BRETT EASTON Weight: 175 Lbs

Total Page:16

File Type:pdf, Size:1020Kb

BRETT EASTON Weight: 175 Lbs Height: 5’ 10’’ Coat: 41R BRETT EASTON Weight: 175 lbs. Hat: 7 1/8 Los Angeles, CA Waist: 31 Glove: Medium Cell: 813-391-0233 Inseam: 30 Shoe Size: 9 [email protected] Neck: 16 Sleeve: 33 FILM / TELEVISION Velvet Buzzsaw Stunts Mike Smith Destroyer Stunt Actor Mike Smith Seal Team (2 Ep.) Stunts Peewee Piemonte Westworld Stunts Doug Coleman / Brian Machleit Law & Order: True Crime Stunt Dbl: Gus Halper Hiro Koda Shooter Stunts Tierre Turner The Orville Stunts Tim Davison Fear Factor Stunts Pat Romano Fear Factor Water Safety Pat Romano Dream Corp LLC Stunt Dbl: Ahmed Bharoocha Jill Brown Dream Corp LLC (2 Ep.) Stunt Dbl: Nicholas Rutherford Jill Brown Legionnaire Max Stunt Dbl: Brad Ashten Luke LaFontaine / Malay Kim Agents of S.H.I.E.L.D. Stunt Dbl: Joris Jarsky Tanner Gill / David Wald The Last Ship Stunts Keith Woulard Suburbicon Stunts Jeff Gibson I’m Dying Up Here Stunt Dbl: P.J. Byrne Wade Allen Fear The Walking Dead Stunt Dbl: Jesse McCartney Mark Norby Brooklyn Nine-Nine Stunt Actor Norman Howell Rizzoli & Isles Stunt Performer Merritt Yohnka Trial & Error Stunts Heidi Pascoe Fear The Walking Dead (2 Ep.) Stunt Performer James Armstrong NCIS Stunt Performer Diamond Farnsworth How To Get Away With Murder (5 Ep.) Stunt Dbl: Charlie Weber Peewee Piemonte / Julie Michaels Superstore (Promo) Stunt Dbl: Ben Feldman Pat Romano Rush Hour Stunt Dbl: Deniz Akdeniz Jeff Wolfe The Kicks Stunt Dbl: Adam Hochstetter Oliver Keller Westworld Stunts Mike Watson Dead Man Walking Stunts Mark Kubr Love Daily Stunt Dbl: Leo Howard Simon Potter Princess Kiki (Short) Stunts Carl Ciarfalio Resurgent (Short) Utility Stunts James Hutchison Do No Harm (Short) Stunts Mark Musashi Boss Uzi (Short) Stunts Alvin Hsing Lowlife Stunts Robert Dill COMMERCIALS Geico Stunt Actor Pat Romano SKILLS STUNTS: Tae Kwon Do (Simon Rhee), Fight Choreo, Ground-Pound, Hard Hits, High Falls, Fire Burns, Rappelling, Air-Rams, Ratchets, Wirework, Scuba Diving (Rescue Diver), Water Safety, Skydiving DRIVING: Cars (Tom Harper / Rick Seaman Lv 1 & 2), Motorcycles, ATV, Jet Ski (Stand Up, X2, Sit Down) SPORTS: Pro-Level Soccer, Tennis, Football, Baseball, Hockey WEAPONS: Nunchucks, Swords ACTING: Master Scene-Study, Improv, Commercial Workshop REFERENCES Mike Smith Peewee Piemonte Jill Brown James Armstrong.
Recommended publications
  • Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
    Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media.
    [Show full text]
  • Eric Sweeney
    Eric Sweeney Gender: Male Service: (818) 769-1777 Height: 5 ft. 10 in. Mobile: (818) 439-4077 Weight: 165 pounds E-mail: [email protected] Eyes: Blue Web Site: http://www.imdb.com/... Hair Length: Short Waist: 32 Inseam: 30 Shoe Size: 9.5 Physique: Athletic Coat/Dress Size: 40R Ethnicity: Caucasian / White, Eastern European Unique Traits: TATTOOS (Don't Have Them) Photos Film Credits Television Criminal Minds Stunt double (Morgan McClellan) Tom Elliot Shameless Stunt actor Eddie Perez Sharknado 2 Stunts Sean Christopher New Girl (2 episodes) Stunt double (Jullian Morris) (Max Jimmy Sharp Greenfield) How to Get Away with Murder Stunt double (Charlie Weber) Peewee Piemonte The Mindy Project Stunt double (Adam Pally) Chris O'Hara Scandal Stunt double (George Newbern) Don Ruffin Scorpion (3 episodes) Stunt double (Eddie Kaye Thomas) Hugh O'Brien American Horror Story Stunt double (Wes Bentley) Jimmy Sharp Generated on 09/29/2021 02:49:42 am Page 1 of 3 Helena Barrett Future Man Stunt double (Patrick Carlyle) Mike Gaines Making Friends Stunt double (Jonny Sweet) Al Jones Stay Stunt actor Pat Romano Commercial Stage Music Videos Motion Capture Guild Affiliations SAG / AFTRA Stunt Teams No Affiliation at this time. Stunt Skills Stunt Skills: Ratchets, Trampoline, High Fall, Squibs, Air Rams, Precision Driving, Fight-Guy/Gal - General, Reactions, Free-Running / Parkour, Wave Runner, Wire Work, Weapons ~ General, Jet Skiing, Car Hits, I Ground Pound, Motion Capture, Dialogue, Stunt Driving, Driving: 180's, Driving: 360's, Driving: 90 Degree Box Park,
    [Show full text]
  • Media Criticism and Morality Policing on Twitter: Fan Responses to 'How to Get Away with Murder' Melissa R
    Eastern Illinois University From the SelectedWorks of Melissa R. Ames 2018 Media Criticism and Morality Policing on Twitter: Fan Responses to 'How to Get Away with Murder' Melissa R. Ames This work is licensed under a Creative Commons CC_BY-NC-ND International License. Available at: https://works.bepress.com/melissa_ames/27/ ADVENTURES IN SHONDALAND Identity Politics and the Power of Representation EDITED BY RACHEL ALICIA GRIFFIN AND MICHAELA D. E. MEYER RUTGERS UNIVERSITY PRESS New Brunswick, Camden, and Newark, New jersey, and London Library of Congress Cataloging-in-Publication Data Names: Griffin, Rachel Alicia, editor. !Meyer, Michaela D.E.1 editor. Title: Adventures in Shondaland: identity politics and the power of representation/ edited by Rachel Alicia Griffin, Michaela D ..E. Meyer. Description: New Brunswick: Rutgers University Press, 2018. Identifiers: LCCN 2018004645j ISBN 9780813596327 (hardback) ) ISBN 9780813596310 (paperback) Subjects: LCSH: R11imes, Shonda-Criticisn1 and interpretation. ! ShondaLand (Firm)-History. IWomen television producers and directors-United States. I African Ainerican television producers and directors. !African American won1en screenwriters. j Television broadcasting-Social aspects-United States. I BISAC: PERFORMING ARTS I Television/ History & Criticism. Classification: LCC PN1992.4.R515 A38 2018 I DDC 791.4502/32·-dc23 LC record available at https://lccn.loc.gov/2018004645 A British Cataloging-in-Publication record for this book is available from the British Library. This collection copyright© 2018 by Rutgers, The State University of New Jersey Individual chapters copyright © 2018 in the natnes of their authors All rights reserved No part of this book n1ay be reproduced or utilized in any forn1 or by any means, electronic or mechanical, or by any information storage and retrieval systen1, \Vithout written permission from the publisher.
    [Show full text]
  • Alessandro Quarta Cv Formazione
    ALESSANDRO QUARTA CV Doppiatore, Direttore di doppiaggio, Adattatore dialoghista, Attore, Cantante, Compositore. Alessandro Quarta è uno dei massimi esponenti del doppiaggio italiano, è attore teatrale da quando aveva 6 anni, 1976, e Doppiatore dal 1980. In 40 anni di carriera a doppiato più di 1200 opere, tra film, serie TV e film di animazione, tra cui Casey Affleck, Ethan Hawke, Jeremy Renner, Paul Rudd, Ed Helms, Mark Wahlberg, Peter Sarsgaard e ha vinto numerosi premi come miglior voce maschile. È la voce ufficiale italiana di Mickey Mouse dal 1995, è il doppiatore che l’ha interpretato da più tempo in Italia e, per questo, è il primo ad aver ricevuto un riconoscimento ufficiale direttamente da Disney Company, il “Premio Speciale Mickey 90”. L’Istituto Italiano di Cultura di Los Angeles gli ha conferito il primo riconoscimento a un doppiatore italiano negli USA, il “IIC Los Angeles Creativity Award”, come ambasciatore della lingua italiana nel mondo. Come rappresentante del doppiaggio italiano, ha partecipato al tour di presentazione negli USA del libro “Senti chi parla! Le 101 frasi più famose del cinema”, tenendo interventi presso la Chapman University di Orange County, in California, l’Università di Houston, e presso l’Istituto Italiano di Cultura di Los Angeles. Ricopre anche il ruolo di Direttore di doppiaggio e Adattatore Dialoghista di film cinema, serie TV e Cartoni Animati. Insegna doppiaggio e recitazione presso accademie e scuole di recitazione e doppiaggio, e ha tenuto corsi di doppiaggio presso l’Università degli studi di Salerno. Partecipa al Cortometraggio AttorInVoce alla 74ª Mostra Internazionale d’Arte Cinematografica la Biennale di Venezia e alla mostra fotografica “AttorInVoce” presso la Casa del Cinema di Roma, nei quali è stato scelto assieme ai migliori doppiatori italiani.
    [Show full text]
  • Movies That Will Get You in the Holiday Spirit
    Act of Violence 556 Crime Drama A Adriana Trigiani’s Very Valentine crippled World War II veteran stalks a Romance A woman tries to save her contractor whose prison-camp betrayal family’s wedding shoe business that is caused a massacre. Van Heflin, Robert teetering on the brink of financial col- Alfred Molina, Jason Isaacs. (1:50) ’11 Ryan, Janet Leigh, Mary Astor. (NR, 1:22) lapse. Kelen Coleman, Jacqueline Bisset, 9 A EPIX2 381 Feb. 8 2:20p, EPIXHIT 382 ’49 TCM 132 Feb. 9 10:30a Liam McIntyre, Paolo Bernardini. (2:00) 56 ’19 LIFE 108 Feb. 14 10a Abducted Action A war hero Feb. 15 9a Action Point Comedy D.C. is the takes matters into his own hands About a Boy 555 Comedy-Drama An crackpot owner of a low-rent amusement Adventures in Love & Babysitting A park where the rides are designed with Romance-Comedy Forced to baby- when a kidnapper snatches his irresponsible playboy becomes emotion- minimum safety for maximum fun. When a sit with her college nemesis, a young young daughter during a home invasion. ally attached to a woman’s 12-year-old corporate mega-park opens nearby, D.C. woman starts to see the man in a new Scout Taylor-Compton, Daniel Joseph, son. Hugh Grant, Toni Collette, Rachel Weisz, Nicholas Hoult. (PG-13, 1:40) ’02 and his loony crew of misfits must pull light. Tammin Sursok, Travis Van Winkle, Michael Urie, Najarra Townsend. (NR, out all the stops to try and save the day. Tiffany Hines, Stephen Boss. (2:00) ’15 1:50) ’20 SHOX-E 322 Feb.
    [Show full text]
  • How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series
    UvA-DARE (Digital Academic Repository) How to Get Away with Color Color-Blindness and the Post-Racial Illusion in Popular American Television Series Martens, E.; Povoa, D. Publication date 2017 Document Version Final published version Published in Alphaville License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E., & Povoa, D. (2017). How to Get Away with Color: Color-Blindness and the Post- Racial Illusion in Popular American Television Series. Alphaville, 13, 117-134. http://www.alphavillejournal.com/Issue13/HTML/ArticleMartensPovoa.html General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:26 Sep 2021 How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes.
    [Show full text]
  • Nine New Shows Ordered from Abc Studios for the 2014-15 Season
    May 14, 2014 NINE NEW SHOWS ORDERED FROM ABC STUDIOS FOR THE 2014-15 SEASON ABC Picks Up “American Crime,” “Black-ish,” “Galavant,” “How To Get Away With Murder,” “Manhattan Love Story,” “Marvel’s Agent Carter,” “Secrets and Lies” and “The Whispers” from ABC Studios FOX orders New Drama “Red Band Society” ABC Studios had another banner development year with nine new shows ordered to series. New dramas “American Crime,” “How To Get Away with Murder,” “Marvel’s Agent Carter,” “Secrets and Lies,” “The Whispers,” along with new comedies “Black-ish,” “Galavant,” and “Manhattan Love Story,” were picked up at ABC. New drama “Red Band Society” was ordered at FOX. Returning ABC Studios shows “Castle,” “Grey’s Anatomy,” “Nashville,” “Once Upon a Time,” “Revenge, “Resurrection,” “Marvel’s Agents of S.H.I.E.L.D.” and “Scandal” on ABC join “Criminal Minds” on CBS, “Devious Maids” on Lifetime, “Perception” on TNT and “Cougar Town” on TBS. ABC Studios drama “Mistresses” premieres on ABC on MONDAY, JUNE 2 (10:00-11:00 p.m., ET). “Benched,” a half-hour comedy for USA is currently in production. “I am extremely proud of our slate this year. We reached our goal of remaining the number one supplier of scripted programming for ABC while finding opportunities to expand our reach at the other broadcast and cable networks,” said Patrick Moran, EVP, ABC Studios. The new series are: “AMERICAN CRIME” All over the news are reports about a young couple in Modesto, California, who were attacked in their home. Matt Skokie, a war vet, was killed, and his wife, Lily, is unconscious, barely hanging on.
    [Show full text]
  • Buffy and Angel
    buffy and angel PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 01 Jul 2011 03:42:14 UTC Contents Articles buffy and angel 1 Buffy the Vampire Slayer (film) 1 Buffy the Vampire Slayer (TV series) 5 Buffy the Vampire Slayer (season 1) 25 Buffy the Vampire Slayer (season 2) 30 Buffy the Vampire Slayer (season 3) 37 Angel (TV series) 42 Buffy the Vampire Slayer (season 4) 58 Angel (season 1) 65 Buffy the Vampire Slayer (season 5) 72 Angel (season 2) 78 Angel (season 3) 84 Buffy the Vampire Slayer (season 6) 90 Buffy the Vampire Slayer (season 7) 97 Angel (season 4) 103 Angel (season 5) 110 Buffy the Vampire Slayer Season Eight 118 References Article Sources and Contributors 131 Image Sources, Licenses and Contributors 133 Article Licenses License 134 1 buffy and angel Buffy the Vampire Slayer (film) Buffy the Vampire Slayer Theatrical release poster Directed by Fran Rubel Kuzui Produced by Howard Rosenman Written by Joss Whedon Starring Kristy Swanson Donald Sutherland Paul Reubens Rutger Hauer Luke Perry Music by Carter Burwell Cinematography James Hayman Editing by Jill Savitt Distributed by 20th Century Fox Release date(s) July 31, 1992 Running time 86 minutes Country United States Language English Budget $7 million Gross revenue $16,624,456 Buffy the Vampire Slayer is a 1992 American action/comedy/horror film about a Valley girl cheerleader named Buffy (Kristy Swanson) who learns that it is her fate to hunt vampires. The original script for the film was written by Joss Whedon, who later created the darker and more acclaimed TV series of the same name starring Sarah Michelle Gellar as Buffy.
    [Show full text]
  • Colour- Blindness and the Myth of a Postracial America in American Television Series
    How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society. This case study aims to demonstrate to which extent the “colour-blind approach” of the TV show reinforces the postracial illusion in the United States, i.e. the idea that the country has overcome its past of racial segregation and now offers the same opportunities for everyone, regardless of colour and race. Through a narrative analysis of the first season of the series, this chapter will argue that the depiction of race in How to Get Away with Murder is highly ambivalent. On the one hand, the show does not completely ignore race by inserting topics such as racism in the plot, giving these issues at least some visibility. On the other hand, its more general panorama reveals an intent to deracialise its main characters in a colour-blind manner.
    [Show full text]
  • Defense Mechanism in the Tv Series How to Get Away with Murder Season 1
    DEFENSE MECHANISM IN THE TV SERIES HOW TO GET AWAY WITH MURDER SEASON 1 A THESIS In Partial Fulfillment of the Requirements for Thesis of American Studies of English Department Faculty of Humanities Diponegoro University Submitted by: Nida Luthtiyyah 13020113140069 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2017 ii PRONOUNCEMENT The writer honestly confirms that she compiles this thesis by herself and without taking any results from other researchers in S-1, S-2, S-3 and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone‘s paper except from the references mentioned. Semarang, 31 May 2017 Nida Luthtiyyah ii MOTTO AND DEDICATION ―The world may be moving faster than us, but it doesn‘t always mean you gotta rush to catch up. As long as we‘re rotating in the same direction. Enjoy life in our own speed.‖ - Diana Rikasari ―When you live for a strong purpose, then hard work isn‘t an option. It‘s a necessity.‖ - Steve Pavlina ―We must accept finite disappointment, but we must never lose infinite hope.‖ - Martin Luther King Jr. I dedicated this thesis to my beloved parents and sister who always support me during the accomplishment of this thesis. iii DEFENSE MECHANISM IN THE TV SERIES HOW TO GET AWAY WITH MURDER SEASON 1 Written by: Nida Luthtiyyah NIM. 13020113140069 is approved by the thesis advisor On 26th May, 2017 Thesis Advisor M. Irfan Zamzami, S.S., M.Hum NIK. 198609230115091000 The Head of the English Department Dr. Agus Subiyanto, M.A.
    [Show full text]
  • Watch Trailers for New ABC 2014-15 Series
    Watch Trailers for New ABC 2014-15 Series 05.13.2014 ​ABC has released First Look videos for its new 2014-15 dramas and comedies following its Upfront presentation to advertisers in New York City on Tuesday. Check out the videos below (more will be added as they're released). EARLIER: New Fox Trailers, New NBC Trailers HOW TO GET AWAY WITH MURDER Trailer: First Look: The brilliant, charismatic and seductive Professor Annalise Keating (Viola Davis) gets entangled with four law students from her class, "How to Get Away with Murder." Little do they know that they will have to apply what they learned to real life, in this masterful, sexy, suspense-driven legal thriller from Shonda Rhimes and Betsy Beers, executive producers of "Grey's Anatomy" and "Scandal." "How to Get Away with Murder" stars Viola Davis as Professor Annalise Keating, Billy Brown as Nate, Alfred Enoch as Wes, Jack Falahee as Conner, Katie Findlay as Rebecca, Aja Naomi King as Michaela, Matt McGorry as Asher, Karla Souza as Laurel, Charlie Weber as Frank and Liza Weil as Bonnie. Written by executive producer Peter Nowalk, "How to Get Away with Murder" is executive-produced by Shonda Rhimes and Betsy Beers, directed by Michael Offer, and produced by ABC Studios. SECRETS AND LIES: Trailer: Ben Garner is about to go from Good Samaritan to murder suspect, after he discovers the body of his neighbor's young son in the woods. As Detective Andrea Cornell digs for the truth, the secrets and lies of this town come to the surface and no one is above suspicion.
    [Show full text]
  • Abc’S €˜How to Get Away with Murder’ to End After Season 6
    ABC’s ‘How to Get Away with Murder’ to End After Season 6 07.11.2019 After six years of death, lies and extraordinarily complicated drama, ABC's How to Get Away with Murder will conclude after its upcoming sixth season, premiering Sept. 26. ABC made the announcement with the above spot, which splices together the most dramatic moments over the series' five-year run. Peter Nowalk, creator and executive producer, says the decision to end the show was "brutal," but timely. "For me, Annalise Keating's journey has always had a clear ending," he said in a statement. "Knowing I have 15 episodes left to finish her story, and the chance to give all the characters their own killer endings, is a gift rarely given to a series creator and I'm grateful to ABC and ABC Studios for the opportunity and creative freedom." The series, which stars Viola Davis as Professor Keating, follows a group a law students who face dangerous-and often fatal-situations around every corner. Season two will follow Keating's class through their final semester in law school as the deception, fear and guilt binding them together becomes deadlier than ever. In 2015, Davis became the first woman of color to win an Emmy for best lead actress in a drama. She has also earned two SAG Awards, a People's Choice Award and an NAACP Image Award for her portrayal in the show. "Viola Davis made television history with her unforgettable portrayal of iconic female anti-hero Annalise Keating," ABC Entertainment president, Karey Burke, said in a statement.
    [Show full text]