Sonic Negations: Sound, Affect, and Unbelonging Between Mexico and the United States
Sonic Negations: Sound, Affect, and Unbelonging Between Mexico and the United States By Iván Alejandro Ramos A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy In Performance Studies And the Designated Emphasis In Women, Gender, and Sexuality In the Graduate Division Of the University of California, Berkeley Committee in Charge: Professor Brandi Wilkins Catanese, Co-Chair Professor Juana María Rodríguez, Co-Chair Professor Abigail De Kosnik Professor Melinda Y. Chen Spring 2015 1 Abstract Sonic Negations: Sound, Affect, and Unbelonging Between Mexico and the United States By Iván Alejandro Ramos Doctor of Philosophy in Performance Studies And the Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Brandi Wilkins Catanese, Co-Chair Professor Juana María Rodríguez, Co-Chair This dissertation uses the concept of auditory cultures to trace how Mexican and U.S. Latina/o subjects use sound and music to articulate political dissent. “Sonic Negations: Sound, Affect, and Unbelonging Between Mexico and the United States” brings together the fields of performance and sound studies to show how the sonic presents a contested political arena through which transnational Latina/o artists, musicians and listening publics construct alternative sensory realms detached from national forms of belonging. I contend that non-culturally dependent forms of sound—noise, metal, punk, and 80s British music—allow individuals to approach negative affects, such as melancholia, despair, and idleness. Drawing from recent work in performance studies and queer theory on the political potentialities of negative affects, the study argues for the importance of attending to the political critiques inherent in auditory cultures and practices within both Latina/o and Latin American contexts.
[Show full text]