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Convention Speech Material 8/14/80 [1]
Convention Speech Material 8/14/80 [1] Folder Citation: Collection: Office of Staff Secretary; Series: Presidential Files; Folder: Convention Speech material 8/14/80 [1]; Container 171 To See Complete Finding Aid: http://www.jimmycarterlibrary.gov/library/findingaids/Staff_Secretary.pdf . �- . "". ·· . · : . .... .... , . 1980 · DEMOCRATIC PLATFORM SUMMARY .··.. · I. ECONOMY··. Tliis was·· one.of ·the mOst .. dfffibult sections to develop in the way we. wan:ted,.>for there wei�· considerable ··.support among the Platform committee .members for a,' stronger·· ant-i�recession program than we have 'adopted. to date·. senator :Kennedy's $1.2.·bili'ion'·stimulus ·prOpof>al was v�ry · attraeffive to ·many .. CoiiUJlitte.e ine.�bers, but in the . end •We were able to hold our members.' Another major problem q()ri.cerned the frankness with which· we wanted to recognize our current ecohomic situation. we ultimately .decided, co:r-rectly I believe, to recognize that we are in a recession, that unemployment is rising, and that there are no easy solutions.to these problems. Finally, the Kennedy people repeatedly wanted to include language stating that no action would be taken which would have any significant increase in unemployment. We successfully resisted this .by saying no such action would be taken with that .intent or design, but Kennedy will still seek a majority plank at the Convention on this subject. A. Economic Strength -- Solutions to Our Economic Problems 1. Full Employment. There is a commitment to achieve the Humphrey�Hawkins goals, at the cu�rently pre scribed dates. we successfully resi�ted.effdrts:to move these goals back to those origiilally ·prescribed· by this legislation. -
Censorship: an Historical Interpretation
FALL 1991 167 Censorship: An Historical Interpretation Gregory D. Black In Giuseppe Tornatore's Cinema Paradiso, a nostalgic look at growing up in a small Sicilian village, the local movie theater dominates the social life of the town. Everyone, it seems, went to the movies because they brought information, entertainment, excitement, and romance to the village. But at least one person feared the power and influence of this modern entertainment. The local priest insisted on censoring the films before they contaminated his flock with the infectious immorality of the outside world. As one villager complained: "I haven't seen a kiss in twenty years!" The experience of those who attended the Cinema Paradiso, while extreme, was shared by movie fans the world over. Convinced that films were capable of seductively changing the moral, ethical, and political values of the audience, censors and moral guardians from Sicily to Hollywood fought to prevent films from achieving the artistic freedom the other art forms enjoyed. Nowhere was this more true than in America. While the Italian priest tried to protect his flock from "immorality," films were also censored for political content. An analysis of films made in Hollywood from 1930 to the 1960s would show that only a handful dealt with such issues as depression, unemployment, changing moral standards, social reform, racism, fascism, communism and war with the level of realism and honesty they deserved. Hollywood was seemingly ruled by the old adage, attributed to Samuel Goldwyn, "if you have a message, send it by Western Union." Marked by fluff, rather than substance, Hollywood filmmakers were committed to "harmless entertainment." But why was the industry so afraid of making films other than the westerns, cops and robbers, mindless comedies, action thrillers and musicals that dominated studio production? One answer is obvious. -
Crime Wave for Clara CRIME WAVE
Crime Wave For Clara CRIME WAVE The Filmgoers’ Guide to the Great Crime Movies HOWARD HUGHES Disclaimer: Some images in the original version of this book are not available for inclusion in the eBook. Published in 2006 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com In the United States and Canada distributed by Palgrave Macmillan, a division of St. Martin’s Press, 175 Fifth Avenue, New York NY 10010 Copyright © Howard Hughes, 2006 The right of Howard Hughes to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The TCM logo and trademark and all related elements are trademarks of and © Turner Entertainment Networks International Limited. A Time Warner Company. All rights reserved. © and TM 2006 Turner Entertainment Networks International Limited. ISBN 10: 1 84511 219 9 EAN 13: 978 1 84511 219 6 A full CIP record for this book is available from the British Library A full CIP record for this book is available from the Library of Congress Library of Congress catalog card: available Typeset in Ehrhardt by Dexter Haven Associates Ltd, London Printed and bound in Great Britain by TJ International, -
Classified by Genre: Rhetorical Genrefication in Cinema by © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St
Classified by Genre: Rhetorical Genrefication in Cinema By © 2019 Carl Joseph Swanson M.A., Saint Louis University, 2013 B.L.S., University of Missouri-St. Louis, 2010 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Catherine Preston Co-Chair: Joshua Miner Michael Baskett Ron Wilson Amy Devitt Date Defended: 26 April 2019 ii The dissertation committee for Carl Joseph Swanson certifies that this is the approved version of the following dissertation: Classified by Genre: Rhetorical Genrefication in Cinema Chair: Catherine Preston Co-Chair: Joshua Miner Date Approved: 26 April 2019 iii Abstract This dissertation argues for a rethinking and expansion of film genre theory. As the variety of media exhibition platforms expands and as discourse about films permeates a greater number of communication media, the use of generic terms has never been more multiform or observable. Fundamental problems in the very conception of film genre have yet to be addressed adequately, and film genre study has carried on despite its untenable theoretical footing. Synthesizing pragmatic genre theory, constructivist film theory, Bourdieusian fan studies, and rhetorical genre studies, the dissertation aims to work through the radical implications of pragmatic genre theory and account for genres role in interpretation, evaluation, and rhetorical framing as part of broader, recurring social activities. This model rejects textualist and realist foundations for film genre; only pragmatic genre use can serve as a foundation for understanding film genres. From this perspective, the concept of genre is reconstructed according to its interpretive and rhetorical functions rather than a priori assumptions about the text or transtextual structures. -
Download Ebook \\ the Bowery Boys, the East Side Kids the Dead
KWLFCFBBKOL3 » Doc » The Bowery Boys, the East Side Kids the Dead End Kids Movie... Find Doc THE BOWERY BOYS, THE EAST SIDE KIDS THE DEAD END KIDS MOVIE POSTER ART BOOK (PAPERBACK) Createspace Independent Publishing Platform, United States, 2015. Paperback. Condition: New. Language: English . Brand New Book ***** Print on Demand *****. The evolution of the Bowery Boys has more twists and turns then a boxing match. In 1937, they started out as the Dead End Kids, a group of young hooligans from the slums of New York s East River, appearing in several films for Warner Brothers. A year later, Universal borrowed most of the group and cast them in... Read PDF The Bowery Boys, the East Side Kids the Dead End Kids Movie Poster Art Book (Paperback) Authored by Greg Lenburg Released at 2015 Filesize: 4.56 MB Reviews A fresh electronic book with a new perspective. It is one of the most remarkable book we have go through. Your daily life period will likely be transform the instant you full reading this article pdf. -- Katrine Kohler DVM A top quality publication along with the typeface applied was exciting to read through. It can be rally interesting throgh reading through time. Your life period will be enhance once you full reading this article book. -- Prof. Demond McClure The ebook is fantastic and great. I really could comprehended every thing out of this published e publication. You can expect to like the way the blogger write this publication. -- Precious Farrell TERMS | DMCA. -
The Solo Careers of the Dead End Kids PDF Free
Download: Beyond Dead End: The Solo Careers of The Dead End Kids PDF Free [612.Book] Download Beyond Dead End: The Solo Careers of The Dead End Kids PDF By Joseph Fusco Beyond Dead End: The Solo Careers of The Dead End Kids you can download free book and read Beyond Dead End: The Solo Careers of The Dead End Kids for free here. Do you want to search free download Beyond Dead End: The Solo Careers of The Dead End Kids or free read online? If yes you visit a website that really true. If you want to download this ebook, i provide downloads as a pdf, kindle, word, txt, ppt, rar and zip. Download pdf #Beyond Dead End: The Solo Careers of The Dead End Kids | #1240990 in Books | 2015-09-03 | Original language: English | PDF # 1 | 9.00 x .87 x 6.00l, 1.14 | File type: PDF | 386 pages | |3 of 3 people found the following review helpful.| A must for Dead End Kid fans... | By salvo |This book has been long overdue. There are several fine books about the Dead End Kids and their permutations; however, this is the first book to deal with their solo careers. It basically reviews the movies and television shows they appeared in and has plenty of pictures to support the text. The book touches on familiar territory(Dead No one exemplifies the angst of the Depression era street kid more than The Dead End Kids. They were the stars of Sidney Kingsley's 1935 play, Dead End and reprised their roles in Samuel Goldwyn's 1937 Hollywood film version. -
I Excavating the Ghetto Action Cycle (1991-1996): a Case Study for A
Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study by Amanda Ann Klein B.A. in English, Cornell University, 1999 M.A. in English, University of Pittsburgh, 2001 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Amanda Ann Klein It was defended on July 24, 2007 and approved by Dr. Jane Feuer, Associate Professor, Department of English Dr. Neepa Majumdar, Assistant Professor, Department of English Dr. Paula Massood, Associate Professor, Department of English (Brooklyn College) Dissertation Chair: Dr. Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Amanda Ann Klein 2007 iii Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study Amanda Ann Klein, Ph.D. University of Pittsburgh, 2007 The following dissertation, “Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-based Approach to Genre Theory,” traces an historical, cultural and theoretical genealogy for the ghetto action cycle. This controversial cycle, which was initiated by the success of films like Boyz N the Hood and Menace II Society, participated in the period’s broad cultural debates about race, class, crime and youth. As film cycles are strongly shaped by audience desire, financial viability, current events and studio whims, I argue that they retain the marks of their historical, socioeconomic and generic contexts more precisely than genres, which, because of their longevity and heterogeneity, can be unwieldy objects of study. -
Spooks Run Wild Cast
Spooks run wild cast Horror · The boys are sent to a mountain camp. Stranded in a small rural town, they hear about a With Bela Lugosi, Leo Gorcey, Bobby Jordan, Huntz Hall. The boys are sent to a mountain camp. Stranded in a small rural town, they hear about a "monster. Spooks Run Wild () cast and crew credits, including actors, actresses, directors, writers and more. Full Cast & Crew: Spooks Run Wild (). Cast (20). Bela Lugosi. Nardo. Leo Gorcey. Muggs. Bobby Jordan. Danny. Huntz Hall. Glimpy. Ernest Morrison. Spooks Run Wild was the first credited screen play for Carl Foreman who would go Cast: Bela Lugosi (Nardo), Leo Gorcey (Muggs), Bobby Jordan (Danny). cast. crew. Ernest Morrison as Scruno. Dave O'Brien as Jeff Dixon. Dorothy Short as Linda Mason. David Gorcey as Peewee. Dennis Moore as Dr. Von Grosch. Meet the cast and learn more about the stars of Spooks Run Wild with exclusive Cast. Bela Lugosi Nardo, the Monster. Leo Gorcey Muggsy. Huntz Hall Glimpy. Cast. Bela Lugosi. Nardo, the Monster. Leo Gorcey. Muggs McGinnis. Huntz Hall. Glimpy Freedhoff. Bobby Jordan. Danny. David Gorcey. Pee Wee. SPOOKS RUN WILD () Bela Lugosi - The East Side Kids. The Video Cellar . First time I saw this group. Spooks Run Wild Bela Lugosi Cast · Photo of Leo Gorcey. Leo Gorcey Cast · Photo of Bobby Jordan. Bobby Jordan Cast · Photo of Huntz Hall. Huntz Hall Cast. A group of delinquents on their way to summer camp get stuck in a haunted house. Stars: Bela Lugosi, Leo Gorcey, Bobby Jordan Director: Phil Rosen Writers: Carl Foreman (original story. -
Growing up Urban: the City, the Cinema, and American Youth
Growing Up Urban: The City, the Cinema, and American Youth JAMESA.CLAPP ‘‘Dear kindly Sergeant Krupke, y’gotta understand/It’s just our bringing upke, that gets us outta hand.’’ Lyric from ‘‘Officer Krupke’’ Stephan Sondheim, West Side Story (1961) OR MOST OF HUMAN HISTORY, CHILDREN GREW UP RIGHT UNDER THE shadow and tutelage of their parents. In hunting and gathering Fsocieties, they needed to be close to adults to survive the twin dangers of predation and starvation. For much of history, more children died than survived. Later, in agrarian societies, they were part of the essential labor of the agricultural enterprise, and as other crafts emerged with the first settlements, children toiled and learned their trade mostly beside their parents. Children in rural areas in undeveloped countries continue to grow up in ways not too different from the ways they had for millennia. The rural way of life, at least until the present century, tended to be ‘‘cy- clical’’: generations of children in rural and pastoral areas transitioned from childhood to adulthood without ‘‘benefit’’ of a period of ‘‘youth’’ in between, taking up for the most part the occupations and lifestyles of their parents and marrying and siring a new generation that would continue the cycle. They attained their skills, their values, their beliefs, and the world view mostly from their families and, for the most part, their lives followed a similar course as that of their parents. As villages and small urban settlements emerged, some children were sent away to work for others, but most remained close to home. -
Public Domain Movies
Public Domain Films 1 Public Domain Movies Public domain films may be re-sold on DVD, shown on TV, in theaters, streamed on the Internet, used for stock footage and many other purposes -- all without paying royalties since the copyrights have long expired. Films are sold on DVD-R or Mpeg2 video files. The Public Domain films and TV shows in the library: 1) Are Clean. They contain no logos or watermarks in the corners. 2) Come with information as to WHY they are in the public domain. 3) DVDs contain no copy guard and are easy to rip and copy. 4) No phony "FBI Warnings" before the start of each film. 5) Quality guarantee. 6) Free replacement of any films not up to our normal high standards. These pages are a partial listing of the Festival Films Library that divides out the Color films and indicates approximate gigabyte size for many films. Read more about the films at the Festival Films Website. Television Shows All are half-hour TV shows, unless noted. Some contain original commercials. All are available on Mpeg2 video files as well as DVD-R. ADVENTURE TV SHOWS -- all are half-hour The Adventures of Robin Hood - 143 episodes 113gb The Adventures of Sir Lancelot - 30 episodes 23.75gb • The Buccaneers - 30 episodes 23.6gb Captain Gallant of the Foreign Legion - 12 episodes 8.86gb • Flash Gordon - 14 episodes 11.45gb Passport to Danger - 13 episodes 11.37gb • Ramar of the Jungle - 24 episodes 19.91gb Rocky Jones, Space Ranger - 20 shows 16.44gb Sergeant Preston of the Yukon - 12 episodes 9.8gb • Sheena, Queen of the Jungle - 16 episodes 13.14gb • Terry and the Pirates - 16 episodes 13.19gb Public Domain Films 2 • • TOTAL = 330 TV shows 264gb c. -
Work on Downtown Center Continues Students Look up by CRAIG TURPM on the Grant and Proposed Use Spent.” Hamilton Boulevard and Maple Road,” Kubala Said
Guidance counselor ending career. See page A-3. r | | T 't SOUTH PLAINRELD Ine Reporter Metuchen • Edison • Highland Park • Piscataway B M 36. No. 6 _________________________ Friday, .Esbruarc-L 1222__________________________________ W cents | Briefs Work on downtown center continues Students look up By CRAIG TURPM on the grant and proposed use spent.” Hamilton Boulevard and Maple road,” Kubala said. STAFF WRITER will be held during the Borough The public hearing is held and Oak Tree avenues, Kubala Kubala said the borough toward the stars Council meeting Thursday, every year. Over the last several explained. applied for the grant funds last SOUTH PLAINFIELD - Kubala said. years the borough has received This year’s project includes year. The public hearing is held SOUTH PLAINFIELD Look for the second phase of as part of the process for receiv — As part of a unit on “The “We will listen to public com $61,000 from Middlesex County. repairing and widening Front improvements to the borough’s ing the funding. The council also Solar System and Beyond,” ment and suggestion on uses for The grants are funded using fed Street, Kubala said. The road will “downtown” center to begin this the money,” Kubala explained. eral money that is allocated to be widened to allow a left hand applied for the grants during the Franklin School fifth grade year. “In the past we have used it for counties by the state. Each turn lane onto Oak Tree Avenue. year for other projects, he noted. students made models and Borough Councilman Edward the same improvements in the municipality applies to the coun Part of property owned by For instance, last year the bor wrote brief descriptions of Kubala said this week the bor center of town.