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VOLUME 42 | NUMBER 21 Hen Chris Cornell Entered He Shrugged
May 24-30, 2017 | VOLUME 42 | NUMBER 21 hen Chris Cornell entered He shrugged. He spoke in short bursts of at a room, the air seemed to syllables. Soundgarden was split at the time, hum with his presence. All and he showed no interest in getting the eyes darted to him, then band back together. He showed little interest danced over his mop of in many of my questions. Until I noted he curls and lanky frame. He appeared to carry had a pattern of daring creative expression himself carelessly, but there was calculation outside of Soundgarden: Audioslave’s softer in his approach—the high, loose black side; bluesy solo eorts; the guitar-eschew- boots, tight jeans, and impeccable facial hair ing Scream with beatmaker Timbaland. his standard uniform. He was a rock star. At this, Cornell’s eyes sharpened. He He knew it. He knew you knew it. And that sprung forward and became fully engaged. didn’t make him any less likable. When he He got up and brought me an unsolicited left the stage—and, in my case, his Four bottled water, then paced a bit, talking all Seasons suite following a 2009 interview— the while. About needing to stay unpre- that hum leisurely faded, like dazzling dictable. About always trying new things. sunspots in the eyes. He told me that he wrote many songs “in at presence helped Cornell reach the character,” outside of himself. He said, “I’m pinnacle of popular music as front man for not trying to nd my musical identity, be- Soundgarden. -
SOUNDGARDEN Superunknown (Hard Rock)
SOUNDGARDEN Superunknown (Hard Rock) Année de sortie : 1994 Nombre de pistes : 16 Durée : 70' Support : CD Provenance : Acheté Nous avons décidé de vous faire découvrir (ou re découvrir) les albums qui ont marqué une époque et qui nous paraissent importants pour comprendre l'évolution de notre style préféré. Nous traiterons de l'album en le réintégrant dans son contexte originel (anecdotes, etc.)... Une chronique qui se veut 100% "passionnée" et "nostalgique" et qui nous l'espérons, vous fera réagir par le biais des commentaires ! ...... Bon voyage ! Formé à Seattle, SOUNDGARDEN est généralement associé à la mouvance Grunge qui explose en 1991 avec NIRVANA et son album essentiel Nevermind. La musique du groupe emmené par le chanteur Chris CORNELL ne se résume toutefois pas à ce courant. Des similitudes peuvent être constatées, en premier lieu de par l’appartenance des deux formations à cette nouvelle scène de Seattle. Bruce PAVITT, fondateur du label Sub Pop, figure en effet parmi les amis du groupe, ce qui lui permet, avant NIRVANA, de devenir la première formation signée par l’incontournable officine Underground. Ensuite, la musique de SOUNDGARDEN est fréquemment caractérisée par la noirceur et la mélancolie. Cependant, Badmotorfinger, deuxième effort du groupe publié en 1991 par la compagnie nationale A & M, avec laquelle il vient de conclure un contrat avantageux, révèle des influences qui le rattachent davantage au Metal. L’album comporte de nombreuses compositions reposant sur des riffs plombés. Ainsi Jesus Christ Pose rappelle fortement LED ZEPPELIN, et le groupe paie sa dette à BLACK SABBATH sur le titre Slaves & Bulldozers. Après ce disque acclamé par la critique, SOUNDGARDEN connaîtra son apogée avec la sortie en 1994 de Superunknown, qui devient numéro un aux États-Unis avec trois millions d’exemplaires vendus. -
Soundgarden Badmotorfinger Mp3, Flac, Wma
Soundgarden Badmotorfinger mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Badmotorfinger Country: UK & Europe Released: 2016 Style: Alternative Rock, Hard Rock, Grunge MP3 version RAR size: 1567 mb FLAC version RAR size: 1577 mb WMA version RAR size: 1874 mb Rating: 4.5 Votes: 107 Other Formats: MMF DXD RA VOC WMA AU AAC Tracklist Hide Credits 1 Rusty Cage 4:26 2 Outshined 5:11 Slaves And Bulldozers 3 6:56 Music By – Shepherd*, Cornell* Jesus Christ Pose 4 6:51 Music By – Shepherd*, Cornell*, Thayil*, Cameron* Face Pollution 5 2:24 Music By – Shepherd* Somewhere 6 4:21 Music By, Lyrics By – Shepherd* 7 Searching With My Good Eye Closed 6:31 Room A Thousand Years Wide 8 4:06 Lyrics By – Thayil*Music By – Cameron* 9 Mind Riot 4:49 Drawing Flies 10 2:25 Music By – Cameron* 11 Holy Water 5:07 New Damage 12 5:40 Music By – Thayil*, Cameron* Companies, etc. Manufactured By – A&M Records Of Canada Limited Distributed By – PolyGram Distribution Inc. Phonographic Copyright (p) – A&M Records, Inc. Copyright (c) – A&M Records, Inc. Recorded At – Studio D Recorded At – Bear Creek Studios Recorded At – A&M Studios Mixed At – Can-Am Recorders Mastered At – Masterdisk Pressed By – Cinram Credits A&R – Bryan Huttenhower Art Direction – Len Peltier Bass – Ben Shepherd Design – Walberg Design Drums – Matt Cameron Engineer – Terry Date Engineer [Assisted By] – Efren Herrera Guitar – Kim Thayil Illustration [Front Cover] – Mark Dancey Lyrics By – Cornell* (tracks: 1 to 5, 7, 9 to 12) Management – Susan Silver Mastered By – Howie Weinberg Mixed By – Ron St. -
MUSC 2015.04.06 Jgoesgrungeprog.Pdf (1.552Mb)
VIRTUOSO SERIES CONCERT Jazz Goes Grunge UCA Dave Devine - Guitar Jeff Jenkins - Organ Peter Sommer - Saxophone Shilo Stroman - Drumset Monday, April 6 2015 • 7:30pm This is your your is This Griffin Concert Hall, University Center for the Arts PROGRAM Alive Eddie Vedder and Stone Gossard (Pearl Jam) Arranged by Shilo Stroman Lithium Kurt Cobain (Nirvana) Arranged by Shilo Stroman Black Hole Sun Chris Cornell (Soundgarden) Arranged by Shilo Stroman Elderly Woman Behind the Counter in a Small Town Eddie Vedder (Pearl Jam) Arranged by Peter Sommer Burden in My Hand Chris Cornell (Soundgarden) Arranged by Peter Sommer Heart-Shaped Box Kurt Cobain (Nirvana) Arranged by Peter Sommer No Excuses Jerry Cantrell (Alice in Chains) Arranged by Peter Sommer Dave Devine - Guitar Jeff Jenkins - Organ Peter Sommer - Saxophone Shilo Stroman - Drumset PERFORMER BIOS Denver guitarist Dave Devine earned a performance degree in classical guitar from Butler University (1993-1997), while studying composition with Dr. Michael Schelle. Dave then attended Indiana University (1997-2000) where he studied with Ernesto Bitteti and Luis Zea, and graduated with a Performer’s Diploma in classical guitar. He was also a teaching assistant to David Baker, played in jazz ensembles, and taught private lessons. He has played across the US and UK, as well as in Belgium, Germany, Switzerland and Italy. Dave has performed with Ron Miles, Art Lande, Janet Feder, Elliott Sharp, Matt Wilson, Reginald Veal and has recorded with producer/engineer Steve Albini. Jeff Jenkins has released four CD’s in the last 15 years. The most recent on Capri Records entitled “Cique”, is an eclectic exciting blend of jazz and funk. -
Complaint 12-9-2019
Case 1:19-cv-25045-JEM Document 1 Entered on FLSD Docket 12/09/2019 Page 1 of 24 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA MIAMI DIVISION CASE NO. 1:19cv25045 Vicky Cornell, individually, and in her JURY TRIAL DEMANDED capacity, and as the Personal Representative of the Estate of Christopher John Cornell a/k/a Chris Cornell, Plaintiffs, v. Soundgarden, a purported Washington General Partnership, Kim A. Thayil, Matt D. Cameron, Hunter Benedict Shepherd, Rit Venerus and Cal Financial Group, Inc., Defendants. ______________________________________________/ COMPLAINT Plaintiff, Vicky Cornell, individually and in her capacity as the personal representative of the Estate of Christopher John Cornell (collectively, “Plaintiffs”) through counsel, hereby files the following complaint against the defendants, Soundgarden, Kim Thayil, Matt Cameron, Hunter Benedict Shepherd, Rit Venerus and Cal Financial Group, Inc. (collectively, “Defendants”). I. INTRODUCTION “Everybody out for my blood, everybody want my percent … They just want to take what is mine, how much more can they get.” - Sweet Revenge 1. In 2009, Chris Cornell penned these lyrics about his former Soundgarden bandmates after they unlawfully (and unsuccessfully) attempted to deprive him of his rights in connection with the valuable musical works that he created for the band. Ten years later, and after Chris’ untimely passing, these lyrics hauntingly resonate as his former bandmates, once Case 1:19-cv-25045-JEM Document 1 Entered on FLSD Docket 12/09/2019 Page 2 of 24 again, have attempted to “take what is his” – or, more aptly, to steal from his widow and minor children. This wrongful conduct shockingly started shortly after Chris’ untimely death and ultimately forced his widow, Vicky Cornell, to bring this lawsuit. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Beatbuddy Beats- Pdf Booklet Template
Copyright © 2020 by GoranGrooves. All rights reserved. Produced by Producer: Goran Rista Terms of use: This package was created as a commercial “for sale” virtual product. t is made available to you for personal / professional use. "ou can use it to create any number of songs / pro#ects for your own personal / professional use. $haring or selling this library package or parts thereof is strictly prohibited. %e have made it very affordable for purchase so that anybody can en#oy it. &y purchasing it, you support our efforts in bringing fresh and quality material for your convenience on a continual basis. %e thank you for it! *ll officially produced content for &eat&uddy is available exclusively at: https://library.mybeatbuddy.com Copyright © 2020 by GoranGrooves. All rights reserved. BEATBUDDY PREMIUM LIBRARY THE COMPLETE COLLECTION 2020 March 2020 Up a!e Fu## #$s!$%& of $%clu ed co%!e%! *ll Default Drum $ets v2.. /ntire Default &eatBuddy 0ontent v2.. Prem$um Drum sets &allad $et Drum 1 &ass $et Flamenco Percussion $et 3a44 &rushes $et 3ohn &onham nspired $et 5allets $et Phil 0ollins nspired $et Reggae $et $tandard Pro 6 Percussion $et $tudio 7egend 8intage 7udwig $et %orld Percussion $et Prem$um Song/ Beat Pac)s 9in alphabetical order: *ll Default &eats 3-3-2 Bea!s Mega Pac) • ;25 beats arranged into ;; songs • $olo components 9eg. #ust kick' #ust snare…) • >nisons 9kick6snare, kick6snare6hats=: • “Four on the floor” with the rhythm variation on top • &ackbeat variations • ?uarter note pulse • @th note feel with accent variations on hats and ride 9accented downbeat, accented Copyright © 2020 by GoranGrooves. -
THE RETRIEVER / PAGE 11 a Reporter Has a Job to Do Tammy Faye Tells All White Satin Dress, Walking Right Past (From TAMMY, Page 10) My Rent-A-Car!
JANUARY 28, 1992 THE RETRIEVER / PAGE 11 A reporter has a Job to do Tammy Faye tells all white satin dress, walking right past (from TAMMY, page 10) my rent-a-car! 2 a.m. bar—nothing will ever match In a flash, I was on my feet. the Showdown With Tammy Faye. "Mrs. Bakker," I said, "I'm sorry Covered with mud and smeared for your trouble." with grass, on that fateful afternoon She stared at me. in 1989,1 retired immediately to the "These prison walls remind me local Holiday Inn. of the Book of Job," I said. "He (Over the years, I've done some suffered, too, didn't he?" of my best thinking at the Holiday; She stopped walking. there's something about those "Mrs. Bakker," I said, "I'm from plastic-wrapped glasses, and that People Magazine. Won't you tell marvelous paper strip they hang America about your suffering, and across the toilet bowl, that sets my the suffering of Job?" brain to racing!) And she did. Sitting on the bed, I planned my Amazingly, unbelievably, stag- next move. geringly—she jumped in the rent- I knew one thing, by now: I a-car and let it rip! For the next wasn't going to spend another day 45 minutes, while the rain pinged on the courthouse lawn. What was on the roof and tape recorder the point? No matter what hap- whirred, she told the entire story pened, I'd never get more than a of her life as the daughter of a paper few words out of Tammy Faye at mill worker in rural Minnesota . -
Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K. -
500 Drugstore Feat. Thom Yorke El President 499 Blink
500 DRUGSTORE FEAT. EL PRESIDENT THOM YORKE 499 BLINK 182 ADAMS SONG 498 SCREAMING TREES NEARLY LOST YOU 497 LEFTFIELD OPEN UP 496 SHIHAD BEAUTIFUL MACHINE 495 TEGAN AND SARAH WALKING WITH A GHOST 494 BOMB THE BASS BUG POWDER DUST 493 BAND OF HORSES IS THERE A GHOST 492 BLUR BEETLEBUM 491 DISPOSABLE HEROES TELEVISION THE DRUG OF THE OF... NATION 490 FOO FIGHTERS WALK 489 AIR SEXY BOY 488 IGGY POP CANDY 487 NINE INCH NAILS THE HAND THAT FEEDS 486 PEARL JAM NOT FOR YOU 485 RADIOHEAD EVERYTHING IN ITS RIGHT PLACE 484 RANCID TIME BOMB 483 RED HOT CHILI MY FRIENDS PEPPERS 482 SANTIGOLD LES ARTISTES 481 SMASHING PUMPKINS AVA ADORE 480 THE BIG PINK DOMINOS 479 THE STROKES REPTILIA 478 THE PIXIES VELOURIA 477 BON IVER SKINNY LOVE 476 ANIMAL COLLECTIVE MY GIRLS 475 FILTER HEY MAN NICE SHOT 474 BRAD 20TH CENTURY 473 INTERPOL SLOW HANDS 472 MAD SEASON SLIP AWAY 471 OASIS SOME MIGHT SAY 470 SLEIGH BELLS RILL RILL 469 THE AFGHAN WHIGS 66 468 THE FLAMING LIPS FIGHT TEST 467 ALICE IN CHAINS MAN IN THE BOX 466 FAITH NO MORE A SMALL VICTORY 465 THE THE DOGS OF LUST 464 ARCTIC MONKEYS R U MINE 463 BECK DEADWEIGHT 462 GARBAGE MILK 461 BEN FOLDS FIVE BRICK 460 NIRVANA PENNYROYAL TEA 459 SHIHAD YR HEAD IS A ROCK 458 SNEAKER PIMPS 6 UNDERGROUND 457 SOUNDGARDEN BURDEN IN MY HAND 456 EMINEM LOSE YOURSELF 455 SUPERGRASS RICHARD III 454 UNDERWORLD PUSH UPSTAIRS 453 ARCADE FIRE REBELLION (Lies) 452 RADIOHEAD BLACK STAR 451 BIG DATA DANGEROUS 450 BRAN VAN 3000 DRINKING IN LA 449 FIONA APPLE CRIMINAL 448 KINGS OF LEON USE SOMEBODY 447 PEARL JAM GETAWAY 446 BEASTIE -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
Grunge Music in Bloom: Musical Analysis of Nirvana's
1 Grunge Music In Bloom : Musical Analysis of Nirvana's Hit Gilad Cohen (Updated Jan 1 st 2009) Nirvana's music would probably not be the first choice of music scholars for analysis. Despite the band's tremendous success 1 in the early 1990s as one of the leaders of the grunge genre 2, the band's remarkable significance in pushing alternative music into the mainstream 3 and its influential precedents 4, very few popular music scholars have chosen to investigate Nirvana's music in depth 5. It seems that the band's direct, rough sound with its scream-like singing and thunderous distorted guitar 6, made music scholars believe that there was little room for careful musical analysis. The short, repetitive harmonic successions, the dogmatic instrumental arrangements, the fixed rhythmic patterns and the basic strophic rock-song forms - all seem to thwart any attempt to discover "hidden complexity" and richness below what might be conceived as simplistic surface 7. However, a closer look at the music of the leading grunge bands would unveil unique, innovative characteristics. Nirvana, Alice in Chains, Soundgarden and Pearl Jam – all share similar harmonic idioms, in which they present a fascinating mix of using traditional rock patterns from previous decades, while seeking new harmonic possibilities 8. The common use of the Phrygian mode 9, the use of power chords 10 as the basic harmonic unit (which many times blurs the definition between major and minor keys), the frequent cross relations between sequential chords and chromatic clashes between melody and harmony – all became trademarks of the genre 11 .