Johannes Brahms Double Concerto

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PYOTR I. TCHAIKOVSKY JOHANNES BRAHMS ROMEO AND JULIET FRANZ LISZT DOUBLE CONCERTO LES PRÉLUDES Lisa Batiashvili Gautier Capuçon Staatskapelle Dresden Christian Thielemann Semperoper Dresden LISA BATIASHVILI GAUTIER CAPUÇON STAATSKAPELLE DRESDEN CHRISTIAN THIELEMANN JOHANNES BRAHMS Concerto for Violin, Cello and Orchestra in A minor, op. 102 PETER I. TCHAIKOVSKY “Romeo and Juliet”, Fantasy Overture (3rd Version, 1880) Georgian violinist Lisa Batiashvili, French cellist Gautier Capuçon, FRANZ LISZT Christian Thielemann and the Staatskapelle Dresden present a “Les Préludes”, sophisticated concert programme about love and death from the th Symphonic Poem No. 3 perspective of three leading 19 century composers: Johannes Brahms, Pyotr I. Tchaikovsky and Franz Liszt. The stages of life can be viewed as preludes to the melody of death, Orchestra Staatskapelle Dresden as Liszt proposes in his Symphonic Poem Les Préludes. It is only at the very end that the inadequacies of life are resolved. This is also the Violin Lisa Batiashvili tragedy behind the impossible love of Romeo and Juliet in Tchaikovsky’s Fantasy Overture. In the very jaws of death, Eros enjoys his strongest Violoncello Gautier Capuçon impulse, one that transcends time. What results is the desire for the Conductor Christian Thielemann epic, the heroic, which in Brahms’s final orchestral work, the Double Concerto, achieves a certain consummation. Produced by Salve TV Video Director Beatrix Conrad Lisa Bathiashvili is playing her Guarneri “with tenderness and devotion” (Der Neue Merker). Her lyrical, velevety performance is contrasted by Capuçon’s more throaty and vibrating tone: “The two ways of playing Length: 86' seem to collide sometimes but to match brilliantly at the same time”. Cat. no. A 055 50602 0000 Christian Tielemann and his Staatskapelle “are mixing different colours as if they were putting emeralds and rubies on precious metal, creating huge sonority but always retaining clarity in it.” (Dresdner Neueste A production of UNITEL Nachrichten). in cooperation with Semperoper Dresden Brahms’s Double Concerto forms part of Christian Thielemann’s extensive Brahms cycle, containing symphonies and solo concertos performed to frenetic acclaim not only in Dresden but also in Tokyo. World Sales: All rights reserved · credits not contractual · Different territories · Photos: © Matthias Creutziger · Flyer: luebbeke.com Tel. +49.30.30306464 [email protected] Unitel GmbH & Co. KG, Germany · Tel. +49.89.673469-630 · [email protected] www.unitel.de.

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The Double Keyboard Concertos of Carl Philipp Emanuel Bach
The double keyboard concertos of Carl Philipp Emanuel Bach Item Type text; Thesis-Reproduction (electronic) Authors Waterman, Muriel Moore, 1923- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 18:28:06 Link to Item http://hdl.handle.net/10150/318085 THE DOUBLE KEYBOARD CONCERTOS OF CARL PHILIPP EMANUEL BACH by Muriel Moore Waterman A Thesis Submitted to the Faculty of the DEPARTMENT OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 0 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of re quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg ment the proposed use of the material is in the interests of scholar ship. In all other instances, however, permission must be obtained from the author. SIGNED: APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: JAMES R.
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