Edited by Harriet Monroe
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Ina Coolbrith of California's "Overland Trinity95 by BENJAMIN DE CASSERES
Boolcs and the Book World of The Sun, December 7, 1919. 15 Ina Coolbrith of California's "Overland Trinity95 By BENJAMIN DE CASSERES. written, you know. I have just sent down ASTWARD the star of literary cm-- town for one of my books, want 'A J and I pire takes its way. After twenty-liv-e to paste a photograph as well as auto- years Ina Donna Coolbrith, crowned graph in it to mail to you. poet laureate of California by the Panama-P- "The old Oakland literary days! Do acific Exposition, has returned to yon know you were the first. one who ever New York. Her house on Russian Hill, complimented me on my choice of reading San Francisco, the aristocratic Olympus matter? Nobody at home bothered then-hea- of the Musaj of the Pacific slope, stands over what I read. I was an eager, empty. thirsty, hungry little kid and one day It is as though California had closed a k'Prsmmm mm m:mmm at the library I drew out a volume on golden page of literary and artistic mem- Pizzaro in Pern (I was ten years old). ories in her great epic for the life of You got the book and stamped it for me; Miss Coolbrith 'almost spans the life of and as you handed it to me you praised California itself. Her active and acuto me for reading books of that nature. , brain is a storehouse of memories and "Proud ! If you only knew how proud ' anecdote of those who have immortalized your words made me! For I thought a her State in literature Bret Harte, Joa- great deal of you. -
Tours for Visitors
EDITORIAL PAGE DETROIT, OF THE E-S JULY 12. 1941 Bastille Day New Deal Battle of Russia Willkie Tends Mussolini EXT Mondav July Vl. v, II bo an anniversary in Blinds Nation, To Open War, Fake .Among Nri France w! .. t: ' rve with poignant memories and in utt«i sadness but in an atmosphere of national pride in which f ' .n hopes are kindled. Brown Says General Hints Dictators There is in the city it Pans t.tday a public square, called the Plate Do La Bashlle. in the «enter of which Decision on Draft Term Urges U. S. to Insist He's Ridiculous, Rapid!/ rises a marble monument to .height of 151 feet. It marks th* site <f om- of tiie truly dread institutions Can Open Eyes on Iceland Facts Becoming Pathetic of all human hisvon and * xpt li' Ucc, the infamous Bastille By of the old French monarchy. lly <i. ROTH WELL BROWN By HI GH S. JOHNSON BENJAMIN DE CASSERES ¦’ has anything more I HAVE noticed: w; s fht h. : i ... '>’l! prison which the hern steadily TF THERE is This (CONGRESS * on hoodwinked by the New Deal impudent and arrogant than That men who can't French revolutionists t re ti-tvvn stone by stone July 11. eight for more than years. British Prime Minister Church- late their own Itves are always c«-ntun« it had been a symbol of the It ha *1 never learned its lesson 17*9. For dim ill's complaint about United blue-printing a “post-war" pro- over the jMxiple. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
Friedrich Nietzsche's Reception As a Marker of American Intellectual Culture
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-2004 Friedrich Nietzsche's reception as a marker of American intellectual culture : Crane Brinton and Walter Kaufmann's interpretations during the World War II and postwar eras David Marshall Schilling Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Part of the History Commons Recommended Citation Schilling, David Marshall, "Friedrich Nietzsche's reception as a marker of American intellectual culture : Crane Brinton and Walter Kaufmann's interpretations during the World War II and postwar eras" (2004). Master's Theses. Paper 967. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Friedrich Nietzsche's Reception as a Marker of American Intellectual Culture: Crane Brinton and Walter Kaufmann's Interpretations during the World War II and Postwar Eras By David M. Schilling A Thesis Submitted in Candidacy for the Degree of Master of Arts The University of Richmond, 2004 Professor Hugh A. West, Thesis Director ABSTRACT Friedrich Nietzsche's philosophy has endured a torrent of both insightful analysis and faulty interpretation in America. This thesis seeks to examine a comer of this intellectual history, specifically some of the connections between political events and American readers' reception of Nietzsche's work. Chapter 1 introduces the study, arguing that an intellectual row created during the World War I era persisted into the Depression and World War II years. -
Little Magazines Suzanne W
14 Little Magazines Suzanne W. Churchill The Little Magazine and the Making of New Artistic Forms New York, 1917: Patriotism is surging as fighting rages across Europe and the United States gears up to join the Great War. Democracy is at risk. To strengthen its foothold and “bring democracy to the art world,” a group of Americans and Europeans form the Society of Independent Artists and host an unprecedented event: an art exhibition with no jury or prizes, no arbiters of taste or hierarchies of value (Watson 280–81). For a $6 fee, any artist can exhibit work at the Grand Central Palace. French émigré and agent provocateur Marcel Duchamp determines to test the Society’s democratic principles. Under the pseudonym “R. Mutt,” he submits an overturned urinal, set on a black pedestal and entitled Fountain. An argument erupts among the directors about whether to accept the submission: one faction condemns it as an obscene joke, while the other defends it as an expression of artistic freedom. In the heat of the moment, no one recognizes that it is both. The board rejects Fountain, with director William Glackens declaring, “It is, by no definition, a work of art” (qtd. in Watson 314). The urinal disappeared, and no one knows what exactly happened to it (Watson 318). But Fountain was preserved in a photograph taken by Alfred Stieglitz and pub- lished in the Blindman, a little magazine issued shortly after the Independents exhibi- tion opened. By publishing this photograph, along with essays defending the artistic legitimacy of Fountain, the Blindman initiated a process through which an irreverent new form – in this case a utilitarian, mechanically produced object – could be recog- nized, circulated, and ultimately sanctified as one of the most important artworks of the twentieth century. -
A Magazine of Verse Edited by Harriet Monroe July 1918
Vol. XII No. IV A Magazine of Verse Edited by Harriet Monroe July 1918 Prairie by Carl Sandburg Kaleidoscope by Marsden Hartley D. H. Lawrence, Eloise Robinson, William Carlos Williams Poems by Children 543 Cass Street. Chicago $2.00 per Year Single Numbers 20c There ia no magazine published in this country which has brought me such delight as your POETRY. I loved it from the beginning of its existence, and 1 hope that it may live forever. A Subscriber POETRY for JULY, 1918 PAGE Prairie Carl Sandburg 175 Island Song Robert Paini Scripps 185 Moonrise—People D.H. Lawrence 186 Sacrament Pauline D. Partridge 187 The Trees Eloise Robinson 188 Crépuscule Maxwell Struthers Burt 189 There Was a Rose—An Old Man's Weariness Arthur L. Phelps 190 The Screech Owl J.E.Scruggs 191 Le Médecin Malgré Lui William Carlos Williams 192 Plums P. T. R. 193 • To a Phrase ' Hazel Hall 194 Kaleidoscope Marsden Hartley 195 In the Frail Wood—Spinsters—Her Daughter—After Battle I-III Poems by Children : Fairy Footsteps I-VIII Hilda Conkling 202 Sparkles I-III Elmond Franklin McNaught 205 In the Morning Juliana Allison Bond 205 Ripples I-IV Evans Krehbiel 206 Mr. Jepson's Slam H.M. 208 The New Postal Rate H. M. 212 Reviews: As Others See Us Alfred Kreymborg 214 Mr. O'Neil's Carvings Emanuel Carnevali 225 Correspondence: Of Puritans, Philistines and Pessimists .... A. CH. 228 An Anthology of 1842 Willard Wattles 230 Notes and Books Received 231 Manuscripts must be accompanied by a stamped and self-addressed envelope. -
Michael Monahan and His Little Known Little Magazine
MICHAEL MONAHAN AND HIS LITTLE KNOWN LITTLE MAGAZINE BY HERBERT F. SMITH HE first decades of this century were, in terms of literature, an exciting period of experimentation, revolt, re-evaluation. American literary innovators were fanning a blaze that they hoped would consume the piles of Victorian gingerbread that had been accumulating in American literature for half a century. Not the least of these, though among the least remembered, was Michael Monahan, a revolutionist in letters who, from 1904 to 1916, published a magazine that had an influence on American lit- erature that probably extended beyond its meager circulation. Monahan's apprenticeship to literature was an unusual one. He was born in County Cork, Ireland, on April 6, 1865. His father, a schoolmaster, gave him perhaps a little more education than was customary for a youth of that place and time. Nonetheless, it was doubtless more his native talent than his education that prompted the editor of the Albany Press to give him a job as a reporter when he emigrated to this country in 1887. By 1892 he had learned his trade well enough to be chosen as a staff writer for the Democratic National Convention of that year. The impression he made upon an Albany friend of that period helps to explain why he was not satis- fied with such limited success: He was a unique figure. I think his poetic soul revolted at the details of news- paper work and that he preferred to let his imagination soar than to tie himself to plain reporting. Careless in his dress, Michael had a hearty contempt for convention. -
Harriet Monroe's Abraham Lincoln
Harriet Monroe’s Abraham Lincoln MARK B. POHLAD It takes a great deal of history to produce a little literature. —Henry James In 1919, when Harriet Monroe reviewed a new stage hit Abraham Lincoln, by British playwright John Drinkwater, it was already a Broad- way smash and would run continuously for five years in nearly every major American city.1 Although audiences were clearly thrilled, Mon- roe resented the play and found it completely unconvincing: Mr. Drinkwater picks [Lincoln] up out of his own place, and sets him down in a manufactured milieu, where the people do not think his thoughts nor speak his tongue, and even the chairs don’t look natural.2 Her last observation is so withering it deserves a permanent place in theater history.3 What could have so upset Monroe about a portrayal of Lincoln? And how did she come to be so invested in the representation of Illinois’ most famous son? What was her relationship to Lincoln’s memory, and how did it influence her editorial entrepreneurship? Monroe was instrumental in shaping the modern literary treatment of Abraham Lincoln (fig. 1). She revered his memory and advanced the careers of authors who engaged Lincoln as a subject in their work. 1. Roy P. Basler, “Lincoln and American Writers,” Papers of the Abraham Lincoln Asso- ciation 7 (1985), 9. 2. Harriet Monroe, “Review: A Lincoln Primer,” Poetry: A Magazine of Verse 15 (December 1919), 161. 3. Monroe apparently did not read Drinkwater’s introduction to the published ver- sion of the play in which the author graciously confesses his limitations: “I am an Englishman, and not a citizen of the great country that gave Lincoln birth. -
A Magazine of Verse Edited by Harriet Monroe June 1920
Vol. XVI No. III A Magazine of Verse Edited by Harriet Monroe June 1920 To the River Beach by H. L. Davis Three Poems by Marjorie Seiffert Agnes Lee, J. C. Powys, Genevieve Taggard 543 Cass Street. Chicago $2.00 per Year Single Numbers 20c Your magazine is admirably American in spirit—modern cosmopolitan America, not the insular America of bygone days. Evelyn Scott Vol. XVI No. III POETRY for JUNE, 1920 PAGE To the River Beach H. L. Davis 117 In this Wet Orchard—Stalks of Wild Hay—Baking Bread —The Rain-crow—The Threshing-floor—From a Vine yard—The Market-gardens—October: "The Old Eyes"— To the River Beach Sleep Poems Agnes Lee 128 Old Lizette on Sleep—The Ancient Singer—Mrs. Malooly —The Ilex Tree Three Poems Marjorie Allen Sieffert 131 Cythaera and the Leaves—Cythaera and the Song— C3'thaera and the Worm Transition Eleanor Hammond 133 Surrender Irwin Granich 134 Out of the Dark A. N. 135 Songs I-IV Glenn Ward Dresbach 136 The Riddle John Cowper Powys 138 The Shepherd Hymn Gladys Hensel 139 Cold Hills Janet Loxley Lewis 140 Austerity—The End of the Age—Geology—Fossil From the Frail Sea Genevieve Taggard 142 Men or Women? H. M. 146 Discovered in Paris H. M. Reviews: Starved Rock M. A. Seiffert 151 Perilous Leaping Marion Strobel 157 Out of the Den Babette Deutsch 159 Black and Crimson Marion Strobel 162 Standards of Literature .... Richard Aldington 164 Our Contemporaries: New English Magazines H. M. 168 Correspondence: ManuscriptRiddles s anmusdt bRunee accompanies . d. -
Modern American Poetry and the Protestant Establishment
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Modern American Poetry and the Protestant Establishment Jonathan Fedors University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Fedors, Jonathan, "Modern American Poetry and the Protestant Establishment" (2013). Publicly Accessible Penn Dissertations. 856. https://repository.upenn.edu/edissertations/856 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/856 For more information, please contact [email protected]. Modern American Poetry and the Protestant Establishment Abstract Modern American Poetry and the Protestant Establishment argues that secularization in modern American poetry must be understood with reference to the Protestant establishment. Drawing on interdisciplinary work revising the secularization thesis, and addressed to modern poetry and poetics, Americanist, and modernist scholars, the dissertation demonstrates that the tipping point of secularization in modern American poetry was not reached at the dawn of modernism, as most critics have assumed, but rather in the decades following World War II. From the 1890s to the early 1960s, poets such as Robert Frost, Marianne Moore, James Weldon Johnson, and Harriet Monroe - founding editor of the important little magazine Poetry: A Magazine of Verse - identified the establishment with the national interest, while fashioning gestures of openness toward its traditional targets of discrimination, particularly Roman Catholics, African Americans, and Jews. These gestures acknowledged the establishment's weakened position in the face of internal division, war, racial strife, economic inequality, and mounting calls for cultural pluralism. -
Chicago 1 Chicago
Chicago 1 Chicago Chicago City City of Chicago Clockwise from top: Downtown Chicago, the Chicago Theatre, the 'L', Navy Pier, Millennium Park, the Field Museum, and Willis Tower. Flag Seal Nickname(s): The Windy City, Chi-Town, Chi-City, Hog Butcher for the World, The City That Works, and others found at List of nicknames for Chicago Motto: Latin: Urbs in Horto (City in a Garden), I Will Location in the Chicago metropolitan area and Illinois Chicago 2 Location in the United States [1] [1] Coordinates: 41°52′55″N 087°37′40″W Coordinates: 41°52′55″N 087°37′40″W Country United States State Illinois Counties Cook, DuPage Settled 1770s Incorporated March 4, 1837 Named for Miami-Illinois: shikaakwa ("Wild onion") Government • Type Mayor–council • Mayor Rahm Emanuel (D) • City Council 50 aldermen Area • City 234.0 sq mi (606.1 km2) • Land 227.2 sq mi (588 km2) • Water 6.9 sq mi (18 km2) 3.0% • Urban 2,122.8 sq mi (5,498 km2) • Metro 10,874 sq mi (28,160 km2) Elevation 597 ft (182 m) Population (2012 Estimate) • City 2,714,856 • Rank 3rd US • Density 11,864.4/sq mi (4,447.4/km2) • Urban 8,711,000 • Metro 9,461,105 Demonym Chicagoan Time zone CST (UTC−06:00) • Summer (DST) CDT (UTC−05:00) Area code(s) 312, 773, 872 [2] FIPS code 17-14000 [3] GNIS feature ID 428803 Chicago 3 [4] Website www.cityofchicago.org Chicago ( i/ʃɪˈkɑːɡoʊ/ or /ʃɪˈkɔːɡoʊ/) is the third most populous city in the United States. -
In This Issue
The Ol’ Pioneer The Magazine of the Grand Canyon Historical Society Volume 22 : Number 2 www.GrandCanyonHistory.org Spring 2011 In This Issue Book Review ............................................... 3 The Infinities of Beauty and Terror ........ 4 Louis Schellback’s Log Books, Part 3 .....11 President’s Letter The Ol’ Pioneer The Magazine of the Grand Canyon Historical Society Calling All Grand Canyon Historians!! Volume 22 : Number 2 Spring 2011 Planning and coordination is well under way for the next Grand Canyon History Symposium scheduled for January 2012. We recently sent out a Call for u Papers asking Grand Canyon historians, researchers and writers to submit pro- The Historical Society was established posals to present at the symposium. If you have a Grand Canyon history topic in July 1984 as a non-profit corporation that you have researched (or know somebody working on an interesting topic), to develop and promote appreciation, we strongly encourage you to submit a proposal. The presenters at the last under-standing and education of the symposium were a nice mix of historians, river runners, hikers, writers, park earlier history of the inhabitants and employees and enthusiastic amateur historians - we expect to have a similar important events of the Grand Canyon. mix this year. So, please get the word out – the deadline for submitting propos- The Ol’ Pioneer is published by the als is June 15. Additional details about the symposium and how to submit a GRAND CANYON HISTORICAL proposal can be found on the GCHS website (http://www.grandcanyonhis- SOCIETY in conjunction with The tory.org/). Bulletin, an informational newsletter.