Gold 1993 26814 CD V ABBA The albums 2008 32461 CD Abbott, Rachel Zabij mě znovu / 2016 24546 -
Warner and Sony Set for Battle
01 15FEB Cover_v3_cover template 12/02/13 17:38 Page 1 07 9 776669 776136 THE BUSINESS OF MUSIC www.musicweek.com 15.02.13 £5.15 NEWS BIG INTERVIEW ANALYSIS 05 12 27 The legendary Sir George UK bosses Jason Iley and Mike Music Week talks to pop Martin accepts his MPG Smith discuss a promising year songwriting golden boy Outstanding Contribution Award ahead for the Universal label Wayne Hector Warner and Sony set for battle PARLOPHONE BUYOUT WILL DRAMATICALLY CLOSE THE GAP BETWEEN RIVAL MAJOR LABELS ANALYSIS market headed by Universal with I BY PAUL WILLIAMS a 35.0% share and Sony second with 20.8%. arner’s £487m buyout However, had Warner W of Parlophone Label controlled the artists and Group (PLG) will put repertoire coming from PLG in it within touching distance of 2011 and 2012 it would have Sony as Universal’s biggest rival claimed around 17.5% of the in the UK. albums market, just one and a That’s according to exclusive half percentage points behind Music Week research, which Sony, while it would have been suggests the addition of around the same distance behind repertoire from the likes of Sony on singles with a market Coldplay, David Guetta and Pink share of about 19.5%. Floyd will sharply narrow the On the albums side, the most market share race for second obvious powerful addition to its place. However, Universal could ranks will be Coldplay whose end up being 80% or more ahead Mylo Xyloto was EMI’s second of both rival players. -
Interkulturalizam U Glazbenoj Industriji
Interkulturalizam u glazbenoj industriji Gabrić, Lucija Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Academy of Arts and Culture in Osijek / Sveučilište Josipa Jurja Strossmayera u Osijeku, Akademija za umjetnost i kulturu u Osijeku Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:251:856175 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Repository of the Academy of Arts and Culture in Osijek SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU AKADEMIJA ZA UMJETNOST I KULTURU ZAVRŠNI RAD Osijek, 10. 07. 2018. Lucija Gabrić SVEUČILIŠTE JOSIPA JURJA STROSSMAYERA U OSIJEKU AKADEMIJA ZA UMJETNOST I KULTURU ZAVRŠNI RAD TEMA: INTERKULTURALIZAM U GLAZBENOJ INDUSTRIJI PRISTUPNIK: LUCIJA GABRIĆ NASTAVNI PREDMET: INTERKULTURALNA KOMUNIKACIJA MENTOR: prof. dr. sc. Zlatko Kramarić KOMENTOR: Mirta Bijuković Maršić, predavačica Osijek, 10. 07. 2018. SADRŽAJ: Sažetak 1. Uvod................................................................................................................1 2. Interkulturalizam – osnovni pojmovi...............................................................2 2.1. Multikulturalizam.....................................................................................4 2.2. Kulturni pluralizam, transkulturalizam i rasizam.....................................5 3. Primjeri interkulturalizma u glazbenoj industriji.............................................6