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African Americans, the Civil Rights Movement, and East Germany, 1949-1989
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eScholarship@BC Friends of Freedom, Allies of Peace: African Americans, the Civil Rights Movement, and East Germany, 1949-1989 Author: Natalia King Rasmussen Persistent link: http://hdl.handle.net/2345/bc-ir:104045 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2014 Copyright is held by the author. This work is licensed under a Creative Commons Attribution 4.0 International License. Boston College The Graduate School of Arts and Sciences Department of History FRIENDS OF FREEDOM, ALLIES OF PEACE: AFRICAN AMERICANS, THE CIVIL RIGHTS MOVEMENT, AND EAST GERMANY, 1949-1989 A dissertation by NATALIA KING RASMUSSEN submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2014 © copyright by NATALIA DANETTE KING RASMUSSEN 2014 “Friends of Freedom, Allies of Peace: African Americans, the Civil Rights Movement, and East Germany, 1949-1989” Natalia King Rasmussen Dissertation Advisor: Devin O. Pendas This dissertation examines the relationship between Black America and East Germany from 1949 to 1989, exploring the ways in which two unlikely partners used international solidarity to achieve goals of domestic importance. Despite the growing number of works addressing the black experience in and with Imperial Germany, Nazi Germany, West Germany, and contemporary Germany, few studies have devoted attention to the black experience in and with East Germany. In this work, the outline of this transatlantic relationship is defined, detailing who was involved in the friendship, why they were involved, and what they hoped to gain from this alliance. -
Copyright by Sebastian Heiduschke 2006
Copyright by Sebastian Heiduschke 2006 The Dissertation Committee for Sebastian Heiduschke Certifies that this is the approved version of the following dissertation: The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy Committee: Kirsten Belgum, Supervisor Hans-Bernhard Moeller, Co-Supervisor Pascale Bos David Crew Janet Swaffar The Afterlife of DEFA in Post-Unification Germany: Characteristics, Traditions and Cultural Legacy by Sebastian Heiduschke, M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2006 Dedication Für meine Familie Acknowledgements First and foremost it is more than justified to thank my two dissertation advisers, Kit Belgum and Bernd Moeller, who did an outstanding job providing me with the right balance of feedback and room to breathe. Their encouragement, critical reading, and honest talks in the inevitable times of doubt helped me to complete this project. I would like to thank my committee, Pascale Bos, Janet Swaffar, and David Crew, for serving as readers of the dissertation. All three have been tremendous inspirations with their own outstanding scholarship and their kind words. My thanks also go to Zsuzsanna Abrams and Nina Warnke who always had an open ear and an open door. The time of my research in Berlin would not have been as efficient without Wolfgang Mackiewicz at the Freie Universität who freed up many hours by allowing me to work for the Sprachenzentrum at home. An invaluable help was the library staff at the Hochschule für Film und Fernsehen “Konrad Wolf” Babelsberg . -
Udo Lindenberg: Sonderzug Nach Pankow
Udo Lindenberg: Sonderzug nach Pankow Udo Lindenberg hatte in einem Radiointerview am 5. März 1979 seinen Wunsch geäußert, für seine Fans ein Konzert in Ostberlin veranstalten zu wollen. Das Interview wurde in der DDR im Originalton aufgezeichnet und einen Tag später als Information dem Chefideologen und Kulturverantwortlichen der SED (Sozialistische Einheitspartei Deutschlands) vorgelegt. Dieser schrieb am 9. März 1979 handschriftlich auf die Information: „Auftritt in der DDR kommt nicht in Frage“. Lindenberg war über diese Ablehnung verärgert, doch gelang es ihm für einige Jahre nicht, seinen Plan umzusetzen. Dann kam er Anfang 1983 auf die Idee, als Reaktion auf diese Ablehnung einen deutschen Text auf Glenn Millers Swing-Klassiker Chattanooga Choo Choo zu verfassen. Der deutsche Text des Liedes richtet sich in ironischer Weise direkt an den damaligen Staatsratsvorsitzenden Erich Honecker. Dieser wird respektlos als verknöcherter und scheinheiliger Mann bezeichnet, der offiziell die Ideologie der Regierung präsentiere, aber innerlich ein Rocker sei und heimlich West-Radio höre. Der Bezug zum Berliner Bezirk Pankow im Titel beruht auf der Tatsache, dass das dort gelegene Schloss Schönhausen von 1949 bis 1960 Sitz des Präsidenten sowie anschließend bis 1964 des Staatsrates der DDR war. Auch danach hatten viele Angehörige der DDR-Regierung und ranghohe Mitarbeiter anderer Behörden ihren Wohnsitz in Pankow, unter anderem am Majakowskiring. Pankow wurde in der Zeit des Kalten Krieges als Synonym für „Regierungssitz der sowjetisch besetzten Zone“ benutzt. Zum Schluss der Aufnahme ist eine Bahnhofsdurchsage in Russisch zu hören. Der Originaltext lautet: „Towarischtsch Erich! Meshdu protschim, werchownij sowjet ne imejet nitschewo protiw gastrolej Gospodina Lindenberga w GDR!“, auf Deutsch übersetzt: „Genosse Erich, im Übrigen hat der Oberste Sowjet nichts gegen ein Gastspiel von Herrn Lindenberg in der DDR!“ Diese Passage sollte darauf hinweisen, dass ohnehin wesentliche Entscheidungen der DDR in der Sowjetunion getroffen würden. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Z eeb Road. Ann Arbor. Ml 48 1 0 6 -1 3 4 6 USA 313/761-4700 800/521-0600 Order Number 0201757 German writers and the Intermediate-range Nuclear Forces debate in the 1980s Stokes, Anne Marie, Ph.D. -
Nr. 3-4/2014 40. Jahrgang
Rundfunk und Geschichte Nr. 3-4/2014 ● 40. Jahrgang Ansgar Diller / Edgar Lersch Von Vereinsmitteilungen zur wissenschaftlichen Zeitschrift Editorial: 40 Jahre „Rundfunk und Geschichte“ Interview Audiovisuelles Erbe Europas online zugänglich Eggo Müller über EUscreenXL Thema: Deutsch-deutsch und international – Rundfunk im Kalten Krieg „…was machen unsere West-Kollegen?“ Heinz Adameck (†) im Gespräch Christoph Classen „Um die Empfangsmöglichkeiten … des Senders RIAS völlig auszuschalten…“ Störsender in der DDR 1952 bis 1988 Anke Hagedorn Deutsch-deutsche Konkurrenz? Die Deutsche Welle und der DDR-Auslandssender Radio Berlin International Laurens Form Aus dem „Wunderland des Sports“ DDR-Sportberichterstattung im ZDF von 1963 bis 1992 Alina Laura Tiews Egon Günther als Grenzgänger Deutsch-deutsche medienhistorische Verlechtungen Studienkreis-Informationen (mit Call for Papers Jahrestagung des Studienkreises 2015)/ Forum / Dissertationsvorhaben / Rezensionen Zeitschrift des Studienkreises Rundfunk und Geschichte e.V. IMPRESSUM Rundfunk und Geschichte ISSN 0175-4351 Selbstverlag des Herausgebers erscheint zweimal jährlich Zitierweise: RuG - ISSN 0175-4351 Herausgeber Studienkreis Rundfunk und Geschichte e.V. / www.rundfunkundgeschichte.de Beratende Beiratsmitglieder: Dr. Alexander Badenoch, Utrecht Dr. Christoph Classen, ZZF Potsdam Prof. Dr. Michael Crone, Frankfurt/M. Redaktion dieser Ausgabe Dr. Margarete Keilacker, verantwortl. (E-Mail: [email protected]) Melanie Fritscher (E-Mail: [email protected]) Dr. Judith Kretzschmar (E-Mail: [email protected]) Martin Stallmann (E-Mail: [email protected]) Alina Laura Tiews (E-Mail: [email protected]) Layout und Endredaktion Frank und Margarete Keilacker Druck und Vertrieb Deutscher Philatelie Service GmbH, Wermsdorf Redaktionsanschrift Dr. Margarete Keilacker, Brunnenweg 3, 04779 Wermsdorf/OT Mahlis Tel.: 034364/889858, E-Mail: [email protected] Änderungen bei Adressen bzw. -
Program of the Fortieth Annual Conference
GERMAN STUDIES ASSOCIATION Fortieth Annual Conference September 29 – October 2, 2016 San Diego, California Program of the Fortieth Annual Conference German Studies Association September 29 – October 2, 2016 San Diego, California Town and Country Resort & Convention Center German Studies Association Main Office: 1200 Academy Street Kalamazoo, MI 49006-3295 USA Tel.: (269) 267-7585 Fax: (269) 337-7251 www.thegsa.org e-mail: [email protected] President Irene Kacandes (2015–2016) Dartmouth College Vice President Mary Lindemann (2015–2016) University of Miami Secretary-Treasurer Gerald A. Fetz University of Montana Executive Director David E. Barclay Kalamazoo College GSA Board: Joy H. Calico, Vanderbilt University (2016) Randall Halle, University of Pittsburgh (2016) Jennifer Kapczynski, Washington University in St. Louis (2017) Thomas Kühne, Clark University (2018) Eric Langenbacher, Georgetown University (2018) Imke Meyer, University of Illinois at Chicago (2018) H. Glenn Penny, University of Iowa (2017) Jared Poley, Georgia State University (2017) S. Jonathan Wiesen, Southern Illinois University, Carbondale (2016) Sabine Hake, University of Texas at Austin, ex officio non-voting Suzanne Marchand, Louisiana State University (2016), ex officio non-voting © Copyright 2016 by German Studies Association Institutional Members American Friends of the Alexander Leo Baeck Institute, New York von Humboldt Foundation McGill University American Friends of the Max Planck Institut für Geschichte Documentation Center of Nanovic Institute for European -
BAKALÁŘSKÁ PRÁCE Komplexe Textanalyse Am Beispiel Von
Katedra germanistiky Filozofická fakulta Univerzita Palackého v Olomouci BAKALÁŘSKÁ PRÁCE Komplexe Textanalyse am Beispiel von Popmusik Tereza Sisrová Vedoucí práce: prof. PhDr. Mgr. Karsten Rinas, Dr. Olomouc 2021 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracovala samostatně a uvedla v ní předepsaným způsobem všechny použité prameny a literaturu. V Olomouci dne …………. …….………………… Tereza Sisrová An dieser Stelle möchte ich mich bei Herrn prof. PhDr. Mgr. Karsten Rinas, Dr. für seine Hinweise, nützliche Ratschläge und viel Geduld während der Entstehung dieser Arbeit herzlich bedanken. Schließlich gilt ein herzlicher Dank meiner Familie für ihre Unterstützung während meines Studiums. Inhaltsverzeichnis: Einführung ........................................................................................................................... 1 I. THEORETISCHER TEIL .................................................................................................. 3 1. Linguistische Textanalyse ............................................................................................ 3 1.1. Analyse von Textsorten ....................................................................................... 5 1.2. Textfunktion ........................................................................................................ 6 2. Das Lied als Textsorte ................................................................................................. 8 2.1. Liedstruktur ........................................................................................................ -
GSA 2010 Program.Indb
GERMAN STUDIES ASSOCIATION THIRTY-FOURTH ANNUAL CONFERENCE October 7-10, 2010 Oakland, California Celia Applegate President, German Studies Association, 2009–2010 Cover photo: The Oakland Marriott City Center is adjacent to Oakland’s historic downtown area. Photo by David E. Barclay Program of the Thirty-Fourth Annual Conference German Studies Association October 7-10, 2010 Oakland, California Oakland Marriott City Center Courtyard Marriott Oakland Downtown German Studies Association Main Office: 1200 Academy Street Kalamazoo, MI 49006-3295 USA Tel.: (269) 337-7056 Fax: (269) 337-7251 www.thegsa.org e-mail: [email protected] Help Desk: [email protected] Officers: President: Celia Applegate (University of Rochester), 2009-10 Vice President: Stephen Brockmann (Carnegie Mellon University), 2009-10 Secretary-Treasurer: Gerald A. Fetz (University of Montana), 2009-11 Executive Director: David E. Barclay (Kalamazoo College) Executive Committee: Kathleen Canning, University of Michigan, Ann Arbor (2012) Gerd Gemünden, Dartmouth College (2012) Pieter Judson, Swarthmore College (2011) Lutz Koepnick, Washington University in St. Louis (2012) Mary Lindemann, University of Miami (2012) Joyce M. Mushaben, University of Missouri St. Louis (2011) David Patton, Connecticut College (2010) Patricia Simpson, Montana State University (2010) Jacqueline Vansant, University of Michigan—Dearborn (2011) Sara Lennox, University of Massachusetts, Amherst, ex officio non-voting (2010) Diethelm Prowe, Carleton College, ex officio non-voting Institutional Patrons -
Music As Political Power in Postwar Germany: the Fight for German Reunification Through the Voices of East and West German Musicians
Page 40 Oshkosh Scholar Music as Political Power in Postwar Germany: The Fight for German Reunification through the Voices of East and West German Musicians Monica Meldrum, author Dr. Michelle Mouton, History, faculty mentor Monica Meldrum graduated from UW Oshkosh in spring 2018 with a bachelor of arts degree in history and a minor in music industry. During her undergraduate career, Monica conducted research for a public history project regarding the UW Oshkosh residence halls. Her additional passion for music has inspired her interest in the social role of music, dating from the Middle Ages to the present. Dr. Michelle Mouton teaches courses in modern European, German, and women’s history. She is the author of From Nurturing the Nation to Purifying the Volk: Weimar and Nazi Family Policy 1918–1945. Her current research examines German children during the Second World War and during the Cold War. Abstract When the Second World War ended, Germany embarked on a period of heightened reconstruction. Along with the restoration of bombed buildings and the reestablishment of political systems, the postwar era was a time of rich cultural adaptation as German musicians reinvented themselves and their style. Initially, the evolution of music was impacted by the military occupation in Germany and by American and British musical influences, which inspired German musicians to change their sound. However, the Cold War, which divided Germany, influenced the evolution of music in both parts of postwar Germany. In the West, the increasingly democratized Federal Republic of Germany (FRG) embraced capitalism, which created a freer environment for musicians to express themselves. -
A Sound Legacy? Music and Politics in East Germany
Harry & Helen Gray Humanities Program Series Volume 8 A SOUND LEGACY? MUSIC AND POLITICS IN EAST GERMANY Edited by Edward Larkey University of Maryland American Institute for Contemporary German Studies The Johns Hopkins University Harry & Helen Gray Humanities Program Series Volume 8 A SOUND LEGACY? MUSIC AND POLITICS IN EAST GERMANY Edited by Edward Larkey University of Maryland The American Institute for Contemporary German Studies (AICGS) is a center for advanced research, study and discussion on the politics, culture and society of the Federal Republic of Germany. Established in 1983 and affiliated with The Johns Hopkins University but governed by its own Board of Trustees, AICGS is a privately incorporated institute dedicated to independent, critical and comprehensive analysis and assessment of current German issues. Its goals are to help develop a new generation of American scholars with a thorough understanding of contemporary Germany, deepen American knowledge and understanding of current German developments, contribute to American policy analysis of problems relating to Germany, and promote interdisciplinary and comparative research on Germany. Executive Director: Jackson Janes Board of Trustees, Cochair: Steven Muller Board of Trustees, Cochair: Harry J. Gray The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©2000 by the American Institute for Contemporary German Studies ISBN 0-941441-53-9 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. -
Trumphets of Jericho
Lund University SIMT-Master’s Thesis GDG Programme Department of Political Science Master’s Programme in Global Studies Spring 2010 TRUMPHETS OF JERICHO Rock Music’s Influence on Eastern Bloc Barış Alpertan ABSTRACT This study investigates the role of rock music in the political transitions that are experienced by many Warsaw Pact countries during the late 1980s and early 1990s. The underlying assumption in this argument is that rock music is not just a form of popular music, but in fact a cultural, political and ideological force that is in constant struggle with the dominant ideology. The theoretical framework of the thesis, then, aims to articulate the sociological and ideological foundations of rock music which are believed to shape its cultural context. This context, thus argued, offers an alternative leisure behavior to working-class teenagers distinctively from the one tailored by the conservative governments. The integrity of rock music culture with the leisure time of the working-class communities, and later the middle-classes as well, places it in a position where it can not define itself merely in musical terms but also in political and ideological ones. This feature of rock music was always under the attack of socialist governments that are striving to exert their cultural hegemony within their boundaries. Hence, since the first inception of rock and roll in the mid-1950s, the music and its subsequent culture were in a perpetual battle with the socialist regimes, which the former had helped the downfall of the latter. To prove this claim, this paper presents the case of rock music in former socialist states of Czechoslovakia, East Germany, Hungary, Belarus, Ukraine and Soviet Union where the rock music posed the most intense challenges to the hegemonic powers. -
Das Objekt ”Sonderzug Nach Pankow”, Zehn Selbstklebende
[ Weitere Angaben: https://berlin.museum-digital.de/index.php?t=objekt&oges=762 vom 01.10.2021 ] Objekt: Briefmarkenedition ”Sonderzug nach Pankow” Museum: Museum Pankow Prenzlauer Allee 227/228 10405 Berlin 030 / 90295 – 3917 [email protected] Sammlung: Sammlung Pankow, Kernsammlung Museum Pankow [CC BY-NC-SA] Inventarnummer: 05446 Beschreibung Das Objekt ”Sonderzug nach Pankow”, zehn selbstklebende Briefmarken ´a55 Cent f¨ur Stan- dardbriefe national, Deutsche Post, Design-Packset, Gr¨oße S, ”Sonderzug nach Pankow”, DHL, ist eine limitierte Edition (Markenset/kompletter Bogen) anl¨asslich des 20. Jahrestags der Wiedervereinigung Deutschlands. Die Edition nimmt Bezug auf Lindenbergs Song ”Son- derzug nach Pankow”. Der ”Sonderzug nach Pankow” ist der Titel eines 1983 als Single ver¨offentlichten Songs (3:01 Min.) des Rocks¨angers Udo Lindenberg, das auf der Melodie des 1941 erschienenen US- amerikanischen Klassikers Chattanooga Choo Choo basiert. Der Text wendet sich direkt an den damaligen Staatsratsvorsitzenden Erich Honecker. Ihm unterstellt Lindenberg, innerlich ein Rocker zu sein und heimlich West-Radio zu h¨oren. Der Bezug zum Berliner Bezirk Pankow im Titel beruht auf der Tatsache, dass das dort gelegene Schloss Sch¨onhausen von 1949 bis 1960 Sitz des Pr¨asidenten sowie anschließend bis 1964 des Staatsrates der DDR war. Bis zu dem gemeinsamen Umzug in die Prominentensiedlung im Ort Wandlitz lebten ebenfalls viele Angeh¨orige der DDR-Regierung und ranghohe Mitarbeiter anderer Beh¨orden im nahegelegenen Majakowskiring. Der Ostberliner Bezirk Pankow galt im Westen lange Jahre als Synonym f¨ur des ”Regime von Pankoff”. Grunddaten Maße T.:17,5cmB.:25cmu.11cmH.:10cmu.16cm Material/Technik Papier,Pappe Ereignisse Hergestellt ..