Please Note: Schedule Subject to Change. Please Visit Tcm.Com/Festival to Get Up-To-Date Schedule Information. 8:00 Am 8:30 Am
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Research Article Introduction It Is Widely Known That The
March 2019 e-ISSN: 1857-8187 p-ISSN: 1857-8179 Research Article Creative and Performing Arts THE FORMS OF THE GAME IN SILENT FILMS, THE DISCOVERY OF Keywords: soundless films, actors, tune SOUND TECHNOLOGY recording, mechanical design, time detection. Hazir Haziri Faculty of Arts. University of Prishtina. Republic of Kosova. Abstract The soundless films of the first generation of world‘S cinematography, which left an indelible mark and survived to this day, precisely because it was an undisputed artistic value. The universal themes selected and handled by Artists of that time will find a special focus on my work, the playfulness of the act of that time, the possibilities of recording in the celluloid and the appearance of obstacles with the mechanical projectors. The discovery of that period, that is recording the tone, the difficulties, the problems and the main challenges in acting in front of the film camera, such an invention would certainly give another direction to the artistic film, contribute to its development but at the same time exhibited barricades of banal nature, in the simple sense would turn the role-play to the zero point, precisely in the moments of its advancement towards the extreme naturalness, would bump into the theater actors with those of the sketches or the noisless films that had already had taken the good hand in front of the film camera, while the theater actors who had the strong gun, the speech in front of the vibrant audience were already starting their career and fighting with the film they would meditate on just as they were. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
D.W. Griffith's INTOLERANCE (1916) a Colossal Saga of Hatred And
D.W. Griffith’s INTOLERANCE (1916) A Colossal Saga of Hatred and Prejudice In 1915 David Wark Griffith directed and produced The Birth of a Nation, a visionary silent movie that used ground-breaking techniques, such as fades, close-ups and flashbacks. The public was enthralled by the grandeur, novelty and length of the over 3-hour long show. To this day, this film is studied at Film Academies worldwide. The Birth of a Nation also repelled some audiences - only ‘some’ in 1915 - with its portrayal of African Americans as depraved creatures who lusted after white young women, or as mentally underdeveloped beings. The film also pays tribute to the Ku Klux Klan that “ran to the rescue of the downtrodden South after the Civil War », as D.W. Griffith wrote in his autobiography. The idea was « to tell the truth » about the American Civil War. Although appreciated even today as an outstanding cinematic achievement, Birth of a Nation shocks due to its racist content. After its premiere in Los Angeles on February 8, 1915, the film stirred large protests among black communities across America, which started a movement aimed at banning this movie. To ban The Birth of a Nation for appearing in theatres, African-Americans had to go beyond showing that the film slandered them and utterly distorted history. The leaders of Boston's NAACP (National Association for the Advancement of Coloured People) argued that the film was a threat to public safety, that it heightened racial tensions, and could incite violence. Despite all their efforts, the film was shown in Boston 360 times over a period of six-and-a-half months. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Catalogo Giornate Del Cinema Muto 2016
ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael -
DW Griffith: Cinema's Great Pioneer
DW Griffith: Cinema’s Great Pioneer Thursday 30 April 2015, London Throughout June BFI Southbank will host a month-long season dedicated to DW Griffith; described as the ‘Father of Film’ and the ‘Teacher of Us All’ by Lillian Gish and Charlie Chaplin respectively, Griffith was one of the greatest filmmakers of the silent-era. The season will re-examine his complex legacy, including his most famous film The Birth of a Nation (1915), a three-hour epic which was rightly accused of racism. Also screening in the season will be his first film as director The Adventures of Dollie (1908), the influential Intolerance (1916), his first talkie Abraham Lincoln (1930) and a three-part documentary from celebrated film historians Kevin Brownlow and David Gill, DW Griffith: Father of Film (USA-UK, 1993). As the ‘Father of Film’ Griffith pioneered film language which audiences now take for granted, from the use of close-ups for dramatic effect to parallel cutting (alternating two or more scenes that often happen simultaneously but in different locations). As the centenary of The Birth of a Nation (1915) is marked by a major international conference at University College London (UCL), the season will offer audiences a chance to re-evaluate Griffith’s most famous film with The Birth of a Nation at 100: A Roundtable Discussion. The roundtable will gather highly regarded keynote speakers from the UCL conference to present a contemporary assessment of this highly controversial and racist film a hundred years on. The season will also include a number of films starring Griffith’s favourite actress Lillian Gish. -
Total Booklist.Pdf
1 Sl. No. Name of Book 1. The Film Director As Superstar , Joseph Gelmis 2. Studies In Documentary , Alan Lovell and Jim Hillier 3. Understandin Light, eulah Tannenbaum and Myra Stilman 4. , :- 5. , 6. People Who Make Movies , Theodore Taylor 7. Portrait of a Director Satyajit Ray , Marie Seton 8. All about Photographing Horses and Riders with your Camera, Peter Heath , 9. All about Pictures in Town & Your Camera, Hugo Van Wadenoyen 10. When Pictures Began to Move , Frank Manchel 11. , 12. ◌ - , 13. , 14. , 15. The Pelican Original Film as Film Understanding and Judging ovies, V.F.Perkins 16. Starting Photography 17. Starting Cine , Michael Hewitt 18. ◌ , 19. The Focal Encyclopedia of Photography. 20. Talking Pictures ( Screen Writters of Holliwood , Richard Corliss 21. I Remember it Well with her for Arce , Vincente Minnelli 22. Split Focus an Invalvement in two Decades , Peter Hopkins 23. Suspense in the Cinema , Gordon Gow 24. The Movie Quiz Book , Malcolm Frederickvance 25. Our Films Their Films , Satyajit Roy 26. Krishna Shah's Shalimar , Manohor Malgonkar 27. Magic of Make Up , Harald Melvill's 28. The Life of Robert Taylor , Jane Ellen Wayne 29. Artists and their Public , Nigel Abercromble 30. The Performing Arts in Asia , James R. Bran don 31. The Education of the Film Maker an International View 32. Film Animation a Simpliflied Approach , John Halas 33. Music in Film and Television 34. Producing for Edu cational Mass Media , Alan Hancock 35. The Role of Film in Development , Peter Hopkins 36. World Communication 37. Super 8 : The Modest Medium , Jonathan F. Grenter 38. -
TSAP 2016 Screening Schedule
To Save and Project: The 14th MoMA International Festival of Film Preservation Screening Schedule November 2–23, 2016 The Roy and Niuta Titus Theaters Cock of the Air. 1932. USA. Directed by Tom Buckingham. Screenplay by Charles Lederer, Robert E. Sherwood. With Chester Morris, Billie Dove, Matt Moore. Co-presented with the Academy of Motion Picture Arts & Sciences, this New York premiere kicks off To Save and Project. Producer Howard Hughes combined two of his principal interests—one of them was airplanes—for this amazingly raunchy comedy set in Europe during World War I, with Chester Morris as an American pilot with an international reputation as a womanizer and Billie Dove as a French actress determined to teach him a lesson. Hughes tried but failed to sneak the film past the Hays censorship office and was forced to cut nearly two reels of footage; this restoration from the Academy Film Archive includes much of the censored imagery and uses newly recorded dialogue to fill in lines removed from the surviving soundtrack. The unheralded director Tom Buckingham demonstrates a surprisingly assured hand with extreme long takes, a technique he may have learned as a writer on Tay Garnett’s Her Man. DCP. 80 min. Wednesday, November 2, 4:30 (introduced by Michael Pogorzelski, Director, and Heather Linville, Film Preservationist, Academy Film Archive) Sunday, November 6, 4:00 p.m. The Front Page. 1931. USA. Directed by Lewis Milestone. Screenplay by Ben Hecht, Charles MacArthur, based on their play. With Pat O’Brien, Adolphe Menjou, Mary Brian. Co-presented with the Academy of Motion Picture Arts & Sciences, this New York premiere kicks off To Save and Project. -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
Guide to the William K
Guide to the William K. Everson Collection George Amberg Memorial Film Study Center Department of Cinema Studies Tisch School of the Arts New York University Descriptive Summary Creator: Everson, William Keith Title: William K. Everson Collection Dates: 1894-1997 Historical/Biographical Note William K. Everson: Selected Bibliography I. Books by Everson Shakespeare in Hollywood. New York: US Information Service, 1957. The Western, From Silents to Cinerama. New York: Orion Press, 1962 (co-authored with George N. Fenin). The American Movie. New York: Atheneum, 1963. The Bad Guys: A Pictorial History of the Movie Villain. New York: Citadel Press, 1964. The Films of Laurel and Hardy. New York: Citadel Press, 1967. The Art of W.C. Fields. Indianapolis: Bobbs-Merrill, 1967. A Pictorial History of the Western Film. Secaucus, N.J.: Citadel Press, 1969. The Films of Hal Roach. New York: Museum of Modern Art, 1971. The Detective in Film. Secaucus, N.J.: Citadel Press, 1972. The Western, from Silents to the Seventies. Rev. ed. New York: Grossman, 1973. (Co-authored with George N. Fenin). Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974. Claudette Colbert. New York: Pyramid Publications, 1976. American Silent Film. New York: Oxford University Press, 1978, Love in the Film. Secaucus, N.J.: Citadel Press, 1979. More Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1986. The Hollywood Western: 90 Years of Cowboys and Indians, Train Robbers, Sheriffs and Gunslingers, and Assorted Heroes and Desperados. Secaucus, N.J.: Carol Pub. Group, 1992. Hollywood Bedlam: Classic Screwball Comedies. Secaucus, N.J.: Carol Pub. Group, 1994. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
MGM: Hollywood's Greatest Backlot a Lavish Illustrated History of Ho
MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ AUTHORS BIBLIOGRAPHY EVENTS LETTERS PREVIEW QUIZ Once upon a time, long ago, there existed a vast and magical empire, ruled by money and power and fueled by imagination, talent and ambition. This magical place was not a work of fiction and its location was not a far away mountain top or a remote tropical island. It was found in Culver City, California and was known through out the world as Metro-Goldwyn Mayer Studios. 1 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ Through the M-G-M gates passed the greatest stars of filmdom from the Silent Era (Buster Keaton, Lon Chaney, Ramon Novarro, John Gilbert, Norma Shearer, Greta Garbo, and Marion Davies) to the Golden Era, (Jean Harlow, Joan Crawford, Clark Gable, Lana Turner, James Stewart, Judy Garland, Mickey Rooney, Hedy Lamarr, Fred Astaire, Ava Gardner and Elizabeth Taylor) and beyond (Debbie Reynolds, Glenn Ford, Rod Taylor, Elvis Presley, George Hamilton, and Doris Day). 2 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ The finest creative artists of show business, the world’s most beautiful women, kings and queens, presidents and princes, titans of industry, the great and the near-great from all nations and generations of movie lovers from around the world found their way to this Movieland institution. As the premiere movie factory, M-G-M Studios was a self-sufficient, self proclaimed “city within a city” built on six separate lots and spread across 185 fenced and gated acres.