1937-09-24 [P C-6]
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An Analysis and Evaluation of the Acting Career Of
AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD APPROVED: Major Professor m Minor Professor Directororf? DepartmenDepa t of Speech and Drama Dean of the Graduate School AN ANALYSIS AND EVALUATION OF THE ACTING CAREER OF TALLULAH BANKHEAD THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By Jan Buttram Denton, Texas January, 1970 TABLE OF CONTENTS Chapter Page I. THE BEGINNING OF SUCCESS 1 II. ACTING, ACTORS AND THE THEATRE 15 III. THE ROLES SHE USUALLY SHOULD NOT HAVE ACCEPTED • 37 IV. SIX WITH MERIT 76 V. IN SUMMARY OF TALLULAH 103 APPENDIX 114 BIBLIOGRAPHY. 129 CHAPTER I THE BEGINNING OF SUCCESS Tallulah Bankhead's family tree was filled with ancestors who had served their country; but none, with the exception of Tallulah, had served in the theatre. Both her grandfather and her mother's grandfather were wealthy Alabamians. The common belief was that Tallulah received much of her acting talent from her father, but accounts of her mother1s younger days show proof that both of her parents were vivacious and talented. A stranger once told Tallulah, "Your mother was the most beautiful thing that ever lived. Many people have said you get your acting talent from your father, but I disagree. I was at school with Ada Eugenia and I knew Will well. Did you know that she could faint on 1 cue?11 Tallulahfs mother possessed grace and beauty and was quite flamboyant. She loved beautiful clothes and enjoyed creating a ruckus in her own Southern world.* Indeed, Tallulah inherited her mother's joy in turning social taboos upside down. -
Akins Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/c8h132ss No online items Zoë Akins Papers: Finding Aid Finding aid prepared by Gayle M. Richardson. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department The Huntington Library 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2008 The Huntington Library. All rights reserved. Zoë Akins Papers: Finding Aid mssZA 1-7330 1 Overview of the Collection Title: Zoë Akins Papers Dates (inclusive): 1878 - 1959 Collection Number: mssZA 1-7330 Creator: Akins, Zoë, 1886-1958. Extent: 7,354 pieces in 185 boxes + ephemera. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the personal and professional papers of American writer Zoë Akins (1886-1958). It includes correspondence with various literary, theatrical and motion picture figures of the first half of the twentieth century. There are also manuscripts of novels, plays, poems, short stories, outlines for plays, and articles. There is also correspondence related to her husband, Hugo Rumbold (d. 1932), and the Rumbold family. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Ann Harding ~ 22 Films
Ann Harding ~ 22 Films Born in Texas in 1902 and forsaking commerce for the theatre in 1921, by 1929 Ann Harding was an established Broadway lead. In that year she signed with Pathé (soon part of RKO) and through the mid-'30s starred in a series of soap operas, most typically as suffering heroines forced to make noble sacrifices for the men they love. With her ash-blonde hair usually swept back into a bun, classical makeup-free good looks and deep, beautifully modulated voice, the patrician Harding brought a gentle, serene strength to such worthy star vehicles as When Ladies Meet (1933) and The Life Of Vergie Winters (1934) but fared less well in more faltering efforts such as Devotion (1931) and Enchanted April (1935). Ideal for the philosophical sophistication of playwright Phillip Barry, Harding shone in fine adaptations of two of his most successful comedy- drama talkfests: Holiday (1930), for which she received a Best Actress Oscar nomination and The Animal Kingdom (1932). She made two of her strongest films late in her reign as a star: the haunting almost surreal love story Peter Ibbetson (1935, opposite Gary Cooper) and the taut suspense melodrama Love From A Stranger (1937, with Basil Rathbone). She continued to appear on film, stage and television until 1965 and died in 1981, aged 79. With her favourite leading man, Leslie Howard Moira Finnie talks to Ann Harding biographer Scott O'Brien "Looking at Harding," wrote film historian Mick LaSalle in his book Complicated Women "is like looking into clear, deep water. Nothing stands in the way. -
Myrna Loy ~ 46 Films and More
Myrna Loy ~ 46 Films and more Myrna Loy was born Myrna Adele Williams on 2 August 1905 in Radersburg, Montana to parents of Welsh, Scottish and Swedish descent. After her rancher father David became, at just 21, the youngest man ever elected to the Montana State Legislature, the family moved 35 miles to Helena, the state capital, which is where Myrna grew up. Frank (later Gary) Cooper, four years her senior, was a near neighbour: We lived high off the hog on Fifth Avenue. It was just a nice middle- class neighbourhood. Most of the richer families were building on the opposite mountainside. Helena is a spacious city, climbing up Mount Ascension and Mount Helena from Last Chance Gulch, so we had wonderful, steep streets. When it snowed you could slide past Judge Cooper's house all the way to the railroad station in the valley part of town. The Coopers lived just below us in a fairly elegant house with an iron fence around it.1 In 1918 a flu pandemic swept the world, and one of its countless victims was 39 year old David Williams. This prompted his widow Ella to move with children Myrna and nine year old David to Los Angeles. There Myrna attended the Westlake School for Girls where at the age of 15 she caught the acting bug. In 1924-5, she came to the attention of silver screen big-hitters Rudolph and Natacha Valentino, following which doors of opportunity began to open. Her first film, released in 1925, was What Price Beauty? Later the same year she appeared alongside young Joan Crawford in Pretty Ladies. -
Historic Preservation
Historic Preservation Statement of Qualification 2016 Table of Contents COMPANY INFORMATION .................................................................................................. 3 SERVICES | HISTORIC ......................................................................................................... 4 HEARST CASTLE (NATIONAL REGISTER) .......................................................................... 5 SANTA BARBARA MISSION (NATIONAL REGISTER) ......................................................... 7 VILLA RIVIERA (NATIONAL REGISTER) ............................................................................ 8 ONE COLORADO ................................................................................................................. 11 MILLENIUM BILTMORE HOTEL ........................................................................................ 13 FRANK LLOYD WRIGHT’S ENNIS HOUSE ......................................................................... 15 PANTAGES THEATER ......................................................................................................... 17 EL DORADO LOFTS (NATIONAL REGISTER) .....................................................................19 GLENARM POWER PLANT (NATIONAL REGISTER) ......................................................... 21 DOWNTOWN WOMEN’S CENTER ..................................................................................... 23 LOPEZ ADOBE (NATIONAL REGISTER) ........................................................................... -
Dramatic Mirror, November 7, 1891, P. 8. 2. Helen Ten Broeck, “Rida Young—Dramatist and Garden Expert,” Theatre (April 1917): 202
NOTES INTRODUCTION 1. Ali Baba, “Mirror Interview: XXI—Martha Morton,” Dramatic Mirror, November 7, 1891, p. 8. 2. Helen Ten Broeck, “Rida Young—Dramatist and Garden Expert,” Theatre (April 1917): 202. 3. See Progressive Era at http://www.wikipedia.com. 4. Rachel Crothers (1878–1958), considered America’s first modern feminist playwright for her social comedies and woman-centered themes, is the only woman usually included within the “canon” of playwrights during the Progressive Era. Her production in 1906 of The Three of Us marked the beginning of a thirty-year career as a professional playwright and director in American theater. Her plays were well-constructed and dealt with pertinent issues of the time, such as the unfairness of the double standard and women’s conflicts between career and motherhood; her plays are still revived today. Unlike the other women in this study who are essentially “unknown,” Crothers has been extensively written about in dissertations and journals and, therefore, is not included in this study. For a recent arti- cle on Crothers, see Brenda Murphy, “Feminism and the Marketplace: The Career of Rachel Crothers,” in The Cambridge Companion to American Women Playwrights, ed. Brenda Murphy (New York: Cambridge University Press, 1999), 82–97. 5. About fifty-one women dramatists achieved two or more productions in New York between 1890 and 1920. Portions of this chapter are from Sherry Engle, “An ‘Irruption of Women Dramatists’: The Rise of America’s Woman Playwright, 1890–1920,” New England Theatre Journal 12 (2001): 27–50. 6. A prime example is Morton’s The Movers (1907), which despite being a box office failure, was defended by several prominent critics. -
Robhinylor 6Reffi6arsm MOST BEAUTIFUL LOW PRICE CAR
tONDAY, SEPT,4ii mT if: -------------------------- of !»• Btly telihjl. LeBOti ig^piv^iuir > aiMl e pureliMd jN"idra.1%: larder. iifo^Jfor Ste-Biirr uMje Civic i. K mM. V >« M/Sftcial Activities Ml^ M^IE SOCKWELJU Editor—Phone 215 1 and Mrs. Tomlinson McNeil, reporter. The books are Iwrts, At Party Thorsday to be distributed at the next and Mrs. Prank Tomlinson meeting. ‘^ere hosts at a delightful party Rook was played at three tables Bit their home on Ninth street followed by bingo. The high and 'hursday evening entertaining second high awards in bingo went ot a number of friends, speciai to Mrs. Johnson J. Hayes and :uest8 being Mr. and Mrs. Kent Mrs. Ohal McNeil. At the close jrhomas^ of Wppdhajfeni L. I., who of the afternoon Mrs. Hutchens iLre here visiting relatives. Sup- served supper in two courses. *The ROBHinYlOR per was served at seven ’clock i home was attractively decorated hfter which bridge and rook was with a profusion of mixed flow jilayed for a while. High score ers. {irizes in bridge and rook tor the ladies went to Mrs. R. P. Casey Mrs. 0. E. Triplett Is 6REffi6ARSM find Mrs. R. T. McNeil, while Bridge Club Hostess amongst the men Mr. Ira Baker Mrs. 0. E. Triplett was hostess *nd Mr. J. M. Crawford were the to the members of the Young .winners. Matron’s Contract club and one table of visitor.? at her home on [ ^_ E. N. Philips Enter- Ninth streeth Friday evening. Top Ptains at Two Parties score prize amongst the club mem Two delightful parties of the bers,, at two tables, went to Mrs. -
FILM CREDITS Last Update: 7/08
KERN COUNTY FILM CREDITS Last Update: 7/08 (TV) Made for Television (D) Documentary (S) Serial TITLE RELEASED LOCATION CAST Keystone Cops unknown Red Rock Canyon The Keystone Cops Opportunity 1913 Taft Fatty Arbuckle Cowboy and the Lady, The 1915 Mojave S. Miller Kent, Hellen Case Back To God's Country 1919 Kern River Valley Nell Shipman, Wheeler Oakman Branded a Bandit 1924 Robbers Roost Yakima Canutt, Alys Murrell King of the Wild Horses, The 1924 Old Kernville Edna Murphy, Charley Chase Man From God's Country, The 1924 Kern River Valley William Fairbanks, Dorothy Revier Greed 1925 Mojave Desert Gibson Gowland, Zasu Pitts White Thunder 1925 Old Kernville Yakima Canutt Wild Horse Canyon 1925 Red Rock Canyon, Kernville Yakima Canutt, Helene Rosson Battling Butler 1926 Bakersfield, Kern River Buster Keaton, Sally O'Neil, Walter James Born to the West 1926 Red Rock Canyon Jack Holt, Margaret Morris Hands Up! 1926 Red Rock Canyon George A Billings, Virginia Lee Corbin Beau Sabreur 1928 Red Rock Canyon Gary Cooper, Evelyn Brent Hell's Heroes 1930 Mojave Desert Charles Bickford, Raymond Hatton Under a Texas Moon 1930 Red Rock Canyon Frank Fay, Myrna Loy Cimarron 1931 Kern River Valley Richard Dix, Irene Dunne Lightning Warrior, The (S) 1931 Old Kernville Rin Tin Tin Phantom of the West, The 1931 Old Kernville Tom Tyler, William Desmond Range Feud 1931 Kernville John Wayne, Buck Jones Vanishing Legion, The 1931 Old Kernville Harry Carey, Edwina Boothe Border Devils 1932 Kern River Valley Harry Carey, Gabby Hayes Flaming Guns 1932 Red Rock Canyon