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Goodman, Zoe (2018) Tales of the everyday city: geography and chronology in postcolonial Mombasa. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/30271 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Tales of the everyday city: geography and chronology in postcolonial Mombasa Zoë Goodman Thesis submitted for the degree of PhD 2017 Department of Anthropology and Sociology SOAS, University of London Abstract Grounded in ethnographic research conducted amongst Mombasa‘s small and heterogeneous Muslim population with roots in what is today the Indian state of Gujarat, this thesis explores the mobilities, insecurities, notions of Islamic reform and patterns of claims-making that circulate in the city. These themes are examined through the lens of ‗everyday‘ discourse and practice, paying particular attention to the multiplicity of dispositions towards time and space that inform these broader urban processes. The thesis describes Mombasan Muslims struggling with history and with the future. -
Chapter 888 Basis Statement, Response to Comments
Basis Statement Citizen Petition to Initiate Rulemaking Proposed Rule Chapter 888 Designation of four members of the Chemical Class ‘Phthalates’ as Priority Chemicals Basis Statement On May 14, 2014, a citizen petition to initiate rulemaking to designate four members of the chemical class phthalates as priority chemicals was submitted to the Department of Environmental Protection (“Department”). The petition sought to establish di(2-ethylhexyl) phthalate (DEHP), dibutyl phthalate (DBP), benzyl butyl phthalate (BBP), and diethyl phthalate (DEP) as Priority Chemicals, and require manufacturers of specified categories of children’s products to report their intentional use in such products to the Department. In accordance with the Maine Administrative Procedure Act, 5 M.R.S.A. § 8055, any person may petition an agency for the adoption or modification of any rule. Within 60 days after receiving such a petition, the agency must either notify the petitioner of its denial, or initiate the appropriate rulemaking proceedings. However, because this petition was submitted by more than 150 registered voters of the State of Maine, the Department was required by law to initiate rulemaking (5 M.R.S.A. § 8055(3)). The nature of the petition’s proposed rule chapter 888 is such that proceedings follow the Department’s routine technical rulemaking process. The draft rule, as proposed in the citizen’s petition, was published on July 9, 2014. Following the direction provided by the Maine Administrative Procedure Act, 5 M.R.S.A. § 8052(1), a public hearing on this petition was held on July 29, 2014. The public comment period closed on September 29, 2014, with the Department receiving over 900 comments. -
Catalog Sixty-Eight the CELLULOID PAPER TRAIL
catalog Books Royal sixty-eight Ca talog Sixty-Eight talog Royal Books THE CELLULOID PAPER TRAIL Oak Knoll Press is pleased to announce the publication of Terms and Conditions Kevin R. Johnson’s The Celluloid All books are first editions unless indicated otherwise. Paper Trail. The first book All items in wrappers or without dust jackets advertised have glassine covers, and all dust jackets are protected ever published on film script by new archival covers. Single, unframed photographs identification and description, housed in new, archival mats. lavishly illustrated and detailed. In many cases, more detailed physical descriptions for archives, manuscripts, film scripts, and other ephemeral Designed for any book scholar, items can be found on our website. including collectors, archivists, Any item is returnable within 30 days for a full refund. librarians, and dealers. Books may be reserved by telephone, or email, and are subject to prior sale. Payment can be made by credit card Available now at royalbooks.com/cpt or, if preferred, by check or money order with an invoice. or by calling 410.366.7329. Libraries and institutions may be billed according to preference. Reciprocal courtesies extended to dealers. Please feel free to let us know if you would like your copy signed or inscribed by the author. We accept credit card payments by VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PAYPAL. Shipments are made via USPS priority mail or Fedex Ground unless other arrangements are requested. All shipments are fully insured. Shipping is free within the United States. For international destinations, shipping is $60 for the first book and $10 for each thereafter. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
A DESCRIPTIVE STUDY of COMMUNITY THEATRES in the METROPOLITAN AREAS of the UNITED STATES. the Ohio State University, Ph.D., 1966 Speech-Theater
This dissertation has been microfilmed exactly as received 6 7-6382 WARYE, Richard Jonathan, 1929- A DESCRIPTIVE STUDY OF COMMUNITY THEATRES IN THE METROPOLITAN AREAS OF THE UNITED STATES. The Ohio State University, Ph.D., 1966 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan ■ C' Copyright hy Richard Jonathan Warye 1967 A DESCRIPTIVE STUDY OP COMMUNITY THEATEES IN THE METROPOLITAN AREAS OP THE UNITED STATES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Richard Jonathan ffarye, B. S. Educ., M. A The Ohio State University 1966 Approved fcy Department of Speech A DESCRIPTIVE STUDY OF COM.UNITY THEATRES IN THE METROPOLITAN AREAS OF THE UNITED STATES by Richard Jonathan Warye, Ph. D. The Ohio State University, 1966 Professor Roy H. Bowen, Adviser Current indications are that the community theatre Is one of the strongest and most active of the arts on the American scene. Therefore, it should receive a more promi nent position in academic research than It has found in the past. This study attempts to remedy the paucity of research by providing an accurate description of the status of the community theatre movement at this time and supports the contention that the community theatre movement is strong and active. The report of this research also may serve as groundwork for future studies. For the purposes of this study, a community theatre was defined as any organization not primarily educational in Its purpose which regularly produces drama on a non-commer cial basis. -
Examining the Careers and Artistic Contributions of Fred Astaire's
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects Fall 12-14-2015 Backwards in High Heels: Examining the Careers and Artistic Contributions of Fred Astaire’s Female Dance Partners Fiona Mowbray Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Dance Commons, Other Theatre and Performance Studies Commons, and the Performance Studies Commons Recommended Citation Mowbray, Fiona, "Backwards in High Heels: Examining the Careers and Artistic Contributions of Fred Astaire’s Female Dance Partners" (2015). Honors College Capstone Experience/Thesis Projects. Paper 591. http://digitalcommons.wku.edu/stu_hon_theses/591 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. BACKWARDS IN HIGH HEELS: EXAMINING THE CAREERS AND ARTISTIC CONTRIBUTION OF FRED ASTAIRE’S FEMALE DANCE PARTNERS A Capstone Experience/Thesis Paper Presented in Partial Fulfillment of the Requirements for the Degrees Bachelor of Fine Arts and Bachelor of Science with Honors College Graduate Distinction at Western Kentucky University By Fiona Mowbray ***** Western Kentucky University 2015 CE/T Committee: Approved by Dr. Michelle Dvoskin, Advisor Dr. Julie Lyn Barber ______________________ Advisor Dr. Dana Bradley Department of Theatre & Dance Copyright by Fiona Mowbray 2015 ABSTRACT This project examines the careers and contributions of three of Fred Astaire’s female dancing partners during the golden age of movie musicals: Ginger Rogers, Vera- Ellen, and Cyd Charisse. -
Collezione 16Mm
Elenco pellicole collezione “16mm GEH” TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI 20.000 YEARS IN SING SING 20.000 YEARS IN SING SING Michael Curtiz USA 1932 16 3 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 2001: A SPACE ODISSEY 2001: A SPACE ODISSEY Stanley Kubrick UK/USA 1968 16 4 3 GODFATHERS 3 GODFATHERS John Ford USA 1948 16 3 3 MEN IN WHITE THREE IN WHITE Willis Goldbeck USA 1944 16 2 36 HOURS 36 HOURS George Seaton USA 1965 16 4 42ND STREET 42ND STREET Lloyd Bacon USA 1933 16 3 7 FACES OF DR. LAO 7 FACES OF DR. LAO George Pal USA 1964 16 3 7 WOMEN 7 WOMEN John Ford USA 1966 16 3 A CHRISTMAS CAROL A CHRISTMAS CAROL Edwin L. Marin USA 1938 16 2 A DATE WITH JUDY A DATE WITH JUDY Richard Thorpe USA 1948 16 3 A DAY AT THE RACES A DAY AT THE RACES Sam Wood USA 1937 16 3 A FAMILY AFFAIR A FAMILY AFFAIR George B. Seitz USA 1937 16 2 Elenco pellicole collezione “16mm GEH” Pagina 1 TITOLO ORIGINALE TITOLO COPIA REGIA NAZIONE ANNO FORM. RULLI A FREE SOUL A FREE SOUL Clarence Brown USA 1931 16 3 A GUY NAMED JOE A GUY NAMED JOE Victor Fleming USA 1943 16 3 A KISS IN THE DARK A KISS IN THE DARK Delmer Daves USA 1949 16 3 A LIFE FOR A LIFE A LIFE FOR A LIFE Stephen Whittaker UK 1998 16 2 A MIDSUMMER NIGHTʼS DREAM A MIDSUMMER NIGHTʼS DREAM William Dieterle, Max Reinhardt USA 1935 16 3 A MODERN HERO A MODERN HERO G.W. -
Changes David Rompf
number fifty-two HARVARD REVIEW published by HOUGHTON LIBRARY harvard university HARVARD REVIEW publisher: Tom Hyry, Florence Fearrington Librarian of Houghton Library publisher emeritus: Michael Shinagel founding editor: Stratis Haviaras editor: Christina Thompson poetry editor: Major Jackson fiction editor: Suzanne Berne managing editor: Chloe Garcia Roberts digital editor: Laura Healy design: Alex Camlin senior readers: M. R. Branwen • Deborah Pursch editorial assistants: Virginia Marshall • Hannah Rosefield • Cecilia Weddell interns: Rachel Ahearn • Julia DeBenedictis • Rachel Silverstein readers: Michelle Ceruli Adams • Parker Beak • Bo Young Choi • Tess Cushing • Ezra Feldman • Ophelia John • Sabrina Li • Jennifer Nickerson • Justin Reed • Lia Oppedisano • Sebastian Sarti • Micah Trippe • Anna Zink • Catherine Zuo contributing editors: Mary Jo Bang • Karen Bender • Michael Collier • Robert Coover • Lydia Davis • Denise Duhamel • David Ferry • Stephen Greenblatt • Alice Hoffman • Miranda July • Ilya Kaminsky • Yusef Komunyakaa • Campbell McGrath • Heather McHugh • Paul Muldoon • Les Murray • Dennis O’Driscoll • Carl Phillips • Stanley Plumly • Theresa Rebeck • Donald Revell • Peter Sacks • Robert Antony Siegel • Robert Scanlan • Charles Simic • Cole Swensen • Chase Twichell • Katherine Vaz • Kevin Young harvard review (issn 1077-2901) is published twice a year by Houghton Library domestic subscriptions: individuals: $20 (one year); $50 (three years); $80 (five years) institutions: $30 (one year) overseas subscriptions: individuals: $32 (one year) institutions: $40 (one year) enquiries: Harvard Review, Lamont Library, Harvard University, Cambridge, MA 02138 phone: (617) 495-9775 fax: (617) 496-3692 email: [email protected] online at harvardreview.org paper submissions should be accompanied by sase. online submissions should be submitted at harvardreview.submittable.com. books sent for review become the property of Harvard University Library. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
Fort Monroe Idea Report FINAL
Topic Name Feedback on the Planning Advisory Group (PAG) Presentation Idea Title FMA and planners need to think regionally. Presentation showed only FM, Phoebus, and Hampton as important in planning. Ways to bring Norfolk and Portsmouth visitors to the fort should be included in plans. Existing, as well as newly implemented passenger ferries and tour boats, should be Idea Detail encouraged to make stops at FM. A great restaurant near the docking point would attract many. A reliable and frequent pick up tour bus could help circulate these visitors around the fort and to local cities. Quality tourism attractions at FM, in Phoebus, and Hampton would almost guarantee many visitors. Idea Author Ron W Number of Seconds 0 Number of Points 3 Number of Comments 0 Idea Title A trolley run from the Fort to downtown Hpt and Pen Town Center Need revenue generating draws to the Fort. Also groceries, restaurant, period type housing, camping. Too much open space is Idea Detail NOT a draw there. It has few trees and little character outside of the existing homes, Casemate and Batteries. The 'been here' folks have a false sense of how wonderful Hampton is compared to the rest of the country. Idea Author Pat W Number of Seconds 0 Number of Points 2 Number of Comments 0 Idea Title "Escape from Fort Monroe" Duathlon and/or Triathlon event The Fort would make a unique destination venue for a multisport race in the sprit of the annual event at Alcatraz and the duathlon previously held at Fort Story. The site could host a 5k running course in and around the fort itself, and a 20 mile looped cycling course around the island and nearby areas such as Phoebus and Buckroe Beach. -
2011 Schedule
2011 SCHEDULE MONDAY, AUGUST 1 • MARLON BRANDO 6:00 AM The Fugitive Kind (’60) 8:15 AM Julius Caesar (’53) 10:30 AM The Chase (’66) 1:00 PM Reflections in a Golden Eye (’67) 3:00 PM The Teahouse of the August Moon (’56) 5:15 PM Guys and Dolls (’55) 8:00 PM The Wild One (’53) 9:30 PM A Streetcar Named Desire (’51) 12:00 AM On the Waterfront (’54) 2:00 AM The Freshman (’90) 4:00 AM The Formula (’80) TUESDAY, AUGUST 2 • PAULETTE GODDARD 6:00 AM Vice Squad (’53) 7:30 AM Dramatic School (’38) 9:00 AM Paris Model (’53) 10:30 AM Nothing But the Truth (’41) 12:15 PM The Crystal Ball (’43) 1:45 PM On Our Merry Way (’48) 3:30 PM Charge of the Lancers (’53) 4:45 PM Second Chorus (’40) 6:30 PM Modern Times (’36) 8:00 PM The Great Dictator (’40) 10:15 PM Reap The Wild Wind (’42) 12:30 AM An Ideal Husband (’47) 2:15 AM The Women (’39) 4:30 AM Pot O’ Gold (’41) WEDNESDAY, AUGUST 3 • BETTE DAVIS 6:00 AM The Working Man (’33) 7:30 AM Stardust: The Bette Davis Story (’05) 9:00 AM Now, Voyager (’42) 11:00 AM Bordertown (’35) 12:45 PM 20,000 Years in Sing Sing (’32) 2:15 PM Juarez (’39) 4:30 PM The Letter (’40) 6:30 PM The Petrified Forest (’36) 8:00 PM The Old Maid (’39) 10:00 PM Jezebel (’38) 12:00 AM The Corn is Green (’45) 2:00 AM The Catered Affair (“56) 3:45 AM John Paul Jones (’59) THURSDAY, AUGUST 4 • RONALD COLMAN 6:00 AM Lucky Partners (’40) 7:45 AM My Life with Caroline (’41) 9:15 AM The White Sister (’23) 11:30 AM Kiki (’26) 1:30 PM Raffles (’30) 2:45 PM The Unholy Garden (’31) 4:15 PM Arrowsmith (’31) 6:15 PM The Prisoner of Zenda (’37) 8:00 -
Samuel Stark Theater Program Collection M1149
http://oac.cdlib.org/findaid/ark:/13030/c8377gh1 No online items Guide to the Samuel Stark theater program collection M1149 Stark (Samuel) theater program collection Gurudarshan Khalsa Department of Special Collections and University Archives 2019 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Samuel Stark M1149 1 theater program collection M1149 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Samuel Stark theater program collection source: Stark, Samuel Identifier/Call Number: M1149 Physical Description: 41 linear feet Linear Feet(102 boxes) Date (inclusive): 1852-1982 Abstract: The Samuel Stark Theater program collection consists of theater programs primarily from the United States. Scope and Contents The Samuel Stark theater program collection consists entirely of theater programs, primarily from New York, San Francisco, and Los Angeles. There are programs from other United States cities and from other countries as well. The collection is primarily in original order. The programs from New York City are arranged alphabetically by play, and provide an extensive listing of plays from the mid-1870s to the mid-1970s. All other programs in the collection are arranged alphabetically by city and then by theater. Preferred Citation [Identification of item] Samuel Stark theater program collection (M1149), Department of Special Collections and University Archives, Stanford University Libraries, Stanford, Calif. Conditions Governing Access The collection is open for research. Note that material is stored off-site and must be requested at least 36 hours in advance of intended use. Conditions Governing Use While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish.