Volume 50 March, 2011
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Working with Digital Video
Working with digital video By admin Published: 10/04/2007 - 08:35 Peter Westenberg , October 2007 Working with digital video is part of many artistic disciplines. Besides single screen narratives, video productions can range from animation, multiple screen installation to interactive work. Still, many aspects of digital video can be traced back to the history of film. The interface of a timeline editing software such as Cinelerra [1] shows a multitrack timeline, a viewing monitor, a bin for clips; echoing the setup of a flatbed table for editing celluloid. A dual head set up Cinelerra work station The physical materiality of film and video are fundamentaly different: celluloid versus pixels, chemicals versus algorhytms, but the relationship between film and video has mutually matured. As outlined by Matt Hanson [1b] , video expands cinematographic traditions in new directions, filmmakers can benefit from digitisation by reclaiming the central position of creativity in the film process, as pointed out by Samira Makhmalbaf. [1c] 1 / 28 An 'Old Delft Cinemonta' 16mm editing table in use at the Filmwerkplaats in Rotterdam Digital video also roots in artistic practices of the sixties and seventies. [1a] Artists started using video to capture temporary performances (Joan Jonas [2] , Vito Acconci [3] ), they integrated video monitors in installations (Nam June Paik [4] ), experimented with filters and mixing in video paintings (Peter Campus [5] ). Compared to film cameras, video cameras had a strong feature: it became possible connect a monitor and view directly what the camera recorded. Today, artists can use softwares such as Lives [5] , Jahshaka [6] , Zone Minder [7] or Pure Data [8] and Linux distributions aimed at audio and visual creation such as Dyne:bolic [9] Apodio [10] and Ubuntu Studio [11] to further explore the possibilities of real time video, multiple camera input and live interaction. -
“Laboratório” De T V Digital Usando Softw Are Open Source
“Laboratório” de TV digital usando software open source Objectivos Realizar uma pesquisa de software Open Source, nomeadamente o que está disponível em Sourceforge.net relacionado com a implementação de operações de processamento de sinais audiovisuais que tipicamente existem em sistemas de produção de TV digital. Devem ser identificadas aplicações para: • aquisição de vídeo, som e imagem • codificação com diferentes formatos (MPEG-2, MPEG-4, JPEG, etc.) • conversão entre formatos • pré e pós processamento (tal como filtragens) • edição • anotação Instalação dos programas e teste das suas funcionalidades. Linux Aquisição Filtros Codificação :: VLC :: Xine :: Ffmpeg :: Kino (DV) :: VLC :: Transcode :: Tvtime Television Viewer (TV) :: Video4Linux Grab Edição :: Mpeg4IP :: Kino (DV) Conversão :: Jashaka :: Kino :: Cinelerra :: VLC Playback :: Freej :: VLC :: FFMpeg :: Effectv :: MJPEG Tools :: PlayerYUV :: Lives :: Videometer :: MPlayer Anotação :: Xmovie :: Agtoolkit :: Video Squirrel VLC (VideoLan Client) VLC - the cross-platform media player and streaming server. VLC media player is a highly portable multimedia player for various audio and video formats (MPEG-1, MPEG-2, MPEG-4, DivX, mp3, ogg, ...) as well as DVDs, VCDs, and various streaming protocols. It can also be used as a server to stream in unicast or multicast in IPv4 or IPv6 on a high-bandwidth network. http://www.videolan.org/ Kino (DV) Kino is a non-linear DV editor for GNU/Linux. It features excellent integration with IEEE-1394 for capture, VTR control, and recording back to the camera. It captures video to disk in Raw DV and AVI format, in both type-1 DV and type-2 DV (separate audio stream) encodings. http://www.kinodv.org/ Tvtime Television Viewer (TV) Tvtime is a high quality television application for use with video capture cards on Linux systems. -
110% Gaming 220 Triathlon Magazine 3D World Adviser
110% Gaming 220 Triathlon Magazine 3D World Adviser Evolution Air Gunner Airgun World Android Advisor Angling Times (UK) Argyllshire Advertiser Asian Art Newspaper Auto Car (UK) Auto Express Aviation Classics BBC Good Food BBC History Magazine BBC Wildlife Magazine BIKE (UK) Belfast Telegraph Berkshire Life Bikes Etc Bird Watching (UK) Blackpool Gazette Bloomberg Businessweek (Europe) Buckinghamshire Life Business Traveller CAR (UK) Campbeltown Courier Canal Boat Car Mechanics (UK) Cardmaking and Papercraft Cheshire Life China Daily European Weekly Classic Bike (UK) Classic Car Weekly (UK) Classic Cars (UK) Classic Dirtbike Classic Ford Classic Motorcycle Mechanics Classic Racer Classic Trial Classics Monthly Closer (UK) Comic Heroes Commando Commando Commando Commando Computer Active (UK) Computer Arts Computer Arts Collection Computer Music Computer Shopper Cornwall Life Corporate Adviser Cotswold Life Country Smallholding Country Walking Magazine (UK) Countryfile Magazine Craftseller Crime Scene Cross Stitch Card Shop Cross Stitch Collection Cross Stitch Crazy Cross Stitch Gold Cross Stitcher Custom PC Cycling Plus Cyclist Daily Express Daily Mail Daily Star Daily Star Sunday Dennis the Menace & Gnasher's Epic Magazine Derbyshire Life Devon Life Digital Camera World Digital Photo (UK) Digital SLR Photography Diva (UK) Doctor Who Adventures Dorset EADT Suffolk EDGE EDP Norfolk Easy Cook Edinburgh Evening News Education in Brazil Empire (UK) Employee -
Pressreader Magazine Titles
PRESSREADER: UK MAGAZINE TITLES www.edinburgh.gov.uk/pressreader Computers & Technology Sport & Fitness Arts & Crafts Motoring Android Advisor 220 Triathlon Magazine Amateur Photographer Autocar 110% Gaming Athletics Weekly Cardmaking & Papercraft Auto Express 3D World Bike Cross Stitch Crazy Autosport Computer Active Bikes etc Cross Stitch Gold BBC Top Gear Magazine Computer Arts Bow International Cross Stitcher Car Computer Music Boxing News Digital Camera World Car Mechanics Computer Shopper Carve Digital SLR Photography Classic & Sports Car Custom PC Classic Dirt Bike Digital Photographer Classic Bike Edge Classic Trial Love Knitting for Baby Classic Car weekly iCreate Cycling Plus Love Patchwork & Quilting Classic Cars Imagine FX Cycling Weekly Mollie Makes Classic Ford iPad & Phone User Cyclist N-Photo Classics Monthly Linux Format Four Four Two Papercraft Inspirations Classic Trial Mac Format Golf Monthly Photo Plus Classic Motorcycle Mechanics Mac Life Golf World Practical Photography Classic Racer Macworld Health & Fitness Simply Crochet Evo Maximum PC Horse & Hound Simply Knitting F1 Racing Net Magazine Late Tackle Football Magazine Simply Sewing Fast Bikes PC Advisor Match of the Day The Knitter Fast Car PC Gamer Men’s Health The Simple Things Fast Ford PC Pro Motorcycle Sport & Leisure Today’s Quilter Japanese Performance PlayStation Official Magazine Motor Sport News Wallpaper Land Rover Monthly Retro Gamer Mountain Biking UK World of Cross Stitching MCN Stuff ProCycling Mini Magazine T3 Rugby World More Bikes Tech Advisor -
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
Distribution List Page - 1
R56891A Gordon and Gotch (NZ) Limited 29/05/2018 8:57:12 Distribution List Page - 1 =========================================================================================================================================================== N O R T H I S L A N D ( M i d w e e k ) Issues invoiced in week 27/05/2018 - 2/06/2018 =========================================================================================================================================================== Invoice Recall Trade Retail Title Details Issue Details Date Date Price Price 2000 AD WEEKLY 105030 100080 NO. 2075 31/05/2018 11/06/2018 5.74 8.80 500 SUDOKU PUZZLES 239580 100010 NO. 39 31/05/2018 9/07/2018 4.53 6.95 A/F AEROPLANE MNTHLY 818005 100010 June 31/05/2018 25/06/2018 15.00 23.00 A/F AIRLINER WRLD 818020 100020 June 31/05/2018 25/06/2018 15.59 23.90 A/F AUTOCAR 818030 100080 9 May 31/05/2018 11/06/2018 12.72 19.50 A/F CLASSIC MOTORCYCLE 915600 100010 June 31/05/2018 2/07/2018 11.41 17.50 A/F GUITARIST 818155 100010 June 31/05/2018 25/06/2018 17.93 27.50 A/F INSIDE UNITED 896390 100010 June 31/05/2018 25/06/2018 12.72 19.50 A/F LINUX FORMAT DVD 818185 100010 June 31/05/2018 25/06/2018 18.20 27.90 A/F MATCH OF THE DAY 818215 100080 NO. 504 31/05/2018 11/06/2018 8.80 13.50 A/F MONOCLE> 874655 100020 June 31/05/2018 25/06/2018 16.30 25.00 A/F MOTORSPORT 818245 100010 June 31/05/2018 25/06/2018 13.63 20.90 A/F Q 818270 100010 July 31/05/2018 25/06/2018 14.02 21.50 A/F TOTAL FILM 818335 100010 June 31/05/2018 25/06/2018 10.11 15.50 A/F WOMAN&HOME 818365 100010 June 31/05/2018 25/06/2018 13.04 20.00 A/F YACHTING WRLD 818380 100010 June 31/05/2018 25/06/2018 14.35 22.00 ALL ABOUT SPACE 105505 100010 NO. -
60 Rogue Screen Resolution KNOW$HOW 60
BEFN$?FN Ask Klaus! 8JB BC8LJ 1152x864, 1024x768, 832x624, 800x600, driver and is thus staying with the text- 720x400, and 640x480). mode resolution on the console. However, in System | Preferences | The default and setup resolutions de- Screen Resolution Klaus Knopper is the creator of , the monitor is shown pend on your version of Xorg. I’m not as UNKNOWN despite the name in xorg. sure which version of Xorg is used with Knoppix and co-founder of the conf being PLE1900 (for the iiyama your distribution, but if it is not older E1900S LCD monitor), and the list of res- than about half a year, it should be using LinuxTag expo. He currently olutions now reads 1280x1024, the randr extension, which means: works as a teacher, program- 1280x960, 1280x800, 1280x768, 1024x768, 800x600, and 640x480, own choice for the best resolution for mer, and consultant. If you have though when things went wrong, your card/ monitor combination, 1280x1024 disappeared. The refresh rate Modes settings in /etc/X11/xorg. a configuration problem, or if is 60Hz. conf will probably be ignored, and you just want to learn more Where is the system picking up these resolutions, and how can I eliminate the desktop tools (usually running in the about how Linux works, send 1280x768? desktop panel), such as kandrtray or I used sudo displayconfig-gtk and was lxandr, which remember your last set- your questions to: able to select 1280x1024, and now two ting (hence the difference between dif- of my three users are OK, but although ferent user logins). klaus@linux-magazine. -
Linux for Biologists
Linux for Beginners – Part 2 3CPG Workshop Robert Bukowski Computational Biology Service Unit http://cbsu.tc.cornell.edu/lab/doc/Linux_workshop_Part2_Nov_2011.pdf Topics CBSU/3CPG Lab Part 1: (March Nov. 7, 2011) cbsuwrkst2,3,4 (Linux) Reserving time on 3CPG Lab workstations 3 “interactive” Logging in to a Linux workstation machines with nice consoles (also Terminal window and tricks accessible remotely) Linux directory structure cbsum1c1b00n (Linux) Working with files cbsum1c2b00n (Linux) Working with text files 31 “remote” machines Part 2: (today) cbsulm01,cbsulm02 (Linux, 64 and 500 GB Transferring files to/from workstations RAM) Running applications Note: this will only cover the Linux aspect of running applications; the functionality and the biological aspect will be covered in workshop Using BioHPC Lab Software on Nov. 28, 2011. Basics of scripting (shell and Perl) Note: this will not teach you scripting – just get you started. We are planning a series of workshops on Perl in the fall – stay tuned. In the meantime - use multiple resources online (google “Perl tutorial”, for example). Disk usage guidelines: Local vs. network directories (3CPG LAB – specific) cbsuwrkst2 Network directories / /home, /programs, /shared_data ……… |-- home/bukowski (with all subdirectories) |-- programs/ |-- shared_data/ • Physically located on the file `-- workdir/bukowski server • Visible from all workstations Cbsuwrkstfsrv1 cbsuwrkst3 (file server) • Relatively SLOW access – DO NOT / / run any calculations there, avoid ……… ……… |-- home/bukowski -
Photini Documentation Release 2017.6.0.Dev819
Photini Documentation Release 2017.6.0.dev819 Jim Easterbrook Jun 02, 2017 Contents 1 Introduction 3 1.1 Features..................................................4 1.2 Dependencies...............................................5 1.3 Getting help...............................................6 1.4 Internationalisation............................................6 1.5 Licence..................................................6 2 Installation 9 2.1 All-in-one installer (Windows)......................................9 2.2 Package manager (some Linux distributions).............................. 10 2.3 Dependencies package (some Linux distributions)........................... 10 2.4 Piecemeal installation.......................................... 11 2.5 Essential dependencies.......................................... 11 2.6 Installing Photini............................................. 12 2.7 Running Photini............................................. 14 2.8 Photini documentation.......................................... 14 3 User manual 17 3.1 Image selector.............................................. 17 3.2 Descriptive metadata........................................... 23 3.3 Technical metadata............................................ 29 3.4 Geotagging................................................ 39 3.5 Flickr uploader.............................................. 53 3.6 Google Photos / Picasa uploader..................................... 60 3.7 Facebook uploader............................................ 66 3.8 Image importer............................................. -
Video Editing
SIG Linux / Open Source Software Video Editing Antonio Misaka Sept 10, 2014 Video Editing Agenda ● Video Editors ● Kdenlive ● Kdenlive installation ● Kdenlive configuration ● Kdenlive demonstration Sept. 10, 2014 2/28 Video Editing Video Editors ● Cinelerra (Linux) ● Pitivi (Linux, FreeBSD) ● Kdenlive (Linux, FreeBSD, Mac OS X) ● Kino (Linux, FreeBSD) – Dead – Aug 2013 ● VideoLan Movie Creator – VLMC (Linux, Mac OS X, Windows) -> Unstable Sept. 10, 2014 3/28 Video Editing Cinelerra (Linux) ● Heroine Virtual ● Video editing and compositing software package ● Very high-fidelity audio and video ● Audio 64 bit of precision ● RGBA and YUVA color spaces ● Resolution and frame rate-independent Sept. 10, 2014 4/28 Video Editing Pitivi (Linux, FreeBSD) ● Collabora Multimedia ●1st video default movie editor with Ubuntu 10.04 (Lucid Lynx) ● Removed from Ubuntu 11.10 (Oneiric Ocelot) ● Gnome Foundation – February 2014 €100,000 Sept. 10, 2014 5/28 Video Editing Kdenlive (Linux, FreeBSD) ● All of the formats supported by Ffmpeg ● Supports 4:3 and 16:9 ● Aspect ratios for both PAL, NTSC and various HD standards ● Current version 0.9.8 Sept. 10, 2014 6/28 Video Editing Installation Sept. 10, 2014 7/28 Video Editing Installation Sept. 10, 2014 8/28 Video Editing Configuration Sept. 10, 2014 9/28 Video Editing Configuration Sept. 10, 2014 10/28 Video Editing Configuration Sept. 10, 2014 11/28 Video Editing Configuration Sept. 10, 2014 12/28 Video Editing Configuration Sept. 10, 2014 13/28 Video Editing Configuration Sept. 10, 2014 14/28 Video Editing Configuration Sept. 10, 2014 15/28 Video Editing Configuration Sept. 10, 2014 16/28 Video Editing Configuration Sept. -
Software Libre Y Producción Audiovisual
Software libre y producción audiovisual Taller de post-televisión Tallerista: Ehécatl Cabrera Rancho Electrónico, agosto 2016 Edición de video con FLOSS Herramientas para editar ● La herramienta más bonita (decorada) no siempre es la más efectiva. ● El software privativo nos ha acostumbrado a soluciones mágicas y a funcionalidades “novedosas” pero no siempre necesarias. ● Editar video sólo requiere cortar, mover y superponer pistas. ● Lo más importante no es el editor, sino: – La captura del material (lenguaje audiovisual): ● Operación de cámara: fotografía, continuidad, movimientos de cámara, etc. ● Registro sonoro: audio nítido, atmósferas, música. – Tener nociones de montaje: ● Yuxtaposición y montaje expresivo vs montaje naturalista. ● Ritmo – Conocer principios de animación: ● Modificar propiedades de un clip (video, imagen, sonido) en una línea de tiempo Openshot ● Software libre multiplataforma. ● No necesita instalación (ejecutable). ● Posee las herramientas necesarias para editar video: cortar, arrastrar, sobreponer pistas. ● Admite múltiples formatos. ● Interfaz amigable, similar a cualquier editor de video. ● Útil para ediciones rápidas que no requieren animaciones complejas o corrección de color especializada. ● Página del proyecto: http://www.openshot.org/ Shotcut ● Software libre multiplataforma. ● No necesita instalación (ejecutable). ● Posee las herramientas necesarias para editar video: cortar, arrastrar, sobreponer pistas. Tiene menos efectos que openshot. ● Admite múltiples formatos. ● Interfaz amigable, similar a cualquier editor de video ● Útil para ediciones rápidas que no requieren animaciones complejas o corrección de color especializada. ● Página del proyecto: https://www.shotcut.org/ Kdenlive ● Software libre para GNU/Linux, FreeBSD y Mac (muy compleja instalación) ● Posee herramientas muy completas para editar video. Permite captura de cámaras y trabajo con proxies. ● Admite múltiples formatos. ● Interfaz amigable, similar a cualquier editor de video. -
Linux at The
Linux at the BBC Linux at the BBC What do Strictly Come Dancing, the shipping forecast and open source have in common? They’re all big at the BBC, as Alex Singleton finds out. he British Broadcasting Corporation is the biggest broadcaster in the world. It spends more than £4bn a year and employs 28,000 people. It transmits eight UK television channels, six overseas T channels, countless radio stations in over 200 countries, and has a website with over two million pages. As you’d expect, the BBC’s technical requirements are rather different from those of the average business IT user. Its support contract with Siemens is worth nearly £200m a year, for example, and a technical fault can mean millions of people looking at a blank screen, either on their TV or their computer. The BBC’s research and development team is based at Kingswood Warren, a large country mansion in Surrey. For the staff at Kingswood, Linux is the operating system of choice. They prefer it as a development platform and they find that demanding software runs better on it than it does on Windows. Here Linux-based applications are being developed that push the operating filming with several cameras can easily result in 35 hours of recorded material. system’s use out of its traditional niches and into the heart of the BBC’s work. If recording takes a week, programme-makers can wait days for the tapes to be inputted into an editing system. Ingex eliminates that process by feeding Better for broadcasting the camera output directly into a Linux-based computer with a gigantic hard The BBC’s empire stretches computer equipment to its limits: if a studio is disk.