Mid 20Th Century Architecture in NH: 1945-1975
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Brief History of Architecture in N.C. Courthouses
MONUMENTS TO DEMOCRACY Architecture Styles in North Carolina Courthouses By Ava Barlow The judicial system, as one of three branches of government, is one of the main foundations of democracy. North Carolina’s earliest courthouses, none of which survived, were simple, small, frame or log structures. Ancillary buildings, such as a jail, clerk’s offi ce, and sheriff’s offi ce were built around them. As our nation developed, however, leaders gave careful consideration to the structures that would house important institutions – how they were to be designed and built, what symbols were to be used, and what building materials were to be used. Over time, fashion and design trends have changed, but ideals have remained. To refl ect those ideals, certain styles, symbols, and motifs have appeared and reappeared in the architecture of our government buildings, especially courthouses. This article attempts to explain the history behind the making of these landmarks in communities around the state. Georgian Federal Greek Revival Victorian Neo-Classical Pre – Independence 1780s – 1820 1820s – 1860s 1870s – 1905 Revival 1880s – 1930 Colonial Revival Art Deco Modernist Eco-Sustainable 1930 - 1950 1920 – 1950 1950s – 2000 2000 – present he development of architectural styles in North Carolina leaders and merchants would seek to have their towns chosen as a courthouses and our nation’s public buildings in general county seat to increase the prosperity, commerce, and recognition, and Trefl ects the development of our culture and history. The trends would sometimes donate money or land to build the courthouse. in architecture refl ect trends in art and the statements those trends make about us as a people. -
1960 National Gold Medal Exhibition of the Building Arts
EtSm „ NA 2340 A7 Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/nationalgoldOOarch The Architectural League of Yew York 1960 National Gold Medal Exhibition of the Building Arts ichievement in the Building Arts : sponsored by: The Architectural League of New York in collaboration with: The American Craftsmen's Council held at: The Museum of Contemporary Crafts 29 West 53rd Street, New York 19, N.Y. February 25 through May 15, i960 circulated by The American Federation of Arts September i960 through September 1962 © iy6o by The Architectural League of New York. Printed by Clarke & Way, Inc., in New York. The Architectural League of New York, a national organization, was founded in 1881 "to quicken and encourage the development of the art of architecture, the arts and crafts, and to unite in fellowship the practitioners of these arts and crafts, to the end that ever-improving leadership may be developed for the nation's service." Since then it has held sixtv notable National Gold Medal Exhibitions that have symbolized achievement in the building arts. The creative work of designers throughout the country has been shown and the high qual- ity of their work, together with the unique character of The League's membership, composed of architects, engineers, muralists, sculptors, landscape architects, interior designers, craftsmen and other practi- tioners of the building arts, have made these exhibitions events of outstanding importance. The League is privileged to collaborate on The i960 National Gold Medal Exhibition of The Building Arts with The American Crafts- men's Council, the only non-profit national organization working for the benefit of the handcrafts through exhibitions, conferences, pro- duction and marketing, education and research, publications and information services. -
Administration of Donald J. Trump, 2020 Executive Order 13967
Administration of Donald J. Trump, 2020 Executive Order 13967—Promoting Beautiful Federal Civic Architecture December 18, 2020 By the authority vested in me as President by the Constitution and the laws of the United States of America, it is hereby ordered as follows: Section 1. Purpose. Societies have long recognized the importance of beautiful public architecture. Ancient Greek and Roman public buildings were designed to be sturdy and useful, and also to beautify public spaces and inspire civic pride. Throughout the Middle Ages and the Renaissance, public architecture continued to serve these purposes. The 1309 constitution of the City of Siena required that "[w]hoever rules the City must have the beauty of the City as his foremost preoccupation . because it must provide pride, honor, wealth, and growth to the Sienese citizens, as well as pleasure and happiness to visitors from abroad." Three centuries later, the great British Architect Sir Christopher Wren declared that "public buildings [are] the ornament of a country. [Architecture] establishes a Nation, draws people and commerce, makes the people love their native country . Architecture aims at eternity[.]" Notable Founding Fathers agreed with these assessments and attached great importance to Federal civic architecture. They wanted America's public buildings to inspire the American people and encourage civic virtue. President George Washington and Secretary of State Thomas Jefferson consciously modeled the most important buildings in Washington, D.C., on the classical architecture of ancient Athens and Rome. They sought to use classical architecture to visually connect our contemporary Republic with the antecedents of democracy in classical antiquity, reminding citizens not only of their rights but also their responsibilities in maintaining and perpetuating its institutions. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 the Robert Menschel Architecture and Design Gallery, Third Floor
Endless House: Intersections of Art and Architecture June 27, 2015–March 6, 2016 The Robert Menschel Architecture and Design Gallery, third floor Endless House considers the single-family home and archetypes of dwelling as a theme for the creative endeavors of architects and artists. Through drawings, photographs, video, installations, and architectural models drawn from MoMA’s collection, the exhibition highlights how artists have used the house as a means to explore universal topics, and how architects have tackled the design of residences to expand their discipline in new ways. The exhibition also marks the 50th anniversary of the death of Viennese-born artist and architect Frederick Kiesler (1890–1965). Taking its name from an unrealized project by Kiesler, Endless House celebrates his legacy and the cross-pollination of art and architecture that made Kiesler’s 15-year project a reference point for generations to come. Work by architects and artists spanning more than seven decades are exhibited alongside materials from Kiesler’s Endless House design and images of its presentation in MoMA’s 1960 Visionary Architecture exhibition. Intriguing house designs—ranging from historical projects by Mies van der Rohe, Frank Gehry, Peter Eisenman, and Rem Koolhaas, to new acquisitions from Smiljan Radic and Asymptote Architecture—are juxtaposed with visions from artists such as Louise Bourgeois, Bruce Nauman, Mario Merz, and Rachel Whiteread. Together these works demonstrate how the dwelling occupies a central place in a cultural exchange across generations and disciplines. Organized by Pedro Gadanho, Curator, Department of Architecture and Design, The Museum of Modern Art Architecture and Design Collection Exhibitions are made possible by Hyundai Card and Hyundai Capital America. -
Brutalism? Some Remarks About a Polemical Name, Its Definition, and Its Use to Designate a Brazilian Architectural Trend
Published at En Blanco n.9/2012 pages 130-2 Avaliable at: http://www.tccuadernos.com/enblanco_numero.php?id=86 Brutalism? Some Remarks About a Polemical Name, its Definition, and its Use to Designate a Brazilian Architectural Trend Ruth Verde Zein [email protected] Mackenzie University São Paulo, Brazil Abstract The term Brutalism is both used and ignored in the architectural literature of the second half of the twentieth century. A thorough analysis of the term shows that it does not have a single, agreed-upon meaning. Although its definition and frequent use have not provided an unequivocal characterization of a Brutalist “essence,” to use Reyner Banham’s words, there seems to be no shortage of architecture identified as Brutalist, even if they are only superficially related. Paradoxically, instead of disregarding the term as inappropriate or vague, we might consider it adequate if we agree that what is common to all the architecture referred to as Brutalist is nothing more than their appearance. By accepting a non-essentialist definition of this movement, one may correctly apply the term to a number of different works, from different places, designed between 1950 and 1970. For the most part, what really connects these buildings is not their essence but their surface, not their inner characteristics but their extrinsic ones. Such a straightforward definition, encompassing the broad variety of Brutalist works, has the merit of providing a working definition of a broadly influential if understudied movement in modern architecture. 1 Fifty years after Brasilia’s inauguration in 1960, Brazilian architecture remains stuck in the same frozen images of a glorious moment in history. -
Historic Resources
Supplemental Material | Durham Master Plan Update | 2015 Historic Resources I. Historic American Buildings Survey, Library of Congress, 1938 Durham, Strafford County, New Hampshire: . General John Sullivan House (NH-1) . Town Hall (NH-6) . Town Pound (NH-12) . Ebenezer Smith House (NH-14) . Pendergast Garrison (NH-22) . Woodman Garrison (NH-33) II. Archaeological Reports for sites in Durham, New Hampshire New Hampshire Division of Historic Resources – 40 Reports III. Historic Maps 1650 THE PROVINCE OF MAYNE Cartographer unknown, Baxter Rare Maps Collection, Maine State Archives 1660 PASCATWAY RIVER in NEW ENGLAND Cartographer John Scott, The British Library, London 1764 MAP OF LUBBERLAND Cartographer unknown, Durham Historic Association 1775 A PLAN OF PISCATAQUA HARBOR WITH ITS BRANCHES Cartographer James Grant 1784 NEW HAMPSHIRE Cartographer Samuel Holland 1805 A PLAN OF DURHAM Cartographer D. Smith, Durham Historic Association Supplemental Material | Durham Master Plan Update | 2015 1833 NEW HAMPSHIRE STAGE ROUTES Cartographer J.R. Goodno 1854 NEW HAMPSHIRE TOWNSHIPS & RAILROADS Cartographer J.R. Dodge 1856 DURHAM, NEW HAMPSHIRE & DURHAM VILLAGE Cartographer J Chace Jr 1871 DURHAM, NEW HAMPSHIRE & DURHAM POST OFFICE Sanford & Everts 1892 LANDMARKS IN ANCIENT DOVER c.1670 by Mary Pickering Thompson Map drawn by Harry E Hayes, reprinted by the Durham Historic Association 1965 1892 DURHAM, NEW HAMPSHIRE & DURHAM TOWN D.H. Hurd 1895 U.S. GEOLOGICAL SURVEY – DOVER QUAD SW 1913 OYSTER RIVER PLANTATION c.1690 from The History of Durham, NH by Stackpole, Thompson and Meserve; Map drawn by C.W.A, reprinted by the Durham Historic Association 1994. 1918 U.S. GEOLOGICAL SURVEY – DOVER QUAD SW 1924 DURHAM, NEW HAMPSHIRE Sanborn Map Company 1931 PROPERTY MAP OF DURHAM Cartographer CE Walker 1932 DURHAM, NEW HAMPSHIRE Sanborn Map Company 1941 U.S. -
City of Wauwatosa, Wisconsin
City of Wauwatosa, Wisconsin Architectural and Historical Intensive Survey Report of Residential Properties Phase 2 By Rowan Davidson, Associate AIA & Jennifer L. Lehrke, AIA, NCARB Legacy Architecture, Inc. 605 Erie Avenue, Suite 101 Sheboygan, Wisconsin 53081 Project Director Joseph R. DeRose, Survey & Registration Historian Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 Sponsoring Agency Wisconsin Historical Society Division of Historic Preservation – Public History 816 State Street Madison, Wisconsin 53706 2019-2020 Acknowledgments This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, or disability or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to Office of the Equal Opportunity, National Park Service, 1849 C Street NW, Washington, DC 20240. The activity that is the subject of this intensive survey report has been financed entirely with Federal Funds from the National Park Service, U.S. Department of the Interior, and administered by the Wisconsin Historical Society. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the Wisconsin Historical Society, nor does the mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the Wisconsin Historical Society. -
Are214b Building Structures Ib
ARE214B BUILDING STRUCTURES I B CHENG HO YIU REX 193401515 B.Sc. Yr2 May 27, 2020 LIST OF BUILDING STRUCTURES LECTURE 1 – INTRODUCTION Portuguese National Pavilion Expo 98, Lisbon, Portugal. 1998 | Alvaro Siza | Cecil Balmond (Engineer) A minimalistic pavilion with a wide-spanning curved concrete canopy, fastened between the roofs of two rolls of vertical columns by steel cables embedded inside the thin layers of concrete, HSBC Headquarters, Central, Hong Kong. 1985 | Norman Forster | Ove Arup & Partners (Engineer) High-rise office with exoskeleton structure with steel trusses and floors suspended by tension columns that supported by eight main clustered columns, each composed of 4 connected steel tubes, to create the large column free atrium. Pont du Gard Roman Aqueduct, Nimes, France. 40-60 AD Three tier semi-circular arch structure built with stone using only friction and gravity to transfer water in ancient times. Exchange House Office Building, Dockland, London. 1996 | Skidmore, Owings & Merrill (SOM) The 10-story office building is supported by external steel frame structure that is hold up primarily by four parabolic arches, two internal and two external, to provide a column-free and flexible open office design. Statue of Liberty, New York City, USA. 1886 | Gustave Eiffel | Frédéric Auguste Bartholdi (Sculptor) Structure ≠ Form | The neoclassical copper statue is sectioned into sheets of metal claddings which are attached to steel frames supported by four steel columns, is a gift from France to USA as a memorial to their independence. Greater Columbus Convention Center, Columbus, Ohio, USA. 1993 | Peter Eisenman Structure ≠ Form | The organic and irregular exterior is supported by convoluted structural frame that creates a strong juxtaposition with the convention centre’s large open interior. -
TOM FINKELPEARL (TF) Former Deputy Director of P.S
THE MUSEUM OF MODERN ART ORAL HISTORY PROGRAM INTERVIEW WITH: TOM FINKELPEARL (TF) Former Deputy Director of P.S. 1 INTERVIEWER: JEFF WEINSTEIN (JW) Arts & Culture Journalist / Editor LOCATION: THE MUSEUM OF MODERN ART DATE: JUNE 15, 2010 BEGIN AUDIO FILE PART 1 of 2 JW: I‟m Jeff Weinstein and we are sitting in the Architecture and Design conference room at the education and research building of The Museum of Modern Art on Tuesday, 3:30, June 15th, and I‟m talking to… TF: 2010. JW: 2010. Is it Thomas or Tom? TF: Tom. JW: Tom Finkelpearl. And we‟re going to be talking about his relationship to P.S. 1. Hello. Could you tell me a little background: where you were born, when, something about your growing up and your education? TF: Okay. Well, I was born in 1956 in Massachusetts. My mom was an artist and my dad was an academic. So, actually, you know, I had this vision of New York City from when I was a kid, which was, going to New York City and seeing, like, abstract expressionist shows. We had a Kline in our front hall. They had a de Kooning on consignment, but they didn‟t have the three hundred and fifty dollars. And so the trajectory of my early childhood was that I always had this incredible vision of coming to New York City and working in the arts. Then actually, I went undergraduate to Princeton. I was a visual arts and art history major, so I was an artist when I started P.S. -
United States Department of the Interior National Park Service 1
NPS Form 10-900 \ W^ ^^-~ 1 \ OMB No. 1024-0018 (Rev. 10-90) United States Department of the Interior National Park Service This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property____________________________________________ historic name Temple Town Hall other names/site number Union Hall; Miller Grange Hall 2. Location street & number Main Street opp. the intersection of NH Rt. 45 and Gen. Miller Hwv. N/A D not for publication city or town _________Temple______________________N/A D vicinity state New Hampshire code NH county Hillsborough code Oil zip code 03084 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this H nomination D request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property meets D does not meet the National Register Criteria. -
Official U.S. Bulletin
: : : : PUBLISHED DJiJLY under order of THE PRESIDENT of THE UNITED STATES by COMMITTEE on PUBLIC INFORMATION GEORGE CREEL, Chairman -k -k -k COMPLETE Record of U. S. GOVERNMENT Activities VoL. 3 WASHINGTON, MONDAY, FEBRUARY 10, 1919. No. 534 INACTIVITY IN BUeiNG TRADES RETURN OF BODIES TO ^TS. SAYS U.S. ARMY OF OCCUPATION NOT RESULT OF LACK OF CREDIT, RECEIVES ITS MAIL PROMPTLY OF MEN DYING IN SERVICE OPINION OF SECRETARY GLASS Oen. Pershing Says Letters OF NAVY OR MARINE CORPS REGARDS HIGH COSTS AS CAUSE Frequently Are Delivered IN EVERY POSSIBLE CASE Sees no Valid Reason Why Suffi- 15 Days After Being Mailed. cient Credit Should Not Be Made NAVY DEPARTMENT Available for Useful Operations. ANNOUNCES PLANS The 'War Department authorizes publi- Treasury Policy Changed. cation of the following cabled communica- tion in response to an inquiry ffrom the Relatives to Have Remains The Secretary of the Treasury has is- Third Assistant Secretary of War When Desired, Govern- sued the following statement There has been in the past a great deal The impression seems to exist that of complaint in regard to mail facilities ment Paying All Expense policies initiated during the war by Sec- and length of time it takes letters written lilcAdoo the Federal Re- in the United States to reach those in the Up to Time of Delivery, retary and by , American Expeditionary Forces to whom serve F>oard for the conservation of credit Burial in National Ceme- are still fully effective and are respon- addressed. These complaints may in par- sible for inactivity in the building trades.