DOCSLIB.ORG

S.B. Council Votes to Rename City Park

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
S.B. Council Votes to Rename City Park Santa Barbara City Council voted Tuesday night to rename Ortega Park in honor of Ruben Salazar. Photo by John Franklin S.B. Council votes to rename city park The name of the old Ortega Park in downtown Santa Barbara was changed to the Ruben Salazar Park Tuesday night by the City Council. This was done in honor of the Chicano newsman killed during civil disturbances last summer when a police tear gas cannister struck him in VOL. 51 - NO. 57 THURSDAY, JANUARY 14,1971 UNIVERSITY OF CAUFORNfA, SANTA BARBARA the head in a Los Angeles bar. The Council voted 4-2 in favor of the name change after listening to a large number of speakers supporting the change, including Ernesto Perez, chairman of MECHA at UCSB. This initial proposal was made by members of La Raza after Chief Bowles makes good submitting petitions with 956 signatures following the last Council meeting. The large turnout at the hearing indicated the feelings of a majority of the community in favor of the change, according to Maria Ortega, on his police reform vow spokesman for the Huelga Committee. The speakers opposing the name change felt that the name of Ortega was more relevant to the By MITCH ALLEN officers to cover a wider territory contacts and patronizing city because of its historical implications, she said. DN Staff Writer to protect from burglaries. It also different local establishments. The motion passed by the Council, however, changed the name and When Chief Derry Bowles took allows the officers to get from They have made some arrests, agreed to name a new, unspecified park after the Santa Barbara over the University Police place to place much quicker than recovered lost bicydes and have founder, Captain Ortega. Department this fall, he vowed if they were on foot. so far managed to avoid any Councilmen opposing the change were Dr. Franklin Lowance and that changes would be made. According to Chief Bowles, the hostile confrontations with William Sayre, Mayor Firestone favored the change. Since that time, innovations, old bikes the Foot Patrol is using residents. plans and ideas have been flowing now would probably not pass As well as the walking patrol in in a steady stream from the safety regulations. But the Isla Vista, the Campus Police are Safety and Security Building. department is working on reverting more and more to foot Situation termed critical Chief among these changes has procuring new ones. patrols on campus. At a rate of been the establishment of the Isla two or three times a week now, Vista Foot Patrol in conjunction PATROL SUCCESS the department plans to increase for I.V.'s Switchboard with the Sheriffs Department. As for the Foot Patrol itself, the number of walking patrols on The two man walking patrols Bowles calls it a complete campus. By M. X. DEAN While Switchboard has had have been in Isla Vista since Dec. success. “The officers fed they’re Furthermore, officers are now DN Reporter enough workers to staff the 1. actually contributing to order beginning to eat at the different Indifference and indirection office during its regular hours, it And now a new change has and peace in Isla Vista.” dining commons and the UCen are the two problems threatening still suffers from a lack of been made and the Foot Patrol Other activities the Patrolmen cafeteria during their shift, the existence of Switchboard. “dedicated volunteers.” has become the Bike Patrol. partake in include attending further integrating themselves Brian Craig and Ron Swenson, By this, Craig meant people are The switch was made during IVCC meetings, making weekly into the community that way. interviewed separately by DN, needed to perform the necessary the quarter break to allow the reports of their activities and The ultimate envisioned by focused on different reasons for daily work, such as keeping files Chief Bowles is to have the the current crisis within the updated and initiating and department fully integrated into community service organization. following through on projects, the campus community, Craig cited I.V. apathy as a like fund raising and scheduling induding officers in uniform critical problem. “The speaking engagements. taking classes for credit. To this organizations that function wdl Although basically an end the department has recently are those that are new or those information center, Switchboard hired three undergraduates as full that serve the people in it in a has performed a number of time officers. tangible way, like the Food functions from suicide prevention (Continued on p. 2, col. 1) Co-op.” to drug counseling. Craig emphasized that “Switchboard can do anything anyone wants it to do.” If, of course, the people, Zeitlin speaks tonight in turn, support it. He also touched on the subject ""Visiting'' Professor of Sociology, Maurice Zeitlin, of the University of of re-organization. Many of Wisconsin, will speak on "Chile and American Imperialism" tonight at Switchboard’s functions have 7:30 in the University Religious Conference Building, 777 Camino been duplicated or overlapped by Pescadero in Isla Vista. This talk is one of the weekly radical lectureseries sponsored by the more specialized groups that have Peace and Freedom Club and the New University Conference. Professor been more recently created in Zeitlin spent one and a half years in Chile in 1965-1966, has’ written a I.V. This has “caused us to THE BIKE PATROL has become one of a line of innovations in police book entitled "The Political Radicalism of the Chilean Working Class" and re-define our goals,” Craig stated. is currently working on a book tentatively entitled ‘T he Capitalist Class in reform under Campus Police Chief Derry Bowles. Swenson addressed this subject Chile." Photo by Renata Farber (Continued on p. 2, col. 3) THURSDAY, JANUARY 14,1971 PAGE 2 UCSB DAILY NEXUS Campus Police make reforms Newton speech cancelled (Continued from p. 1) equipment and a stretcher. Community relations seems to Officers are now required to pass be uppermost in the department’s a swimming proficiency test in priorities. In conjunction with conjunction with this program. due to 'security problems’ the Housing Office and the Dean The department has also of Students, the police are internally reorganized, adding Reasons for the last minute confirmed that Newton was Connie Matthews, personal working on a program to visit two police lieutenants to the cancellation of Huey Newton’s posing a security problem for the secretary for Huey Newton, was dorms for rap sessions. A staff. Complete reorganization scheduled appearance yesterday campus. Indications were given contacted in Oakland, but five-man advisory board from will take some time, though. still remain unclear, although that several bomb and declined to comment on Associated Students provides a Not that all of these ideas are security problems appear to have assassination threats had been Newton’s cancellation. White, sounding board for grievances without' problems. With the been the major factor. received against Newton over the however, did add that “the Black and ideas. The ride program University budget frozen, funding The Black Studies Department, past week. Studies Department is sorry where students can ride with an for some of these ideas may be which was co-sponsoring the Jim Simon, chairman of A.S. about the cancellation because officer on his patrol, has been in difficult. But there are “many speech along with A.S. Lectures, Lectures Committee further we felt it would have been a operation though starting rather things we can do with existing issued a one sentence statement commented, “It just may be the scholastically enriching slowly. funds,” Bowles states. yesterday morning — “The Black best thing that Huey didn’t experience for the entire student Also of interest are the Finally, and perhaps most vital Panther Party informed the come.” body.” alternate modes of transportation to all of these ideas is the University of California at Santa for the police. Besides foot and reaction of both the officers and Barbara this morning that the concerned parties intended to bicycle, the department is the students. Bowles flatly states, Minister of Defense and Supreme resolve the crisis. working- on replacing squad cars “I have the full support of my Commander Huey Newton would Switchboard The meetings will all be held in department.” He considers them be unable to appear at this the I.V. Community Service with motorcycles. (Continued from p. 1) Already in operation is a police “anxious to get involved” and campus today.” Center, Suite F, tonight at 8, jeep patrolling the beaches. It will attributes many of the new Milton White, chairman of more directly. He explained that Saturday from 1 — 4 p.m., and assist in water rescues and is fully innovations to members of the Black Studies received a there are two basics which are Sunday from 1 — 3 p.m. equipped with first aid University Police. telephone call at his - home now being examined, Written suggestions are preferred He also points out that there Tuesday evening from Panther Switchboard’s purpose and its and should be turned into the have been no incidents this year headquarters in Oakland structure. Switchboard Office in advance. UCSB Merhaba Folk Dance Club cancelling the appearance. Beginning as it did, “we never Presents to mar his record of good relations with the students and When contacted by the stated what we were, just what that the Campus Police have NEXUS the following morning, we did.” Now faced with Counseling speech become “heavily involved in White was unable to elaborate or conflicting groups and a desire to JOHN community activities.” specify why Newton’s speech was expand into new areas, it has Harvey Jackins, originator of cancelled.
Load more

Recommended publications
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript are unavailable from the author or university. The manuscript was microfilmed as received 88-91 This reproduction is the best copy available. UMI INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. 35 mm slides or 6" X 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. AccessinglUMI the World’s Information since 1938 300 North Zeeb Road, Ann Arbor, Mi 48106-1346 USA Order Number 8820263 Leigh Brackett: American science fiction writer—her life and work Carr, John Leonard, Ph.D.
    [Show full text]
  • Rio Bravo (1959) More Secure Surroundings, and Then the Hired Guns Come In, Waiting Around for Their Chance to Break Him out of Jail
    already have working for him. Burdette's men cut the town off to prevent Chance from getting Joe into Rio Bravo (1959) more secure surroundings, and then the hired guns come in, waiting around for their chance to break him out of jail. Chance has to wait for the United States marshal to show up, in six days, his only help from Stumpy (Walter Brennan), a toothless, cantankerous old deputy with a bad leg who guards the jail, and Dude (Dean Martin), his former deputy, who's spent the last two years stumbling around in a drunken stupor over a woman that left him. Chance's friend, trail boss Pat Wheeler (Ward Bond), arrives at the outset of the siege and tries to help, offering the services of himself and his drovers as deputies, which Chance turns down, saying they're not professionals and would be too worried about their families to be good at anything except being targets for Burdette's men; but Chance does try to enlist the services of Wheeler's newest employee, a callow- looking young gunman named Colorado Ryan (Ricky Nelson), who politely turns him down, saying he prefers to mind his own business. In the midst of all of this tension, Feathers (Angie Dickinson), a dance hall entertainer, arrives in town and nearly gets locked up by Chance for cheating at cards, until he finds out that he was wrong and that she's not guilty - - this starts a verbal duel between the two of them Theatrical release poster (Wikipedia) that grows more sexually intense as the movie progresses and she finds herself in the middle of Chance's fight.
    [Show full text]
  • Dictionary of Westerns in Cinema
    PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas.
    [Show full text]
  • His Girl Friday (1940)
    Conversations about great films with Diane Christian & Bruce Jackson HOWARD HAWKS (30 May 1896, Goshen, Indiana—26 December 1977, Palm Springs, California, aftermath of a fall) directed 47 films (and was producer on most of them) and wrote 24 screenplays. The last film he directed was Rio Lobo 1970; his first was Road to Glory 1926. Some of the others were: Man's Favorite Sport? (1964), Hatari! (1962), Rio Bravo (1959), Land of the Pharaohs (1955), Gentlemen Prefer Blondes (1953), I Was a Male War Bride (1949), A Song Is Born (1948), Red River (1948), The Big Sleep (1946), To Have and Have Not (1944), Sergeant York (1941), Only Angels Have Wings (1939), Bringing Up Baby (1938), Come and Get It (1936), Barbary Coast (1935), Twentieth Century (1934), Scarface (1932), and The Dawn Patrol (1930). He won an honorary Oscar in 1975. BEN HECHT (28 February 1894, New York City—18 April 1964, NYC, HIS GIRL FRIDAY (1940). 92 min thrombosis) wrote or co-wrote 128 screenplays, half of them uncredited. Produced and directed by Howard Hawks Some of them are Cleopatra (1963), Mutiny on the Bounty (1962), Walk on Based on the play, “The Front Page,” by Ben Hecht the Wild Side (1962), A Farewell to Arms (1957), Miracle in the Rain and Charles MacArthur (1956), The Court-Martial of Billy Mitchell (1955), The Man with the Screenplay by Charles Lederer Golden Arm (1955), Guys and Dolls (1955), Rope (1948), The Miracle of Cinematography by Joseph Walker the Bells (1948), Ride the Pink Horse (1947), Kiss of Death (1947), Duel in the Sun (1946), Notorious (1946), Gilda (1946), Spellbound (1945), Cary Grant ...Walter Burns Lifeboat (1944), The Outlaw (1943), Gone with the Wind (1939), Wuthering Rosalind Russell ...Hildegaard 'Hildy' Johnson Heights (1939), Stagecoach (1939), Angels with Dirty Faces (1938), Ralph Bellamy ...Bruce Baldwin Barbary Coast (1935), Viva Villa! (1934), Scarface (1932), and The New Gene Lockhart ...Sheriff Peter B.
    [Show full text]
  • Movie Time Descriptive Video Service
    DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list.
    [Show full text]
  • Sam Peckinpah Killed Randolph Scott (But Somehow the Duke Survived)
    Sam Peckinpah Killed Randolph Scott (But Somehow the Duke Survived) Regeneration and Genre Tradition in the Final Westerns of John Wayne Andrew Patrick Nelson Hon.B.A. (Toronto) A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario, Canada August 2007 © 2007 Andrew Patrick Nelson Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-33755-4 Our file Notre reference ISBN: 978-0-494-33755-4 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • Rio Bravo by Michael Schlesinger
    Rio Bravo By Michael Schlesinger There’s a little-known micro-genre I’ve dubbed “testament films.” They’re made late in a director’s career, when he gathers up all his favorite character types, plot threads, themes and person- al tics and melds them into one big cin- ematic Greatest Hits album. Often they’re made because the filmmaker feels he’s losing touch and wants to re- treat to safe ground, especially if he’s had one or more flops. Or perhaps he believes the end of his career is nigh and wants to make one really big final splash. But whatever the rationale, they often turn out to be some of their finest works; e.g., Hitchcock’s “North By Northwest,” DeMille’s “The Ten Ricky Nelson’s guitar playing doesn’t seem to impress John Wayne. Courtesy Commandments,” Welles’ “Chimes At Library of Congress Collection. Midnight” and Wilder’s “One Two Three.” John Ford managed two: “The Man Who Shot Liberty Valance” and “Cheyenne Autumn.” In 1955, Hawks was running for the tall grass. He’d tried something different—the Biblical epic “Land of And of course Howard Hawks’ “Rio Bravo.” From the Pharoahs”—and laid a goose egg. (He later said Variety’s infamously patronizing “one of the better that he didn’t know how a Pharoah talked—death in- class oaters of the year” to Robin Wood’s stunning deed for a director whose films are renowned for their “the one film that justifies the existence of Holly- witty dialogue.) Approaching 60 and not accustomed wood,” this low-key, amiable western has been de- to failure, he took years off to wander the desert lighting and confounding people in equal measure (actually France) and figure out what to do next.
    [Show full text]
  • Vertigo. Revista De Cine (Ateneo Da Coruña)
    Vertigo. Revista de cine (Ateneo da Coruña) Título: Remake -intertextualidad Autor/es: Pena, Jaime J. Citar como: Pena, JJ. (1993). Remake -intertextualidad. Vértigo. Revista de cine. (7):24-28. Documento descargado de: http://hdl.handle.net/10251/42972 Copyright: Todos los derechos reservados. Reserva de todos los derechos (NO CC) La digitalización de este artículo se enmarca dentro del proyecto "Estudio y análisis para el desarrollo de una red de conocimiento sobre estudios fílmicos a través de plataformas web 2.0", financiado por el Plan Nacional de I+D+i del Ministerio de Economía y Competitividad del Gobierno de España (código HAR2010-18648), con el apoyo de Biblioteca y Documentación Científica y del Área de Sistemas de Información y Comunicaciones (ASIC) del Vicerrectorado de las Tecnologías de la Información y de las Comunicaciones de la Universitat Politècnica de València. Entidades colaboradoras: REMAKE / INTERTEXTUALIDAD JAIME J. PENA Joseph McBride: Usted hizo dos remakes de RIO BRAVO, EL DORADO y RIO LOBO. Howard Hawks: No eran remakes. (.. .) Sí hacemos una película que es un éxito, que gusta a la gente, nos sentimos inclinados a hacer una versión diferente de la misma película. Y sí un director tiene una historia que le gusta y la cuenta, muy a menudo ve la pelfcula y dice, "Podría hacerla mejor sí la volviera a hacer", así que yo la volví a hacer. 1.REMAKES Hawks según Hawks, pág. 152 Una breve ojeada al monumental -al menos en lo que se refiere al cine en lengua anglosajona- Cinema Sequels and Remakes, 1903-1987, de Robert 1 A.
    [Show full text]
  • February 27, 2018 (XXXVI:5) Fred Zinnemann HIGH NOON (1952), 85 Min
    February 27, 2018 (XXXVI:5) Fred Zinnemann HIGH NOON (1952), 85 min. DIRECTOR Fred Zinnemann WRITER Carl Foreman (screenplay), John W. Cunningham (from “The Tin Star”) PRODUCER Stanley Kramer MUSIC Dimitri Tiomkin CINEMATOGRAPHY Floyd Crosby EDITOR Elmo Williams SINGER Tex Ritter LYRICIST Ned Washington CAST FRED ZINNEMANN (b. April 29, 1907, Vienna, Austria—d. Gary Cooper…Will Kane March 14, 1997, London, England) was considered for several Thomas Mitchell…Jonas Henderson years, along with William Wyler and George Stevens, one of the Lloyd Bridges…Harvey Pell three directorial “intellectuals” in Hollywood. Initially, Katy Jurado…Helen Ramirez Zinnemann planned to become a lawyer until he saw three films Grace Kelly…Amy Kane that forever changed his future: Greed (1924), The Big Parade Otto Kruger…Percy Mettrick (1925) and Battleship Potemkin (1925). After college, he Lon Chaney Jr….Martin Howe become an assistant cameraman in Berlin, where, in the company Harry Morgan…Sam Fuller of such future Hollywood filmmakers as Robert Siodmak, Billy Ian MacDonald…Frank Miller Wilder and Edgar G. Ulmer, he would collaborate on the Eve McVeagh…Mildred Fuller celebrated documentary, People on a Sunday (1929). In 1929, he Morgan Farley…Minister emigrated to Hollywood where he was hired as an extra on Lewis Harry Shannon…Cooper Milestone’s All Quiet on the Western Front (1930). Following Lee Van Cleef…Jack Colby years directing now forgotten B-movies, Zinnemann eventually Robert J. Wilke…James Pierce established a name for himself in 1948 with The Search, a film Sheb Wooley…Ben Miller following the growing friendship between a GI (Montgomery Jack Elam…Charlie Clift) and a young concentration camp survivor.
    [Show full text]
  • January 28, 2014 (Series 28: 1) Josef Von Sternberg, UNDERWORLD (1927, 80 Minutes)
    January 28, 2014 (Series 28: 1) Josef von Sternberg, UNDERWORLD (1927, 80 minutes) Academy Award—1929—Best Writing, Original Story: Ben Hecht Directed by Josef von Sternberg Written by Howard Hawks (scenario) and Ben Hecht (story) Produced by B.P. Schulberg Cinematography by Bert Glennon Second Unit Director Henry Hathaway Presenters Jesse L. Lasky and Adolph Zukor George Bancroft...'Bull' Weed Evelyn Brent...'Feathers' McCoy Clive Brook…Rolls Royce Wensel Fred Kohler...'Buck' Mulligan JOSEF VON STERNBERG (b. Jonas Sternberg, May 29, 1894 in Vienna, Austria-Hungary [now Austria]—d. December 22, 1969 (age 75) in Hollywood, Los Angeles, California) directed 35 films, including 1957 Jet Pilot, 1953 Ana-ta-han, 1952 Macao, 1946 Duel in the Sun, 1941 The Shanghai Gesture, 1939 Sergeant Madden, 1938 The Great Waltz, 1937 I, Claudius (unfinished), 1935 Crime and Punishment, 1935 The Devil Is a Favorite Sport?, 1962 Hatari!, 1959 Rio Bravo, 1955 Land of the Woman, 1934 The Scarlet Empress, 1932 Blonde Venus, 1932 Pharaohs, 1953 Gentlemen Prefer Blondes, 1952 Monkey Shanghai Express, 1931 An American Tragedy, 1931 Business, 1952 The Big Sky, 1949 I Was a Male War Bride, 1948 Dishonored, 1930 Morocco, 1930 The Blue Angel, 1929 A Song Is Born, 1948 Red River, 1946 The Big Sleep, 1944 To Thunderbolt, 1928 The Docks of New York, 1928 The Dragnet, Have and Have Not, 1943 The Outlaw, 1943 Air Force, 1941 1928 The Last Command, 1927 Underworld, 1927 Children of Ball of Fire, 1941 Sergeant York, 1940 His Girl Friday, 1939 Divorce, 1926 A Woman of the Sea, and 1925 The Salvation Only Angels Have Wings, 1938 Bringing Up Baby, 1936 Come Hunters.
    [Show full text]
  • This Article First Appeared in Vierundzwanzigfteljahrsfchrift Der
    This article first appeared in Vierundzwanzigfteljahrsfchrift der Internationalen Maultrommelvirtuofengenoffenschaft (VIM for short) in issue 6 and is published with the kind permission of Frederick Crane The Trump in the Movies up to 1997 by Frederick Crane If you're like me, there's a little sensor built into your nervous system that, whenever the slightest hint of that unique sound of a trump is detected, in a recording, on radio, on TV, in a movie, switches into full command mode, shutting off all irrelevant signals--other sights and sounds, including whatever pressing matters your spouse is trying to talk to you about--and focuses your entire consciousness on that sound. The utter uniqueness of the trump's sound helps. Guitars, lutes, and mandolins all sound somewhat alike; pipe organs, reed organs, and electronic organs are similar to a degree; but nothing sounds like the trump. Combine such an alertness to the trump's sound with a lifelong compulsion to make files, and you've pretty much got me pegged. What follows is merely the disgorging of the contents of my TRUMP IN THE MOVIES file. I have distributed these ninety-odd films into six categories: Animated Cartoons, Westerns, Modern Rural Settings, Comedy, Drama and Biography, and Documentaries and Instruction. These will be discussed in turn, followed by my conclusions and a checklist of films. Not all of these titles can easily be categorized; I don't guarantee that I've got it right. And there are quite a few films that I have not seen or have seen only in part; the discussion of these will be brief.
    [Show full text]