Aspects of Modernism in the Works of CS Lewis, JRR Tolkien and Charles
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Mythlore Index Plus
MYTHLORE INDEX PLUS MYTHLORE ISSUES 1–137 with Tolkien Journal Mythcon Conference Proceedings Mythopoeic Press Publications Compiled by Janet Brennan Croft and Edith Crowe 2020. This work, exclusive of the illustrations, is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Tim Kirk’s illustrations are reproduced from early issues of Mythlore with his kind permission. Sarah Beach’s illustrations are reproduced from early issues of Mythlore with her kind permission. Copyright Sarah L. Beach 2007. MYTHLORE INDEX PLUS An Index to Selected Publications of The Mythopoeic Society MYTHLORE, ISSUES 1–137 TOLKIEN JOURNAL, ISSUES 1–18 MYTHOPOEIC PRESS PUBLICATIONS AND MYTHCON CONFERENCE PROCEEDINGS COMPILED BY JANET BRENNAN CROFT AND EDITH CROWE Mythlore, January 1969 through Fall/Winter 2020, Issues 1–137, Volume 1.1 through 39.1 Tolkien Journal, Spring 1965 through 1976, Issues 1–18, Volume 1.1 through 5.4 Chad Walsh Reviews C.S. Lewis, The Masques of Amen House, Sayers on Holmes, The Pedant and the Shuffly, Tolkien on Film, The Travelling Rug, Past Watchful Dragons, The Intersection of Fantasy and Native America, Perilous and Fair, and Baptism of Fire Narnia Conference; Mythcon I, II, III, XVI, XXIII, and XXIX Table of Contents INTRODUCTION Janet Brennan Croft .....................................................................................................................................1 -
The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J. -
Tolkien's Women: the Medieval Modern in the Lord of the Rings
Tolkien’s Women: The Medieval Modern in The Lord of the Rings Jon Michael Darga Tolkien’s Women: The Medieval Modern in The Lord of the Rings by Jon Michael Darga A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Winter 2014 © 2014 Jon Michael Darga For my cohort, for the support and for the laughter Acknowledgements My thanks go, first and foremost, to my advisor Andrea Zemgulys. She took a risk agreeing to work with a student she had never met on a book she had no academic experience in, and in doing so she gave me the opportunity of my undergraduate career. Andrea knew exactly when to provide her input and when it was best to prod and encourage me and then step out of the way; yet she was always there if I needed her, and every book that she recommended opened up a significant new argument that changed my thesis for the better. The independence and guidance she gave me has resulted in a project I am so, so proud of, and so grateful to her for. I feel so lucky to have had an advisor who could make me laugh while telling me how badly my thesis needed work, who didn’t judge me when I came to her sleep-deprived or couldn’t express myself, and who shared my passion through her willingness to join and guide me on this ride. Her constant encouragement kept me going. I also owe a distinct debt of gratitude to Gillian White, who led my cohort during the fall semester. -
Study Guides
Study Guides for Inklings of Glory These guides integrate Bible study, prayer, and worship to help us appreciate how Tolkien, Lewis, and Sayers’s stories can transform our vision to glimpse God’s glory-reflected dignity in human beings Christian Reflection and profoundly sacrificial moral demands. Use them individually or A Series in Faith and Ethics in a series. You may reproduce them for personal or group use. The Baptized Imagination 2 How do stories transform moral vision? The stories of Tolkien, Lewis, and Sayers enable us to see “the enduring goodness at the heart of all things and our fundamental connection with all creation.” They nourish our deep hunger for transcendence, significance, and community. Irrigating Deserts with Moral Imagination 4 (C. S. Lewis) Without imagination, moral education is a wasteland of abstract reflections on principles that we might never put into practice. With imagination, we connect principles to everyday life and relate to the injustices others face when we picture what they experience. Stories develop our moral imagination and nurture the judgments of our heart. Permanent Things (C. S. Lewis) 6 In his fiction Lewis displays “the permanent things”— those features of the moral order to the cosmos that in turn hold all cultures and eras accountable. Can this natural order, because it commends itself to reason and lies beyond current political fashions, be a bridge between Christian and non-Christian morality? Frodo’s Forgiveness (J. R. R. Tolkien) 8 Tolkien captures the transcendent quality of love, utterly unknown either to warrior cultures of the ancient world or to our equally merciless culture of consumption. -
Volume 1 a Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S
Inklings Forever Volume 1 A Collection of Essays Presented at the First Frances White Ewbank Colloquium on C.S. Lewis & Article 1 Friends 1997 Full Issue 1997 (Volume 1) Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation (1997) "Full Issue 1997 (Volume 1)," Inklings Forever: Vol. 1 , Article 1. Available at: https://pillars.taylor.edu/inklings_forever/vol1/iss1/1 This Full Issue is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. INKLINGS FOREVER A Collection of Essays Presented at tlte First FRANCES WHITE EWBANK COLLOQUIUM on C.S. LEWIS AND FRIENDS II ~ November 13-15, 1997 Taylor University Upland, Indiana ~'...... - · · .~ ·,.-: :( ·!' '- ~- '·' "'!h .. ....... .u; ~l ' ::-t • J. ..~ ,.. _r '· ,. 1' !. ' INKLINGS FOREVER A Collection of Essays Presented at the Fh"St FRANCES WHITE EWBANK COLLOQliTUM on C.S. LEWIS AND FRIENDS Novem.ber 13-15, 1997 Published by Taylor University's Lewis and J1nends Committee July1998 This collection is dedicated to Francis White Ewbank Lewis scholar, professor, and friend to students for over fifty years ACKNOWLEDGMENTS David Neuhauser, Professor Emeritus at Taylor and Chair of the Lewis and Friends Committee, had the vision, initiative, and fortitude to take the colloquium from dream to reality. Other committee members who helped in all phases of the colloquium include Faye Chechowich, David Dickey, Bonnie Houser, Dwight Jessup, Pam Jordan, Art White, and Daryl Yost. -
Mythlore at 50
Volume 37 Number 2 Article 2 Spring 4-17-2019 Mythlore at 50 Janet Brennan Croft Rutgers University - New Brunswick/Piscataway Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Croft, Janet Brennan (2019) "Mythlore at 50," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 37 : No. 2 , Article 2. Available at: https://dc.swosu.edu/mythlore/vol37/iss2/2 This Note is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract A plan to publish a joural representing the interests of the members of The Mythopoeic Society was announced in 1968 by the late Glen GoodKnight, who founded the society in 1967. Mythlore published its first issue on 3 January 1969, timed for J.R.R. Tolkien’s birthday. One early announcement of the journal appeared in Locus in late 1968: It was inevitable that the Mythopoeic Society would start its own journal or fanzine. -
The Narnia Code: C
!!!! uif Obsojb!Dpef D/!T/!MFXJT BOE!UIF!TFDSFU! PG!UIF! TFWFO!IFBWFOT NJDIBFM!XBSE Uzoebmf!Ipvtf!Qvcmjtifst-!Jod/ Dbspm!Tusfbn-!Jmmjopjt TheNarniaCode.indd iii 8/26/2010 10:23:20 AM Visit Tyndale’s exciting Web site at www.tyndale.com. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. The Narnia Code: C. S. Lewis and the Secret of the Seven Heavens Narnia is a trademark of C. S. Lewis (Pte) Ltd. Copyright © 2010 by Michael Ward. All rights reserved. Based on the book Planet Narnia, previously published by Oxford University Press under ISBN 978-0-19-531387-1. Visit www.planetnarnia.com. North American edition published with permission of Paternoster, a division of Authentic Media, Ltd. Cover photograph of lion copyright © memoossa/stock.xchng. All rights reserved. Cover photograph of sky copyright © by Sabine Fischer/phoenixstudios.de. All rights reserved. Chapter opener illustrations by Timothy Botts. Copyright © by Tyndale House Publishers, Inc. All rights reserved. Astronomy diagram from Cosmographia by Peter Apian, c. 1585. The Jupiter by Hans Sebald Beham. Copyright © by The Warburg Institute. All rights reserved. Photograph of Mars mural copyright © Floriano Rescigno/iStockphoto. All rights reserved. Photograph of Apollo Sauroctonus by The Warburg Institute. Photograph of Luna by The Warburg Institute. Photograph of Mercury by kind permission of Christ Church, Oxford. Photograph by Michael Ward. Venus painting by Bartholomeus van der Helst. Photograph of Father Time by Carol Highsmith. Illustration of Wisemen by Gustave Dore, The Dore Bible Illustrations. Copyright © by Dover Publications. All rights reserved. Author photo copyright © 2010 by William Clayton, www.williamclayton.com. -
Myth in CS Lewis's Perelandra
Walls 1 A Hierarchy of Love: Myth in C.S. Lewis’s Perelandra A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English by Joseph Robert Walls May 2012 Walls 2 Liberty University School of Communication Master of Arts in English _______________________________________________________________________ Thesis Chair Date Dr. Branson Woodard, D.A. _______________________________________________________________________ First Reader Date Dr. Carl Curtis, Ph.D. _______________________________________________________________________ Second Reader Date Dr. Mary Elizabeth Davis, Ph.D. Walls 3 For Alyson Your continual encouragement, support, and empathy are invaluable to me. Walls 4 Contents Introduction......................................................................................................................................5 Chapter 1: Understanding Symbol, Myth, and Allegory in Perelandra........................................11 Chapter 2: Myth and Sacramentalism Through Character ............................................................32 Chapter 3: On Depictions of Evil...................................................................................................59 Chapter 4: Mythical Interaction with Landscape...........................................................................74 A Conclusion Transposed..............................................................................................................91 Works Cited ...................................................................................................................................94 -
13 Reflections on Tolkien's Use of Beowulf
13 Reflections on Tolkien’s Use of Beowulf Arne Zettersten University of Copenhagen Beowulf, the famous Anglo-Saxon heroic poem, and The Lord of the Rings by J.R.R. Tolkien, “The Author of the Century”, 1 have been thor- oughly analysed and compared by a variety of scholars.2 It seems most appropriate to discuss similar aspects of The Lord of the Rings in a Festschrift presented to Nils-Lennart Johannesson with a view to his own commentaries on the language of Tolkien’s fiction. The immediate pur- pose of this article is not to present a problem-solving essay but instead to explain how close I was to Tolkien’s own research and his activities in Oxford during the last thirteen years of his life. As the article unfolds, we realise more and more that Beowulf meant a great deal to Tolkien, cul- minating in Christopher Tolkien’s unexpected edition of the translation of Beowulf, completed by J.R.R. Tolkien as early as 1926. Beowulf has always been respected in its position as the oldest Germanic heroic poem.3 I myself accept the conclusion that the poem came into existence around 720–730 A.D. in spite of the fact that there is still considerable debate over the dating. The only preserved copy (British Library MS. Cotton Vitellius A.15) was most probably com- pleted at the beginning of the eleventh century. 1 See Shippey, J.R.R. Tolkien: Author of the Century, 2000. 2 See Shippey, T.A., The Road to Middle-earth, 1982, Pearce, Joseph, Tolkien. -
Tolkien's Lost Knights
Volume 39 Number 1 Article 9 Fall 10-15-2020 Tolkien's Lost Knights Ben Reinhard Christendom College Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Reinhard, Ben (2020) "Tolkien's Lost Knights," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 39 : No. 1 , Article 9. Available at: https://dc.swosu.edu/mythlore/vol39/iss1/9 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol39/iss1/9 OLKIEN ’S L OST KNIGHTS BEN REINHARD OLKIEN IS OFTEN CONSIDERED A STOLIDLY TRADITIONAL and even reactionary T author, and for good reason. Tolkien himself seemed almost to welcome the labels, and his debt to traditional models is obvious to all. -
Or, There and Back Again
Please do not remove this page The Name of the Ring; or, There and Back Again Croft, Janet Brennan https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643405330004646?l#13643524790004646 Croft, J. B. (2017). The Name of the Ring; or, There and Back Again. Mythlore, 35(2), 81–94. https://doi.org/10.7282/T3XP77CV This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/10/01 14:58:43 -0400 HE NAME OF THE RING: OR, THERE AND BACK AGAIN JANET BRENNAN CROFT HE WHOLE OF ‘MIDDLE-EARTH’ WAS MORGOTH’S RING” (Morgoth’s Ring “T [MR] 400). What did Tolkien mean by this somewhat cryptic statement, which appears in an unpublished essay titled “Notes on motives in The Silmarillion” and nowhere else, and from which the tenth volume of The History of Middle-earth takes its title? Tolkien goes on to explain that Morgoth’s power was “disseminated” throughout Middle-earth; that it was “nowhere absent” though “nowhere absolute,” and was a prerequisite for using any sort of matter towards an evil magical end. If Arda is Morgoth’s Ring, with his power infusing the whole world, and Sauron’s “relatively smaller” power is, in comparison, “concentrated” in the Ring of his own making (MR 400), what might this imply if we follow this thread to the tangled knot at its end? In Middle-earth, it seems that evil suffers a steady decline from the cosmic to the petty over the course of “the long defeat” of Arda, in the same way that Verlyn Flieger demonstrates that Light in the legendarium appears in “progressively lessening intensities [, e]ach light […] dimmer than the one before it, splintered by Tolkien’s sub-creators” (Splintered Light, 60). -
The Christian Mythology of CS Lewis and JRR Tolkien
Western Kentucky University TopSCHOLAR® Honors College Capstone Experience/Thesis Honors College at WKU Projects 2010 Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien Laura Anne Hess Western Kentucky University Follow this and additional works at: http://digitalcommons.wku.edu/stu_hon_theses Part of the Philosophy Commons, and the Religion Commons Recommended Citation Hess, Laura Anne, "Roads to the Great Eucatastrophie: The hrC istian Mythology of C.S. Lewis and J.R.R. Tolkien" (2010). Honors College Capstone Experience/Thesis Projects. Paper 237. http://digitalcommons.wku.edu/stu_hon_theses/237 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Honors College Capstone Experience/ Thesis Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. Copyright by Laura Ann Hess 2010 ABSTRACT The purpose of this thesis is to analyze how C.S. Lewis and J.R.R. Tolkien created mythology that is fundamentally Christian but in vastly different ways. This task will be accomplished by examining the childhood and early adult life of both Lewis and Tolkien, as well as the effect their close friendship had on their writing, and by performing a detailed literary analysis of some of their mythological works. After an introduction, the second and third chapters will scrutinize the elements of their childhood and adolescence that shaped their later mythology. The next chapter will look at the importance of their Christian faith in their writing process, with special attention to Tolkien’s writing philosophy as explained in “On Fairy-Stories.” The fifth chapter analyzes the effect that Lewis and Tolkien’s friendship had on their writing, in conjunction with the effect of their literary club, the Inklings.