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Spectacle Theater September 2018

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Spectacle Theater September 2018 Sunday Monday Tuesday Wednesday Thursday Friday Saturday Spectacle 1 7:30 pm Theater HER WILDERNESS 10 pm SKYSCRAPER September Midnight MEET THE FEEBLES 2018 2 3 4 5 6 7 8 3 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm FIST CHURCH NIGHT TIDE RUBY CASUAL MOZART IN LOVE HER WILDERNESS GAEA GIRLS RELATIONS Lost & Forgotten Cinema 124 S. 3rd St., Brooklyn 5 pm 10 pm 10 pm* 10 pm 10 pm 10 pm Contemporary Underground $5 tickets unless otherwise noted GAEA GIRLS THE LAST SHARK FAKE IT SO REAL 10 pm SKYSCRAPER LOCAL COLOR FAKE IT SO REAL Special Events spectacletheater.com with Director Q&A MEET THE FEEBLES 7:30 pm Midnight Midnight THE KILLING KIND RUBY THE LAST SHARK 9 10 11 12 13 14 15 3 pm 7:30 pm 7:30 pm* 7:30 pm 7:30 pm 8 pm* 7:30 pm BLOOD BRUNCH CASUAL Péter Lichter RUBY FAKE IT SO REAL BEYOND THE MAT LOCAL COLOR RELATIONS & Bori Máté's with Director Q&A 5 pm THE RUB 10 pm* 10 pm 10 pm NIGHT TIDE 10 pm Péter Lichter MOZART IN LOVE Midnight NIGHT TIDE LOCAL COLOR 10 pm & Bori Máté's BEYOND THE MAT 7:30 pm NIGHT TIDE THE RUB Midnight MOZART IN LOVE SKYSCRAPER 16 17 18 19 20 21 22 3 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm 7:30 pm 5 pm FIST CHURCH BEYOND THE MAT MEET THE FEEBLES LOCAL COLOR NIGHT TIDE THE MIRROR CHRIS BELL SHORTS with Director Q&A 5 pm 10 pm 10 pm 10 pm 10 pm 7:30 pm LOCAL COLOR FAKE IT SO REAL THE LAST SHARK RUBY GAEA GIRLS 10 pm CHRIS BELL: CITATION CITY THE WINDS THAT 7:30 pm SCATTER HER WILDERNESS Midnight SKYSCRAPER 10 pm THE MIRROR Midnight THE KILLING KIND 23 24 25 26 27 28 29 3 pm 10 pm 7:30 pm 7:30 pm 7:30 pm* 7:30 pm 7:30 pm BLOOD BRUNCH THE KILLING KIND BEYOND THE MAT HER WILDERNESS TANGENT REALMS: GET REEL CASUAL THE WORLDS OF RELATIONS 5 pm* 10 pm 10 pm C.M. KOSEMEN with 10 pm QUEERCORE GAEA GIRLS LOCAL COLOR Director Q&A QUEERCORE 10 pm with Director Q&A QUEERCORE 10 pm* Midnight 7:30 pm* TANGENT REALMS: THE LAST SHARK Midnight QUEERCORE THE WORLDS OF MEET THE FEEBLES with Director Q&A C.M. KOSEMEN with Director Q&A 30 3 pm FIST CHURCH 5 pm MOZART IN LOVE 7:30 pm FAKE IT SO REAL * $10 Tic ket s Front: The Killing Kind, Curtis Harrington, 1973 Beyond the Mat, Barry Blaustein, 1999 Casual Relations, Mark Rappaport, 1974 The Rub, Péter Lichter & Bori Máté, 2018 As The World Turns... Heel! Blockbusted Primitive Reality: The Narrative Films Do You See What I Hear: September Special Events The Films of Curtis Harrington of Mark Rappaport Two Nights with “People Like Us” Behind-the-curtain pro-wrestling A series of knock-off blockbusters in THE RUB documentaries with a healthy dose honor of the mainstream ’flicks currently Selection of mostly-untouched films An exhilarating body of work that can At the forefront of audio-visual collage, Dir. Péter Lichter & Bori Máté, 2018 of both puroresu and American devouring America’s paltry remaining from his deep catalogue, each of which feel equal parts familiar and belonging British artist People Like Us (Vicki Bennett) Hungary, 60 min heavyweight action. movie-dollars. Skip the cineplex, grab fuses his love of high camp, Grand to a world of its own, look forward to is a pioneer of editing archival material In Hungarian with English subtitles a cold one (or six), and learn the true Guignol, the occult, & capital-m-Movies. part 2 of the series coming this October. sourced from popular film & music. 9/11 7:30 pm, Director in attendance BEYOND THE MAT: meaning of ‘blockbuster’. 9/12 10 pm, Director in attendance Unrated Director’s Cut NIGHT TIDE LOCAL COLOR THE MIRROR Hungarian experimental filmmaker Dir. Barry Blaustein, 2004 SKYSCRAPER Dir. Curtis Harrington, 1961. 86 min Dir. Mark Rappaport, 1977. USA. 116 min Dir. Vicki Bennett, 2018. 36 min Péter Lichter’s second feature, here in USA. 108 min SKYSCRAPER 9/3 7:30 pm • 9/9 5 pm 9/7 7:30 pm • 9/15 10 pm 9/21 7:30 pm, with Vicki Bennett collaboration with Bori Máté, a kinetic 9/14 7:30 pm, $10, with Director Q&A Dir. Raymond Martino, 1996. 96 min 9/11 10 pm • 9/15 10 pm 9/19 7:30 pm • 9/26 10 pm U.S. premiere! Using the mirror in film reimagining of Hamlet as psychological 9/14 Midnight • 9/17 7:30 pm 9/1 7:30 pm • 9/6 10 pm 9/20 7:30 pm Running through the full gamut of soap as a device for both inward and outward collage. An elegant, ecstatic choreogra- 9/25 7:30 pm 9/15 Midnight • 9/21 Midnight Part thriller, part gothic romance, NIGHT opera devices—including psychically reflection, Bennett unleashes a flurry of phy of the bare electro-photo-chemical Possibly the most notorious documen- “Anna Nicole Smith... action star? TIDE follows the budding relationship connected twins, suicide, incestous reworked sounds and images that flow elements of memory, a self-reflection on tary about professional wrestling ever No. Anna Nicole Smith... erotic star? between a sailor on shore leave (Dennis desire, and more affairs than you can in and out of one another to kaleido- form, and a tactile immersion in a classic. made. In this film you will see: Droz puke Maybe. Anna Nicole Smith... comedian? Hopper in a very early starring role) and shake a stick at, LOCAL COLOR’s scopic effect. Screening with: on command, Jake “the Snake” Roberts Definitely.” —IMDB User Mister-6 a sideshow “mermaid” named Mora who many protean narratives resemble —WE ARE NOT AMUSED 2013. 3 min TANGENT REALMS: smoke crack in a hotel room, the ultra-vi- may or may not be a mythical siren. An something like a dream (as hinted at by —25 YEARS OF PEOPLE LIKE US THE WORLDS OF C.M. KÖSEMEN olent New Jack audition at a Hollywood THE MEG incredibly accomplished debut featuring the film’s opening series of pans across (Special Edit) 31 min. Including: Dir. Kevin Schreck, 2018. 100 min casting agent, Paul Heyman run an THE LAST SHARK lush black and white photography. the eight main characters fast asleep). THE SOUND OF THE END OF 9/27 7:00 pm, $10, with Director ECW pay-per-view from his mother’s (L’ULTIMO SQUALO) MUSIC 2010, BRIDGE 2012, Kevin Schreck and Composers basement, and Mick Foley’s family Dir. Enzo G. Castellari, 1981, 88 min THE KILLING KIND MOZART IN LOVE HERE COME THE OCCUPANTS Grant Cutler & Matt Evans scream in terror as he his repeatedly 9/3 10 pm • 9/8 Midnight Dir. Curtis Harrington, 1973. 95 min Dir. Mark Rappaport, 1975. USA. 99 min 2012, ZOOM 2012, MIRRORS 2012, 9/27 10 pm, $10, with Kevin Schreck beaten over the head with a steel chair 9/18 10 pm • 9/29 Midnight 9/2 7:30 pm • 9/10 7:30 pm 9/6 7:30 pm • 9/9 7:30 pm SHOPPING 2014, JUMP 2012, EVE Tangent Realms trains a keen on eye by Dwayne “The Rock” Johnson with his “I went to a DVD store one day and 9/22 Midnight • 9/24 10 pm 9/13 10 pm • 9/30 5 pm OF SUNSHINE 2012 its subject, the titular C.M. Kösemen, hands cuffed behind his back, and much found this movie amongst splatter One of Harrington’s nastier offerings, Recounted in sparse epistolary voice- 9/22 10 pm Screening with: examining the young Turkish artist’s much more! movies. I read the cover describing it the film follows the exploits of Terry over, the story concerns the mainly true —THE ZONE (Trailer) 2012. 4 min imagined worlds both vastly cosmic & as a real success at the 80’s and how Lambert and his uncomfortably affec- tale of Mozart’s affair with a trio of sisters —THE SOUND OF THE deeply personal. By merging science FAKE IT SO REAL mad Spielberg was when the movie got tionate mother as he “re-acclimates” to & the various romantic dramas that END OF MUSIC 2010. 4 min with art, evidence with surrealism, the Dir. Robert Greene, 2012. USA. 94 min released. When I watched the movie society after a 2 year stint in prison for a ensued. Plot, however, takes second —THE GOLEM – AN INANIMATE natural world with mythology, Kösemen 9/4 10 pm, $10, with Director Q&A I almost smiled the whole time. And gang rape he was ‘forced’ to participate place to long unbroken chunks of actors MATTER 2013. 3 min plumbs the depths of his past, present, 9/8 10 pm • 9/13 7:30 pm that scene with the helicopter... the in. The film has aged all too well as lip-syncing Mozart’s arias in painterly —SPINNING (with Ergo Phizmiz) & future by continuously asking a 9/17 10 pm • 9/30 7:30 pm gore... his legs! Amazing!” —IMDB User a portrait of privilege and denial, not static compositions set against artificial 2010. 4 min dominant theme: “What If...?” A total immersion in the world of Chipsmannen letting anyone off the hook as each char- backgrounds. —CONSEQUENCES (One Thing Leads bottom-of-the-barrel independent acter attempts to deflect responsibility To Another) (Special Edit) 2012.
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