National Register of Historic Places Inventory -- Nomination Form
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The Magazine of the Victorian Society in America Volume 40 Number 1 Editorial
Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 40 Number 1 Editorial The Artist’s Shadow The Winter Show at the Park Avenue Armory in New York City is always a feast for the eyes. Dazzling works of art, decorative arts, and sculpture appear that we might never see again. During a tour of this pop-up museum in January I paused at the booth of the Alexander Gallery where a painting caught my eye. It was an 1812 portrait of two endearing native-New Yorkers Schuyler Ogden and his sister, the grand-nephew and grand-niece of General Stephen Van Rensselaer. I am always sure that exhibitors at such shows can distinguish the buyers from the voyeurs in a few seconds but that did not prevent the gallery owner from engaging with me in a lively conversation about Fresh Raspberries . It was clear he had considerable affection for the piece. Were I a buyer, I would have very happily bought this little confection then and there. The boy, with his plate of fresh picked berries, reminds me of myself at that very age. These are not something purchased at a market. These are berries he and his sister have freshly picked just as they were when my sisters and I used to bring bowls of raspberries back to our grandmother from her berry patch, which she would then make into jam. I have no doubt Master Ogden and his beribboned sister are on their way to present their harvest to welcoming hands. As I walked away, I turned one last time to bid them adieu and that is when I saw its painter, George Harvey. -
Frank Furness Printed by Official Offset Corp
Nineteenth Ce ntury The Magazine of the Victorian Society in America Volume 37 Number 1 Nineteenth Century hhh THE MAGAZINE OF THE VICTORIAN SOCIETY IN AMERICA VOLuMe 37 • NuMBer 1 SPRING 2017 Editor Contents Warren Ashworth Consulting Editor Sara Chapman Bull’s Teakwood Rooms William Ayres A LOST LETTER REVEALS A CURIOUS COMMISSION Book Review Editor FOR LOCkwOOD DE FOREST 2 Karen Zukowski Roberta A. Mayer and Susan Condrick Managing Editor / Graphic Designer Wendy Midgett Frank Furness Printed by Official Offset Corp. PERPETUAL MOTION AND “THE CAPTAIN’S TROUSERS” 10 Amityville, New York Michael J. Lewis Committee on Publications Chair Warren Ashworth Hart’s Parish Churches William Ayres NOTES ON AN OVERLOOkED AUTHOR & ARCHITECT Anne-Taylor Cahill OF THE GOTHIC REVIVAL ERA 16 Christopher Forbes Sally Buchanan Kinsey John H. Carnahan and James F. O’Gorman Michael J. Lewis Barbara J. Mitnick Jaclyn Spainhour William Noland Karen Zukowski THE MAkING OF A VIRGINIA ARCHITECT 24 Christopher V. Novelli For information on The Victorian Society in America, contact the national office: 1636 Sansom Street Philadelphia, PA 19103 (215) 636-9872 Fax (215) 636-9873 [email protected] Departments www.victoriansociety.org 38 Preservation Diary THE REGILDING OF SAINT-GAUDENS’ DIANA Cynthia Haveson Veloric 42 The Bibliophilist 46 Editorial 49 Contributors Jo Anne Warren Richard Guy Wilson 47 Milestones Karen Zukowski A PENNY FOR YOUR THOUGHTS Anne-Taylor Cahill Cover: Interior of richmond City Hall, richmond, Virginia. Library of Congress. Lockwood de Forest’s showroom at 9 East Seventeenth Street, New York, c. 1885. (Photo is reversed to show correct signature and date on painting seen in the overmantel). -
Newsletter the Society of Architectural Historians
NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS AUGUST 1971 VOL. XV NO.4 PUBLISHED SIX TIMES A YEAR BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 WALNUT STREET, PHILADELPHIA, PA. 19103 JAMES F . O'GORMAN, PRESIDENT EDITOR: JAMES C. MASSEY , 614 S. LEE STREET, ALEXANDRIA, VIRGINIA 22314 .. ASSOCIATE EDITOR: MRS. MARIAN CARD DONNELLY, 2175 OLIVE STREET, EUGENE, OREGON 97405 SAH NOTICES ORGANIZATIONS Domestic Tours. 1972, H.H. RICHARDSON, HIS CON APT. The Association for Preservation Technology will TEMPORARIES AND HIS SUCCESSORS IN BOSTON AND hold its third General Meeting September 30-0ctober 3 at VICINITY, August 23-27 (Robert B. Rettig, Chairman); Cooperstown, N.Y. SAH member Harley J. McKee is Pres 1973, PHILADELPHIA; 1974, UTICA, NEW YORK and ident. For information and membership ($1 0), write Meredith vicinity. Sykes, Box 2682, Ottawa 4, Ontario, Canada. Foreign Tour. 1972, JAPAN (Bunji Kobayashi, Chairman National Trust. The Trust's Annual Meeting and Preser and Teiji Ito, Co-Chairman). Announcements will reach vation Conference will be in San Diego, California October the membership in the United States and Canada on or 28-31. There will also be a regional preservation con r about September 1, 1971. ference in New Orleans October 15-16. For information 1972 Annual Meeting. San Francisco, January 26-30. address the National Trust for Historic Preservation 740-8 Group Flights : Thirty affirmative responses have been Jackson Place, N .W., Washington, D.C. 20006. received for the Wednesday, January 26 flight New York SAH-GB. The 1971 Annual Conference will be held San Francisco-New York (25 are required); but only 16 re September 10-12 at the University of St. -
The Radio Urbanism of Robert C. Weinberg, 1966–71 by Christopher Neville for the New York Preservation Archive Project
“Building and Rebuilding New York:” The Radio Urbanism of Robert C. Weinberg, 1966–71 by Christopher Neville for the New York Preservation Archive Project “...This is Robert C. Weinberg, critic-at-large in architecture and planning for WNYC.” Introduction: Robert Weinberg, Department of Parks (under Robert Moses), New York City, and WNYC and at the Department of City Planning. Robert C. Weinberg was an architect and urban planner active in New York from the He taught courses in planning and related early 1930s until his death in 1974. Over four fields at New York University, the Pratt Insti- decades of vigorous engagement with preser- tute, the New School for Social Research, and vation and planning issues, he was both an ac- Yale, and published roughly 150 articles and tive participant in or astute observer of almost reviews. He was also the co-editor, with every major development in New York urban- Henry Fagin, of the important 1958 report, ism. Between 1966 and 1971, near the end of Planning and Community Appearance, jointly his career, he served as radio station WNYC’s sponsored by the New York chapters of the “critic-at-large in architecture and planning,” American Institute of Architects and the and his broadcasts are a window onto his re- American Institute of Planners. markable career and the transformations he But over his long career, Weinberg devoted witnessed in the city he loved. Weinberg’s the bulk of his considerable energies to a long personal history in the trenches and be- broad range of public-spirited efforts covering hind the scenes gave him unique perspective almost every aspect of urban development and on these changes—an insider’s overview, with city life, including historic preservation, zon- a veteran’s hindsight. -
Calvert Vaux: Architect and Planner by William Alex
Calvert Vaux: Architect and Planner by William Alex alvert Vaux, architect and planner, is an unjustly neglected nineteenth-century figure. Long overshadowed by his more famous partners, Andrew Jackson Downing and Frederick C Law Olmsted, Vaux has failed to receive recognition a the first professional in America to combine the talents oflandscape designer, architect, and planner. Working with Downing during the early 1850s, Vaux established a set of distinctive domestic architec tural designs that served as a standard throughout the remainder of the century. Vaux initiated the process that led to the creation of Central Park in New York and Prospect Park in Brooklyn, and per suaded Olmsted to join him in both endeavors. Their designs for these two prototypical country parks in the city were of crucial importance in forming the urban face of nineteenth-century indus trial America. Vaux shared the strong reformist impulse that infused many of his contemporaries and saw his work as an opportunity to translate "the republican art idea" into physical form. While the ultimate effect of this effort is still much debated, Vaux and Olmsted created. parks that were clear manifestations ofa particular notion of the democra tizing value of amenable public spaces. Vaux also found an outlet for his concern in designs for shelters for the Children's Aid Society and for the first buildings of the Metropolitan Museum of Art and the American Museum of Natural History, soon to become two of New York's pre-eminent cultural institutions. Although Calvert Vaux's greatest achievements were collaborative, they nonetheless bespeak a creative genius that for too long has gone uncelebrated. -
INDIVIDUAL INTERVIEW the Reminiscences of Giorgio
INDIVIDUAL INTERVIEW The Reminiscences of Giorgio Cavaglieri © 2003 New York Preservation Archive Project PREFACE The following oral history is the result of a recorded interview with Giorgio Cavaglieri conducted by Interviewer Annette Rosen in 2003. This interview is part of the New York Preservation Archive’s Project’s collection of individual oral history interviews. The reader is asked to bear in mind that s/he is reading a verbatim transcript of the spoken word, rather than written prose. The views expressed in this oral history interview do not necessarily reflect the views of the New York Preservation Archive Project. An architect who has been credited as New York’s first preservationist, Giorgio Cavaglieri pioneered the adaptive reuse of historic structures in the 1950s, designed the renovation of the Jefferson Market Courthouse into a public library, and served as president of the Municipal Art Society from 1963 to 1966. In this brief 2003 interview conducted by Annette Rosen, Cavaglieri discusses the role of the Municipal Art Society in the protests against the demolition of Pennsylvania Station. Giorgio Cavaglieri was a prominent Italian-American architect and advocate for historic preservation. After opening a private practice in New York after World War II, Cavaglieri was a trailblazer in the practice of adaptive reuse. Among Cavaglieri’s most famous restoration projects are the Jefferson Market Library, the New York Shakespeare Public Theater, historic structures on Roosevelt Island, and the Delacorte Theater in Central Park. Cavaglieri was engaged with New York’s architectural community, acting as a forceful advocate for saving historical buildings across the city. -
Newsletter the Society of Architectural Historians
NEWSLETTER THE SOCIETY OF ARCHITECTURAL HISTORIANS AUGUST 1968 VOL. XII NO. 4 PUBLISHED SIX TIMES A YEAR BY THE SOCIETY OF ARCHITECTURAL HISTORIANS 1700 WALNUT STREET, PHILADELPHIA, PA. 19103 HENRY A. MILLON, PRESIDENT EDITOR: JAMES C. MASSEY, 614 S. LEE STREFT, ALEXANDRIA, VIRGINIA 22314. ASSOCIATE EDITOR: MARIAN CARD DONNELLY, 2175 OLIVE STREET, EUGENE, OREGON 97405 SAH NOTICES Associates; and Rogers, Taliaferro, Kostritsky and Lamb. SAH members elected as national officers and directors in Annual Meeting. The 1969 Annual Meeting will be held the AlA are Daniel Schwartzman, FAIA, Vice President, at the Statler Hilton Hotel, Boston, January 30-February 2. G. Harold W. Haag, FAIA, Secretary, and Milton L. Grigg, Under the general chairmanship of First Vice President FAIA, and Arch R. Winter, FAIA, directors. A. Henry Detweiler, the sessions will include: LATE ROMAN AND EARLY CHRISTIAN ART AND ARCHITEC A special session on historic preservation was held, TURE (a joint session for CAA and SAH registrants), the first time that a formal convention program was given co-chaired by Elaine Loeffler and Alfred K. Frazer; over to historic buildings. F. Blair Reeves (SAH) di LATROBE AND HIS FOLLOWERS, chaired by Paul F. rected the session, and the traditional preservation Norton; a GENERAL SESSION, chaired by James F. breakfast. O'Gorman; a LATIN AMERICAN SESSION, chaired by The AlA has also begun publication of a new quar Michael Kampen; COMMERCIAL ARCHITECTURE IN terly, Architectural Student (Volume 1 Number 1, March EUROPE BEFORE 1800, chaired by Winston R. Weisman; 1968). This journal is intended to provide students with and EARLY NINETEENTH-CENTURY ARCHITECTURE news on education, planning, and criticism, as well as a AND ITS PRESERVATION PROBLEMS, co-chaired by facility for the exchange of student ideas on topics related Ernest A. -
ARTNOIR: City of Cultural Any Medium Created in Connection with Weekend Exchange Events Or Activities
OCT 15-16 2016 It is a simple and familiar concept, an open Dear Friends, house. We open our doors to welcome I am delighted to welcome everyone to the friends, family, and neighbors to celebrate 14th Annual Open House New York Weekend. an occasion or share an experience. But take IS PROUD that simple idea, multiply it hundreds of times New York has always been at the forefront over the course of two days at some of New of progress in the fi elds of the arts, York’s most architecturally and culturally architecture, engineering and design, and TO PARTNER signifi cant sites, and something extraordinary we are the proud home to an outstanding happens. Welcome to the 2016 Open House array of iconic buildings, museums, parks, New York Weekend! bridges and infrastructure. Established in 2003, OHNY invites residents and visitors WITH OHNY Weekend brings us together as a to explore more than 250 historic and community to recognize that the city itself contemporary sites throughout the fi ve is our greatest shared resource and that the boroughs and facilitates special access OPEN HOUSE choices we make, collectively, about how to to places normally closed to the public. shape its future have profound implications This much anticipated two-day long event for generations to come. The buildings that includes talks and tours given by leading NEW YORK. will open this OHNY Weekend can tell us and emerging design professionals that stories about the many different ways our educate attendees about the history of our fellow New Yorkers live and learn and work, vibrant urban landscape and help them and communicate ideas about technological better understand the trends, challenges ingenuity, social history, aesthetic innovation, and technological advancements that are and so much more. -
Riverdale Historic District
RIVERDALE HISTORIC DISTRICT New York City Landmarks Preservation Commission October 16, 1990 RIVERDALE HISTORIC DISTRICT |Z.lVE^t7AL£- RMZ-I^ W*V6 HIUL- INPgPEMPENCC- AVe-MUg^ '$' LANDMARKS PRESERVATION COMMISSION Designated 16 October 1990 New York City Landmarks Preservation Commission RIVERDALE HISTORIC DISTRICT Prepared by the Research Department Writing and Editing: Marjorie Pearson, Director of Research Jay Shockley, Deputy Director of Research Elisa Urbanelli, Research Department Editor Research: Betsy Bradley Michael Corbett Gale Harris Jay Shockley Graphics: Margaret M. Pickart Commissioners Laurie Beckelman, Chair David F.M. Todd, Vice-chairman Thomas Evans Adolf Placzek Sarah Bradford Landau Mildred Schmertz George S. Lewis Gaston Silva Lee Weintraub Cover Drawing: William S. Duke Carriage House (1886, Frederick Clarke Withers), 5286 Sycamore Avenue Credit: Robert J. Kbmfeld, Jr., based on an original drawing Acknovledaeroents A proposal for a potential historic district along Sycamore Avenue was first suggested to the Landmarks Preservation Commission by residents in the early 1970s. Led by Robert J. Kbrnfeld, Sr., residents conducted research, photographed the area, and submitted material in the early 1980s to the then Bronx - Upper Manhattan staff of the Commission. At the end of 1987 Chairman Gene A. Norman directed the Research Department of the Commission to forward its recommendations concerning a potential historic district to the Commissioners. Based on preliminary research, the staff recommended that additional properties along Independence and Sycamore Avenues be included, in order to represent the full historic interrelationship between Sycamore Avenue (the original carriage alley), and the land and buildings that comprised the adjacent estates. The Commission held a public hearing on the proposed historic district in April of 1988. -
Symbolic Soul of the City
Mediating Change: Symbolic Politics and the Transformation of Times Square Lynne B. Sagalyn Columbia University Paper prepared for the Conference on New York City History * Gotham Center for New York City History October 7, 2001 Introduction The transformation of Times Square is a story of complexity and consequence ripe for the telling on several levels. As a physical transformation, the twenty-year saga begins in the early 1980s with the city’s dual-sided policy initiatives to dramatically rezone midtown Manhattan and aggressively redevelop West 42nd Street through a public coalition of city and state public entities. As a social transformation, the public-development project promised to clear away the depraved social pathology of the place—the “bad” uses—and put in place “good” uses: new commercial activity at either end of the block and renovated historic theaters for Broadway fare in the midblock. As a cultural transformation, commercial activities attractive to the middle class would replace the sex-and-drug bazaar that had earned the street a worldwide reputation for decades. From its very beginning, the redevelopment intentions for West 42nd Street and Times Square grabbed center stage as a high-profile initiative of central importance to elected officials, reflective in both real and symbolic terms of the city’s agenda to rebuild itself, economically as well as physically, after a crushing fiscal crisis. By the end of the decade, the effort was at a stalemate, bogged down by litigation and entrapped in a real estate downturn. By the mid-1990s, economic and social forces had recast the long-running pessimistic prognosis for the project. -
STRECKER LABORATORY, Roosevelt Island (Formerly Blackwell's Island and Then Welfare Island), Located Approximately Opposite East 52Nd Street, Borough of Manhattan
Landmarks Preservation Commission March 23, 1976, Number 3 LP-0909 STRECKER LABORATORY, Roosevelt Island (formerly Blackwell's Island and then Welfare Island), located approximately opposite East 52nd Street, Borough of Manhattan. Built 1892;arc;hitects. Withers &Dickson. Landmark Site: Tax Map Block 1373, Lot 1 in part consisting of the land on which the described building is situated. On November 25, 1975, the Landmarks Preservation Corr~ission held a public hearing on the proposed designation as a Landmark of the Strecker Laboratory and the proposed designation of the related Landmark Site (Item No.6). The hearing had been duly advertised in accordance with the provisions of law. Three witnesses spoke in favor of designation. There were no speakers in opposition to designation. While expressing reservations, the representatives of the Roosevelt Island Development Corporation have agreed to the designation. DESCRIPTION AND ANALYSIS The small Romanesque Revival Strecker Memorial Laboratory is situated at the southern end of Roosevelt Island between the Smallpox Hospital and Charity Hospital, and provides an interesting contrast to them both in scale ' and style. Designed by New York architects Withers &Dickson and constructed in 1892, it was administered under the direction of the Charity (later City) Hospital to conduct pathological and bacteriological work. The building was the gift of the daughter of a Mr. Strecker, and as Dr. Charles G. Child, Jr., wrote in his history of City Hospital (1904), it was "an illustration of what lasting good an intelligent woman- can do to perpetuate the memory of a dear one." Pathological medicine made rapid advances during the 19th century, and labo:r.a:tories such as this one reflect the increasing~y scientific nature of its study and investigation. -
New York Chapter /The American Institute of Architects
NEW YORK CHAPTER /THE AMERICAN INSTITUTE OF ARCHITECTS NOVEMBER, 1969 VOLUME 43, NUMBER 3 QUESTIONS FOR THE CANDIDATES On Wednesday, Oct. 29th representatives of the candidates for the Mayor of New York were asked questions prepared by the Chapter. In the December issue of "Oculus" the winner will be known and we can report on his replies. The questions asked of John Lindsay, John Marchi and Mario Procaccino were written by a special com mittee appointed by President David F .M. Todd. They were about housing, the master plan, com munity participation in planning, and the extent of government planning involvement in such projects as Co-op City, Lefrak City and Lincoln Center. They were asked for opinions on reassembling land for housing the new code, fees and cost of lending The Juilliard School Pietro Belluschi, Architect: Eduardo money. Cantalano & Helge Westermann Associated Architects The special Committee members were Leon Brand, Giorgio Cavaglieri, Allen Dennison, John Dixon, Saul Edelbaum, Sidney Katz, Herbert Mandel, Herbert WAA FESTIVAL AT JUILLIARD - NOV. 28TH Oppenheimer, Walter Rutes and William Shopsin. The WAA annual wine-tasting Festival, in aid of its scholarship fund, will be held Friday, November 18 OFFICES PARTICIPATE IN 28th, from 4 to 8 P.M. at the new Juilliard School, TRAINING PROGRAM Lincoln Center. The school will not be in session, so a The second phase of the second year in the welcome chance to see areas normally out of bounds NYCAIA-ARCH Training Program is well under is offered to Chapter members, their guests, and the way, with students now working in offices during the interested public.