Transcription of Audio Clip “Taylor Jefferson (TJ) Box, Part 2”

Total Page:16

File Type:pdf, Size:1020Kb

Transcription of Audio Clip “Taylor Jefferson (TJ) Box, Part 2” Transcription of audio clip “Taylor Jefferson (T.J.) Box, Part 2” from the Tennessee State Parks Folklife Project Collection, 1979-1984 (dated July 11, 1979) Clip 1: Introduction Taylor Box: Alright, let me— Jay Orr: We’ve got to put that little tag on the front again. This is Jay Orr talking to Mr. T.J. Box outside of Lexington, Tennessee for the Tennessee State Parks Folklife Project. We’re into our fifth reel of this interview, and the date is July 11, 1979. TB: Neighbor, Mr. Orr is, he’s like these men at the radio station and the television station has to do these commercials and things, you know, see. But without seeing us, you wouldn’t understand it, see. Now I’ve got him down here now, see, standing on him, you know, (laughs) and try and go ahead and do this. But I used to, you know, on the radio, I used to (strumming a guitar) play and sing a little bit on the radio on an advertisement for used car lot. And the man who purchased the time on the radio would be over there watching us boys, you know. And he’d be holding up that there paper wanting me to tell them about them cars, and I’d be trying to tell them about where we was gonna play, you know, see. JO: (laughs) Clip 2: Recitation Taylor Box: Well, Mr. Orr, I wrote a, a, a poem recitation. I already have this copyrighted in Washington, D.C. A tribute to the local barbershops of our great nation here. I was ill a lots in my life, sick, knocked out a lots, and I loafed around the barbershops. And I’m known in quite a few states around at several different barbershops, sort of the barbershop lawyer. I learned all this in the barbershops as I would loaf around. When, after I had my first major operation, my folks would take me to the barbershop to get a haircut. I would look out the window and watch for them to come back in the car to get me and take me home, and I got to noticing what goes on, you know, what. Before that, I’d never taken time to loaf around a barbershop. I’d drive by, and if there was three people sitting there, I’d go on home and get my haircut later on. But I got to noticing you can get all the information you want and need about anything in your local barbershop. And you ladies can probably get the same thing in the local beauty shop. So, I wrote me a poem recitation about it, and this is the truth. This is American people just like we are. And you’ll have to admit that when you hear this. This is Uncle Jake’s tribute to the local barbershop, and it goes just like this. [begins reciting poem] As we journey on life’s pathway, we like to think of our failures as fate when most of the time it’s really our fault simply because we learn things too late. I spent my first thirty years just like running a race. I lived in seven different states, just going from place to place. And when I look back now, it’s real easy to see that most of my problems were caused by me. I was a big Tennessee hillbilly, and I never had much sense. I always thought the grass was greener on the other side of the fence until the year of our Lord 1953 when so many things happened that made a different man out of me. As I spent a long time recovering from a major operation, that’s when I learned some of the things that was wrong with our nation. And that’s when I started my rise toward the top, when I started loafing each day in the local barbershop. As the customers came in, they’d usually say I’m really in a hurry and I don’t have long to stay. But then they would get started talking and I learned right away that they could solve all of our problems each in his own way. I learned about politics and all kinds of sports, about hunting and fishing and ballgames of all sorts. I learned who was sick and who was well and who had died. I learned that most of these could have lived longer if they’d tried, but they wouldn’t stop drinking and smoking and running around, so they came to their resting place under the ground. I learned it was a paper bag instead of a paper poke. I bet I learned a thousand good barbershop jokes about the skinny, the fat, the short, and the tall. A good barber knows plenty of funny jokes about all. But I’m glad that our Creator’s really all wise, and he knows better than to have us all be the same size. Now, I know this is kind of boring, and you wish I’d stop, but I like to talk about the things happen in the local barbershop. And I appreciate you listening to this little recitation, and I like to think someday, some way, we might elect a barber as president of our nation. For he could solve all of our problems because he's heard so many thousands say how much better off all of the people would be if they would only listen to us and just do things our way. Thank you [end of poem]. Jay Orr: That’s a good one. TB: Uncle Jake’s tribute to local barbershops. You can hear that and learn it right there in your barbershop, you know, see. JO: Uh-huh [yes]. TB: People, every person that comes in, just about, it’s got a different political view there. There’d be a hundred different parties if they could all organize, you know, and could get each other to do it our way. We could solve all of our problems, you know, see. JO: Uh-huh [yes]. TB: So that’s, that’s the, what you hear in the barbershop. You hear who will, who won’t, who did, didn’t, who can, who can’t, who moved, who sold out, who come back, who visits, who, you learn it all by loafing around your barbershop. So, just spend a little more time loafing around your barbershops as you go along if you want to find out some things, see. Clip 3: Grapevine Swing Taylor Box: And now another one. Had you rather I play music as to talk this way? Jay Orr: No, no. TB: Huh [what]? Did, did you hear my “Grapevine Swing?” JO: I don’t remember that one. TB: Now— JO: Go ahead. TB: --Mr. Orr— JO: Go ahead. TB; Yeah, I, Mr. Orr, I, I, I entertained all this winter long, this past winter, started last fall, the retired people. There’s millions of them in Florida. And of course, I didn’t get to see them all, but I seen my part of them last winter. And at their recreation buildings in their camp areas where they camp, I would go and do my Uncle Jake program. So, I had to write me something to start off my program with, a, a recitation, something to do there to greet the people, you know, and to, to get them started and, and knowing where I was from and everything. So, I, I fixed this up to do at my Uncle Jake programs, that swinging on the grapevine swing. Now, if you was raised in the hills, and many of those people raised in the hills of other states, and they did too, they, they used grapevine swing to have their thrills on, back when they were young like I did. But anyhow, you can understand, now, most of these people were from up north, and that’s why that I started my program off like I did, the first part of it, especially. Goes just like this right here. [begins reciting poem] Hello. Greetings to each and every one from the North, the East, and the West. And to those who are from this other place, this is the greeting that we love the best. Howdy, y’all. A great big welcome to everyone. We just like for you to feel at home and hope that you have fun. And at this time, I would like for you to take a memory trip with me back to the years of long ago, to my childhood in the hills of Tennessee. In the community where I grew up, most everyone could play and sing. But one of the biggest thrills to the kids in the hills was swinging on the grapevine swing. Our dads would find a real tall tree that stood on a real steep hill. For kids back then were like kids are now, and we thought the higher the ride, the bigger the thrill. When we looked back to the building of our nation, we find the kids about the same in every generation. The bigger kids would just take over the swing. For the smaller kids they would show no concern until Dad and Mom called out to them, said now you big ‘uns will have to let the little ones take their turn. Most people in the hills were poor, but we did the best we could. Us kids had to chop and pick cotton and draw water and cut wood.
Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • ABSTRACT WHAT IF YOU're LONELY: JESSICA STORIES By
    ABSTRACT WHAT IF YOU’RE LONELY: JESSICA STORIES by Michael Stoneberg This novel-in-stories follows Jessica through the difficulties of her early twenties to her mid- thirties. During this period of her life she struggles with loneliness and depression, attempting to find some form of meaningful connection through digital technologies as much as face-to-face interaction, coming to grips with a non-normative sexuality, finding and losing her first love and dealing with the resultant constant pull of this person on her psyche, and finally trying to find who in fact she, Jessica, really is, what version of herself is at her core. The picture of her early adulthood is drawn impressionistically, through various modes and styles of narration and points of view, as well as through found texts, focusing on preludes and aftermaths and asking the reader to intuit and imagine the spaces between. WHAT IF YOU’RE LONELY: JESSICA STORIES A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Michael Stoneberg Miami University Oxford, Ohio 2014 Advisor______________________ Margaret Luongo Reader_______________________ Joseph Bates Reader_______________________ Madelyn Detloff TABLE OF CONTENTS 1. Revision Page 1 2. Invoice for Therapy Services Page 11 3. Craigslist Page 12 4. Some Things that Make Us—Us Page 21 5. RE: Recent Account Activity Page 30 6. Sirens Page 31 7. Hand-Gun Page 44 8. Hugh Speaks Page 48 9. “The Depressed Person” Page 52 10. Happy Hour: Last Day/First Day Page 58 11.
    [Show full text]
  • The AGA Song Book up to Date
    3rd Edition Songs, Poems, Stories and More! Edited by Bob Felice Published by The American Go Association P.O. Box 397, Old Chelsea Station New York, N.Y., 10113-0397 Copyright 1998, 2002, 2006 in the U.S.A. by the American Go Association, except where noted. Cover illustration by Jim Rodgers. No part of this book may be used or reproduced in any form or by any means, or stored in a database or retrieval system, without prior written permission of the copyright holder, except for brief quotations used as part of a critical review. Introductions Introduction to the 1st Edition When I attended my first Go Congress three years ago I was astounded by the sheer number of silly Go songs everyone knew. At the next Congress, I wondered if all these musical treasures had ever been printed. Some research revealed that the late Bob High had put together three collections of Go songs, but the last of these appeared in 1990. Very few people had these song books, and some, like me, weren’t even aware that they existed. While new songs had been printed in the American Go Journal, there was clearly a need for a new collection of Go songs. Last year I decided to do whatever I could to bring the AGA Song Book up to date. I wanted to collect as many of the old songs as I could find, as well as the new songs that had been written since Bob High’s last song book. You are holding in your hands the book I was looking for two years ago.
    [Show full text]
  • Alan Sillitoe the LONELINESS of the LONG- DISTANCE RUNNER
    Alan Sillitoe THE LONELINESS OF THE LONG- DISTANCE RUNNER Published in 1960 The Loneliness of the Long-Distance Runner Uncle Ernest Mr. Raynor the School-teacher The Fishing-boat Picture Noah's Ark On Saturday Afternoon The Match The Disgrace of Jim Scarfedale The Decline and Fall of Frankie Buller The Loneliness of the Long-Distance Runner AS soon as I got to Borstal they made me a long-distance cross-country runner. I suppose they thought I was just the build for it because I was long and skinny for my age (and still am) and in any case I didn't mind it much, to tell you the truth, because running had always been made much of in our family, especially running away from the police. I've always been a good runner, quick and with a big stride as well, the only trouble being that no matter how fast I run, and I did a very fair lick even though I do say so myself, it didn't stop me getting caught by the cops after that bakery job. You might think it a bit rare, having long-distance crosscountry runners in Borstal, thinking that the first thing a long-distance cross-country runner would do when they set him loose at them fields and woods would be to run as far away from the place as he could get on a bellyful of Borstal slumgullion--but you're wrong, and I'll tell you why. The first thing is that them bastards over us aren't as daft as they most of the time look, and for another thing I'm not so daft as I would look if I tried to make a break for it on my longdistance running, because to abscond and then get caught is nothing but a mug's game, and I'm not falling for it.
    [Show full text]
  • A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
    California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • He Talon Gripping News
    he Talon Gripping News Volume III Issue IV Onteora High School Boiceville, NY 12412 May 2021 New Learning Spaces at Onteora By Sophie Frank While students spent the past several months adjusting to pandemic life, the Mobile furniture allows for different set‐ school library went through an extensive ups for different kinds of learning. he renovation. new furniture includes wingback chairs, high-top tables, and study carrels. With he renovation has been in the works for everything being mobile, the library is a a while, with middle school Principal Jen more active learning space, one that will O'Connor wanting a more organized always be growing and evolving to serve space and librarian Amy Weisz wanting students' needs. a professional circulation desk. But the project was deemed too expensive and In addition to being a space for teaching put on the back burner until recently, and studying, the library is a place for and audiobooks for those who prefer cared for and loved. when it was inally approved and com‐ fun, and it now has a Nintendo Wii to be reading digital books over printed ones. pleted last summer. used during free periods. Ms. Weisz said her favorite part of her he library unites many aspects of workspace has always been students, and he renovation updated the furniture Also, Onteora has a subscription to Ea‐ school life, such as learning, having fun, she said that she has "been waiting in an‐ and layout of the library. Everything is gle Crate, a book subscription service, and coming together--the new design re‐ ticipation of sharing the new and im‐ mobile: including tables, chairs, and and a new Online Public Access Catalog, lects those aspects.
    [Show full text]
  • Lamplight FALL 2009 FRIENDS of NURSING NEWSLETTER President’S Message
    1 Lamplight FALL 2009 FRIENDS OF NURSING NEWSLETTER President’s Message Dr. Mary Jo Coast, President Dear FON Members, The Friends of Nursing publishes its newsletter, the lamplight, every fall. If you s we embark upon a new season of have noteworthy information to share with events and activities, I am struck by the membership, please send an article to any A our sense of commitment and passion of the board members, and we will get it to for the mission of Friends of Nursing: To the proper person for publication. Our advance professional nursing by providing publication is intended to share important scholarships for quality education in news, ideas, and thoughts of its membership. baccalaureate and higher degree programs in Please note when the FON Board of Directors Colorado Schools of Nursing and improve the meet. If you have any questions and/or health of Colorado communities. concerns, please feel free to contact any board member or me to have your questions As president, I am honored to be working and/or concerns presented to the board. We with the Board of Directors and the will respond in a timely manner. Membership of the Friends of Nursing, Additionally, the 2000 -2010 calendar of established by a small group of women in events can be found in the membership roster 1981who wanted to improve the quality of and this issue of the Lamplight. health care through educational support of The FON Board Members and I look forward the profession of nursing and ensure that Sincerely, those who sought nursing education had financial help in doing so.
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]
  • Lamplight-V1i1.Pdf
    Editor’s Note Hello, hello! It occurred to me that in this new age of digital marketing and online sales that one of the most basic elements to a magazine was going to be missed: flipping through a copy on the newsstand. So here is a taste, if you will, of what you can find in LampLight. Our first issue, which is free, presented here as it would be in print This is the actual layout file used for our print edition (minus this note, of course), allowing you an idea of what you’ll get in the paper copies I hope you’ll enjoy this issue, and check out more of them. We’ve had Mercedes Yardley, Mary SanGiovanni, Kealan Patrick Burke, Normal Prentiss and more, all featured in LampLight. Thank you for reading LampLight Magazine. -j Jacob Haddon January 2015 http://lamplightmagazine.com LampLight Table of Contents A Quarterly Magazine Featured Artist, Robert Ford of Dark Fiction Early Harvest 1 Interview with Jeff Heimbuch 7 Volume 1 Issue 1 Fiction September 2013 The Kelp - William Meikle 11 Elgar’s Zoo - Nathan Yocum 19 Published by Apokrupha No Victims - Rahul Kanakia 27 Memories of the Knacker's Yard - Ian Creasey 31 Summer Break - Mandy DeGeit 44 Jacob Haddon, Editor Katie Winter, Assistant Editor Serial Novella - Kevin Lucia Paula Snyder, Cover and And I Watered It With Tears, Part I 46 Masthead Design ISBN: 978-1493585915 Shadows in the Attic - J.F. Gonzalez Reprint Anthologies 52 All stories copyright respective author, 2012 LampLight Classics An Occurrence at Owl Creek Bridge - lamplightmagazine.com Ambrose Bierce 57 apokrupha.com Writer’s Bios 64 Follow us on Facebook Subscriptions facebook.com/lamplightmagazine Would you like LampLight sent to you in your email? Or on Twitter For $10 a year (that’s 4 issues!) get LampLight sent to you directly twitter.com/lamplightmag in any ebook format.
    [Show full text]