Annual Review 2018/19
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Arts Council Ballet Policy Review
ARTS COUNCIL BALLET POLICY REVIEW November 2013 1 TABLE OF CONTENTS INTRODUCTION EXECUTIVE SUMMARY CHAPTER 1: HISTORICAL CONTEXT 1.1 Chapter introduction 1.2 A brief overview of ballet history 1.3 Ballet’s relevance in western contemporary society 1.4 Irish ballet in brief 1.5 Chapter conclusion CHAPTER 2: EDUCATION 2.1 Chapter introduction 2.2 Impediments to the development of formal dance education in Ireland 2.3 A brief overview of the current provision for pre-vocational dance training in Ireland 2.4 A possible model for professional dance education in Ireland 2.5 Proposed outline of course content for a BA in Dance 2.6 The positioning of a professional dance programme within a university setting and the development of international associations for quality assurance 2.7 Chapter conclusion CHAPTER 3: AN AUDIENCE PERSPECTIVE 3.1 Chapter introduction 3.2 Audience data sources 3.3 Audience data observations 3.4 Participation observations 3.5 Strategies for nurturing and developing audiences/engagement. 3.5.1 Research 3.5.2 Skills 3.5.3 Partnerships 3.5.4 Branding 3.5.5 Programming 3.5.6 External perceptions 3.5.7 Participatory activities 3.6 Chapter conclusion CHAPTER 4: PROFESSIONAL PRACTICE 4.1 Chapter introduction 4.2 Common factors 4.3 Artistic considerations and planning 2 4.3.1 A commitment to creativity and moving the art form forward. 4.3.2 Producing a ‘balanced’ programme 4.3.3 Imaginative programming achieved taking account of practical considerations 4.4 Model of practice for Ireland 4.5 Chapter conclusion APPENDIX 1: ARTS COUNCIL CONSULTATION PROCESS NOTES APPENDIX 2: ABOUT THE AUTHORS 3 INTRODUCTION In May 2006 the Arts Council commissioned an independent review of the context and issues affecting professional ballet in Ireland. -
British Ballet Charity Gala
BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of -
Prospectus 2 About Us Rambert School, Is Recognised Internationally As One of the Small Group of First-Level Professional Dance Schools of the World
Director: Ross McKim MA PhD NBS (IDP) Patrons: Lady Anya Sainsbury CBE Robert Cohan CBE Prospectus 2 About Us Rambert School, is recognised internationally as one of the small group of first-level professional dance schools of the world. In order to remain so, and to support its students (given the demands they must confront), Rambert School provides a contained, bordered and protected environment through which an unusual and intense level of energy and professionalism is created, respected, treasured and sustained. “Rambert School is a place of education and training in Ballet, Contemporary Dance and Choreography. It seeks to cause or allow each student to achieve his or her unique potential personally and professionally. It encourages learning, reflection, research and creative discovery. Through these processes, as they relate to performance dance, all those at the school are provided with the opportunity to develop their vision, awareness, knowledge and insight into the world and the self. They may thus advance in terms of their art form and their lives.” Principal and Artistic Director Dr Ross McKim MA PhD NBS (IDP) Conservatoire for Dance and Drama Clifton Lodge, St Margaret’s Drive, Twickenham TW1 1QN Telephone: 020 8892 9960 Fax: 020 8892 8090 Mail: [email protected] www.rambertschool.org.uk 3 History Marie Rambert began teaching in London in 1919. In her autobiography she wrote, “In 1920 I collected the various pupils I had into a class and began teaching professionally.” This was the beginning of Rambert School which, in these early days, was based at Notting Hill Gate. Out of it grew Rambert Dance Company. -
Governor Biographies 29 August 2018 14:25:41 Name Appointment Date Member Type Biography
Governor Biographies 29 August 2018 14:25:41 Name Appointment Date Member Type Biography Mark Baker 21/07/2016 Co-opted - Staff Mark is the Theatre and Production Manager at NSCD.Mark has worked in theatre for 35 years, starting off Support in stage management before becoming a lighting technician at the Newcastle Playhouse. He was appointed as Production Manager for the Newcastle Dance Festival in 1990 and has specialised in lighting for dance ever since. He designed and toured nationally and internationally with Miranda Tufnell and dance companies such as Bi Ma and David Massingham Dance. Since joining NSCD he has lit work by many leading choreographers including Hofesh Schecter, Mark Baldwin, Wayne MacGregor, Ben Wright, Darshan Singh- Bhuller, Lea Anderson, Henri Oguike and Kim Brandstrup. He has over 20 years’ experience of teaching lighting and sound for stage, stage management and video production at all levels. He also works as a digital filmmaker and has produced videos for Phoenix Dance Theatre and Balbir Singh. Mark has a Higher Diploma in Film & Video Production and an MA in Film Studies from the University of Newcastle upon Tyne. Pam Bone 11/07/2013 Independent Pam Bone is an independent adviser for the cultural industries. Over the past 17 years she has secured significant funding to enable new and refurbished arts buildings, artistic and learning programmes and individual projects. She advises organisations on strategic and business planning including fundraising and resource development. Prior to this she was employed in senior management roles in performing arts organisations, major theatre venues and the funding system and is currently a trustee of the Theatres Trust. -
Harlequin News SPR 2012 V4 .Indd
BRITISH HARLEQUIN NEWS SPRING 2012 FLOORS FOR DANCE, PERFORMING ARTS, ENTERTAINMENT & DISPLAY With the growing popularity of dance, largely thanks to television shows, it is important to consider the facilities required for learning and teaching dance. High on the list for a dance studio or stage is a suitable fl oor. For dancers at all levels, the fl oor is where dancers TDM courtesy Photo of Photo: will spend most of their time. Not only is the dance fl oor central to a dancer’s training and working environment, but the wrong fl oor can lead to injuries sustained from slips and falls, or to longer term stress related injury. In this issue of Harlequin News we feature stories from Britain and around the world. See how the printed Harlequin Cascade fl oor transformed the set at the grand reopening of the newly restored Bolshoi Theatre in Moscow. Read snippets of interviews with Riverdance and Sydney Dance Company, then why not download the full length version using the QR code. Find out about the latest measures being taken to reduce dancer injury. Plus much more. Harlequin News is one way of us communicating with our customers but don’t forget, there are many ways to get in touch. Join us on Facebook (/harlequinfl oors), follow us on Twitter (@DanceFloors), comment on our blog, keep up to date with the latest developments on our website, which features a Live Chat link, meet the team at exhibitions or call us free on 0800 28 99 32. Bolshoi’s sumptuous set design Whichever way you choose to get in touch, we look forward to hearing from you! -
Northern Ballet School Welcome Pack 2021/22 (PDF)
Northern Ballet School Manchester Welcome Pack ———— Join the movement Year 2021/22 ——— northernballetschool.co.uk Welcome to your Northern Ballet School Introduction from the College Principal of ICTheatre and Northern Ballet School ------ Congratulations on accepting your place to study at the Norther Ballet School. As the country emerges from the impact of the Covid 19 pandemic, whilst the green shoots of a changing industry are beginning to take hold, we are so excited to welcome you to our college. Our faculty of practitioners, artists and teachers are all incredibly motivated to share their diverse, first-hand professional expertise with you - as you begin your journey. Your first few days and weeks will see you step Ready yourself to open your mind, to embrace the outside your comfort zone, meet new, like-minded new and the unfamiliar. Prepare to stretch yourself people, and encourage you to embrace your both physically and mentally. Be open to new things, new Northern Ballet School family and all of the new ways of thinking, working, and performing. Learn opportunities that lie ahead. You will soon find to say ‘yes’ with the understanding that you will yourself surrounded by genuinely creative people discover and explore new enrichments, friendships bursting with ideas and potential. and industry connections that will provide you with all you need to enhance your ability to start a Manchester is such an exciting and energetic city, fulfilling career in the creative industries. and I would incite you to explore all the subtleties, scenes, and scenarios it offers up to its effervescent Lao Tzu, a Chinese philosopher, once said ‘every student population. -
Young Choreographer 1920 Press Release
January 2020 The Royal Ballet announces continuation of Emerging Choreographer Programme The Royal Ballet to continue its commitment to developing choreographic talent with the recruitment of new resident Emerging Choreographer. Closing date for applications Monday 22 March 2020. The Royal Ballet is delighted to announce the continuation of its Emerging Choreographer Programme for 2020. An opportunity for emerging choreographic talent, the role is based at the Royal Opera House, and offers the successful applicant the chance to work alongside some of the world’s leading choreographers and with dancers of The Royal Ballet on developing their own choreographic projects. Inaugural Royal Ballet Emerging Choreographer Charlotte Edmonds trained at The Royal Ballet School where she was a finalist in the Ninette de Valois Junior Choreographic competition for three consecutive years. She also won the Kenneth MacMillan Senior Choreographic Competition in 2011 and 2012. During her time at The Royal Ballet, Edmonds created a number of original works including Meta, Piggy in the Middle and Sink or Swim, an innovative dance film which shines a light on the effects of depression and mental health. Edmonds has also created works for Dutch National Ballet Juniors, Norwegian National Ballet 2, Rambert School and The Grange Festival. Her most recent works include Words Fail Me, a project exploring the relationship between dance and dyslexia, and Wired to the Moon, created for Ballet Cymru. Director of The Royal Ballet, Kevin O’Hare, comments: ‘I’m thrilled to be able to open our Emerging Choreographer Programme for a second time in 2020. This is a wonderful opportunity for aspiring and emerging choreographers to hone their talent with the support For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of the fantastic team at The Royal Ballet, as well receiving mentorship from some of the most respected and prolific choreographers working in the world today.’ Applications for the role of Royal Ballet Emerging Choreographer close on Monday 22 March 2020. -
Box Office 0113 220 8008 Book Online at Theatreleeds.Com
Box Office 0113 220 8008 Book Online at theatreleeds.com Mariposa Following an incredible Leeds debut in 2018, don’t miss the return of DeNada Dance Theatre with Mariposa, a transgender tragedy inspired by Puccini’s Madame Butterfly. Under the neon lights of a distant Caribbean port, a local rent boy and a foreign sailor fall ominously in love in choreographer Carlos Pons Guerra’s inventive reimagining. Experience this operatic dance drama set in post-revolution Cuba, with characters engulfed in a tropical storm of repressed desires. Mariposa is a passionate exploration of what we are ready to sacrifice in order to be loved DeNada Dance Theatre Dance DeNada and accepted. This brand new production is performed to original music by Luis Miguel Tuesday 12 October Cobo. Performance 7.30pm Age guidance: 12+ due to scenes and content of a Tickets £19 U26 MB sexual nature. Mutation Space A world première and part of Light Night Leeds 2021, Mutation Space is an immersive dance and visual experience exploring the human impact on our environment and health. Using live-motion sensor technology, UK dance artists Fubunation interact with large-scale projections by visual arts pioneer William Latham, their body movements driving the shape and colour of the projected images around them. With three performances per evening, you won’t want to miss making Mutation Space part of your Light Night experience this year. Leeds Dance Partnership Dance Leeds Thursday 14 & Friday 15 October Performances 6pm, 7pm & 9pm FREE event - no booking required Northern Ballet Northern Ballet Pinocchio Tuesday 26 – Saturday 30 October In a faraway land, a hard-working and lonely carpenter wishes for his puppet Tuesday 07 – Saturday 11 December Pinocchio to come to life. -
PEAK Richard Alston Dance Company Large Print.Indd
Richard Alston Dance Company Photo by Chris Nash February 20 I 21 I 22 I 23, 2020 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming Richard Alston Dance Company Artistic Director Sir Richard Alston CBE Executive Director Isabel Tamen Associate Choreographer /Rehearsal Director Martin Lawrance Touring Administrator Rebecca Staple Production Manager Kieran Enticknap Lighting Designer/Technical Manager Zeynep Kepekli Sound Engineer Mark Webber Wardrobe Supervisor Inca Jaakson Dancers Elly Braund, Joshua Harriette, Jennifer Hayes, Monique Jonas, Nahum McLean, Nicholas Shikkis, Jason Tucker, Ellen Yilma, Niall Egan, Alejandra Gissler Program Voices and Light Footsteps (US Premiere) Choreography Richard Alston Music Claudio Monteverdi Lighting Martin Lawrance Costumes Peter Todd Music and Dancers: Sinfonia (instrumental) Joshua Harriette Zefiro Torna (madrigal for two tenors) Joshua Harriette, Nicholas Shikkis, Nahum McLean, Jason Tucker, Ellen Yilma, Monique Jonas, Jennifer Hayes Dara La Notte Company Si Dolce e il Tormento (madrigal for solo soprano) Monique Jonas Sinfonia (instrumental from Orfeo) Elly Braund, Nicholas Shikkis Sinfonia (instrumental from Orfeo) Jennifer Hayes, Jason Tucker Ballo (instrumental) Company Tempro La Cetra (madrigal for solo tenor) Ellen Yilma, Joshua Harriette Sinfonia a sei (instrumental) Alejandra Gissler, Nahum McLean, Monique Jonas, Niall Egan Damigella Tutta Bella (madrigal for three voices) Company Voices and Light Footsteps is dedicated to the memory of Belinda Quirey, a formidable authority on historical dance and an utterly inspiring teacher. Credits: Under the title Arrived parts of this dance were originally commissioned by Virginia Arts Festival 2019 and, with extra material created for twenty students from the Governor’s School for the Arts, it was first presented on March 21, 2019, at Chrysler Hall, Norfolk, Virginia. -
Northern Ballet's Dracula to Be Aired on BBC Four on Sunday 31 May At
Thursday 21 May 2020 For immediate release Northern Ballet’s Dracula to be aired on BBC Four on Sunday 31 May at 10pm David Nixon OBE’s Dracula will be shown on BBC Four on Sunday 31 May and BBC iPlayer throughout June as part of their popular Pay As You Feel Digital Season. After sell-out live performances and an international livestream last October, this adaptation of Bram Stoker’s classic will make its television debut at 10pm. northernballet.com/pay-as-you-feel Click here to download images When theatres closed in March Northern Ballet, along with the rest of the theatre industry, was severely impacted and had to cut their spring tour after just one performance. In response, the Company pledged to keep bringing world-class ballet to their audiences through a new Pay As You Feel Digital Season. To date the season has been watched by over 200,000 people and attracted donations of over £20,000. The Company is set to face a loss of over £1M in box office income due to COVID-19 which may impact their ability to pay their workforce, many of whom are freelancers, as well as their ability to present new ballets. Whilst theatres remain dark, the Company aims to continue making their performances available online and on TV, encouraging audiences to donate when they watch, if they are able. Those who wish to support the Company can donate at northernballet.com/pay-as-you-feel Dracula was recorded at Leeds Playhouse on Halloween 2019 and streamed live to over 10,000 viewers in cinemas across Europe. -
Emerging Dancer Tuesday 22 September 2020, 7.30Pm Live-Streamed Performance Digital Tickets: £5
English National Ballet Emerging Dancer Tuesday 22 September 2020, 7.30pm Live-streamed performance Digital Tickets: £5 www.ballet.org.uk/emerging On Tuesday 22 September 2020, English National Ballet’s Emerging Dancer competition will be broadcast live from the Production Studio at the Company’s East London home for the first time. The annual event, now in its 11th year, celebrates the bright future of ballet and the excellence of the Company’s young talent. This year’s event will be live streamed and available to watch online for just £5. Selected by their peers, six of the company's most promising dancers will take part in this year’s competition and have been paired up to perform a classical pas de deux and contemporary piece before a panel of esteemed judges. The winners of the Emerging Dancer and People’s Choice awards will be chosen on the night. The performances will be accompanied by live music performed by members of the English National Ballet Philharmonic. This year will see Ivana Bueno and William Yamada perform a pas de deux from Talisman, Emily Suzuki and Victor Prigent perform a pas de deux from Satanella and Carolyne Galvao and Angel Maidana perform a piece from Diana and Acteon. The contemporary section will see the couples perform three brand-new original works, created especially for the event. Ballet Black dancer and choreographer Mthuthuzeli November has created a piece for Ivana and William, ENB First Artist and Associate Choreographer Stina Quagebeur is creating for Emily and Victor and ENB Lead Principal Jeffrey Cirio is choreographing for Carolyne and Angel. -
A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Contemporary Dance
Where are the female choreographers? A study on the gender imbalance among professional choreographers working in the fields of classical ballet and contemporary dance. Jessica Teague August 2016 This Dissertation is submitted to City University as part of the requirements for the award of MA Culture, Policy and Management 1 Abstract The dissertation investigates the lack of women working as professional choreographers in both the UK and the wider international dance sector. Although dance as an art form within western cultures is often perceived as ‘the art of women,’ it is predominately men who are conceptualising the works and choreographing the movement. This study focuses on understanding the phenomenon that leads female choreographers to be less likely to produce works for leading dance companies and venues than their male counterparts. The research investigates the current scope of the gender imbalance in the professional choreographic field, the reasons for the imbalance and provides theories as to why the imbalance is more pronounced in the classical ballet sector compared to the contemporary dance field. The research draws together experiences and statistical evidence from two significant branches of the artistic process; the choreographers involved in creating dance and the Gatekeepers and organisations that commission them. Key issues surrounding the problem are identified and assessed through qualitative data drawn from interviews with nine professional female choreographers. A statistical analysis of the repertoire choices of 32 leading international dance companies quantifies and compares the severity of the gender imbalance at the highest professional level. The data indicates that the scope of the phenomenon affects not only the UK but also the majority of the Western world.