DOCSLIB.ORG

Document Title

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Document Title CAREERS CENTRES Resources for Dance Agencies and Organisations YORKSHIRE Yorkshire Dance (National Dance Agency) Yorkshire Dance is a ‘home’ for dance - a place where dance is discovered, created, learned, investigated and developed in a safe, supportive and professional environment. Based in central Leeds, Yorkshire Dance is an advocate for dance and dancers from across the world, and serves the whole of the Yorkshire region. www.yorkshiredance.com [email protected] Yorkshire Dance 3 St Peters Buildings St Peters Square Leeds LS9 8AH 0113 243 8765 Arts Council England – Yorkshire Arts Council England works to get great art to everyone by championing, developing and investing in artistic experiences that enrich people’s lives. As the national development agency for the arts, they support a range of artistic activities from theatre to music, literature to dance, photography to digital art and carnival to crafts. www.artscouncil.org.uk [email protected],uk 21 Bond Street Dewsbury WF13 1AX 0845 300 6200 Audience Yorkshire This is the region’s strategic audience development agency working closely with cultural and arts organisations. Established in 1991, it aims to increase audiences in Yorkshire and Humber. There are 12 other ADAs across the UK and all share best practice. Audiences Yorkshire manages a ‘what’s on’ website called www.digyorkshire.com. This has proved to be an excellent audience development tool. It lists events, audiences and ticket sales so is a useful PR and marketing site. www.audiencesyorkshire.org.uk Audience Yorkshire Studio23/24 Leeds Design Innovation Centre 46 The Calls Leeds LS2 7EY 0113 3200160 CidaCo The Creative Industries Development Agency helps to strengthen the contribution of the creative industries sector to the regional and global economy. It supports creative SMEs and new start-up enterprises. There are networking events throughout Yorkshire and the website and Facebook pages provide regional details. http://cidaco.org/ [email protected] Munro House Duke Street Leeds LS9 8AG 0113 3731754 East Street Arts ESA is a contemporary arts organisation with a wide ranging events programme, professional support and extensive studio provision. They operate from 3 sites in Leeds and also run a range of offsite projects. Their aim is to make sure all local artists, in all stages of their career and from a range of artistic backgrounds, have the tools, skills and support to engage successfully with their audience and market place. http://eaststreetarts.org.uk/ [email protected] East Street Arts Patrick Studios St Mary’s Lane Leeds LS9 7EH 0113 2480040 2 Hype Dance Company The company was established in 2006 and has a touring company and an academy. The touring company gives exciting hip hop dance theatre performances and provides educational dance workshops to schools and youth groups across Yorkshire. All the dancers are fully skilled at delivering educational dance projects. The academy provides unique and accessible dance training and community classes to suit all ages and levels. The academy is recognised by the Council for Dance Education and Training (CDET) and is funded by the Arts Council. www.hypedance.org.uk Hype Dance Company The Leadmill 6 Leadmill Road Sheffield S1 4SE 0114 2706757 JABADAO JABADAO is a national charity that works in partnership with the education, health, arts and social care sectors to bring about a sea change in the way people work with the body and movement. In partnership with users and local networks across the country, we pair specialist movement practitioners with communities to find new ways of encouraging people to be more fully physical in the midst of their everyday lives. JABADAO runs four programmes –Children & Young People, Older People, Health and the Body & Movement Programme. Each contains research, projects and training. www.jabadao.org [email protected] The Yard, Viaduct Street, Stanningley, Leeds LS28 6AU 0113 236 3311 Kala Sangam (South Asian Arts) Kala Sangam is a leading South Asian Arts organisation promoting and providing greater understanding and appreciation of the cultural traditions from South Asia through innovative ways that aim to increase awareness of racial, cultural and social issues. They work with local and international artists to create and deliver cross collaborative work throughout the community. Through a creative, collaborative, innovative and accessible programme of work including performances, classes, workshops, and training they aim to establish a beacon centre of excellence for South Asian arts – heritage and culture in the North of England. They have a history of over ten years of experience working with people of all ages and abilities. While most of its activities occur in West Yorkshire, the touring programme and outreach activities extend to all over the north of UK and increasingly, nationally and internationally. www.kalasangam.org [email protected] 3 Kala Sangam St Peters House 1 Forster Square Bradford BD1 4TY 01274 303340 Leeds City Council: Arts Development Funding for the arts in Leeds. Arts Development administrates two grant schemes. These aim to create opportunities for local people to take part in the cultural life of the city, to support local artists and arts organisations working in communities and to promote partnership working within the arts and cultural sector. www.leeds.gov.uk/leisure/Pages/Arts-Development.aspx New Work Yorkshire This is the local branch of the New Work Network which is a national organisation supporting the development of new performance and arts practice by providing networking support. Membership is gained by a one-off payment. https://twitter.com/newworkyrkshire [email protected] 0113 3807466 Northern Ballet Theatre Northern Ballet Theatre is a touring narrative dance company whose distinctive blend of classical dance and theatre is renowned for captivating new audiences. http://northernballet.com/ Northern Ballet Theatre Ltd Registered Office West Park Centre Spen Lane Leeds LS16 5BE 0113 274 5355 Northern School Of Contemporary Dance (NSCD) NSCD is a unique dance training institution offering a select group of students the opportunity to develop and excel as dance artists in a conservatoire environment. www.nscd.ac.uk [email protected] Northern School of Contemporary Dance 98 Chapeltown Road Leeds LS7 4BH 0113 219 3000 4 Phoenix Dance Theatre Phoenix Dance Theatre is committed to widening access to dance through its education and audience development programme. Company members have undertaken education work throughout its history and in 1998 it established a permanent education department to meet demand. Phoenix Dance Education is our team of committed dance education professionals, which works alongside the performing company to promote participation in the arts as a stimulating and creative pursuit within schools and community settings. www.phoenixdancetheatre.co.uk Phoenix Dance Theatre 3 St Peters Buildings St Peters Square Leeds LS9 8AH 0113 242 3486 RJC Dance This, one of Britain’s most successful Black British dance companies, tours nationally and internationally and is based in Chapeltown. It was started in 1993.The performers and choreographers use the power of dance to engage with the audience with works covering a fusion of reggae, jazz and contemporary dance from a Black British perspective. Many of the dancers are local so are excellent role models for the Youth Provision Scheme which the company runs. All the dancers are inspirational performers as well as teachers. www.rjcdance.org.uk Mandela Centre Chapeltown Road Leeds LS7 3HY 0113 2392040 Vincent Dance Theatre Since 1994, Vincent Dance Theatre has built a national and international reputation for creating and touring powerful, engaging dance theatre work and delivering high quality participation work across the UK and abroad. Pulling together movement, text, choreography, theatre, live music and a strong visual sense of place, VDT’s rollercoaster productions challenge conventional values in dance and gender politics. The company’s live work tours to theatre venues across the UK and abroad. Our installation and film work is distributed into non-theatre spaces, cross arts venues and festivals across Europe, Canada, Australia and United States www.vincentdt.com [email protected] The Workstation 15 Paternoster Row Sheffield S1 2BX 0114 221 0369 5 Youth Dance England This national organisation aims to make dance accessible to all young people. Their research has shown that although 30000 people are employed in dance, only 2500 are performers so it aims to make young people aware of the many possibilities within the world of dance and help them to find the necessary resources to explore further. The website includes a comprehensive 42 page booklet ‘Careers in Dance’. There are local representatives and Yorkshire Dance staff member Bill Vince is Yorkshire’s rep. www.yde.org.uk [email protected] 6 OUTSIDE YORKSHIRE Arts Admin Artsadmin makes art happen - from the first seeds of an artist’s idea to its full and final realisation. Working across the spectrum of theatre, visual arts, dance, live art and performance, it provides an unparalleled resource for contemporary artists. Artsadmin produces, supports and promotes arts projects locally, nationally and internationally, developing long-term relationships with artists, often working in partnership with other producers, promoters and festivals. www.artsadmin.co.uk [email protected] Toynbee Studios 28 Commercial Street London
Load more

Recommended publications
  • Governor Biographies 29 August 2018 14:25:41 Name Appointment Date Member Type Biography
    Governor Biographies 29 August 2018 14:25:41 Name Appointment Date Member Type Biography Mark Baker 21/07/2016 Co-opted - Staff Mark is the Theatre and Production Manager at NSCD.Mark has worked in theatre for 35 years, starting off Support in stage management before becoming a lighting technician at the Newcastle Playhouse. He was appointed as Production Manager for the Newcastle Dance Festival in 1990 and has specialised in lighting for dance ever since. He designed and toured nationally and internationally with Miranda Tufnell and dance companies such as Bi Ma and David Massingham Dance. Since joining NSCD he has lit work by many leading choreographers including Hofesh Schecter, Mark Baldwin, Wayne MacGregor, Ben Wright, Darshan Singh- Bhuller, Lea Anderson, Henri Oguike and Kim Brandstrup. He has over 20 years’ experience of teaching lighting and sound for stage, stage management and video production at all levels. He also works as a digital filmmaker and has produced videos for Phoenix Dance Theatre and Balbir Singh. Mark has a Higher Diploma in Film & Video Production and an MA in Film Studies from the University of Newcastle upon Tyne. Pam Bone 11/07/2013 Independent Pam Bone is an independent adviser for the cultural industries. Over the past 17 years she has secured significant funding to enable new and refurbished arts buildings, artistic and learning programmes and individual projects. She advises organisations on strategic and business planning including fundraising and resource development. Prior to this she was employed in senior management roles in performing arts organisations, major theatre venues and the funding system and is currently a trustee of the Theatres Trust.
    [Show full text]
  • Harlequin News SPR 2012 V4 .Indd
    BRITISH HARLEQUIN NEWS SPRING 2012 FLOORS FOR DANCE, PERFORMING ARTS, ENTERTAINMENT & DISPLAY With the growing popularity of dance, largely thanks to television shows, it is important to consider the facilities required for learning and teaching dance. High on the list for a dance studio or stage is a suitable fl oor. For dancers at all levels, the fl oor is where dancers TDM courtesy Photo of Photo: will spend most of their time. Not only is the dance fl oor central to a dancer’s training and working environment, but the wrong fl oor can lead to injuries sustained from slips and falls, or to longer term stress related injury. In this issue of Harlequin News we feature stories from Britain and around the world. See how the printed Harlequin Cascade fl oor transformed the set at the grand reopening of the newly restored Bolshoi Theatre in Moscow. Read snippets of interviews with Riverdance and Sydney Dance Company, then why not download the full length version using the QR code. Find out about the latest measures being taken to reduce dancer injury. Plus much more. Harlequin News is one way of us communicating with our customers but don’t forget, there are many ways to get in touch. Join us on Facebook (/harlequinfl oors), follow us on Twitter (@DanceFloors), comment on our blog, keep up to date with the latest developments on our website, which features a Live Chat link, meet the team at exhibitions or call us free on 0800 28 99 32. Bolshoi’s sumptuous set design Whichever way you choose to get in touch, we look forward to hearing from you!
    [Show full text]
  • Box Office 0113 220 8008 Book Online at Theatreleeds.Com
    Box Office 0113 220 8008 Book Online at theatreleeds.com Mariposa Following an incredible Leeds debut in 2018, don’t miss the return of DeNada Dance Theatre with Mariposa, a transgender tragedy inspired by Puccini’s Madame Butterfly. Under the neon lights of a distant Caribbean port, a local rent boy and a foreign sailor fall ominously in love in choreographer Carlos Pons Guerra’s inventive reimagining. Experience this operatic dance drama set in post-revolution Cuba, with characters engulfed in a tropical storm of repressed desires. Mariposa is a passionate exploration of what we are ready to sacrifice in order to be loved DeNada Dance Theatre Dance DeNada and accepted. This brand new production is performed to original music by Luis Miguel Tuesday 12 October Cobo. Performance 7.30pm Age guidance: 12+ due to scenes and content of a Tickets £19 U26 MB sexual nature. Mutation Space A world première and part of Light Night Leeds 2021, Mutation Space is an immersive dance and visual experience exploring the human impact on our environment and health. Using live-motion sensor technology, UK dance artists Fubunation interact with large-scale projections by visual arts pioneer William Latham, their body movements driving the shape and colour of the projected images around them. With three performances per evening, you won’t want to miss making Mutation Space part of your Light Night experience this year. Leeds Dance Partnership Dance Leeds Thursday 14 & Friday 15 October Performances 6pm, 7pm & 9pm FREE event - no booking required Northern Ballet Northern Ballet Pinocchio Tuesday 26 – Saturday 30 October In a faraway land, a hard-working and lonely carpenter wishes for his puppet Tuesday 07 – Saturday 11 December Pinocchio to come to life.
    [Show full text]
  • PEAK Richard Alston Dance Company Large Print.Indd
    Richard Alston Dance Company Photo by Chris Nash February 20 I 21 I 22 I 23, 2020 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming Richard Alston Dance Company Artistic Director Sir Richard Alston CBE Executive Director Isabel Tamen Associate Choreographer /Rehearsal Director Martin Lawrance Touring Administrator Rebecca Staple Production Manager Kieran Enticknap Lighting Designer/Technical Manager Zeynep Kepekli Sound Engineer Mark Webber Wardrobe Supervisor Inca Jaakson Dancers Elly Braund, Joshua Harriette, Jennifer Hayes, Monique Jonas, Nahum McLean, Nicholas Shikkis, Jason Tucker, Ellen Yilma, Niall Egan, Alejandra Gissler Program Voices and Light Footsteps (US Premiere) Choreography Richard Alston Music Claudio Monteverdi Lighting Martin Lawrance Costumes Peter Todd Music and Dancers: Sinfonia (instrumental) Joshua Harriette Zefiro Torna (madrigal for two tenors) Joshua Harriette, Nicholas Shikkis, Nahum McLean, Jason Tucker, Ellen Yilma, Monique Jonas, Jennifer Hayes Dara La Notte Company Si Dolce e il Tormento (madrigal for solo soprano) Monique Jonas Sinfonia (instrumental from Orfeo) Elly Braund, Nicholas Shikkis Sinfonia (instrumental from Orfeo) Jennifer Hayes, Jason Tucker Ballo (instrumental) Company Tempro La Cetra (madrigal for solo tenor) Ellen Yilma, Joshua Harriette Sinfonia a sei (instrumental) Alejandra Gissler, Nahum McLean, Monique Jonas, Niall Egan Damigella Tutta Bella (madrigal for three voices) Company Voices and Light Footsteps is dedicated to the memory of Belinda Quirey, a formidable authority on historical dance and an utterly inspiring teacher. Credits: Under the title Arrived parts of this dance were originally commissioned by Virginia Arts Festival 2019 and, with extra material created for twenty students from the Governor’s School for the Arts, it was first presented on March 21, 2019, at Chrysler Hall, Norfolk, Virginia.
    [Show full text]
  • Northern Ballet's Dracula to Be Aired on BBC Four on Sunday 31 May At
    Thursday 21 May 2020 For immediate release Northern Ballet’s Dracula to be aired on BBC Four on Sunday 31 May at 10pm David Nixon OBE’s Dracula will be shown on BBC Four on Sunday 31 May and BBC iPlayer throughout June as part of their popular Pay As You Feel Digital Season. After sell-out live performances and an international livestream last October, this adaptation of Bram Stoker’s classic will make its television debut at 10pm. northernballet.com/pay-as-you-feel Click here to download images When theatres closed in March Northern Ballet, along with the rest of the theatre industry, was severely impacted and had to cut their spring tour after just one performance. In response, the Company pledged to keep bringing world-class ballet to their audiences through a new Pay As You Feel Digital Season. To date the season has been watched by over 200,000 people and attracted donations of over £20,000. The Company is set to face a loss of over £1M in box office income due to COVID-19 which may impact their ability to pay their workforce, many of whom are freelancers, as well as their ability to present new ballets. Whilst theatres remain dark, the Company aims to continue making their performances available online and on TV, encouraging audiences to donate when they watch, if they are able. Those who wish to support the Company can donate at northernballet.com/pay-as-you-feel Dracula was recorded at Leeds Playhouse on Halloween 2019 and streamed live to over 10,000 viewers in cinemas across Europe.
    [Show full text]
  • A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Contemporary Dance
    Where are the female choreographers? A study on the gender imbalance among professional choreographers working in the fields of classical ballet and contemporary dance. Jessica Teague August 2016 This Dissertation is submitted to City University as part of the requirements for the award of MA Culture, Policy and Management 1 Abstract The dissertation investigates the lack of women working as professional choreographers in both the UK and the wider international dance sector. Although dance as an art form within western cultures is often perceived as ‘the art of women,’ it is predominately men who are conceptualising the works and choreographing the movement. This study focuses on understanding the phenomenon that leads female choreographers to be less likely to produce works for leading dance companies and venues than their male counterparts. The research investigates the current scope of the gender imbalance in the professional choreographic field, the reasons for the imbalance and provides theories as to why the imbalance is more pronounced in the classical ballet sector compared to the contemporary dance field. The research draws together experiences and statistical evidence from two significant branches of the artistic process; the choreographers involved in creating dance and the Gatekeepers and organisations that commission them. Key issues surrounding the problem are identified and assessed through qualitative data drawn from interviews with nine professional female choreographers. A statistical analysis of the repertoire choices of 32 leading international dance companies quantifies and compares the severity of the gender imbalance at the highest professional level. The data indicates that the scope of the phenomenon affects not only the UK but also the majority of the Western world.
    [Show full text]
  • Students Should Check Their School Email for the Video File Shadows
    Yr 9 dance GCSE: Objective: to work though the Shadows' booklet. You should have completed at least the costume, and lighting sections of this booklet in full by this Friday. Moving forward please ensure you complete the aural setting and the set design and props. These sections will require detailed notes. Remember that when discussing an object on stage, can you please take the dancer’s viewpoint e.g. the table in Shadows in USL not USR. Any issues please contact me on [email protected] Further information and resources are attached below. Students should check their school email for the video file Shadows and let Miss Alexander know if they cannot open the file, or need it sent to a different email address. SHADOWS ____________ By Christopher Bruce CBE SHADOWS: OVERVIEW Christopher Bruce’s works are often ‘politically aware’ – in reference to past or current political events happening around the world, exploring their effect on human life. In Shadows, Bruce invites the audience into the world of a small family, possibly set in Eastern Europe, who are coming to terms with the deprivation, poverty and the realities of what lies outside their intimate home. The piece, set to Arvo Part’s Fratres for piano and violin, examines the relationships between son, daughter, mother and father as they seal with an unseen but ever-present outside force. SHADOWS: FACTFILE Company: Phoenix Dance Theatre Choreographer: Christopher Bruce, CBE Duration: 12 mins Date of Premier: November 2014, Royal Opera House, London Dancers: 4 (2 men, 2
    [Show full text]
  • Bbc Arts Announces the Line up for Dance Festival #Dancepassion
    BBC ARTS ANNOUNCES THE LINE UP FOR DANCE FESTIVAL #DANCEPASSION A celebration of the UK’s flourishing dance scene in collaboration with One Dance UK bbc.co.uk/dance Dancers rigged to 3D motion tracking bodysuits will show how science is pushing the boundaries of choreography as part of an unprecedented celebration of the UK’s dance scene, which will also include exclusive rehearsals and insights from some of the country’s leading practitioners. These are just some of the highlights of #DancePassion, a dance festival being organised by BBC Arts in collaboration with One Dance UK, along with leading names and exciting new talent. Aimed at ‘those who love dance as well as those who don’t yet know they love dance’, #DancePassion will run across television, radio and online on the BBC from Sunday 31 March to Saturday 6 April, with a live streaming day on Friday 5 April. Highlights also include: - A #DancePassion live streaming day featuring 11 hours of performance, rehearsals and behind the scenes insights from across the UK. - Organisations to use the BBC’s dance archive in innovative ways to tell compelling dance stories. - A week-long focus on dance across television, radio and online including performances of Giselle and Atomos on BBC Four, Sound of Dance on BBC Radio 3 and dance specials on BBC Radio 2 and BBC Radio 6 Music. #DANCEPASSION LIVE STREAMING As part of the live streaming day on Friday 5 April, the science of dance will take centre stage as Birmingham Royal Ballet conduct live experiments to demonstrate how 3D motion tracking is being used to push boundaries in choreography as well as protect dancers from injury.
    [Show full text]
  • Annual Review 2017–18 Annual Review 2017–18 Review Wellssadler’S Annual
    Annual Review 2017–18 Sadler’s Wells Sadler’s Wells Annual Review 2017–18 Contents 02 Foreword 04 Highlights 2017–18 07 Working with artists 08 Producing and presenting great dance 18 Forging strategic partnerships 22 Touring our productions 25 Nurturing talent 29 National Youth Dance Company 30 New Wave Associates 33 Summer University 34 Wild Card 37 Breakin’ Convention 39 Engaging audiences 41 Dance for all 45 Reaching our audiences 47 Making it happen 48 Fundraising 51 Our people and places 51 Providing opportunities 51 Generating income 52 Sustainable development 54 How we are funded 56 Sadler’s Wells Trust and Foundation; ambassadors; Fellowship; artists and companies; co-producers 57 Support 58 Sadler’s Wells staff 60 Photography credits 2 Foreword As a national and international dance house, our mission at Sadler’s Wells is to lead in the creation and sharing of inspiring dance that broadens people’s horizons. We enable artists of all backgrounds to make work that reflects and responds to our humanity and we share this with the widest possible audiences – to enrich their lives and deepen their understanding of the world around us. This year we helped bring to the stage 16 productions and co-productions and presented more than 800 performances all over the world to audiences of over 650,000. We took our work to new and existing audiences digitally and on tour, including livestreaming Rosie Kay’s 5 SOLDIERS: The Body is from an Army base in London and bringing 15 Sadler’s Wells the Frontline productions to 56 different venues in 19 countries.
    [Show full text]
  • London Contemporary Dance School Graduating Students 2016.Pdf
    London Contemporary danCe SChooL S GraduatinG Student 2016 lcds.ac.uk London Contemporary danCe SChooL London Contemporary Dance School has been preparing young artists for a physically rigorous and highly creative profession for over 45 years. The school ensures that its students are versed in the skills and knowledge that will enable them to achieve success within the professional dance industry, in whatever shape that may take in the future. An education at London Contemporary Dance School is grounded in a culture that celebrates the young emergent artistic voice, which gives it space, acknowledgment and above all works to develop its uniqueness. 2 Graduation performanCeS 2016 repertoire 3 DAnCerS: Micha Baltman, Jade Brider, Charlotte Hilton, Beth James, Margarida Macieira, richard Pye, Leanne Vincent, Kyle White MuSiC: Við Gengum Tvö by eivør; Escape by Johann Johannsson; Laudate Dominum by Mozart CostuMe DeSign AnD MAKing: Frances Morris AssistanT CostuMe MAKerS: Sharon Coleman, Kitty Power and elizabeth Burrows LigHTing: Michael Mannion S CouSinS oWerS Jame She painted fL described by matthew Bourne as “one of the uK’s most promising choreographic talents”, James was the winner of the inaugural new adventures Choreographer award, which culminated in a sold out performance at Sadler’s Wells in 2012. James graduated from London Contemporary dance School in 2010. he formed James Cousins Company with producer francesca moseley, touring to popular and critical acclaim both nationally and internationally. as a freelance choreographer, James has been commissioned to create work for companies around the world including national Ballet of Chile, oper Graz, royal Ballet of flanders and Scottish Ballet.
    [Show full text]
  • Cultural Policies and the Politics of Performance, 1983-2008
    Choreographing postcolonial identities in Britain: Cultural policies and the politics of performance, 1983-2008 Jade Yeow Submitted in partial fulfilment of the requirements for PhD Dance De Montfort University July 2015 1 Abstract This thesis examines the way in which dance work produced by postcolonial dance artists is often misread and exoticised by critics, funders and audiences. Yet the works produced have a disruptive effect and are products and clear indications of the sometimes oppressive processes that create cultural representation and identities. These postcolonial dance artists also have to contend with problematic umbrella terms such as ‘Black’ and ‘South Asian’ which are not fully descriptive of their dance practice and have the effect of stereotyping the work produced. The thesis investigates the artists Mavin Khoo, Shobana Jeyasingh, Akram Khan, Bode Lawal, Robert Hylton and Phoenix Dance Company who have created works that have asserted their individual agency through the use of particular cultural dance practices and have engaged in concepts such as classicism, modernism and postmodernism in order to establish a place within the British dance canon. Choreographic work produced by artists such as Khoo and Hylton have ‘educated’ audiences about the dance traditions that have been ‘passed down’ to them, whilst artists and companies like Phoenix have worked within a primarily Western medium, yet acknowledging that their work is informed by their distinctive African, African-Caribbean and Indian identities also. Although the work produced by these artists is often viewed from a white and Eurocentric perspective and exoticised to fit with conventional notions of ‘Indianness’ and ‘Blackness’, this thesis demonstrates that through the use of methodologies from cultural theory/policy, postcolonial theory and dance studies it is possible to reveal and illuminate meanings in the choreography and performances of 2 postcolonial artists, and open up the dialogue that their works initiate in a multicultural and globalised context.
    [Show full text]
  • Richard Alston Choreochronicle
    resource from thealstonstudio.com Richard Alston Choreochronicle 1968 Transit Music: Ronald Lopresti London School of Contemporary Dance Matrix Music: Bahutu Chant Acland Burghley School Student Workshop 1969 Something to Do Text: Gertrude Stein London School of Contemporary Dance Still Moving Still Music: Shakuhachi London School of Contemporary Dance Cycladic Figure Music: John Cage London School of Contemporary Dance 1970 Winter Music Music: John Cage London School of Contemporary Dance Departing in Yellow Music: Michael Finnissy London School of Contemporary Dance Pace Music: George Frideric Handel London School of Contemporary Dance Workshop Nowhere Slowly Music: Karlheinz Stockhausen, Terry Riley and Michael Finnessy depending on date of performance London School of Contemporary Dance Goldrush Music: Neil Young London School of Contemporary Dance 1971 End Music: Michael Finnissy London School of Contemporary Dance resource from thealstonstudio.com Shiftwork Music: Gioacchino Rossini London School of Contemporary Cold Music: Adolphe Adam, music from Giselle Act 2 London School of Contemporary Dance After Follows Before Music: Richard Wagner London School of Contemporary Dance Who is Twyla Tharp? Text: Peter and Alison Smithson London Festival Ballet Workshop 1972 Combines Music: Franz Schubert/ J.S. Bach/ Frederic Chopin/ Ella Fitzgerald/ Connie Boswell/ Frances Langford/ Mildred Bailey London Contemporary Dance Theatre Balkan Sobranie Music: Jean Francaix/ Igor Stravinsky/ Japanese flute music (Fukushimo) Scottish Ballet Routine
    [Show full text]