GAME of THRONES Committee
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GAME of THRONES® the Follow Tours Include Guides with Special Interest and a Passion for the Game of Thrones
GAME OF THRONES® The follow tours include guides with special interest and a passion for the Game of Thrones. However you can follow the route to explore the places featured in the series. Meet your Game of Thrones Tours Guide Adrian has been a tour guide for many years, with a passion for Game of Thrones®. During filming he was an extra in various scenes throughout the series, most noticeably, a stand in double for Ser Davos. He is also clearly seen guarding Littlefinger before his final demise at the hands of the Stark sisters in Winterfell. Adrian will be able to bring his passion alive through his experience, as well as his love of Northern Ireland. Cairncastle ~ The Neck & North of Winterfell 1 Photo stop of where Sansa learns of her marriage to Ramsay Bolton, and also where Ned beheads Will, the Night’s Watch deserter. Cairncastle Refreshment stop at Ballygally Castle, Ballygally Located on the scenic Antrim coast facing the soft, sandy beaches of Ballygally Bay. The Castle dates back to 1625 and is unique in that it is the only 17th Century building still used as a residence in Northern Ireland today. The hotel is reputedly haunted by a friendly ghost and brave guests can visit the ‘ghost room’ in one of the towers to see for themselves. View Door No. 9 of the Doors of Thrones and collect your first stamp in your Journey of Doors passport! In the hotel foyer you will be able to admire the display cabinets of the amazing Steensons Game of Thrones® inspired jewellery. -
The Many Faced Masculinities in a Game of Thrones Game of Thrones
DOI: 10.13114/MJH.2018.436 Tarihi: 17.08.2018 Mediterranean Journal of Humanities Kabul Tarihi: 28.11.2018 mjh.akdeniz.edu.tr Geliş VIII/2 (2018) 479-497 The Many Faced Masculinities in A Game of Thrones Game of Thrones’da Çok Yüzlü Erkeklik Türleri Cenk TAN ∗ Abstract: A Game of Thrones is a stunning medieval fantasy which tells the story of the immense struggle for power in an ancient world named ‘The Seven Kingdoms’. It was originally written as a series of novels by the American author George R. R. Martin in 1996 and adapted to the TV screen by HBO in 2011. The series has completed its sixth season and is scheduled to go on for a total of eight seasons. Since its first broadcast in 2011, A Game of Thrones has attracted millions of viewers on a global scale and has received a total of 38 Emmy Awards. In A Game of Thrones, gender is one of the central themes, as power relations generally evolve around different gender roles. This study analyses masculinity in A Game of Thrones and the different types of masculinities which are identified through various male and female characters. This classification places all of the characters in two distinct gender categories. It also reveals the impact of these diverse forms of masculinities on the lives of the main characters and the general storyline of the production. Thus, the paper deconstructs the constructed masculinities in A Game of Thrones by exposing their representation through the main characters. Keywords: A Game of Thrones, Masculinity, Raewyn Connell, Gender Roles, Cultural Studies Öz: A Game of Thrones, Yedi Krallık olarak adlandırılan antik bir dünyada iktidar mücadelesini anlatan eşsiz bir fantastik ortaçağ hikâyesidir. -
El Ecosistema Narrativo Transmedia De Canción De Hielo Y Fuego”
UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITE CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “El ecosistema narrativo transmedia de Canción de Hielo y Fuego” TRABAJO FINAL DE GRADO Autor/a: Jaume Mora Ribera Tutor/a: Nadia Alonso López Raúl Terol Bolinches GANDIA, 2019 1 Resumen Sagas como Star Wars o Pokémon son mundialmente conocidas. Esta popularidad no es solo cuestión de extensión sino también de edad. Niñas/os, jóvenes y adultas/os han podido conocer estos mundos gracias a la diversidad de medios que acaparan. Sin embargo, esta diversidad mediática no consiste en una adaptación. Cada una de estas obras amplia el universo que se dio a conocer en un primer momento con otra historia. Este conjunto de historias en diversos medios ofrece una narrativa fragmentada que ayuda a conocer y sumergirse de lleno en el universo narrativo. Pero a su vez cada una de las historias no precisa de las demás para llegar al usuario. El mundo narrativo resultante también es atractivo para otros usuarios que toman parte de mismo creando sus propias aportaciones. A esto se le conoce como narrativa transmedia y lleva siendo objeto de estudio desde principios de siglo. Este trabajo consiste en el estudio de caso transmedia de Canción de Hielo y Fuego la saga de novelas que posteriormente se adaptó a la televisión como Juego de Tronos y que ha sido causa de un fenómeno fan durante la presente década. Palabras clave: Canción de Hielo y Fuego, Juego de Tronos, fenómeno fan, transmedia, narrativa Summary Star Wars or Pokémon are worldwide knowledge sagas. This popularity not just spreads all over the world but also over an age. -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
Questions Are Coming. a Game of Thrones Quiz by Scott Hendrickson
Questions are coming. A Game of Thrones Quiz by Scott Hendrickson 1. What is the motto of House Stark? 2. What phrase do you use to tell a dragon to A) Winter is coming. breath fire? B) It's getting chilly. A) Dothraki. C) Burr, my feet are frozen. B) Dracarys. D) Seriously, do they ever heat this castle? C) Valar doharis. D) Light'em up, bitches! 3. Name Tywin Lannister’s three children. 4. Who are King Joffrey Baratheon’s real parents? ____________________, ____________________, & ____________________ & ____________________ ____________________ 5. What material is the weapon used by 6. Circle the locations that are in Westeros: Samuel Tarly to kill a white walker? Winterfell, Braavos, Dorne, Astapor, The Vale, ________________________________ Valyria, Volantis, King’s Landing, Asshai, Highgarden, Tacoma, Kirkland, 7. Hodor? 8. Who appointed Ned Stark as “Hand of the A) Hodor. King”? B) Hodor? A) Jon Arryn C) Hodor! B) Robert Baratheon D) Any of the above. C) Lord Varys D) Stannis Baratheon E) Tywin Lannister 9. Who initiated King Joffrey’s 10. Circle the names of the five non-bastard assassination? Stark children: A) Margery Tyrell B) Lady Olenna Tyrell Poliver, Sansa, Myrcella, Arya, Tommen, C) Petyr Baelish Rungsigul, Rickon, Robb, Ned, Cersei, Bran, D) Tyrion Lannister Rydon, Jon E) Sansa Stark F) Hodor 11. What are the names of Daenarys 12. What song starts playing before the Targaryan’s three dragons? murders occur at the Red Wedding? A) Dragol, Rhaelar and Viserya A) The Pride of the Lion B) Drogon, Rhaegal and Viserion B) The Bear and the Maiden Fair C) Drogo, Rhaegon and Viserios C) Ours is the fury D) Drogal, Rhaegar, and Viseron D) The Rains of Castamere E) Lucky, Dusty, and Ned E) "Shake it off" by Taylor Swift 13. -
Daenerys Targaryen and Privacy of Minors Daenerys Targaryen Is a Fictional Character from George R.R. Martin's a Song of Ice A
Daenerys Targaryen and Privacy of Minors Daenerys Targaryen is a fictional character from George R.R. Martin’s A Song of Ice and Fire series. These books are written in the tradition of epic fantasy and are set in an imaginary world (Westeros) that mirrors our own world during the medieval period with a few magical elements and mythical creatures added in. Daenerys, or Dany as she is called in the series, is the last living Targaryen. The Targaryens first conquered Westeros with dragons and ruled until they were overthrown by Robert Baratheon. Dany’s family attempted to flee Westeros, as the royal children were going to be killed by the rebels. Only Dany and her abusive brother Viserys survived, however, and lived across the Narrow Sea in exile. Dany is sold by her brother to Khal Drogo and she becomes Khaleesi. After tragically losing her husband and unborn child, Dany puts three fossilized dragon eggs into Khal Drogo’s funeral pyre, then places herself into the fire. When the fire clears, Dany and her new three baby dragons emerge (Martin, 1996). She calls them her children and swears to care for them as well as those in her khalasar who did not abandon her after the Khal’s death. In A Clash of Kings (1999) and A Storm of Swords (2000) Martin reveals even more of Dany’s caring nature. Dany is now “The Mother of Dragons” and later, after freeing thousands of slaves, she is called Mhysa by her new people, which means mother. Because Dany is one of the most caring, humanistic characters in the novels, we will use the ethics of care. -
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a fictional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and fictional literature (18). To investigate the success of Ice and comparable to real-world social networks. -
Editor's Six Core Questions Game of Thrones
Editor’s Six Core Questions Game of Thrones - Season 2 What’s the Global Genre? For the Season: External: Society > Political Status > Admiration What is the Global Life Value? In this season we see power and impotence at higher stakes than ever. Whoever wins this battle will keep their power, and keep their head. Life and death are naturally in every beat, and on the scale of Action’s life and death we see everything from life to death to damnation. What are the objects of desire? Starks: To have justice restored and power shifted to the rightful heir Lannisters: To have power and get the throne Daenerys: To have power and get the throne What’s the controlling idea/theme? For the season: War lacks meaning and revolution fails when leaders are obsessed with the game of thrones and fail to address the real enemy (and using dishonourable methods) For the Lannisters: We gain power when we prove our ruthlessness, ingenuity and authority What are the Obligatory scenes of the Global Genre (Society) ● Inciting Attack - Robb Stark has numerous victories against Lanisters off-screen. He is a threat to the Lannisters ● Protagonists deny responsibility to respond - The Lannisters are the common enemy, but Renly, Stannis, Rob Stark, and the Greyjoys cannot unite under one banner ● Forced to respond, the protagonists lash out according to their positions on the power hierarchy - Stannis kills his brother through magic, Grayjoys raid the North, Robb Stark continues to win and keeps Jamie Lanister prisoner. ● Each Character learns what their antagonist’s object of desire is: ○ Rob wants to be acknowledged as King of the North and left alone ○ Stannis and Renly want to be King ○ Cersei, Tywin, and Tyrion want Joffrey to stay king ○ The warlocks want the dragons to get stronger magic ● Protagonists’ initial strategy to outmaneuver antagonists fails: Attempts to trade Jamie for the Stark girls fail because of his escape attempt causing friction between Catelyn and Karstarks. -
The Many Faced Masculinities in a Game of Thrones Game
View metadata, citation and similar papers at core.ac.uk brought to you by CORE DOI: 10.13114/MJH.2018.436 Tarihi: 17.08.2018 Mediterranean Journal of Humanities Kabul Tarihi: 28.11.2018 mjh.akdeniz.edu.tr Geliş VIII/2 (2018) 479-497 The Many Faced Masculinities in A Game of Thrones Game of Thrones’da Çok Yüzlü Erkeklik Türleri Cenk TAN ∗ Abstract: A Game of Thrones is a stunning medieval fantasy which tells the story of the immense struggle for power in an ancient world named ‘The Seven Kingdoms’. It was originally written as a series of novels by the American author George R. R. Martin in 1996 and adapted to the TV screen by HBO in 2011. The series has completed its sixth season and is scheduled to go on for a total of eight seasons. Since its first broadcast in 2011, A Game of Thrones has attracted millions of viewers on a global scale and has received a total of 38 Emmy Awards. In A Game of Thrones, gender is one of the central themes, as power relations generally evolve around different gender roles. This study analyses masculinity in A Game of Thrones and the different types of masculinities which are identified through various male and female characters. This classification places all of the characters in two distinct gender categories. It also reveals the impact of these diverse forms of masculinities on the lives of the main characters and the general storyline of the production. Thus, the paper deconstructs the constructed masculinities in A Game of Thrones by exposing their representation through the main characters. -
Game of Thrones Background Guide Table of Contents
Game of Thrones Background Guide Table of Contents Letter from the Chair Letter from the Crisis Director Committee Logistics Introduction to the Committee Introduction to House Stark Introduction to House Lannister Introduction to House Targaryen Questions to Consider Resources to Use Resources Used Dossiers Appendix Staff of the Committee Chair Azanta Thakur Vice Chair Victoria Lopez Crisis Director Sam Lyons Assistant Crisis Director Ariana Thorpe Under Secretary General Jane Gallagher Taylor Cowser, Secretary General Neha Iyer, Director General Letter from the Chair Dear Delegates, On behalf of our committee, I want to extend a warm welcome to you all to BosMUN XIX. I am so excited that you will be a part of this committee and I expect us all to have a dramatic — yet fantastic — weekend. We have a lot of exciting things in store, so get ready, binge the show, and bring your game face. My name is Azanta Thakur and I will be your Chair for the conference weekend. I’m a senior at Boston University studying Public Health and Environmental Analysis & Policy. This is my fourth BosMUN and I’m really looking forward to my final MUN conference. I’ve held every role in BosMUN; from the Secretariat, to the Dais, to the Crisis Room — I hold this conference very near and dear to my heart. For me, doing my last committee on the greatest TV show of all time was the perfect way to go out with a bang. You have been given the once-in-a-lifetime opportunity to conclude this series the way you want. -
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear Delegate: I Have the Pleasure
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear delegate: I have the pleasure of welcoming you to ULSACUNMUN 2020. My name is Kaory Rios and I am honored of being the president and creator of this year´s new committee GOCASK (government Cabinet of the Seven Kingdoms) based on The Game of Thrones series. I'm eager to get to know you, and make the best out of this Model of the United Nations. First of all I would like to tell you a little bit about myself. I´m 18 years old and also a senior in highschool. I enjoy hanging out with my friends, taking pictures, learning new languages, travelling, watching movies, among many other things. My plan is to study film in Puebla and become a director. This is my 5th MUN conference and my third as part of the chair. If there is something I know for sure is that MUN has helped me grow as a person by giving me leadership skills, and the opportunity of having a word that actually matters in world wide problems in order to find the best solution. This topic is more than exciting for me, and hopefully you´ll find the same way. I expect your utmost performance and for you to give your nonpareil effort that is needed for this committee. Remember to be confident with what you say, if you prepared well there is no reason to be nervous. I wish you the best of lucks and I hope this conference to be a remarkable experience for everyone. -
Network of Thrones
Andrew Beveridge and Jie Shan he international hit HBO First, a quick introduction to series Game of Thrones, Game of Thrones: Westeros and adapted from George R. R. Essos, separated by the Narrow Martin’s epic fantasy novel Sea, are homes of several noble T series A Song of Ice and houses (fi gure 1). The narrative Fire, features interweaving plotlines starts at a time of peace, with all and scores of characters. With so the houses unifi ed under the rule of many people to keep track of in this King Robert Baratheon, who holds sprawling saga, it can be a challenge the Iron Throne. Early on, King to fully understand the dynamics Robert dies in a hunting accident, between them. and the young, cruel Prince Joff rey To demystify this saga, we turn to ascends the throne, backed by his network science, a new and evolving mother’s house, Lannister. However, branch of applied graph theory the prince’s legitimacy, and even his that brings together traditions from identity, are seriously questioned many disciplines, including sociology, across the kingdom. As a result, war economics, physics, computer science, breaks out, with multiple claimants and mathematics. It has been applied Helen Sloan/HBO to the Iron Throne. broadly across the sciences, the social sciences, the Driven by cause or circumstance, characters from humanities, and in industrial settings. the many noble families launch into arduous and In this article we perform a network analysis of intertwined journeys. Among these houses are the Game of Thrones to make sense of the intricate honorable Stark family (Eddard, Catelyn, Robb, character relationships and their bearing on the future Sansa, Arya, Bran, and Jon Snow), the pompous plot (but we promise: no spoilers!).