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Carretera Palenque-Ruinas km. 4.5 A un costado de la Caseta de Cobro del Parque Nacional de Palenque Col. Zona Arqueológica PALENQUE, CHIAPAS 29960, MEXICO Tels. (916) 345-1826, 117-5176, Fax (916) 345-1004 Reservaciones Express: Fax : 01 800 712-3560, Voz: 01 800 714-4710 E-mail: [email protected] Página web: WWW.PALENQUEMAGICO.COM PACKAGE NO. 2: WATER & ARCHAEOLOGY (2 NIGHTS, 3 DAYS) $ 2,960 MXN $ 2,555 MXN $ 2,425 MXN $ 2,360 MXN PER PERSON IN PER PERSON IN PER PERSON IN PER PERSON IN SINGLE OCCUPANCY DOUBLE OCCUPANCY TRIPLE OCCUPANCY QUADRUPLE OCCUPANCY COST PER CHILD (UNTIL 06 YEARS OLD): $ 1,815 MXN IN THE SAME DOUBLE ROOM WITH ADULTS. COVERS FOOD AND TOURS. ROOMS WITH 2 DOUBLE BEDS. INCLUDES: 02 (TWO) ROOM NIGHTS. 02 (TWO) AMERICAN BREAKFAST, AND 01 (ONE) LUNCH. WELCOMING COCKTAIL. SHARED TOURS: MISOL-HA AND AGUA AZUL WATERFALLS. SHARED TOURS: BONAMPAK, YAXCHILAN, AND PALENQUE ARCHAEOLOGICAL SITES. ENTRANCE FEES, TRAVEL INSURANCE. STATE AND FEDERAL TAXES. ITINERARY 1st DAY: BEFORE 11:30 HRS ARRIVAL TO THE HOTEL (REGISTRATION AND LODGING) WELCOMING COCKTAIL 12:00 – 18:00 HRS TOURS: MISOL-HA AND AGUA AZUL WATERFALLS. FREE EVENING ( 1st NIGHT ) 2nd DAY: 06:00 – 19:30 HRS TOURS: YAXCHILAN AND BONAMPAK ARCHAEOLOGICAL SITES. ( INCLUDES A 1:45 HRS BOAT-RIDING THROUGH THE USUMACINTA RIVER, BREAKFAST AND LUNCH. FREE EVENING ( 2nd NIGHT ) 3rd DAY: 07:00 – 08:00 HRS BREAKFAST AT THE HOTEL 08:00 -11:30 HRS TRANSFER TO THE ARCHAEOLOGICAL SITE OF PALENQUE . 13:00 HRS CHECK OUT. END OF THE PACKAGE. CONDITIONS: PRICES HAVE A 15% RISE ON THE FOLLOWING DATES: DECEMBER 15 – JANUARY 5, APRIL 13 - 27, AND JULY 15 – AUGUST 15 (2018) WE ARE NOT HELD RESPONSIBLE FOR MOTHER NATURE INCONVINIENCES, OR SITUATIONS BEYOND OUR STRENGTHS. NO DEVOLUTIONS FOR SERVICES NOT TAKEN. PLEASE GUARANTEE THE TOUR 05 DAYS PRIOR TO DEPARTURE. BASED ON AVAILABILITY. .

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Installments 1-10
ThePARIJournal A quarterly publication of the Pre-Columbian Art Research Institute Volume XIII, No. IV, Summer 2013 The Further Adventures of Merle1 MERLE GREENE ROBERTSON In This Issue: The Further Adventures of Merle by Merle Greene Robertson PAGES 1-7 • A Late Preclassic Distance Number by Mario Giron-Ábrego PAGES 8-12 Joel Skidmore Editor [email protected] Marc Zender Associate Editor [email protected] Figure 1. On the Usumacinta River on the way to Yaxchilan, 1965. The PARI Journal 202 Edgewood Avenue “No! You can’t go into the unknown wilds birds, all letting each other know where San Francisco, CA 94117 of Alaska!” That statement from my moth- they are. Evening comes early—dark by 415-664-8889 [email protected] er nearly 70 years ago is what changed my four o’clock. Colors are lost in pools of life forever. I went to Mexico instead, at darkness. Now the owls are out lording it Electronic version that time almost as unknown to us in the over the night, lucky when you see one. available at: U.S. as Alaska. And then later came the But we didn’t wait for nightfall to www.mesoweb.com/ pari/journal/1304 jungle, the jungle of the unknown that I pitch our camp. Champas made for our loved, no trails, just follow the gorgeous cooking, champas for my helpers, and a guacamayos in their brilliant red, yellow, ISSN 1531-5398 and blue plumage, who let you know where they are before you see them, by 1 Editor’s note: This memoir—left untitled by their constant mocking “clop, clop, clop.” the author—was completed in 2010, in Merle’s 97th Mahogany trees so tall you wonder if, year.
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La Instrumentalización Del Way Según Las Escenas De Los Vasos Pintados Península, Vol
Península ISSN: 1870-5766 [email protected] Universidad Nacional Autónoma de México México Matteo, Sebastian; Rodríguez Manjavacas, Asier La instrumentalización del way según las escenas de los vasos pintados Península, vol. IV, núm. 1, enero, 2009, pp. 17-31 Universidad Nacional Autónoma de México Mérida, México Disponible en: http://www.redalyc.org/articulo.oa?id=358333209002 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Península vol. IV, núm. 1 primavera de 2009 LA INSTRUMENTALIZACIÓN DEL WAY SEGÚN LAS ESCENAS DE LOS VASOS PINTADOS Sebastian Matteo Université Libre de Bruxelles Asier Rodríguez Manjavacas Universitat Pompeu Fabra Introducción Concebido como un rasgo característico de las sociedades mesoamericanas, el nahualismo puede ser definido como una relación especial entre el ser humano y otra entidad viva (“nagual” o “nahual”, del náhuatl nahualli) que les lleva a compar- tir una esencia común. Por ello, y para evitar la ambigüedad del término, esa otra entidad ha sido denominada alter ego o coesencia. Por su naturaleza frecuentemente animal, también se ha dado en llamarla animal compañero. Dicha relación afecta al área de los sueños, la energía vital y la muerte. Cada vez que un ser humano nace, nace al mismo tiempo un animal u otro ser al cual queda ligado su destino: actos, comportamiento, daños, muerte. Los sueños serían para aquel una de las escasas evidencias de las peripecias de su “nagual”, y gran parte de las enfermedades serían consecuencia de algún daño sufrido por este último.
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The Architectural Backdrops of the Murals of Structure 1, Bonampak
The Architectural Backdrops of the Murals of Structure 1, Bonampak MARY ELLEN MILLER We fumble with the terms "palace" and "tem- in place against architectural backdrops that show ple" for Maya architecture, but what do we mean? Maya playfulness and artistic conventions as well Those words may describe the format of a struc- as the functional use of a city. ture, but they generally fail to describe the kind of activities that took place in a palace such as the Room 1 one at Palenque.1 Most monumental art depicts In Room 1, the first scene is marked by the anonymous backgrounds, vacant planes. Maya parasols that rise from the ground level to frame vases often show interiors, but, because most pots the glyphic text and set off the upper east, south, are known out of context and representations on and west walls (Fig. 1). The glyphic text under- them are often sketchy, pots are hard to read archi- scores and unites the scene, subtly echoing the tecturally. There is rarely evidence for architecture rhythm of the figures above: four large glyph beyond the constraints of a single room. blocks under the four white-mantled lords, many The greatest exception to this absence of glyph blocks under the ten lords. The scene pivots clear architectural representation is Bonampak. around the porter with the child, the family direct- In the three rooms of murals there, architecture is ing from behind, the lords in front. As Caso first inhabited and used. Princes are presented to lords; suggested, the presentation of the child and his rulers torture and sacrifice their captives.
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The Dynastic Sequence of Dos Pilas, Guatemala
PRE-COLUMBIAN ART RESEARCH INSTITUTE MONOGRAPH 1 The Dynastic Sequence of Dos Pilas, Guatemala Stephen D. Houston Peter Mathews Pre-Columbian Art Research Institute San Francisco, California April 1985 The Dynastic Sequence Of Dos Pilas, Guatemala STEPHEN D. HOUSTON, Yale University and PETER MATHEWS, Peabody Museum, Harvard University o the west of Lake Petexbatun, Peten, Guatemala, lies a region in which no fewer than five sites occur within an area of 45 square kilometers (Figure I). T The largest of these sites, and the one with the greatest number of known ~onuments, is Dos Pilas (Figure 2). This paper reconstructs the dynastic sequence of Dos Pilas, documenting five rulers, and traces the historical connections between Dos Pilas, neighboring centers near Lake Petexbatun, and relevant sites along the Pasion River and in northeastern Peten. I The Emblem Glyph of Dos Pilas and environs was first detected by Heinrich Berlin (1960:26-27), who called it the "Laguna Petexbatun" Emblem Glyph and who noted its resemblance to the Emblem Glyph of Tikal. Berlin nonetheless believed that the Copyright © 1985 by The Pre-Columbian Art Research Institute All rights reserved. No part of this publication may be repro duced in any form or by any means, without written permission of the copyright owner. Lithographed and printed by Herald Printers, Inc., Monterey, Fig. I Map showing the location ofDos Pitas and neighboring sites. (Map by Peter California. Mathews.) 2 3 63 2526 57 60[D] 58 ~59 ~ 90 5., 5 !~~1 6·, 1 CJ 1 ~ 7" o 234 154 26 27 25 TEST PIT" 28 ~~2~ 4~~~~·~7'45"W@ at Plaza) MN 100 50 m !! rrn 31 [==J LOOTER'S PIT lLJj 33 32 ~ § SOH Fig.
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Murals and the Development of Merchant Activity at Chichen Itza
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2005-10-04 Murals and the Development of Merchant Activity at Chichen Itza De Luna Lucha Aztzin Martinez Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Anthropology Commons BYU ScholarsArchive Citation Martinez, De Luna Lucha Aztzin, "Murals and the Development of Merchant Activity at Chichen Itza" (2005). Theses and Dissertations. 674. https://scholarsarchive.byu.edu/etd/674 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MURALS AND THE DEVELOPMENT OF MERCHANT ACTIVITY AT CHICHEN ITZA by Lucha Aztzin Martinez de Luna A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Masters of Arts Department of Anthropology Brigham Young University December 2005 Copyright © 2005 Lucha Aztzin Martinez de Luna All Rights Reserved BRIGHAM YOUNG UNIVERSITY GRADUATE COMMITTEE APPROVAL of a thesis submitted by Lucha Aztzin Martinez de Luna This thesis has been read by each member of the following graduate committee and by majority vote has been found to be satisfactory. _______________________ __________________________________ Date Donald W. Forsyth, Chair ________________________ ___________________________________
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Spring 2016 ARCHAEOMAYA the NEWSLETTER of MAYA EXPLORATION CENTER
1 Maya Exploration Center Spring 2016 ARCHAEOMAYA THE NEWSLETTER OF MAYA EXPLORATION CENTER In this Issue: Call to Action – Support a Maya Cultural Revival rd • The 3 International 500 years ago the Congress of Maya Maya people were Quisque: forcibly separated from Epigraphers their written language, outlawed by the New Discoveries at • Spanish priests as El Zotz pagan idolatry. The Maya script remained • Community Service lost to the world until the 1970’s when a team at Yaxuna of Western scholars in • Adventure to El Palenque put the puzzles of the puzzle Mirador back together. Now, the Maya themselves are News from the Field • regaining the script of A modern Maya stela erected in front of Iximche their ancestors. And it’s • Introducing – MEC not just a handful of curious Maya-born scholars, but hundreds of Mini Trex Maya people. And those hundreds are banding together with the goal of teaching hundreds of others Maya to read and write in On the Horizon: hieroglyphs. It’s truly a cultural revival. Not only is this growing group of glyph-literate Maya reading • Palenque to Copan ancient texts, they are creating new ones. At first it was simple Thanksgiving tour histories and poems on paper, but now new stelae are being erected! In front of Iximche, the former Kakchiquel capital burned by Pedro de • Michael Grofe as Alvarado in 1526, the local Maya erected a new stela recounting their MAM’s new long history, their continued survival, and celebrating the arrival of the 13th Baktun in 2012. The Maya community of Piste, next to president Chichen Itza, did the same for 2012.
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University of Florida Thesis Or Dissertation Formatting
ANIMAL RESOURCES IN ANCIENT MAYA ECONOMY AND EXCHANGE: ZOOARCHAEOLOGICAL AND ISOTOPIC PERSPECTIVES By ERIN KENNEDY THORNTON A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Erin Kennedy Thornton 2 To Dan and Sam 3 ACKNOWLEDGMENTS Funding for this project was generously provided by the Foundation for the Advancement of Mesoamerican Studies (grant # 06027), the National Science Foundation (grant #0622805), and the University of Florida Department of Latin American Studies. I would like to thank Antonia Foias, Matt Moriarty, Arthur Demarest, Tomás Barrientos, Elizabeth Graham, Wendy Teeter, Diane Chase, Arlen Chase, and the Instituto Nacional de Antropología e Historia de Guatemala (IDAEH) for granting permission to analyze the zooarchaeological remains used in this study. I would also like to thank Ann Heatherington, George Kamenov, John Krigbaum and Ben Valentine from the University of Florida for their assistance with the strontium isotope analysis. Appreciation is also extended to the Florida Museum of Natural History (Gainesville, Florida) for providing access to the modern comparative collections used to identify the zooarchaeological assemblages. I am indebted to my superb advisor, Kitty Emery, for her constant patience, support, guidance and friendship throughout my graduate career. Her insights and advice were invaluable. She also generously involved me in her own research projects, which provided not only additional research and museum experience, but also paid employment, which allowed me to continue my graduate studies when other sources of funding were unavailable. I also extend my gratitude to my other committee members Susan deFrance, Susan Milbrath, John Krigbaum and Mel Sunquist for their valuable feedback regarding various aspects of my research.
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Areas Ceremoniales En Conjuntos Residenciales Del Área Maya: El Grupo Guacamaya Del Sitio Arqueológico La Joyanca, Petén
UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AREA DE ARQUEOLOGIA Areas ceremoniales en conjuntos residenciales del Área Maya: el Grupo Guacamaya del sitio arqueológico La Joyanca, Petén LAURA LUCÍA GÁMEZ DÍAZ Nueva Guatemala de la Asunción, Guatemala, C.A., Octubre de 2003 UNIVERSIDAD DE SAN CARLOS DE GUATEMALA ESCUELA DE HISTORIA AREA DE ARQUEOLOGIA Areas ceremoniales en conjuntos residenciales del Área Maya: el Grupo Guacamaya del sitio arqueológico La Joyanca, Petén TESIS Presentada por: LAURA LUCÍA GÁMEZ DÍAZ Previo a conferírsele el grado académico de LICENCIADA EN ARQUEÓLOGA Nueva Guatemala de la Asunción, Guatemala, C.A., Octubre de 2003 UNIVERSIDAD DE SAN CARLOS ESCUELA DE HISTORIA AUTORIDADES UNIVERSITARIAS RECTOR: Dr. Luis Alfonso Leal Monterroso SECRETARIO: Dr. Carlos Enrique Mazariegos AUTORIDADES DE LA ESCUELA DE HISTORIA DIRECTOR: Lic. Gabriel Efraín Morales Castellanos SECRETARIA: Licda. Olga Pérez Molina CONSEJO DIRECTIVO Director: Lic. Gabriel Efraín Morales Castellanos Secretaria: Licda. Olga Pérez Molina Vocal I: Lic. Oscar Rolando Gutiérrez Vocal II: Lic. Carlos René García Escobar Vocal III: Est. Ingrid Berzabé Serech Pérez Vocal IV: Est. Luis Domingo Cobar Sáenz COMITÉ DE TESIS Lic. Erick Manuel Ponciano Alvarado Dra. Véronique Breuil-Martínez Lic. Mario Alfredo Ubico Calderón A: Ana Lucía Díaz La realización de la presente investigación fue posible gracias al valioso apoyo de personas e instituciones a quienes deseo expresar la mayor gratitud: A los directores del Proyecto Petén Noroccidente – La Joyanca, por la maravillosa oportunidad de formar parte del equipo de investigación durante cuatro temporadas consecutivas. Agradecimiento que se extiende a todas las instituciones y personas que con su apoyo financiero e institucional dan vida al Proyecto.
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Proyecto Fotográfico Las Cerámicas Mayas Con Seudo-Glifos
PROYECTO FOTOGRÁFICO LAS CERÁMICAS MAYAS CON SEUDO-GLIFOS INFORME FINAL 2009 K30072 – Piedras Negras Presentado al Instituto de Antropologia e Historia de Guatemala Por Inga E. Calvin Universidad de Colorado, Boulder, EEUU CONTENIDO Agradecimientos ..............................................................................................................................1 CAPÍTULO 1. Objectivos del Proyecto .........................................................................................3 CAPÍTULO 2. Características del los seudo glifos ........................................................................6 CAPÍTULO 3. El context de la ceramic decorada con seudo-glifos ............................................11 FUENTES CITADAS ....................................................................................................................13 FIGURAS ......................................................................................................................................16 CUADRO 1. Fuentes de la cerámicas fotografiada ......................................................................18 CUADRO 2. Cantidad de vasijas mayas del period Clásico con seudo glifos .............................19 APÉNDICE 1. La cerámica con seudo glifos documentada en 2002 ...........................................20 APÉNDICE 2. Catálogo de seudo glifos (Pseudo-Glyphs) mayas ...............................................53 APÉNDICE 3. Seudo glifos presentes en más de una vasija ........................................................64
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In the Realm of the Vision Serpent Decipherments And
Dr. Linda Schele was a pioneer in the decipherment of the Maya Hieroglyphic Writing In the Realm of the Vision Serpent and an extraordinary professor of Maya and Mesoamerican Studies at the University of Texas at Austin. She was a very influential and passionate professor that mentored her Decipherments and Discoveries in Mesoamerica students to excellence and inspired them to discover and interpret the diverse aspects A Symposium in Homage to of the Mesoamerican World with a critical approach. Many of them are today among the leaders in the field of Mesoamerican Studies. Mentored by Merle Greene Robertson, Schele worked with Peter Mathews and Floyd Lounsbury to decipher a major section of the list of Palenque kings, presenting her work in the 1973 conference Mesa Redonda Dr. Linda Schele de Palenque, organized by Robertson. Her work stimulated several later discoveries, by (1942-1998) herself and others. Schele became a Fellow in pre-Columbian Studies at Dumbarton Oaks in Washington, D.C. in 1975. She focused on the study of word ordering in Mayan inscriptions for the next two years there. She produced a massive volume of drawings of stelae and inscriptions, which, following her wishes, are free for use to scholars. In 1977, she founded the annual Maya Meetings at the University of Texas at Austin, which became one of the most important forums in the world for the study of Mesoamerican cultures and the Maya Hieroglyphic Writing. She wrote more than one hundred articles and reports, and the following books: • The Blood of Kings (Schele and Mary Ellen Miller 1986) • A Forest of Kings (Schele and David Freidel 1990) • Maya Cosmos (Freidel, Schele, and Parker 1993) • Hidden Faces of The Maya (Schele and Jorge Perez de Lara 1997) • The Code of Kings (Schele and Peter Mathews 1998) On April 18, 1998, she passed away of pancreatic cancer at the age of 55.
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The Cacaxtla Murals
The Cacaxtla Murals DONALD ROBERTSON he discovery of new murals in Highland Mexico the pictures were painted on the walls of a building in T with obvious Maya traits is an important contribu Tlaxcala. tion to our knowledge of the arts of the pre-Col In this essay we will examine the paintings for evi umbian New World. I The murals found at Cacaxtla in dences of style that will give us clues to the place of the present-day state of Tlaxcala in September 1975, are origin of the artists in terms of their training as painters, a major addition to the small number of pre-Columbian by establishing the relation of these murals to other paint mural paintings that have survived to our time. 2 They ings from the Maya area and from Highland Mexico. We present the historian of art with a number of specific have to operate on a high level of generalization, dealing questions which must be answered before we can put the with style at the level of large regions rather than in terms murals into a meaningful context. These questions in of a more precise definition of style limited to individual clude defining the style of the painters as demonstrated artists or even individual schools. Such definitions, at in the paintings and determining the source or sources present, are simply not available to us. Future studies of this style. may very well be able to define the number of artists The student of painting in pre-Columbian America is who painted at Cacaxtla, on the basis of definitions of faced with almost insurmountable problems when he at their individual styles.
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Mayan Introductory Video March 04, 2014
March 04, 2014 Mayan Introductory Video March 04, 2014 Mayan Culture If you have any brown grocery bags, we would love to have them for a fun twist on vocabulary for this unit! March 04, 2014 You will see this on the quiz! Do you know where things go? Palenque Tikal Honduras United States Guatemala Pacific Ocean Mexico Bonampak Chichen Itza Gulf of Mexico Tulum Mayan Lands March 04, 2014 tza en I hich C Tulum Palenque Bonampak Tikal March 04, 2014 Chichen Itza is known for all of the architecture. Hundreds of building stood once in this area. The sacred well Possibly the best known construction on the site is Kukulkan's Pyramid. El Castillo (Kukulkan- Quetzalcoatl). Approximately 75 feet tall. March 04, 2014 Another Important City: Palenque This city was once covered with trees and bushes. It was uncovered and studied. Within this city, there are many sculptures, buildings, and carvings that help us learn about the Mayan culture. Palenque has the highest average rainfall each year. The Temple of Pacal the Great was Inscriptions found in a tomb inside of the Temple of Inscriptions. March 04, 2014 A lot was known about Tikal because of the massive amounts of hieroglyphics and lists found within the buildings. A list of rulers was found! March 04, 2014 Another important Mayan City: Tikal ("at the waterhole" or the "place of voices") Located in the Peten rainforest in Guatemala. March 04, 2014 Important Mayan Cities / / Chichen Itza It means "at the well of the mouth of Itza." March 04, 2014 The Mayan Map United States Mexico Gulf of Mexico a ds Itz an hen L hic an C ay Tulum M Palenque Tikal Pacific Ocean Bonampak GuatemalHa onduras March 04, 2014 Mayan Vocabulary List City-state: a Mayan city and its nearby town or village; each city-state was controlled by a different ruler.
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