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Dockerdocker
X86 Exagear Emulation • Android Gaming • Meta Package Installation Year Two Issue #14 Feb 2015 ODROIDMagazine DockerDocker OS Spotlight: Deploying ready-to-use Ubuntu Studio containers for running complex system environments • Interfacing ODROID-C1 with 16 Channel Relay Play with the Weather Board • ODROID-C1 Minimal Install • Device Configuration for Android Development • Remote Desktop using Guacamole What we stand for. We strive to symbolize the edge of technology, future, youth, humanity, and engineering. Our philosophy is based on Developers. And our efforts to keep close relationships with developers around the world. For that, you can always count on having the quality and sophistication that is the hallmark of our products. Simple, modern and distinctive. So you can have the best to accomplish everything you can dream of. We are now shipping the ODROID U3 devices to EU countries! Come and visit our online store to shop! Address: Max-Pollin-Straße 1 85104 Pförring Germany Telephone & Fax phone : +49 (0) 8403 / 920-920 email : [email protected] Our ODROID products can be found at http://bit.ly/1tXPXwe EDITORIAL ow that ODROID Magazine is in its second year, we’ve ex- panded into several social networks in order to make it Neasier for you to ask questions, suggest topics, send article submissions, and be notified whenever the latest issue has been posted. Check out our Google+ page at http://bit.ly/1D7ds9u, our Reddit forum at http://bit. ly/1DyClsP, and our Hardkernel subforum at http://bit.ly/1E66Tm6. If you’ve been following the recent Docker trends, you’ll be excited to find out about some of the pre-built Docker images available for the ODROID, detailed in the second part of our Docker series that began last month. -
Adding Support for Jamendo and Magnatune to Rhythmbox on Linux
Walking in Light with Christ - Faith, Computing, Diary Articles & tips and tricks on GNU/Linux, FreeBSD, Windows, mobile phone articles, religious related texts http://www.pc-freak.net/blog Adding support for Jamendo and Magnatune to Rhythmbox on Linux Author : admin I'm using rhythmbox to play music on my Debian Linux. Rhythmbox is a good substitute for both audacious and xmms. XMMS is already very obsolete and it often crashes because of some of it's plugins. On the other hand audacious is sometimes having problems on my notebook working with it's alsa plugin or pulseaudio especially if I play something in youtube. With audacious my songs sometimes got stucked for some weird reason. With rhythmbox I have never experienced this kind of issues. Considering the fact that I'm a GNOME user rhythmbox is even more attractive for me. During about 2 years ago I've heard about the Jamendo - community of free, legal and unlimited music published under the Creative Commons licenses. Just about 10 months ago I've also discovered magnatune which is also a radio which allows free listening online of it's whole online catalogue. That's why it was really interesting for me to have this two nice music streaming services directly into my rhythmbox. I was very happy to discover that already a plugin that embeds the Jamendo and Magnatune Support to the Rhytmbox program. To enable Rhythmbox to support Magnatune and Jamendo type in your root terminal: debian:~# apt-get install gmpc-plugins gmpc-plugins-dbg debian:~# apt-get rhythmbox-plugins It's very likely that the rhythmbox-plugins might be already installed on your Linux, anyways I put the command above just in case if for some reason it's not installed. -
Withlinux Linux
LINUX JOURNAL MISTERHOUSE | F-SPOT | AJAX | KAFFEINE | ROBOTS | VIDEO CODING An Excerpt from Apress’ Beginning DIGITAL LIFESTYLE DIGITAL Ubuntu Linux: From Novice to Professional ™ Since 1994: The Original Magazine of the Linux Community OCTOBER 2006 | ISSUE 150 | www.linuxjournal.com MisterHouse | AL F-Spot DIGIT | Ajax | Kaffeine LIFESTYLE | ux Robots with LinuxLin | Video Coding Video >> F-Spot Tips >> Working with Digital Images >> H.264 Video Encoding for Low-Bitrate Video | Ubuntu >> Linux-Based Do-It-Yourself Robots >> Share Music with Kaffiene, Amarok, Last.fm and more >> Digital Convenience at Home with Open-Source Technology O >> Maddog’s Travel Gadgets C T O B E >> Using MisterHouse for Home Automation R 2006 AN I S S PUBLICATION U E USA $5.00 150 + Doc Searls Breaks the Marketing Matrix CAN $6.50 U|xaHBEIGy03102ozXv,:! Today, Carlo restored a failed router in Miami, rebooted a Linux server in Tokyo, and remembered someone’s very special day. With Avocent centralized management solutions, the world can finally revolve around you. Avocent puts secure access and control right at your fingertips – from multi-platform servers to network routers, your local data center to branch offices. Our “agentless” out-of-band solution manages your physical and virtual connections (KVM, serial, integrated power, embedded service processors, IPMI and SoL) from a single console. You have guaranteed access to your critical hardware even when in-band methods fail. Let others roll crash carts to troubleshoot – with Avocent, trouble becomes a thing of the past, so you can focus on the present. Visit www.avocent.com/special to download Data Center Control: Guidelines to Achieve Centralized Management white paper. -
Ubuntu Kung Fu
Prepared exclusively for Alison Tyler Download at Boykma.Com What readers are saying about Ubuntu Kung Fu Ubuntu Kung Fu is excellent. The tips are fun and the hope of discov- ering hidden gems makes it a worthwhile task. John Southern Former editor of Linux Magazine I enjoyed Ubuntu Kung Fu and learned some new things. I would rec- ommend this book—nice tips and a lot of fun to be had. Carthik Sharma Creator of the Ubuntu Blog (http://ubuntu.wordpress.com) Wow! There are some great tips here! I have used Ubuntu since April 2005, starting with version 5.04. I found much in this book to inspire me and to teach me, and it answered lingering questions I didn’t know I had. The book is a good resource that I will gladly recommend to both newcomers and veteran users. Matthew Helmke Administrator, Ubuntu Forums Ubuntu Kung Fu is a fantastic compendium of useful, uncommon Ubuntu knowledge. Eric Hewitt Consultant, LiveLogic, LLC Prepared exclusively for Alison Tyler Download at Boykma.Com Ubuntu Kung Fu Tips, Tricks, Hints, and Hacks Keir Thomas The Pragmatic Bookshelf Raleigh, North Carolina Dallas, Texas Prepared exclusively for Alison Tyler Download at Boykma.Com Many of the designations used by manufacturers and sellers to distinguish their prod- ucts are claimed as trademarks. Where those designations appear in this book, and The Pragmatic Programmers, LLC was aware of a trademark claim, the designations have been printed in initial capital letters or in all capitals. The Pragmatic Starter Kit, The Pragmatic Programmer, Pragmatic Programming, Pragmatic Bookshelf and the linking g device are trademarks of The Pragmatic Programmers, LLC. -
Working with Digital Video
Working with digital video By admin Published: 10/04/2007 - 08:35 Peter Westenberg , October 2007 Working with digital video is part of many artistic disciplines. Besides single screen narratives, video productions can range from animation, multiple screen installation to interactive work. Still, many aspects of digital video can be traced back to the history of film. The interface of a timeline editing software such as Cinelerra [1] shows a multitrack timeline, a viewing monitor, a bin for clips; echoing the setup of a flatbed table for editing celluloid. A dual head set up Cinelerra work station The physical materiality of film and video are fundamentaly different: celluloid versus pixels, chemicals versus algorhytms, but the relationship between film and video has mutually matured. As outlined by Matt Hanson [1b] , video expands cinematographic traditions in new directions, filmmakers can benefit from digitisation by reclaiming the central position of creativity in the film process, as pointed out by Samira Makhmalbaf. [1c] 1 / 28 An 'Old Delft Cinemonta' 16mm editing table in use at the Filmwerkplaats in Rotterdam Digital video also roots in artistic practices of the sixties and seventies. [1a] Artists started using video to capture temporary performances (Joan Jonas [2] , Vito Acconci [3] ), they integrated video monitors in installations (Nam June Paik [4] ), experimented with filters and mixing in video paintings (Peter Campus [5] ). Compared to film cameras, video cameras had a strong feature: it became possible connect a monitor and view directly what the camera recorded. Today, artists can use softwares such as Lives [5] , Jahshaka [6] , Zone Minder [7] or Pure Data [8] and Linux distributions aimed at audio and visual creation such as Dyne:bolic [9] Apodio [10] and Ubuntu Studio [11] to further explore the possibilities of real time video, multiple camera input and live interaction. -
THE AUDIOVISUAL BREAKTHROUGH Ana Carvalho
THE AUDIOVISUAL BREAKTHROUGH Ana Carvalho and Cornelia Lund (eds.) 21 41 83 109 129 THE AUDIOVISUAL BREAKTHROUGH 7 PRACTICE AND DISCOURSE. AN INTRODUCTION AS MANUAL Ana Carvalho and Cornelia Lund The Audiovisual Breakthrough guides us across the landscape of artistic live practi- ces that present sound and image through technological means. This landscape has been radically reshaped during the last 20 years due to technological developments causing what we might call an “audiovisual breakthrough,” which means that audio- visual artistic production has gained a certain visibility and a certain, even institutionalized, standing. The main objective of this book, however, is not to portray this landscape with its main players and their activities, but to find out more about the underlying concepts that help us explain these activities. � Whoever has been trying to write an academic or curatorial text on this area has probably felt trapped in a confusing web of unclear, or even inconsistent, definitions. Visual music, expanded cinema, VJing, live cinema, and live audiovisual performance are the most widely used concepts here, each of these terms addressing a different angle of contemporary audiovisual pro- duction contextualized within specific fea- tures and a related history. Holding this in mind, The Audiovisual Breakthrough aims at developing useful definitions for both the theoretical debate and the performance obvious that clarifications were needed for context. � � � We might of course say— meaningful communication about and with- especially as performers—that we “really 9 in the field of artistic AV production to be don’t care” and that we are “more interested possible in the future. -
Instalación Y Configuración De Un Cluster De Alta Disponibilidad Con Reparto De Carga
UNIVERSIDAD POLITÉCNICA DE VALENCIA Máster en Ingeniería de Computadores INSTALACIÓN Y CONFIGURACIÓN DE UN CLUSTER DE ALTA DISPONIBILIDAD CON REPARTO DE CARGA SERVIDOR WEB Y MAQUINAS VIRTUALES Alumno: Lenin Alcántara Roa. Director: Pedro López Rodríguez. Febrero 2014 Febrero de 2014 2 Universidad Politécnica de Valencia Febrero de 2014 ÍNDICE 1. INTRODUCCIÓN 5 1.1. Objetivos 6 1.2. Motivación 6 1.3. Resumen 6 2. ESTADO DEL ARTE 7 2.1. ¿Qué es un Cluster? 7 2.2. Clustering de Alta Disponibilidad con Linux 15 2.3. Sistemas Operativos 17 3. ENTORNO TECNOLOGICO 28 3.1. Programación Bash 28 3.2. Servidor DNS 29 3.3. Servidor NFS 29 3.4. Servidor DHCP 30 3.5. Servidor PXE 32 3.6. Servicio dnsmasq 34 3.7. Servicio NIS 35 3.8. Condor 36 3.9. MPI 37 3.10. Almacenamiento RAID 38 3.11. Servicio LVS 42 3.12. Alta Disponibilidad: Corosync, Pacemaker y ldirectord 43 3.13. Virtualización con Linux 44 4. DESCRIPCIÓN DE LA SOLUCIÓN 47 4.1. Configuración del Cluster 48 4.2. Instalación del Sistema Operativo en el Cluster 50 4.3. Administración del Sistema 59 4.4. Almacenamiento 65 4.5. Equilibrado de Carga 66 4.6. Alta Disponibilidad 68 4.7. Sistema de Máquinas Virtuales 70 5. PRUEBAS 73 5.1. Servidor Web 73 5.1.1. Reparto de Carga 73 5.1.2. Alta Disponibilidad 77 5.1.3. Evaluación del Servidor Web 80 5.2. Sistema de Máquinas Virtuales 84 6. CONCLUSIONES 89 6.1. Trabajo Futuro 90 7. BIBLIOGRAFÍA 91 Universidad Politécnica de Valencia 3 Febrero de 2014 4 Universidad Politécnica de Valencia Febrero de 2014 1. -
JAM SE User Guide
The Music Player Remote Control © 2006-2008 Winfried Klum V1.3 B E T A Overview JAM SE is a free mobile application for a range of Java enabled mobile phones that allows you to control your music collection from your phone, using Bluetooth. JAM SE requires a Server supporting the Bemused Protocol and a PC with a Bluetooth adapter. Browse or search your music collection on your phone, play most files supported by your music player including MP3s, CDs, etc. Control your music player. Pause, stop, rewind, forward your playlist, add songs to the playlist, use shuffle and repeat and control the volume of your player. Browse and select songs in your playlist, download songs to your phone, customize the look of your application with skins. JAM SE Installation Jam SE Server Installation The JAM SE Server Installer contains Server, Mobile Installer, and the jlGUI Music Player. There is no need to configure the setup. After installation you can deploy JAM SE to your phone using the Mobile Installer. Mobile Installer From the drop down box you can choose your phone manufacturer. If your manufacturer is not listed use the 'Other' option. IMPORTANT: If you have already installed an older version of JAM SE, please make sure that you delete the old version from your phone prior to installation. On the next wizard page you can choose your model. If you choose 'Other' you can choose a GENERIC version of JAM SE by screen size. You can choose between two deployment types. Bluetooth deployment is the easiest way to install JAM SE on your phone. -
“Laboratório” De T V Digital Usando Softw Are Open Source
“Laboratório” de TV digital usando software open source Objectivos Realizar uma pesquisa de software Open Source, nomeadamente o que está disponível em Sourceforge.net relacionado com a implementação de operações de processamento de sinais audiovisuais que tipicamente existem em sistemas de produção de TV digital. Devem ser identificadas aplicações para: • aquisição de vídeo, som e imagem • codificação com diferentes formatos (MPEG-2, MPEG-4, JPEG, etc.) • conversão entre formatos • pré e pós processamento (tal como filtragens) • edição • anotação Instalação dos programas e teste das suas funcionalidades. Linux Aquisição Filtros Codificação :: VLC :: Xine :: Ffmpeg :: Kino (DV) :: VLC :: Transcode :: Tvtime Television Viewer (TV) :: Video4Linux Grab Edição :: Mpeg4IP :: Kino (DV) Conversão :: Jashaka :: Kino :: Cinelerra :: VLC Playback :: Freej :: VLC :: FFMpeg :: Effectv :: MJPEG Tools :: PlayerYUV :: Lives :: Videometer :: MPlayer Anotação :: Xmovie :: Agtoolkit :: Video Squirrel VLC (VideoLan Client) VLC - the cross-platform media player and streaming server. VLC media player is a highly portable multimedia player for various audio and video formats (MPEG-1, MPEG-2, MPEG-4, DivX, mp3, ogg, ...) as well as DVDs, VCDs, and various streaming protocols. It can also be used as a server to stream in unicast or multicast in IPv4 or IPv6 on a high-bandwidth network. http://www.videolan.org/ Kino (DV) Kino is a non-linear DV editor for GNU/Linux. It features excellent integration with IEEE-1394 for capture, VTR control, and recording back to the camera. It captures video to disk in Raw DV and AVI format, in both type-1 DV and type-2 DV (separate audio stream) encodings. http://www.kinodv.org/ Tvtime Television Viewer (TV) Tvtime is a high quality television application for use with video capture cards on Linux systems. -
Two UCSD Students Injured in Car Accident
[ . Elsewhere Gon Clubbin' News Flash! GI ibermania Employ... The Division III National 'Star Wars: Episode /' is onLy The 'Third Annual Live Arr.. ed for Drugs Championships get off to slow a movie - pLease adjust your Gleib Show' went off with BERKELEY - Two start in Massachusetts pathetic Lives accordingLy out a hitch last Thursday employees of the Blue Heaven drugstore on Sports, page 16 Opinion, page 4 Hiatus, page 8 Telegraph Avenue were arrested last Friday, accused of selling an over-the-counter , H E c 5 D drug with the knowledge that u their customers intended to use it to make methampheta mine. The suspects allegedly sold 98,000 pseudoephedrine pills to undercover agents. Officials said that up to nine pounds of methamphetamine could be produced from the amount of pseudoephedrine that was purchased by the UC SAN DIEGO THURSDAY, MAY 20,1999 VOLUME 97, ISSUE 16 agents. The pair will appear in federal court in Oakland on May 28. If found guilty, they could face up to 20 RETURN OF THE FORCE A.S. Council years in prison, as well as fines of up to $250,000. - The Daily Californian Approves UnIversity, NFL Team New Budget to .... Staclum SEATI1..E, Wash. - The FINANCE: Members University of Washington decided last night how to and the Seattle Seahawks have reached an agreement spend student fees next year to share the Husky Stadium By VIncent Gragnanl . for the 2000 and 200 I sea Senior Staff Writer sons, pending approval by The A.S. Council spent almost two the UW Board of Regents. -
Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
Clustering with Openmosix
Clustering with openMosix Maurizio Davini (Department of Physics and INFN Pisa) Presented by Enrico Mazzoni (INFN Pisa) Introduction • What is openMosix? – Single-System Image – Preemptive Process Migration – The openMosix File System (MFS) • Application Fields • openMosix vs Beowulf • The people behind openMosix • The openMosix GNU project • Fork of openMosix code 12/06/2003 HTASC 2 The openMosix Project MileStones • Born early 80s on PDP-11/70. One full PDP and disk-less PDP, therefore process migration idea. • First implementation on BSD/pdp as MS.c thesis. • VAX 11/780 implementation (different word size, different memory architecture) • Motorola / VME bus implementation as Ph.D. thesis in 1993 for under contract from IDF (Israeli Defence Forces) • 1994 BSDi version • GNU and Linux since 1997 • Contributed dozens of patches to the standard Linux kernel • Split Mosix / openMosix November 2001 • Mosix standard in Linux 2.5? 12/06/2003 HTASC 3 What is openMOSIX • Linux kernel extension (2.4.20) for clustering • Single System Image - like an SMP, for: – No need to modify applications – Adaptive resource management to dynamic load characteristics (CPU intensive, RAM intensive, I/O etc.) – Linear scalability (unlike SMP) 12/06/2003 HTASC 4 A two tier technology 1. Information gathering and dissemination – Support scalable configurations by probabilistic dissemination algorithms – Same overhead for 16 nodes or 2056 nodes 2. Pre-emptive process migration that can migrate any process, anywhere, anytime - transparently – Supervised by adaptive