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Volume 25, Number 1 spring 2021 NEWSLETTER OF THE Mozart Society of America Inside this Issue: “Francesco Benucci as Actor,” by Magnus Tessing Schneider 6 “94 Seconds of New Mozart” 1 Robert H Spaethling (1927–2020) 12 News of Members 2 Tre opere su Don Giovanni per Praga, “One of the Mozarteum’s New Acquisitions,” ed Milada Jonášová and Tomislav Volek, by Steven N Machtinger 3 reviewed by Martin Nedbal 13 Call for Papers: MSA and Society for Carl Ditters von Dittersdorf: Kontexty a perspektivy, Eighteenth-Century Music in Salzburg 5 ed Jan Blüml and Jana Spáčilová, reviewed by Martin Nedbal 14 “94 Seconds of New Mozart”: Mozart Week 2021 You can also view a full-length piano recital by Cho and two other performances from Mozart Week 2021—a wonder- Mozart Week (Mozartwoche), like many events during the ful recital of Mozart’s songs and a performance by the Vienna COVID pandemic, was different this year Customarily, the Philharmonic—on the subscription service Medici tv Mozarteum Foundation’s annual celebration of Mozart’s life Paul Corneilson and I represented the MSA at the Mozart and works includes multiple live performances, lectures, Communities gathering on January 30, 2021 Representatives hands-on activities at Salzburg’s museums, and an in-per- from societies in Japan, China, Canada, Brazil, Paraguay, son gathering of representatives from Mozart societies from and various countries in Europe attended The morning in- around the globe This year the concerts and the Mozart cluded a report by Ulrich Leisinger, the Head of Research at Communities gathering took place online Despite current the Mozarteum Foundation, about the newly discovered Mo- challenges, Mozart Week included uplifting performances zart autograph (K 626b/16) It definitely is in Mozart’s hand, and an energizing exchange of information but evidence suggests it may be a keyboard transcription of a The highlight of the week was the world premiere of newly work for larger forces Leisinger also reported on the acqui- discovered music by Mozart Scholars at the Mozarteum sition in late 2020 of three important Mozart family letters Foundation and four additional experts have confirmed the from the estate of artist Maurice Sendak These include the seventy measures are in Mozart’s hand It is the first major dis- famous letter that Mozart wrote to his father in 1787 when he covery of previously unknown music by the composer in over learned Leopold was seriously ill, discussed below by Steven eighty years: “94 seconds of new Mozart!,” as the Mozarteum’s Machtinger Leisinger disclosed that close study of the origi- publicity declared The manuscript comes from the collection nal has revealed slight differences from transcribed versions of Aloys Fuchs (who we know received documents from Mo- of the letter A facsimile of the original is now available zart’s son Franz Xaver) and appears to be from early 1773 Many representatives gave brief reports about their so- You can watch a short documentary about the discovery cieties’ activities in 2020 The Mozart Society of China, for and hear pianist Seong-Jin Cho perform the piece, on the example, founded in 2019, is translating the Mozart family Mozarteum’s website: https://www youtube com/watch?v= letters and other resources into Chinese With the help of 9cYWRhlHo9I&feature=youtu be the Mozarteum, they held a public exhibition that simulated Deutsche Grammophon has posted a version with En- Mozart’s home through paintings, scores, and photographs glish subtitles on its website: https://www youtube com/ The exhibit received substantial press coverage and was very watch?v=vmxZVMU1Gpg well attended by visitors from all over the country Despite continued on page 2 News of Members Newsletter of the Mozart Society of America Volume 25, Number 1 Bruce Alan Brown published his article “Opera in France, Spring 2021 Italy, and on the Moon, as Viewed by a Frenchman, Financier, ISSN: 1527-3733 and Philosophe,” in Gluck-Studien, vol 8, ed Daniel Branden- The Newsletter is published twice yearly (spring and burg (Kassel: Bärenreiter, 2020), 9–33 fall) by the Mozart Society of America Guidelines L. Poundie Burstein has recently published Journeys for submission are posted on the website: Through Galant Expositions (Oxford University Press, 2020) www mozartsocietyofamerica org This book reexamines eighteenth-century discussions of Editor: John A Rice musical form by writers such as Riepel, Koch, Galeazzi, and johnarice6@gmail com Neubauer, and applies their concepts to the analysis of a Review Editor: Martin Nedbal number of the early works by Mozart, as well to compositions mnedbal@ku edu by many of his contemporaries https://global oup com/us/ Designed by Dean Bornstein companion websites/9780190083991/book/ Dexter Edge and David Black have added several doc- Mozart Society of America c/o Alyson McLamore uments to their online collection Mozart: New Documents 708 Avenida de Diamante (see https://sites google com/site/mozartdocuments/news) Arroyo Grande, CA 93420 The latest additions all shed light on Mozart’s first visit to info@mozartsocietyofamerica org Italy (1770–1771) and include an article-length commentary on a letter of recommendation written by Count Firmian, Mozart’s primary patron in Milan continued from page 1 Sarah Eyerly has been awarded the Heizer Award from the pandemic, the Mozart Society of Switzerland held a per- the American Society for Ethnohistory for her co-authored formance competition online that drew over ninety young article and digital project, “Singing Box 331: Re-Sounding performers from thirty-five countries On behalf of the MSA, Eighteenth-Century Mohican Hymns from the Moravian I reported on our successful online panel “Talking About Archives,” The William and Mary Quarterly76 (2019), 649– Race and Gender in The Magic Flute” and the joint confer- 96 Her article also received the Cappon Award as the best ence with the American Bach Society Paul and I invited our article in the Quarterly for 2019 fellow Mozart supporters to join us in Salzburg in 2022 Adeline Mueller’s book Mozart and the Mediation of The general manager of the Foundation, Tobias Debuch, Childhood will be published later this year by the University shared that it had been a hard year for the organization He of Chicago Press in its series “New Material Histories of Mu- revealed that Mozart’s birthplace museum had never been sic ” An abstract is available on the press’s website closed for such an extensive period of time, not even during John Platoff’s article “Sarti’s Fra i due litiganti and Opera World War II A newly completed concert hall ideal for in Vienna” appeared in the Fall 2020 issue of the Journal of chamber music has remained closed as well On the bright the American Musicological Society side, now that we have grown more accustomed to interact- John A. Rice wrote liner notes for the CD of Salieri’s ing online, he and Mozart Communities coordinator Marina Tarare, performed by Les Talens Lyriques under the direction Corlianò Nahi plan to explore how to harness technology of Christophe Rousset and issued by Aparté in 2019 to foster more cooperative projects between the Mozarteum Beverly Wilcox is a panelist and speaker in a series of and societies like ours He closed his remarks with “Light is public Zoom seminars on French music copyists’ workshops stronger and will win in the end ” up to about 1730 For the schedule and to register to attend The discovery of new music by Mozart certainly brought upcoming sessions contact seminaire copistes@gmail com joy to the delegates in an otherwise dark year The words of the artistic director of Mozartwoche, tenor and arts advocate Rolando Villazón, captured the feelings of many: “Mozart’s music brings us solace in difficult times and is the shining light that lets us look forward to the time when audiences and performers will be able to meet again ” —Laurel E. Zeiss, Vice-President of the MSA 2 One of the Mozarteum’s New Acquisitions Steven N. Machtinger Breaking news about Mozart scholarship is not an everyday occurrence, so it was a special day in November 2020 when the Mozarteum Foundation in Salzburg announced that it had acquired the original holographs of three letters written by Mozart in his own hand 1 The most important of these was Mozart’s last letter to his father, dated April 4, 1787, in which he attempted to console the ailing Leopold by saying that death is the true goal of our lives Death, he wrote, is our “true best friend” and “the key to our true happiness ” Vir- tually all of Mozart’s biographers have commented on these statements and endeavored to explain their meaning in the context of Mozart’s relationship with his father and his phi- losophy of life The Mozarteum’s press release noted that high quality fac- similes of the letters were available for purchase A copy of the April 4, 1787 letter arrived a few weeks later in a handsome package that included a lengthy explanatory essay by Ulrich Leisinger, the Mozarteum’s Director of Research Because Leisinger’s essay, printed in German, English and French, bears the Mozarteum’s imprimatur, it seems worthwhile to review what he said, particularly about the manuscript’s au- thenticity, originality, and provenance Leisinger states that “serious doubts” raised by Wolfgang Hildesheimer about its authenticity are now settled This statement is mistaken on two counts First, Hildesheimer never questioned the authenticity of this letter In his discus- Title page of the first edition of Moses Mendelssohn’s Phädon, dec- sion of the
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