It Was Back in 2004 When Miss Connie and Producer/DJ Angus Mcdonald Started Making Beautiful Music Together
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State Coroner's Court
STATE CORONER’S COURT OF NEW SOUTH WALES Inquest: Inquest into the death of six patrons of NSW music festivals, Hoang Nathan Tran Diana Nguyen Joseph Pham Callum Brosnan Joshua Tam Alexandra Ross-King Hearing dates: 8 – 19 July 2019, 10 – 13 September 2019, 19 – 20 September 2019 Date of findings: 8 November 2019 Place of findings: NSW State Coroner’s Court, Lidcombe Findings of: Magistrate Harriet Grahame, Deputy State Coroner Catchwords: CORONIAL LAW – Manner of death, death at music festival, MDMA toxicity, harm minimisation strategies, policing of music festivals, drug checking, drug monitoring schemes, drug education, File numbers: 2018/283593; 2017/381497; 2018/400324; 2019/12787; 2018/283652; 2018/378893; 2018/378893. Representation: Counsel Assisting Dr Peggy Dwyer instructed by Peita Ava-Jones of NSW Department of Communities and Justice Legal Gail Furness SC instructed by Jacinta Smith of McCabe Curwood for NSW Ministry of Health, Ambulance NSW and Western Sydney Local Health District Adam Casselden SC and James Emmett instructed by Nicholas Regener and Louise Jackson of Makinson D’Apice for the Commissioner of Police and four involved Police Officers Simon Glascott of Counsel instructed by Fiona McGinley of Mills Oakley for Medical Response Australia Pty Ltd and Dr Sean Wing Patrick Barry of Counsel instructed in part by Erica Elliot of K & L Gates for the Australian Festivals Association (AFA) Jake Harris of Counsel instructed by Tony Mineo of Avant Law for Dr Christopher Cheeseman and Dr Andrew Beshara Ben Fogarty of Counsel for Simon Beckingham Peter Aitken of Counsel instructed by Summer Dow of DLA Piper for EMS Event Medical and Michael Hammond Laura Thomas of Counsel instructed by Melissa McGrath of Mills Oakley for HSU Events Pty Ltd and Peter Finley Michael Sullivan of Norton Rose Fullbright for FOMO Festival Pty Ltd Andrew Stewart of Stewart & Associates for Q-Dance Australia Pty Ltd Non-publication orders: This document can be published in its current redacted form. -
North Byron Parklands – Trial Period Extension Modification Environmental Assessment
pjep. North Byron Parklands – Trial Period Extension Modification Environmental Assessment March 2017 Environmental Assessment North Byron Parklands Trial Extension Prepared for: North Byron Parklands 126 Tweed Valley Way Yelgun NSW 2483 Prepared by: pjep. pjep environmental planning pty ltd, abn. 73 608 508 176 tel. 02 9918 4366 striving for balance between economic, social and environmental ideals… In association with: PLANNERS NORTH | ABN 56 291 496 553 | p: 1300 660 087 | 3/69 Centennial Circuit Byron Bay NSW 2481 | PO Box 538 Lennox Head NSW 2478 PJEP Ref: North Byron Parklands_EA_Mar17.docx DISCLAIMER This document was prepared for the sole use of North Byron Parklands and the regulatory agencies that are directly involved in this project, the only intended beneficiaries of our work. No other party should rely on the information contained herein without the prior written consent of PJEP Environmental Planning, PLANNERS NORTH and North Byron Parklands. Environmental Assessment North Byron Parklands Trial Extension EXECUTIVE SUMMARY North Byron Parklands (Parklands) operates a cultural events site at Yelgun near Byron Bay. The site is home to two of Australia’s most iconic annual international cultural music festivals, Splendour in the Grass and the Falls Festival Byron. The Parklands site operates under a concept plan approval and project approval, granted by the NSW Planning Assessment Commission (the Commission) on behalf of the Minister for Planning on 24 April 2012 (MP 09_0028). The Commission granted the approvals subject to a 5 year trial period, up to the end of calendar 2017. The approvals allow up to 3 events each year (of up to 35,000 patrons), with a total of up to 10 event days per year. -
Download Presskit
UNER Follow Bio From debuting in 2009 on Diynamic, right up to remixing one of his idols Laurent Garnier in 2015, UNER has been experiencing one of the most exciting times of his life. After a lifetime devoted to music, rewards have come in the form of critical and audience success, performances around the globe and releasing his music on the best electronic music labels. Those include regular appearances on Cadenza, Cocoon, Visionquest, Cécille or Diynamic, which in 2014 released his debut album "432", showcasing the most personal side of UNER, the lover of house, techno, melodies and vocal harmonies. What's more, this album displayed the continued musical maturity and enduring form of this DJ and producer. Booking Info Looking back, we can see that for each new year for UNER is better than the last. In 2012, he Email was one of the top artists in the annual Resident Advisor charts, in 2013 he was named best [email protected] newcomer at the Ibiza DJ Awards, and in 2014 sophistication arrived with his debut album. Each milestone reached is celebrated and appreciated, but UNER's ambition is to turn each Phone milestone into a springboard to the next step. The results are clear: in Ibiza he has become 0034 971 80 33 83 one of the leading artists at Ants, every summer Saturday at Ushuaia, or at Carl Cox The Revolution (Space), a set repeated for the fifth year running; in the rest of Europe, where he regularly plays at clubs like Watergate in Berlin or at festivals such as Sonar, Monegros or Rock In Rio, and in the Americas, where he constantly tours the north and south of the continent. -
Marc Brennan Thesis
Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia Marc Brennan, BA (Hons) Creative Industries Research and Applications Centre (CIRAC) Thesis Submitted for the Completion of Doctor of Philosophy (Creative Industries), 2005 Writing to Reach You Keywords Journalism, Performance, Readerships, Music, Consumers, Frameworks, Publishing, Dialogue, Genre, Branding Consumption, Production, Internet, Customisation, Personalisation, Fragmentation Writing to Reach You: The Consumer Music Press and Music Journalism in the UK and Australia The music press and music journalism are rarely subjected to substantial academic investigation. Analysis of journalism often focuses on the production of news across various platforms to understand the nature of politics and public debate in the contemporary era. But it is not possible, nor is it necessary, to analyse all emerging forms of journalism in the same way for they usually serve quite different purposes. Music journalism, for example, offers consumer guidance based on the creation and maintenance of a relationship between reader and writer. By focusing on the changing aspects of this relationship, an analysis of music journalism gives us an understanding of the changing nature of media production, media texts and media readerships. Music journalism is dialogue. It is a dialogue produced within particular critical frameworks that speak to different readers of the music press in different ways. These frameworks are continually evolving and reflect the broader social trajectory in which music journalism operates. Importantly, the evolving nature of music journalism reveals much about the changing consumption of popular music. Different types of consumers respond to different types of guidance that employ a variety of critical approaches. -
February 15 Release
For more information, please contact: Sandra York [email protected] 786-266-3301 Michael Gaid [email protected] 786-512-4922 FEBRUARY 15, 2019 FOR IMMEDIATE RELEASE We are pleased that the Court has again declined to entertain, for the final time, the baseless legal claims against Ultra. Hosting the festival at Miami Marine Stadium and Historic Virginia Key Beach Park provides us with the ability to present the best and most transformative ULTRA MUSIC FESTIVAL that we have ever produced by way of music, artists, experience, cutting edge and technologically advanced production elements and novel art installations, including a new island concept for our globally renowned underground brand, RESISTANCE. Limited tickets are available at UltraMusicFestival.com. See you at Virginia Key on March 29, 30 and 31, 2019! -- ABOUT US ULTRA is the world’s largest music festival brand with over 1,000,000 people attending its events in 2018 which took place in nearly 30 countries, including ULTRA festivals across 6 continents. ULTRA has achieved global success and still remains an independent brand that is constantly evolving and continuing its global expansion. ULTRA’s 20th Anniversary event in 2018 broke previous records with 165,000 attendees from nearly 100 countries and over 30,000,000 views on the live broadcast courtesy of ULTRA LIVE. In 2018, the Miami festival was voted ‘The World’s #1 Festival’ for the 3rd consecutive year by DJ Mag and ‘Best Music Festival’ by the 2018 International Dance Music Awards, and ULTRA Worldwide’s Techno and House concept brand RESISTANCE was voted ‘Best Ibiza Night’ by the 2018 DJ Awards. -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
John O'callaghan / Interactive Biography
JOHN O’CALLAGHAN / INTERACTIVE BIOGRAPHY Ireland is known for many things: Guinness, shamrocks, and now - John O’Callaghan. regularly in their sets, it has also reached a monumental 1.3million views on Youtube Firmly established in the A-list trance elite, John O’Callaghan is set to continue his to date. John also produces through a number of pseudonyms, including Joint journey further up the ladder of electronic dance superstardom. Operations Centre and J.O.C. Under the latter he displays his affinity of techno-fringed productions, supported by a who’s who of techno and progressive jocks. John’s high- energy trance mix coupled with a highly refined precision mixing style has seen him surge up through the DJ ranks. Spinning his first Radio 1 Essential Mix ‘Never Fade Away’ & ‘Subculture’ in the summer of 2008, the gifted 28 year old was one of only 4 trance DJs to do In the latter half of 2009 John again reached into the heartland of electronic dance so during the year. Immediately following that he made his debut in DJ Magazine’s with both his second artist album and the first edition of his new compilation series. Top 100 DJs rundown, arriving at No.60. In the 2009 chart he became one of the Containing the hit singles ‘Find Yourself’ (which in March of ’10 passed the 1 million year’s highest climbers, leaping 36 places into the world’s top 25 (at number 24) and view count on YouTube), ‘Never Fade Away’, ‘Out of Nowhere’ and his Giuseppe cemented his place as Ireland’s foremost DJ & producer. -
A Brexit from Britain Or Europe? an Assessment of Identifications with Europe Among British Expats Living in the Netherlands
A Brexit from Britain or Europe? An assessment of identifications with Europe among British expats living in the Netherlands Theodore P Stell 5783755 MA International Relations in Historical Perspective GKMV16017 MA Thesis June 2019 A Brexit From Britain or Europe? Theodore P Stell (Cover Photo: Source – Creative Commons) ACKNOWLEDGEMENTS Thank you to my supervisor Marloes Beers for all of her academic guidance; as well as a very big thank you to Eli van Dantzig, for all of his help, motivation and mind-mapping, from the project’s very beginnings right to its end, especially during the many hours of proofreading. I must of course thank all of my British expat interview participants. This project really would not have been possible without you. I thank you for your time and hope that my words reflect your stories well and may also offer interesting new perspectives. Page 2 of 218 A Brexit From Britain or Europe? Theodore P Stell ABSTRACT The majority of studies concerning the UK’s Brexit have focused on its impacts on the UK domestic population. However, Brexit is much more than a domestic issue; it is also a unique occurrence in EU history that a member state leaves the EU for the first time. For the 785,000 British expatriates living in the continental EU, Brexit entails the first ever en-masse loss of European citizenship. This may consequent a choice between Britain and Europe, between national and supranational identities. European identity has long been contested, but if expats from the most Eurosceptic EU member state come to feel more European than British, Brexit may prove to be a litmus test for the existence of just such a European identity. -
Kangaroo Valley Voice
Kangaroo Valley Voice $2.50 Volume 24 Issue 1 ISSN 1833-8402 Circulation 800 JULY 2018 Kangaroo Valley’s own Plus, the TODAY Show comes to town! Broadband read more on Page 3 Network For some time now I’ve been aware of the but we are at the mercy of Telstra which The NBN might blame gamers for the limited reach of the internet in the Valley, can maintain that service for as long as it poor performance of the fixed wireless and I’m sure I’m not the only one! As decides and, as an ageing network, it is in network, but that is rubbish. Gaming only someone who provides internet services decline. accounts for a small portion of network first and foremost, and IT support as The NBN should be more reliable than use. Netflix is another matter. well, I am in contact with a lot of people ADSL. However our NBN wireless isn’t I think it’s time to build a local network who have lousy or no internet. I had high performing as it should and, when it that suits our needs. Kangaroo Valley hopes when the NBN was announced but, needs servicing, the NBN do it when doesn’t have to wait for crumbs from when they finally came, they put in one it suits them, not when it suits us. the government. We have a difficult (and tower and it just doesn’t give access Switching off the NBN for scheduled beautiful) topography, but when a big to enough people. Satellite, which is maintenance during working hours is company comes along with its cookie supposed to pick up everyone else, is not something they do normally in the cutter approach we inevitably miss out. -
The Princeton Leader, March 20, 1947
Murray State's Digital Commons The rP inceton Leader Newspapers 3-20-1947 The rP inceton Leader, March 20, 1947 The rP inceton Leader Follow this and additional works at: https://digitalcommons.murraystate.edu/pl Recommended Citation The rP inceton Leader, "The rP inceton Leader, March 20, 1947" (1947). The Princeton Leader. 410. https://digitalcommons.murraystate.edu/pl/410 This Newspaper is brought to you for free and open access by the Newspapers at Murray State's Digital Commons. It has been accepted for inclusion in The rP inceton Leader by an authorized administrator of Murray State's Digital Commons. For more information, please contact [email protected]. Co HE PRINCETON DID FIMT PRIZB At KINTUCKY't COMMUNITY NBW»PAPBR, IMS hnty Officials Margaret Truman Sings Forestry Week Is Higher Level Of Assessment Here Only jRural Roads Marked By Tree Planting Program Hope For High School, Taylor Asserts gram For Year Butler Will Be Discredited Unless Teachers' Pay Boy Scouts, Schools Of Is Raised To $2,000 By September 1948; Salary I City And County, Civic Plant A Tree Butler High To dwell A Noted $35,- What do we plant when we Average Now Is $1455; Buildings And Classes PHONE Clubs Participate For Maintainance plant the tree? Enter Music Event Badly Over-Crowded, Superintendent Warns Improvement; Buys In Observance We plant the house for you By L. C. Taylor, Supt., Kentucky Forestry Week will and me. City Schools »ded Equipment We plant the rafters, the be observed here March 16-22, At Madisonville The Board of Education of the Jwell county will receive shingles, the floors, Bids Asked On 2 Ralph A. -
Script-2009-Winter.Pdf
ST. LOUIS COLLEGE OF PHARMACY SCRIPTVOLUME 18, NUMBER 1 Winter 2009 It is no surprise to anyone that the recent economic downturn Editor Sheila Haar Siegel FEATURES has hit nearly every business sector in our economy. Private colleges and universities have been particularly hard hit because Designer Colleen Krutewicz The Doctor is In their endowments have often lost a quarter or more of their Contributing Writers value. St. Louis College of Pharmacy is no exception; our Bryan Daniels There’s only one pharmacy in Scotland County, Missouri: the one run Marc Long by Matt McKee ’04. As a rural pharmacist, he has to be a social worker, Iendowment has lost nearly 24 percent since June 30, 2008. Connie Mitchell 6 lawyer, and community activist — all while building a notable career. However, I believe that successfully navigating these tough Proofreader conditions and, at the same time, securing the College’s future Nancy Busch sheila haar siegel independence will create many opportunities for long-term Class Notes growth. Sandy Doyle For instance, the College has longed to expand its five-acre President, Alumni Association Student Profile: Joel Henneberry campus, and this summer STLCOP will acquire approximately Tom Meyer ’71 During high school, Joel Henneberry traveled every year from his home- 1.2 acres of land to plan future expansion of facilities (see Chairman, Board of Trustees 10 town of Decatur, Illinois, to hear the Saint Louis Symphony Orchestra News Briefs, pg. 3). And though the markets have declined, Ronald T. Hofmeister perform. Now, in his third year at STLCOP, he sits on the same stage as donor-funded scholarships for STLCOP students are on the President Thomas F.