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Mhysa Or Monster: Masculinization, Mimicry, and the White Savior in a Song of Ice and Fire
Mhysa or Monster: Masculinization, Mimicry, and the White Savior in A Song of Ice and Fire by Rachel Hartnett A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2016 Copyright 2016 by Rachel Hartnett ii Acknowledgements Foremost, I wish to express my heartfelt gratitude to my advisor Dr. Elizabeth Swanstrom for her motivation, support, and knowledge. Besides encouraging me to pursue graduate school, she has been a pillar of support both intellectually and emotionally throughout all of my studies. I could never fully express my appreciation, but I owe her my eternal gratitude and couldn’t have asked for a better advisor and mentor. I also would like to thank the rest of my thesis committee: Dr. Eric Berlatsky and Dr. Carol McGuirk, for their inspiration, insightful comments, and willingness to edit my work. I also thank all of my fellow English graduate students at FAU, but in particular: Jenn Murray and Advitiya Sachdev, for the motivating discussions, the all-nighters before paper deadlines, and all the fun we have had in these few years. I’m also sincerely grateful for my long-time personal friends, Courtney McArthur and Phyllis Klarmann, who put up with my rants, listened to sections of my thesis over and over again, and helped me survive through the entire process. Their emotional support and mental care helped me stay focused on my graduate study despite numerous setbacks. Last but not the least, I would like to express my heart-felt gratitude to my sisters, Kelly and Jamie, and my mother. -
GAME of THRONES Committee
2013 ALBERT CAMPBELL COLLEGIATE INSTITUTE MODEL UNITED NATIONS PRESENTS… GAME OF THRONES Committee Lead Chair: Ravena Rasalingam Chairs: Bharvjit Parmar and Adeel Malik Introduction Welcome delegates to the 2013 ACCI Model United Nations conference! Your head chairs for this committee will be Ravena Rasalingam and Bharvjit Parmar. This committee will be based on the book series, “A Song of Ice and Fire” and the HBO show, “Game of Thrones”. Disclaimer: Albert Campbell nor the chairs of this committee claim the proceeding as our original content; everything was invented by George R. R. Martin in his fantasy series, A Song of Ice and Fire. In this committee, the topics discussed will include the use of magic, sorcery, and the aid of supernatural creatures during wartime, the crisis involving the White Walkers, and the current economic state of Westeros. But be advised, this is a crisis committee. Please try to act in character and feel free to act in your own best interest. Plotting, scheming and clever use of personal relationships are encouraged! This council’s goals are to maintain peace and stability in Westeros, and to ensure the interests of the King. Good luck delegates, and remember- when you play the game of thrones, you either win or die. History: The Dawn Age (Prehistory- 1000) Westeros was initially inhabited by the Children of the Forest (a mysterious race of human-like creatures), giants and other mystical beings. The First men invaded Westeros in 1200 bringing weapons and bronze. The First men had larger numbers, were stronger, bigger, and more technologically advanced than the Children of the Forest and eventually established hundreds of small kingdoms throughout Westeros. -
The Many Faced Masculinities in a Game of Thrones Game of Thrones
DOI: 10.13114/MJH.2018.436 Tarihi: 17.08.2018 Mediterranean Journal of Humanities Kabul Tarihi: 28.11.2018 mjh.akdeniz.edu.tr Geliş VIII/2 (2018) 479-497 The Many Faced Masculinities in A Game of Thrones Game of Thrones’da Çok Yüzlü Erkeklik Türleri Cenk TAN ∗ Abstract: A Game of Thrones is a stunning medieval fantasy which tells the story of the immense struggle for power in an ancient world named ‘The Seven Kingdoms’. It was originally written as a series of novels by the American author George R. R. Martin in 1996 and adapted to the TV screen by HBO in 2011. The series has completed its sixth season and is scheduled to go on for a total of eight seasons. Since its first broadcast in 2011, A Game of Thrones has attracted millions of viewers on a global scale and has received a total of 38 Emmy Awards. In A Game of Thrones, gender is one of the central themes, as power relations generally evolve around different gender roles. This study analyses masculinity in A Game of Thrones and the different types of masculinities which are identified through various male and female characters. This classification places all of the characters in two distinct gender categories. It also reveals the impact of these diverse forms of masculinities on the lives of the main characters and the general storyline of the production. Thus, the paper deconstructs the constructed masculinities in A Game of Thrones by exposing their representation through the main characters. Keywords: A Game of Thrones, Masculinity, Raewyn Connell, Gender Roles, Cultural Studies Öz: A Game of Thrones, Yedi Krallık olarak adlandırılan antik bir dünyada iktidar mücadelesini anlatan eşsiz bir fantastik ortaçağ hikâyesidir. -
El Ecosistema Narrativo Transmedia De Canción De Hielo Y Fuego”
UNIVERSITAT POLITÈCNICA DE VALÈNCIA ESCOLA POLITE CNICA SUPERIOR DE GANDIA Grado en Comunicación Audiovisual “El ecosistema narrativo transmedia de Canción de Hielo y Fuego” TRABAJO FINAL DE GRADO Autor/a: Jaume Mora Ribera Tutor/a: Nadia Alonso López Raúl Terol Bolinches GANDIA, 2019 1 Resumen Sagas como Star Wars o Pokémon son mundialmente conocidas. Esta popularidad no es solo cuestión de extensión sino también de edad. Niñas/os, jóvenes y adultas/os han podido conocer estos mundos gracias a la diversidad de medios que acaparan. Sin embargo, esta diversidad mediática no consiste en una adaptación. Cada una de estas obras amplia el universo que se dio a conocer en un primer momento con otra historia. Este conjunto de historias en diversos medios ofrece una narrativa fragmentada que ayuda a conocer y sumergirse de lleno en el universo narrativo. Pero a su vez cada una de las historias no precisa de las demás para llegar al usuario. El mundo narrativo resultante también es atractivo para otros usuarios que toman parte de mismo creando sus propias aportaciones. A esto se le conoce como narrativa transmedia y lleva siendo objeto de estudio desde principios de siglo. Este trabajo consiste en el estudio de caso transmedia de Canción de Hielo y Fuego la saga de novelas que posteriormente se adaptó a la televisión como Juego de Tronos y que ha sido causa de un fenómeno fan durante la presente década. Palabras clave: Canción de Hielo y Fuego, Juego de Tronos, fenómeno fan, transmedia, narrativa Summary Star Wars or Pokémon are worldwide knowledge sagas. This popularity not just spreads all over the world but also over an age. -
“Game of Thrones” Season 5 One Line Cast List NO
“Game of Thrones” Season 5 One Line Cast List NO. CHARACTER ARTIST 1 TYRION LANNISTER PETER DINKLAGE 3 CERSEI LANNISTER LENA HEADEY 4 DAENERYS EMILIA CLARKE 5 SER JAIME LANNISTER NIKOLAJ COSTER-WALDAU 6 LITTLEFINGER AIDAN GILLEN 7 JORAH MORMONT IAIN GLEN 8 JON SNOW KIT HARINGTON 10 TYWIN LANNISTER CHARLES DANCE 11 ARYA STARK MAISIE WILLIAMS 13 SANSA STARK SOPHIE TURNER 15 THEON GREYJOY ALFIE ALLEN 16 BRONN JEROME FLYNN 18 VARYS CONLETH HILL 19 SAMWELL JOHN BRADLEY 20 BRIENNE GWENDOLINE CHRISTIE 22 STANNIS BARATHEON STEPHEN DILLANE 23 BARRISTAN SELMY IAN MCELHINNEY 24 MELISANDRE CARICE VAN HOUTEN 25 DAVOS SEAWORTH LIAM CUNNINGHAM 32 PYCELLE JULIAN GLOVER 33 MAESTER AEMON PETER VAUGHAN 36 ROOSE BOLTON MICHAEL McELHATTON 37 GREY WORM JACOB ANDERSON 41 LORAS TYRELL FINN JONES 42 DORAN MARTELL ALEXANDER SIDDIG 43 AREO HOTAH DEOBIA OPAREI 44 TORMUND KRISTOFER HIVJU 45 JAQEN H’GHAR TOM WLASCHIHA 46 ALLISER THORNE OWEN TEALE 47 WAIF FAYE MARSAY 48 DOLOROUS EDD BEN CROMPTON 50 RAMSAY SNOW IWAN RHEON 51 LANCEL LANNISTER EUGENE SIMON 52 MERYN TRANT IAN BEATTIE 53 MANCE RAYDER CIARAN HINDS 54 HIGH SPARROW JONATHAN PRYCE 56 OLENNA TYRELL DIANA RIGG 57 MARGAERY TYRELL NATALIE DORMER 59 QYBURN ANTON LESSER 60 MYRCELLA BARATHEON NELL TIGER FREE 61 TRYSTANE MARTELL TOBY SEBASTIAN 64 MACE TYRELL ROGER ASHTON-GRIFFITHS 65 JANOS SLYNT DOMINIC CARTER 66 SALLADHOR SAAN LUCIAN MSAMATI 67 TOMMEN BARATHEON DEAN-CHARLES CHAPMAN 68 ELLARIA SAND INDIRA VARMA 70 KEVAN LANNISTER IAN GELDER 71 MISSANDEI NATHALIE EMMANUEL 72 SHIREEN BARATHEON KERRY INGRAM 73 SELYSE -
Questions Are Coming. a Game of Thrones Quiz by Scott Hendrickson
Questions are coming. A Game of Thrones Quiz by Scott Hendrickson 1. What is the motto of House Stark? 2. What phrase do you use to tell a dragon to A) Winter is coming. breath fire? B) It's getting chilly. A) Dothraki. C) Burr, my feet are frozen. B) Dracarys. D) Seriously, do they ever heat this castle? C) Valar doharis. D) Light'em up, bitches! 3. Name Tywin Lannister’s three children. 4. Who are King Joffrey Baratheon’s real parents? ____________________, ____________________, & ____________________ & ____________________ ____________________ 5. What material is the weapon used by 6. Circle the locations that are in Westeros: Samuel Tarly to kill a white walker? Winterfell, Braavos, Dorne, Astapor, The Vale, ________________________________ Valyria, Volantis, King’s Landing, Asshai, Highgarden, Tacoma, Kirkland, 7. Hodor? 8. Who appointed Ned Stark as “Hand of the A) Hodor. King”? B) Hodor? A) Jon Arryn C) Hodor! B) Robert Baratheon D) Any of the above. C) Lord Varys D) Stannis Baratheon E) Tywin Lannister 9. Who initiated King Joffrey’s 10. Circle the names of the five non-bastard assassination? Stark children: A) Margery Tyrell B) Lady Olenna Tyrell Poliver, Sansa, Myrcella, Arya, Tommen, C) Petyr Baelish Rungsigul, Rickon, Robb, Ned, Cersei, Bran, D) Tyrion Lannister Rydon, Jon E) Sansa Stark F) Hodor 11. What are the names of Daenarys 12. What song starts playing before the Targaryan’s three dragons? murders occur at the Red Wedding? A) Dragol, Rhaelar and Viserya A) The Pride of the Lion B) Drogon, Rhaegal and Viserion B) The Bear and the Maiden Fair C) Drogo, Rhaegon and Viserios C) Ours is the fury D) Drogal, Rhaegar, and Viseron D) The Rains of Castamere E) Lucky, Dusty, and Ned E) "Shake it off" by Taylor Swift 13. -
2021 Rittenhouse Archives Game of Thrones Iron
February 24, 2021 2021 Rittenhouse Archives Game of Thrones Iron Anniversary Season 1 Trading Cards: SRP $29.99 Cost: $138.75 per box, 10 boxes‐$129.50 per box, 30 boxes +$127.00 per box Configuration: 10 boxes per case/8 packs per box/6 cards per pack Purchase Order Due Date: 3‐22‐2021 Release Date: 6‐2‐2021 Style #: RA21GOTIAS1 Min. 1 Inscription Autograph Card Per Box! Min. 2 Autograph Cards Per Box Overall Inscription Autographs Card Signers include: Emilia Clarke (Daenerys Targaryen) Mark Addy (King Robert Baratheon) Sophie Turner (Sansa Stark) Conleth Hill (Lord Varys) Alfie Allen (Theon Greyjoy) Gemma Whelan (Yara Greyjoy) Michiel Huisman (Daario Naharis) Tom Hopper (Dickon Tarly) Indira Varma (Ellaria Sand) Conan Stevens (The Mountain) Jack Gleeson (King Joffrey) and many more! Hundreds of Inscription Variations to Collect! Plus Amazing New Bonus Autographs Autograph/Relic/Quote Cards Featuring Emilia Clarke (Daenerys Targaryen) and Peter Dinklage (Tyrion Lannister) Autograph/Quote Cards signed by Sean Bean (Ned Stark) Dual Autograph Cards with Maisie Williams (Arya Stark), Lena Headey (Cersei Lannister), Conleth Hill (Lord Varys), Sean Bean (Ned Stark), Iwan Rheon (Ramsay Bolton), Nathalie Emmanuel (Missandei) and more! Autograph/Relic Cards Signed by Lena Headey (Cersei Lannister) Series 1 Base Set 99 High‐End Cards of Leading Characters, Featuring All‐New, Inter‐Connective Foil‐Stamping and 9‐Card Puzzle‐ Backs! Series 1 Bonus Cards 99 Copper Parallel Base Cards (Numbered) 99 Gold Parallel Base Cards (Numbered) One‐of‐a‐Kind -
Racialization, Femininity, Motherhood and the Iron Throne
THESIS RACIALIZATION, FEMININITY, MOTHERHOOD AND THE IRON THRONE GAME OF THRONES AS A HIGH FANTASY REJECTION OF WOMEN OF COLOR Submitted by Aaunterria Treil Bollinger-Deters Department of Ethnic Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Ray Black Joon Kim Hye Seung Chung Copyright by Aaunterria Bollinger 2018 All Rights Reserved. ABSTRACT RACIALIZATION, FEMININITY, MOTHERHOOD AND THE IRON THRONE GAME OF THRONES A HIGH FANTASY REJECTION OF WOMEN OF COLOR This analysis dissects the historic preconceptions by which American television has erased and evaded race and racialized gender, sexuality and class distinctions within high fantasy fiction by dissociation, systemic neglect and negating artistic responsibility, much like American social reality. This investigation of high fantasy creative fiction alongside its historically inherited framework of hierarchal violent oppressions sets a tone through racialized caste, fetishized gender and sexuality. With the cult classic television series, Game of Thrones (2011-2019) as example, portrayals of white and nonwhite racial patterns as they define womanhood and motherhood are dichotomized through a new visual culture critical lens called the Colonizers Template. This methodological evaluation is addressed through a three-pronged specified study of influential areas: the creators of Game of Thrones as high fantasy creative contributors, the context of Game of Thrones -
Daenerys Targaryen and Privacy of Minors Daenerys Targaryen Is a Fictional Character from George R.R. Martin's a Song of Ice A
Daenerys Targaryen and Privacy of Minors Daenerys Targaryen is a fictional character from George R.R. Martin’s A Song of Ice and Fire series. These books are written in the tradition of epic fantasy and are set in an imaginary world (Westeros) that mirrors our own world during the medieval period with a few magical elements and mythical creatures added in. Daenerys, or Dany as she is called in the series, is the last living Targaryen. The Targaryens first conquered Westeros with dragons and ruled until they were overthrown by Robert Baratheon. Dany’s family attempted to flee Westeros, as the royal children were going to be killed by the rebels. Only Dany and her abusive brother Viserys survived, however, and lived across the Narrow Sea in exile. Dany is sold by her brother to Khal Drogo and she becomes Khaleesi. After tragically losing her husband and unborn child, Dany puts three fossilized dragon eggs into Khal Drogo’s funeral pyre, then places herself into the fire. When the fire clears, Dany and her new three baby dragons emerge (Martin, 1996). She calls them her children and swears to care for them as well as those in her khalasar who did not abandon her after the Khal’s death. In A Clash of Kings (1999) and A Storm of Swords (2000) Martin reveals even more of Dany’s caring nature. Dany is now “The Mother of Dragons” and later, after freeing thousands of slaves, she is called Mhysa by her new people, which means mother. Because Dany is one of the most caring, humanistic characters in the novels, we will use the ethics of care. -
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a fictional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and fictional literature (18). To investigate the success of Ice and comparable to real-world social networks. -
A Game of Thrones a Song of Ice and Fire by George R.R. Martin
A Game of Thrones A Song of Ice and Fire by George R.R. Martin Book One: A Game of Thrones Book Two: A Clash of Kings Book Three: A Storm of Swords Book Four: A Feast for Crows Book Five: A Dance with Dragons Book Six: The Winds of Winter (being written) Book Seven: A Dream of Spring “ Fire – Dragons, Targaryens Lord of Light Ice – Winter, Starks, the Wall White Walkers Spoilers!! Humans as meaning-makers – Jerome Bruner Humans as story-tellers – narrative theory Humans as mythopoeic–Carl G. Jung, Joseph Campbell The mythic themes in A Song of Ice and Fire are ancient Carl Jung: Archetypes are powerful & primordial images & symbols Collective unconscious Carl Jung’s archetypes Great Mother; Father; Hero; Savior… Joseph Campbell – The Power of Myth The Hero’s Journey Carole Pearson – the 12 archetypes Ego stage: Innocent; Orphan; Caretaker; Warrior Soul transformation: Seeker; Destroyer; Lover; Creator; Self: Ruler; Magician; Sage; Fool Maureen Murdock – The Heroine’s Journey The Great Mother (& Maiden, & Crone), the Great Father, the child, the Shadow, the wise old man, the trickster, the hero…. In the mystery of the cycle of seasons In ancient gods & goddesses In myth, fairy tale & fantasy & the Seven in A Game of Thrones The Gods: The Old Gods The Seven (Norse mythology): Maiden, Mother, Crone Father, Warrior, Smith Stranger (neither male or female) R’hilor (Lord of light) Others: The Drowned God, Mother Rhoyne The family sigils Stark - Direwolf Baratheon – Stag Lannister – Lion Targaryen -
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear Delegate: I Have the Pleasure
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear delegate: I have the pleasure of welcoming you to ULSACUNMUN 2020. My name is Kaory Rios and I am honored of being the president and creator of this year´s new committee GOCASK (government Cabinet of the Seven Kingdoms) based on The Game of Thrones series. I'm eager to get to know you, and make the best out of this Model of the United Nations. First of all I would like to tell you a little bit about myself. I´m 18 years old and also a senior in highschool. I enjoy hanging out with my friends, taking pictures, learning new languages, travelling, watching movies, among many other things. My plan is to study film in Puebla and become a director. This is my 5th MUN conference and my third as part of the chair. If there is something I know for sure is that MUN has helped me grow as a person by giving me leadership skills, and the opportunity of having a word that actually matters in world wide problems in order to find the best solution. This topic is more than exciting for me, and hopefully you´ll find the same way. I expect your utmost performance and for you to give your nonpareil effort that is needed for this committee. Remember to be confident with what you say, if you prepared well there is no reason to be nervous. I wish you the best of lucks and I hope this conference to be a remarkable experience for everyone.