DOCSLIB.ORG

Nextgentv Host Station Manual V6

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nextgentv Host Station Manual V6 HOST STATION MANUAL On behalf of Pearl TV and the Phoenix Model Market Project for the Broadcast Television Industry NEXTGEN TV logo is an unregistered trademark of the Consumer Technology Association and is used by permission. © 2019 All Rights Reserved. GETTING STARTED Contents Getting Started ____________________________________________________________________________________________ 7 Background and Goals _____________________________________________________________________________________________ 8 Sharing Channels to Clear Spectrum ______________________________________________________________________________ 9 Two Step Process ________________________________________________________________________________________________ 9 Step One - Clearing Spectrum __________________________________________________________________________________ 9 Step Two – Building the NextGen TV Services ______________________________________________________________ 14 Licensing __________________________________________________________________________________________________________ 19 Multichannel Video-Programming Distributors (MVPD) _____________________________________________________ 21 Master Checklist __________________________________________________________________________________________________ 24 Agreements, Business and Licensing ________________________________________________________________________ 24 Technical Considerations _____________________________________________________________________________________ 25 Purchasing ATSC-1 Equipment __________________________________________________________________________________ 27 Purchasing ATSC-3 Equipment __________________________________________________________________________________ 28 Video Requirements ___________________________________________________________________________________________ 29 Audio Requirements __________________________________________________________________________________________ 30 Packager Requirements _______________________________________________________________________________________ 31 Closed Captioning Requirements ____________________________________________________________________________ 31 Security Requirements ________________________________________________________________________________________ 32 Transport Requirements ______________________________________________________________________________________ 33 Advanced EmergencY Alert (AEA) Requirements ___________________________________________________________ 34 Non-Real Time (NRT) FILE DeliverY Requirements ________________________________________________________ 34 Guide Requirements ___________________________________________________________________________________________ 34 Interactive Runtime Delivery Requirements ________________________________________________________________ 34 Stream Assignment Requirements ___________________________________________________________________________ 34 Transmssion Requirements __________________________________________________________________________________ 35 Operations Section ______________________________________________________________________________________ 36 Initial Setup Parameters _________________________________________________________________________________________ 37 Initial Year 2020 Rollout - Phoenix Recommended Setup __________________________________________________ 37 Copyright 2020 Pearl TV LLC. Version 6.0 Page | 2 GETTING STARTED Initial Setup Parameters ______________________________________________________________________________________ 37 More Advanced Parameters _____________________________________________________________________________________ 39 Setups for Subsequent Year 2021 and BeYond ______________________________________________________________ 39 Advanced Setups ______________________________________________________________________________________________ 39 Training ___________________________________________________________________________________________________________ 41 Procedures ________________________________________________________________________________________________________ 43 Monitoring of All Services ____________________________________________________________________________________ 43 Logging of Services ____________________________________________________________________________________________ 43 Legal ID and EAS Testsing _____________________________________________________________________________________ 43 Resumption or Loss of Service _______________________________________________________________________________ 43 Calling Trees and Communications _____________________________________________________________________________ 44 Outside Support __________________________________________________________________________________________________ 45 IP Addressing _____________________________________________________________________________________________________ 46 PTP or NTP Clock _________________________________________________________________________________________________ 47 Watermarking ____________________________________________________________________________________________________ 48 Content and Service Protection _________________________________________________________________________________ 49 Public KeY Infrastructure or PKI _____________________________________________________________________________ 49 Overall Content AND Service Protection SYstem ____________________________________________________________ 50 Content SecuritY or Digital Rights Management ____________________________________________________________ 51 Service Protection _____________________________________________________________________________________________ 54 Broadcaster Application and Framework ______________________________________________________________________ 55 Broadcaster Application ______________________________________________________________________________________ 55 Common Application Framework ____________________________________________________________________________ 60 Reference ________________________________________________________________________________________________ 63 A Short Tutorial ___________________________________________________________________________________________________ 64 Introduction ___________________________________________________________________________________________________ 64 HEVC _______________________________________________________________________________________________________________ 65 High Dynamic Range (HDR) __________________________________________________________________________________ 67 Wide Color Gamut (WCG) _____________________________________________________________________________________ 71 High Frame Rate (HFR) _______________________________________________________________________________________ 74 Copyright 2020 Pearl TV LLC. Version 6.0 Page | 3 GETTING STARTED AC-4 _______________________________________________________________________________________________________________ 78 Dialog Enhancement __________________________________________________________________________________________ 79 Data Rate EfficiencY ___________________________________________________________________________________________ 80 A/V SYnc and Frame Alignment ______________________________________________________________________________ 80 Dialog Enhancement __________________________________________________________________________________________ 81 Extensible Metadata Delivery Format Support ______________________________________________________________ 81 Loudness Control ______________________________________________________________________________________________ 82 Dynamic Range Control _______________________________________________________________________________________ 82 Intelligent Loudness Management ___________________________________________________________________________ 82 Target Devices _________________________________________________________________________________________________ 82 Alternative Metadata __________________________________________________________________________________________ 83 Advanced Single-Stream and Multi-Stream (HYbrid) Presentations ______________________________________ 83 Core and Full Decoding _______________________________________________________________________________________ 83 High Sampling Frequencies ___________________________________________________________________________________ 83 Seamless Audio Switching ____________________________________________________________________________________ 84 IMSC1 Closed Captioning ________________________________________________________________________________________ 85 System Architecture ___________________________________________________________________________________________ 86 Workflow _______________________________________________________________________________________________________ 88 Signaling __________________________________________________________________________________________________________ 90 Background ____________________________________________________________________________________________________ 90 Bootstrap _______________________________________________________________________________________________________ 91 L1 Detail ________________________________________________________________________________________________________ 94 LLS – Low Level Signaling ____________________________________________________________________________________
Load more

Recommended publications
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Page | 1 the Global TV Format Trading System: Trends And
    The Global TV Format Trading System: Trends and Developments since the Format Revolution Prof. Jean K. Chalaby The history of TV formats is now relatively well established, not least thanks to Albert Moran and other people around this table, but it seems to me that the period we know least is the last 10 years. We sometimes act as if time had stopped since four super-formats Who wants to be a millionaire?, Survivor, Big Brother and Idols, swept the world. But it sometimes feel that time has stopped indeed, as they formats, and their newish successors, are still winning rating wars in many countries. However, scratching beneath the surface, the past decade has probably been one of the most eventful for the format trade. In this short presentation I am highlighting three key points in the recent history of the TV trade. 1. The format trade has truly become global, penetrating further into established markets and reaching territories it has never visited before. It only since the late 1990s, and precisely since Who wants to be a millionaire?, that broadcasters in the world’s premier media market, the USA, have been buying formats in great numbers. New markets include territories in the Middle East and Africa, but it is in Asia that the growth has been most noticed, and rightly so. Format buying and adapting has become an established practice in Asia over the past 10 years. In China, the format market was heating up so much that the authorities decided to restrict new formats to one per broadcaster earlier in the year.
    [Show full text]
  • A Proposal for the Protection of Digital Databases in Sri Lanka Submitted
    A Proposal for the Protection of Digital Databases in Sri Lanka Submitted by Thusitha Bernad Abeysekara to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Law in July 2013 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 ABSTRACT Economic development in Sri Lanka has relied heavily on foreign and domestic investment. Digital databases are a new and attractive area for this investment. This thesis argues that investment needs protection and this is crucial to attract future investment. The thesis therefore proposes a digital database protection mechanism with a view to attracting investment in digital databases to Sri Lanka. The research examines various existing protection measures whilst mainly focusing on the sui generis right protection which confirms the protection of qualitative and/or quantitative substantial investment in the obtaining, verification or presentation of the contents of digital databases. In digital databases, this process is carried out by computer programs which establish meaningful and useful data patterns through their data mining process, and subsequently use those patterns in Knowledge Discovery within database processes. Those processes enhance the value and/or usefulness of the data/information. Computer programs need to be protected, as this thesis proposes, by virtue of patent protection because the process carried out by computer programs is that of a technical process - an area for which patents are particularly suitable for the purpose of protecting.
    [Show full text]
  • Neue Fernsehserien Und Ihr Potenzial Für Eine Kritische Medienpädagogik
    ISSN 1424-3636 www.medienpaed.com Themenheft Nr. 26: Neue Fernsehserien und ihr Potenzial für eine kritische Medien pädagogik. Herausgegeben von Elena Pilipets und Rainer Winter Editorial: Neue Fernsehserien und ihr Potenzial für eine kritische Medienpädagogik Elena Pilipets und Rainer Winter Die Auseinandersetzung mit Fernsehserien spielt eine wichtige Rolle im Leben vieler Menschen weltweit: Die Serien wiederholen und entwickeln sich, sind Teil der Medienroutine, begleiten uns im Alltag. Was sie erzählen, entsteht daher nicht unerwartet oder zufällig, sondern verweist auf eine langfristige Ausprägung popu- lärkultureller Ausdrucksformen, die kognitiv und ästhetisch sowie anwendungsori- entiert ist (Eichner et al. 2013). Nichtsdestotrotz hatten die populären Serien schon immer ‹unvorhersehbare Folgen›. Vor allem Fernsehserien, die angesichts enor- mer Veränderungen in verschiedenen Bereichen der kulturindustriellen Medien- unterhaltung seit den 1980er- und vor allem den 1990er- Jahren als anspruchsvolle und experimentelle erzählerische Formen wiederentdeckt wurden, scheinen sich permanent aufs Neue zu erfinden. Episode für Episode, Staffel für Staffel, irgend- wo im Dazwischen von «coming next…» und «previously on» (Meteling et al. 2010) entfalten sich komplexe mediale Erfahrungswelten, indem sie dem performativen Imperativ popkultureller Überbietung zufolge an der kontinuierlichen Erweiterung ihrer narrativen und medialen Möglichkeiten arbeiten (Jahn-Sudmann/Kelleter 2012). Diese prozessorientierte Fähigkeit der Fernsehserie, aus der
    [Show full text]
  • COPYRIGHT GUIDE Practical Information for Broadcasters
    Copyright Guide 1 COPYRIGHT GUIDE PRACTICAL INFORMATION FOR BROADCASTERS February 2014 Copyright Guide 2 ABOUT THE EUROPEAN BROADCASTING UNION (EBU) The EBU is the world’s foremost alliance of public service media organisations, with Active Members in 56 countries in Europe and beyond. The EBU’s mission is to defend the interests of public service media and to promote their indispensable contribution to modern society. It is the point of reference for industry knowledge and expertise. The EBU operates EUROVISION and EURORADIO. ABOUT THE EBU LEGAL DEPARTMENT The EBU Legal Department supports and advises its Members on specific legal issues, offering practical solutions in the fields of intellectual property, media and telecommunications regulation and competition law. The Department is proactively involved in various copyright initiatives that are relevant for media, such as the review of the EU copyright acquis. At the global level it advocates broadcasters’ interests at the World Intellectual Property Organisation meetings. The Department also provides advice and services internally for the EBU’s operational activities, assists with the acquisition of sports rights, deals with membership issues, and handles all questions related to the EBU Statutes. Copyright Guide 3 Dear Reader This Guide is intended as a practical toolkit for editors and programme makers working for public service broadcasters, with the aim of increasing awareness of all the rights and obligations under copyright law to be taken into account when creating, selecting and using protected material. We hope that the Guide will prove useful, in particular, for industry newcomers and non-experts who find themselves dealing with copyright-relevant issues in their daily activities, to gain a better understanding of copyright basics.
    [Show full text]
  • Title: the Place of Television Programme Formats Authors: Albert Moran and Karina Aveyard Albert Moran Is a Professor of Media S
    The Place of Television Programme Formats Author Moran, Albert, Aveyard, Karina Published 2014 Journal Title Continuum: Journal of Media and Cultural Studies Version Accepted Manuscript (AM) DOI https://doi.org/10.1080/10304312.2014.870869 Copyright Statement © 2014 Taylor & Francis (Routledge). This is an Accepted Manuscript of an article published by Taylor & Francis in Continuum on 03 Jan 2014, available online: http://www.tandfonline.com/doi/ full/10.1080/10304312.2014.870869 Downloaded from http://hdl.handle.net/10072/64648 Griffith Research Online https://research-repository.griffith.edu.au Title: The Place of Television Programme Formats Authors: Albert Moran and Karina Aveyard Albert Moran is a Professor of Media Studies in the School of Humanities at Griffith University in Brisbane. He has published extensively in such areas as TV format trade, Australian film and television history, and media geography. Karina Aveyard is a Lecturer in Media, Arts and Humanities in the School of Film, Television and Media Studies at the University of East Anglia. Abstract 'Formats are king!' or so declares the trade publication TV Formats Weekly (Brzoznowski 2011: 4). Indeed there are solid grounds for such claims regarding the current place of this type of programming in television schedules around the world. Formats are perceived to be highly effective in mitigating commercial uncertainties brought about by multi-channelling, and the social uncertainties associated with cultural mobility and de-territorialization. However, their ubiquity also presents us with an interesting geo-cultural paradox. As an industrial commodity, formats have a highly mobile, readily transferable quality. However, as a social and cultural artefact, they can take on a form that is specific to the particular community for which they are adapted.
    [Show full text]
  • To Download Conference Program
    ACMI & THE AUSTRALIAN RESEARCH COUNCIL PRESENT 6–8 December 9am–7pm Join 50 leading experts as they unmask the critical thinking behind superheroes from comics to film, TV and videogames #acmisuperheroes While at the Superheroes Beyond Welcome to the conference come and experiencE... Conference! Superheroes are transmedia, transcultural, and transhistorical icons, and yet discussions of these a VR experience at Screen Worlds at ACMI caped crusaders often fixate on familiar examples. This conference will go beyond out-dated definitions of superheroes. Over the next three days we will unmask international examples, WE’VE BEEN WAITING FOR YOU! SuperHeroes: Realities Collide examine superheroes beyond the comic book page, identify historical antecedents, consider real is a trip to an alternative comic dimension in room-scale Virtual world examples of superheroism, and explore heroes whose secret identities are not cisgender men. Reality. The City of Melbourne needs you to create your own unique character, choose powers and abilities to transform into a This conference is part of the larger Superheroes & Me Linkage research project funded by the superhero who will protect us from a dangerous comic contagion. Australian Research Council. Partners in this project included Swinburne University of Technology, Melbourne University, National University of Singapore, and our industry partner ACMI. While at Created in a unique collaboration between Swinburne University of ACMI please make sure to visit some of the other project outcomes including the newly curated Technology, celebrated technology artist Stuart Campbell aka Cleverman: The Exhibition, which goes behind the scenes of the ground-breaking Australian superhero SUTU and award-wining VR studio VISITOR.
    [Show full text]
  • 2010 Joint Conference of the National Popular Culture and American Culture Associations
    2010 Joint Conference of the National Popular Culture and American Culture Associations March 31 – April 3, 2010 Rennaisance Grand Hotel St. Louis Delores F. Rauscher, Editor & PCA/ACA Conference Coordinator Jennifer DeFore, Editor & Assistant Coordinator Michigan State University Elna Lim, Wiley-Blackwell Editor Additional information about the PCA/ACA available at www.pcaaca.org 2 Table of Contents The 2009 National Conference Popular Culture Association & American Culture Association Area Chairs ___________________ 5 PCA/ACA Board Members _______________________________ 13 Officers _______________________________________________ 13 Executive Officers ______________________________________ 13 Past & Future Conferences _______________________________ 14 Conference Papers for Sale; Benefits Endowment _____________ 15 Exhibit Hours __________________________________________ 15 Business & Board Meetings _______________________________ 16 Film Screenings ________________________________________ 18 Dinners, Get-Togethers, Receptions, & Tours ________________ 23 Roundtables ___________________________________________ 25 Special Sessions ______________________________________________ 29 Schedule Overview ______________________________________ 33 Saturday ____________________________________________________ 54 Daily Schedule _________________________________________ 77 Wednesday, 12:30 P.M. – 2:00 P.M. ____________________________ 77 Wednesday, 2:30 P.M. – 4:00 P.M. ____________________________ 83 Wednesday, 4:30 P.M. – 6:00 P.M. ____________________________
    [Show full text]
  • American Primacy and the Global Media
    City Research Online City, University of London Institutional Repository Citation: Chalaby, J. (2016). Drama without drama: The late rise of scripted TV formats. Television & New Media, 17(1), pp. 3-20. doi: 10.1177/1527476414561089 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/5818/ Link to published version: http://dx.doi.org/10.1177/1527476414561089 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Drama without drama: The late rise of scripted TV formats Author’s name and address: Professor Jean K. Chalaby Department of Sociology City University London London EC1V 0HB Tel: 020 7040 0151 Fax: 020 7040 8558 Email: [email protected] Author biography: Jean K. Chalaby is Professor of International Communication and Head of Sociology at City University London. He is the author of The Invention of Journalism (1998), The de Gaulle Presidency and the Media (2002) and Transnational Television in Europe: Reconfiguring Global Communications Networks (2009).
    [Show full text]
  • Global Cities, Local Knowledge
    Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics Lim, Wei Ling Tania Patricia BSocSc (Hons), MSc (Media & Comms) Creative Industries Research and Applications Centre Queensland University of Technology Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy 2005 Keywords Circuit of cultural production, East Asian popular culture, Television industries, Field of broadcasting, Formatting, Local knowledge, Media capitals, Neo-networks, Regional dynamics, TV Formats, martial arts dramas, teenage idol soap operas, game-shows. ii Abstract Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children’s animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres have become the focus for indigenous cultural entrepreneurs located in the East Asian cities of Hong Kong, Singapore and Taipei to turn their local TV programmes into tradable culture. This thesis is a re-consideration of the impact of media globalisation on Asian television that re-imagines a new global media order. It suggests that there is a growing shift in perception and trade among once-peripheral television industries that they may be slowly de-centring Hollywood’s dominance by inserting East Asian popular entertainment into familiar formats or cultural spaces through embracing global yet local cultures of production.
    [Show full text]
  • A Format Bible Is Not an Obligation, but It Is Strongly Recommended
    the discovery showcase for the global formats community THE DEFINITIVE GUIDE “HOW TO CREATE A HIT FORMAT IN 10 LESSONS” By INTRODUCTION HOW TO CREATE A HIT FORMAT IN 10 LESSONS LEARN THE SECRETS OF THE INTERNATIONAL FORMAT BUSINESS, AND DISCOVER HOW TO MAKE IT TO THE TOP WITH YOUR TV SHOW IDEAS. WHAT IS A FORMAT, ANYWAY? WHAT IS A FORMAT BIBLE? HOW DOES ONE GET FRESH IDEAS, OR SELL THEM TO THE WORLD? HOW DO YOU PREVENT COPYCATS? DO YOU REALLY WANT TO BE A MILLIONAIRE? THE FORMAT BUSINESS IS YOUNG, EMBODIED BY A HANDFUL OF WELL-KNOWN GLOBAL BRANDS LIKE “THE VOICE”, “GOT TALENT”, AND “WHO WANTS TO BE A MILLIONAIRE?”. IT ALSO SHOWS PLENTY OF POTENTIAL FOR GROWTH. HITS ARE SCARCE. NEW IDEAS RUN DRY. COMPETITION IS HEATING UP AND PLATFORMS ARE MULTIPLYING. THE NEED TO MINIMISE RISKS WITH STAND-OUT AND PROVEN INTELLECTUAL PROPERTIES IS EXPLODING. THIS DEFINITIVE GUIDE GIVES YOU ACCESS TO THEWIT’S FINDINGS LEARNT THROUGH 20 ADVENTUROUS YEARS OF FORMAT EXPLORATION WITH AN ALWAYS FRESH POINT OF VIEW. © the Wit 2016 2 SUMMARY CHAPTER 1 .....................................................................................................................................................................................................4 WHAT IS A “FORMAT”? CHAPTER 2 ................................................................................................................................................................................................... 7 THE SECRET SAUCE OF TV FORMATS CHAPTER 3 ...............................................................................................................................................................................................10
    [Show full text]
  • Filipe Róger Vuaden the Construction of Narrative Suspense in Contos Do
    FILIPE RÓGER VUADEN THE CONSTRUCTION OF NARRATIVE SUSPENSE IN CONTOS DO EDGAR: A NARRATOLOGICAL STUDY PORTO ALEGRE 2018 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS ÁREA: ESTUDOS DE LITERATURA ESPECIALIDADE: LITERATURAS DE LÍNGUA INGLESA LINHA DE PESQUISA: SOCIEDADE, (INTER)TEXTOS LITERÁRIOS E TRADUÇÃO NAS LITERATURAS ESTRANGEIRAS MODERNAS THE CONSTRUCTION OF NARRATIVE SUSPENSE IN CONTOS DO EDGAR: A NARRATOLOGICAL STUDY FILIPE RÓGER VUADEN Dissertação de Mestrado em Literaturas de Língua Inglesa, apresentada como requisito parcial para a obtenção do título de Mestre pelo Programa de Pós- Graduação em Letras da Universidade Federal do Rio Grande do Sul. Orientadora: Professora Doutora Elaine Barros Indrusiak PORTO ALEGRE 2018 UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL REITOR Rui Vicente Oppermann VICE-REITORA Jane Fraga Tutikian DIRETORA DO INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS Claudia Wasserman VICE-DIRETORA DO INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS Maria Izabel Saraiva Noll DIRETOR DO INSTITUTO DE LETRAS Sérgio de Moura Menuzzi VICE-DIRETORA DO INSTITUTO DE LETRAS Beatriz Cerisara Gil CHEFE DA BIBLIOTECA DE CIÊNCIAS SOCIAIS E HUMANIDADES Vladimir Luciano Pinto CIP - Catalogação na Publicação Vuaden, Filipe Róger The Construction of Narrative Suspense in Contos do Edgar: a narratological study / Filipe Róger Vuaden. -- 2018. 178 f. Orientadora: Elaine Barros Indrusiak. Dissertação (Mestrado) -- Universidade Federal do Rio Grande do Sul, Instituto de Letras, Programa de Pós-Graduação em Letras, Porto Alegre, BR-RS, 2018. 1. Edgar Allan Poe. 2. Contos do Edgar. 3. Adaptação. 4. Narratologia. 5. Suspense narrativo. I. Indrusiak, Elaine Barros, orient. II. Título. Elaborada pelo Sistema de Geração Automática de Ficha Catalográfica da UFRGS com os dados fornecidos pelo(a) autor(a).
    [Show full text]